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Mesopotamia and Egyptian societies
Mesopotamia and Egyptian societies
Question of Mesopotamia
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Epic of Gilgamesh
. Mesopotamia, current day Iraq, derived its name from words meaning, "the land between the rivers," which refers to the Tigris and Euphrates. This land was inhabited during the fourth millennium B.C.E. and throughout time transcended into political and military organizations. The significance of these cultures revolved around important warrior figures and their impact on society. The most important figure that will be discussed is the protagonist from The Epic of Gilgamesh. Many consider it to be the greatest literary composition written in cuneiform Akkadian around 2150 BC. This epic portrays the life of the great warrior, Gilgamesh. It chronicles how his victories, both militaristic and internal, ultimately determined his superiority. This relates to the ancient Mesopotamian society in many ways, including the role of warriors and the dual nature of Gilgamesh.
It is evident from the beginning of the Epic of Gilgamesh how vital of a role warrior's played in ancient Mesopotamian society. Warriors were considered top of the social hierarchy. All other authoritative figures were considered subordinate. Uruk's inhabitants deemed Gilgamesh as their superior: "There is nobody among the kings of teeming humanity who can compare with him…Belet-ili designed the shape of his body, made his form perfect…In Uruk the Sheepfold he would walk about, show himself superior, his head held high like a wild bull." 2 Gilgamesh epitomizes the ideal hero in the eyes of his society through admirable physical strength, bodily perfection, and bravery. This admiration directly pertains to ancient Mesopotamia and the earliest Sumerian governments. For instance, "When crises arose, assemblies yielded the...
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...t was revealed long after Gilgamesh's death that he was actually considered a god. This helps explain his fear towards death. Gilgamesh wanted to physically be a great warrior until the end of time opposed to just another historic memory. Although it was not actually death he was afraid of, Gilgamesh feared the obliteration of his glory and honor.
In conclusion, the values from ancient Mesopotamian culture correlate to those in The Epic of Gilgamesh. The role of warriors show many similarities, including strength, bravery, and hubris. Furthermore, Gilgamesh compares with historic figures by expressing a dual nature. One may present a façade to hide one's faults, but no hero is infallible. Above all, it is learned how important heroes in Mesopotamia were, despite their imperfections, for in the eyes of their community, they were recognized like demigods.
Often, literature is based on several heroes and their adventures. Most especially, the epic stories symbolize different countries, nations, and cultures. The authors usually shape the characteristics of these stars and profile their unique techniques of writing as well as their imaginative power. Gilgamesh is one of the most known heroes, whose character was developed in the famous “Epic of Gilgamesh” as the strongest of men, a fair judge, a brave warrior, and an ambitious builder who built the magnificent walls of Uruk to protect its people. On the other hand, there are some undesirable characteristics that he possesses such as selfishness, and arrogance mostly brought about by the fact that he is part human and part god. He is characterized
The Epic of Gilgamesh is generally regarded as the greatest literature about tales of a great king. The Epic of Gilgamesh served to show us a lot of things. The time period of BCE is very blurry, and this story attempts to describe many different things in not only Sumerian beliefs, but also Sumerian's culture as a whole. Like many stories from BCE the truth itself is questionable, even though a lot of the information is fact. The factual information that Gilgamesh teaches us about Sumerian Civilization is that had had many craftsman and artistic skills, and also a strong belief in Gods.
Many cultures in the ancient and medieval worlds found courage as a value and virtue associated with warriors. To a great extent, western cultures also find courage as an attribute of warriors. This courageous cultural tendency gets its imaginative manifestation in literature of heroic societies such as The Epic of Gilgamesh, homer’s Iliad and Beowulf. These Epic heroes which show human conditions are Gilgamesh, Achilles from Homer's Iliad and Beowulf. Although, the actions and lives of these warriors occurred at different times in history, their stories are passed on from generations to generations and they share a lot of commonalities but with some discrepancies based on their lives, their choices, ideals and beliefs.
The Epic of Gilgamesh is an epic poem dating from the Third Dynasty of Ur. From the ancient Mesopotamia, the poem is set where modern day Iraq is today. Composed of five Sumerian poems about Bilgamesh, which is Sumerian for Gilgamesh, Gilgamesh is two parts God and one part Man who is a hero. Gilgamesh encounters many challenges and situations during The Epic of Gilgamesh that cause him to evolve into a better king. Consequential, Gilgamesh recommences his position in Urk and evolves as an improved king.
The quest for immortality after the death of Enkidu is the first sign that Gilgamesh has changed. Gilgamesh becomes frightened when he realizes that he isn’t immortal. After the death of Enkidu, Gilgamesh tries to find immortality by trying to cross the ocean to find it. He sounds pathetic as he rambles of his reason for trying to find everlasting life. His state of being at this part in the book, which is the end, is completely different from his arrogant beginning of this epic. Gilgamesh has gone from arrogant to scared.
While Gilgamesh was a hero thought to be more beautiful, more courageous, more terrifying than all of the people of Uruk. Even though his desires, attributes, and accomplishments were just as there’s, he was still mortal.
The Epic of Gilgamesh, although written in the area between the West and East, is a more Western text rather than an Eastern text. Gilgamesh, in its ancientness can be seen as the catalyst for the majority of Western ideologies and texts. The text in its approach to aging, finding the truth and the pursuit of immortalizing oneself are in parallel with how Western beliefs conduct themselves and by extension show how Western motivation for their text could be constructed. In this manner, Gilgamesh is the oldest surviving Western text to pave the paradigm of Western texts rather than Eastern texts.
Character is built in several different ways. Some may view character as how one handles a certain hectic situation or how well one person treats another. A true definition character contains these elements, but one’s character is built and developed mainly on how one picks and chooses his time to act and his time to wait. This definition refers to restraint and discipline. Gilgamesh and Homer’s The Odyssey uses many instances in which the main characters must use incredible restraint to protect not only themselves, but also the ones they care for and love. Although both stories use this theme of self-control and discipline to develop certain personalities, each one tells a different account of how these characters are viewed by their fellow men and women and the rewards that come from showing the traits of restraint and self-will. In Gilgamesh, the character that holds back and exhibits patience is viewed as a coward, as Gilgamesh believes, and is a sign of a lack of bravery and confidence. The way that patience is portrayed in Gilgamesh reflects how the society of the time feels about everything in their lives. The author of this story wants the reader to believe that one must not hesitate and must act decisively and quickly. Opposing this belief, Odysseus holds back emotions of rage and homesickness in order to complete the task at hand. Homer, living in Greek society, understood that his people thought more about the problem before coming to a quick conclusion and then acting on it impulsively. So, although both stories repeat the concepts of self-restraint and discipline as character building qualities, they differ in the way that these attributes build or weaken a personality.
Gilgamesh is the king of Uruk, the largest and most prosperous city at that time. He is “surpassing all kings, for his stature renowned, / Heroic offspring of Uruk, a charging wild bull,/ He leads the way in the vanguard,/ He marches at the rear, defender of his comrades. ” We can see that he is a brave hero who shows much capability in battle, who led his city to undeniable success. He is aggressive, courageous, and fearlessly battles strong adversaries, caring little about his own safety. During Gilgamesh’s time, the most important quality of leadership was bravery, which he possessed an ample amount of.
1. The Mesopotamians viewed the afterlife as a place of darkness where there was no return when entered. It was ruled by the Queen of the Underworld, Ereshkigal, who was accompanied by her recorder, Belit-Sheri. From reading the poem, it was thought of as a baron place where the dead wandered and little else existed. Those who were kings and high priests were now servants for the gods. It’s definitely portrayed as a place one wouldn’t look forward to, and that’s the dilemma that Gilgamesh contemplates.
Throughout time, people of all cultures have told stories of heroes and kings. The most ancient story we have on record is the tale of King Gilgamesh. This story is an account of the King's journeys and accomplishments. Although it was written over four thousand years ago, many comparisons can be made between the society in which the story was written and our own modern society. In this essay, differences and similarities between the two societies will be examined.
Gilgamesh was considered a hero because he had many great qualities, such as loyalty, perseverance, and heroism. Although these are heroic traits, he also had his flaws and was self-righteous, selfish, and prideful. Gilgamesh was a great man and was seen as flawless and “perfect in strength” (4). He represented almost a human version of a god; therefore, making it hard to see his flaws because he seems so ideal. He appeared like the perfect man that had absolutely nothing wrong with him. He was very courageous and this was evident when he states, “There dwells in the forest the fierce monster Humbaba, [You and I shall] kill [him] [And] wipe out [something evil from the land]” (18). This statement shows both a heroic quality and a flaw in Gilgamesh. It shows his heroism and how he felt that he could accomplish great things. His statement also shows how prideful he was because he always wanted the glory and wanted to be seen as the hero. This comes from the fact that he was part human and part god and he knew how amazing everyone thought he was and felt that he needed to live up to that expectation. This can be seen as both positive and negative because it shows his determination, but yet shows his pride. Being prideful is not necessarily a good thing because in this situati...
The Epic of Gilgamesh is a moving tale of the friendship between Gilgamesh, the demigod king of Uruk, and the wild man Enkidu. Accepting ones own mortality is the overarching theme of the epic as Gilgamesh and Enkidu find their highest purpose in the pursuit of eternal life.
Although Gilgamesh may still be afraid of death it is notable to see how the idea of death changes from ones youth to adulthood. We can also see that how one experiences death can determine what they will feel about death. We see that during his youth Gilgamesh was carefree, not afraid to face challenges that could result in death. In fact he enjoyed them and ridiculed those who showed an ounce of fear while facing a battle. As he witnesses his close friend die he begins to fear his own death. He is afraid of wasting away and dieing in bed. At the end he comes to the realization that no matter what he did he cannot escape death and maybe it is time to live instead of worry about death that awaits him.
One of the main themes in the epic is that death is inevitable, which is shown through Enkidu's death. When Enkidu dies, Gilgamesh becomes very worried, because he realizes for the first time that everyone is going to die at some point in time. The fact that Enkidu is a close friend makes it even more visible to Gilgamesh that everyone is mortal. Then, along with this realization, comes the theme of denial. Gilgamesh does not want to accept the fact that he will die. He denies the truth, because he does not want to think about the truth or cope with the tragedy that has struck him. "And he-he does not lift his head. 'I touched his heart, it does not beat'" (Tablet VIII, Column II, 15-16). "'Me! Will I too not die like Enkidu? Sorrow was come into my belly. I fear death; I roam over the hills. I will seize the road; quickly I will go to the house of Utnapishtim, offspring of Ubaratutu. I approach the entrance of the mountain at night. Lions I see, and I am terrified. I lift my head to pray to the mood god Sin: For...a dream I go to the gods in prayer: ...preserve me!'" (Tablet IX, Column I, 3-12).