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Beowulf as an epic
Christian and pagan influences in beowulf
Christian and pagan influences in beowulf
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Lindisfarne and Christian Influences in Beowulf
The Beowulf manuscript, written around the year 1000 and containing approximately 70 Christian references/allusions, could owe part of its Christianization to the Catholic bishops, priests, monks and laity who made The Lindisfarne Gospels a reality about 300 years prior.
“. . . the poem is the product of a great age, the age of Bede, an age which knew artistic achievements of the kind buried at Sutton Hoo, an age in which art and learning were united to produce great gospel books like the Lindisfarne Gospels, now in the British Museum, . . . (Stanley 3). The Lindisfarne Gospels was written and artistically decorated about the year 700. About the middle of the tenth century a Catholic priest named Aldred, after translating The Lindisfarne Gospels from Latin into Anglo-Saxon, wrote on the last leaf of the manuscript a colophon naming the four Catholic religious responsible for making The Lindisfarne Gospels:
Eadfrith, Bishop of the Lindisfarne Church, originally wrote this book, for God and for Saint Cuthbert and – jointly – for all the saints whose relics are in the Island. And Ethelwald, Bishop of the Lindisfarne islanders, impressed it on the outside and adorned it with gold and with gems and also with gilded-over silver – pure metal. And Aldred, unworthy and most miserable priest, glossed it in English between the lines with the help of God and Saint Cuthbert….(Backhouse 7).
Janet Backhouse in her book The Lindisfarne Gospels, says that these gospels were made in north-east England “less than a century after the introduction there of Christianity” (Backhouse 7). This statement is quesstionable. Consider that the conversion of Britain to Christianity began quite early. The Catholic priest Venerable Bede, born in Bernicia, Northumbria, around 673, states in Bk 1, Ch 4 of his Ecclesiastical History of the English People that while Eleutherius was Bishop of Rome (175-189AD), a king of Britain named Lucius requested of the Pope that the king be baptized a Catholic by papal decree:
In the year of our Lord 156 Marcus Antoninus Verus was made emperor together with his brother Aurelius Commodus. He was the fourteenth after Augustus. In their time, while a holy man called Eleutherius was bishop of the church at Rome, Lucius, a king of Britain, sent him a letter praying him that he might be made a
In her article “But What Do You Mean” Deborah Tannen, claims that there is a huge difference in the style of communicating between men and women. Tannen breaks these down into seven different categories; apologies, criticism, thank-yous, fighting, praise, complaints, and jokes. With each of these she compares men to women by explaining the common misconceptions that each of the genders do. The different style of communication can cause some problems at the workplace and even affect the environment. The different styles of communication has been around forever and almost becomes a “ritual”(299). Tannen is effective with mainly women and not men. She is primarily successful with women due to the fact that her tone targets women, also the organization
Beowulf is steeped in a pagan tradition that depicts nature as hostile and forces of death as uncontrollable. Blind fate picks random victims; man is never reconciled with the world. Beowulf ends a failure. There is some truth in this conclusion, but for the most part, someone who didn’t have a well-lived life has most likely portrayed it.
In the year of our Lord 156 Marcus Antoninus Verus was made emperor together with his brother Aurelius Commodus. He was the fourteenth after Augustus. In their time, while a holy man called Eleutherius was bishop of the church at Rome, Lucius, a king of Britain, sent him a letter praying him that he might be made a Christian by a rescript from him. His pious request was quickly granted and the Britons preserved the faith which they had received, inviolate and entire, in peace and quiet, until the time of the Emperor Diocletian.
Brown, Raymond. A Crucified Christ in Holy Week: Essays on the Four Gospel Passion Narratives. Collegeville, Minnesota: The Liturgical Press, 1986.
To qualify as an epic poem, Beowulf reflects the values of the culture in which it was created. The Anglo-Saxon culture and the poem share many of the same values. They shared a heroic ideal that included loyalty, strength, courage, courtesy, and generosity. Like all epic poems Beowulf is a long narrative work that tells the adventures of a great hero and also reflects the values of the society in which it was written. Both Beowulf and the Anglo-Saxons believed in those qualities as an individual.
The Gospels of Matthew, Mark, Luke, and John are the origin of nearly everything the Christian Church teaches about Jesus. The Gospels, in turn, serve as the scale or test of truth and authenticity of everything the church teaches about Jesus. It is said that the Gospels are the link between Jesus of Nazareth and the people of every age throughout history who have claimed to be his followers. Although the Gospels teach us about Jesus’ life they may not provide concrete evidence that what they speak of is true there are several other sources.
"p" sound is line 160, "From my prince, no permission from my people for your
Epic heroes usually exemplify the character traits most admired in their societies, and Beowulf is no exception. "Beowulf" is set in the Anglo-Saxon society, a time when war was rampant among the many peoples trying to take over the different kingdoms of England. In this dangerous, violent time people lived in constant peril and jeopardy. These conditions only allowed people of great bravery to survive and men of outstanding courage were admired the populous. These warriors fought for their leader and tribe in return for treasure and protection. This relationship between the lord and his men was the basis of the Anglo-Saxon society. The epic poem "Beowulf" is a perfect example of how this system worked in these trying times.
A hero is someone who is admired for their courage and bravery, as well as their noble accomplishments. They are respected by almost everyone, due to their kindness and charitable mindset, that drives them to fight for the good of others. Beowulf is the perfect representation of a hero, based on multiple characteristics that he displays throughout the novel. Along with his characteristics, Beowulf also takes on many “hero like” challenges and tasks. In the novel, Beowulf is praised and admired throughout the kingdom for his bravery, humility, and selflessness.
By definition, a tragic hero is a protagonist that due to some tragic flaw loses everything he has. Throughout history, literature has always been filled with main characters possessing some tragic flaw. In Macbeth, Macbeth’s tragic flaw is his enormous ambition to become king. In Hamlet, Hamlet’s tragic flaw is his need for revenge for the death of his father at the hands of his uncle. In the Epic of Gilgamesh, Gilgamesh’s tragic flaw is his need to be remembered. In the Anglo-Saxon epic Beowulf, Beowulf also has a tragic flaw, excessive pride and the search for fame, which ultimately leads to his demise.
All of these characters’ narrations, which can appear incoherent, are, connected through the distorted image of the wooden cross. The posts and other symbols link Christmas and the Testaments together. Light in August functions as a fluid novel though structured distortion of the Gospels.
Beowulf is a very brave hero, he has fought and killed many creatures before, but this battle was different. He knew this battle was of great importance to everyone, and that made him that much more nervous. This creature was fierce and had been tormenting their village for as long as they could remember, so her death would be a huge victory for Beowulf and it would be an even bigger relief for the villagers. All of the people in the village were cheering for Beowulf as he walked away headed off to the greatest battle of his life.
Therefore, they can become demanding, resentful, judgmental, and intolerant of each other (13). However, when men and women learn to respect each other’s differences, they can live in tranquility (Tannen, Talking 40). Men and women react and behave differently when expressing difficult feelings, dealing with stress, and evaluating their self-worth.
He also wrote "Accordingly the present Gospel is thought to involve the work of two hands, an evangelist who composed the body of the Gospel,and a redactor who later made additions."
Living in a period of important religious and cultural flux, John Milton's poetry reflects the many influences he found both in history and in the contemporary world. With a vast knowledge of literature from the classical world of Greek and Roman culture, Milton often looked back to more ancient times as a means of enriching his works. At other times, however, he relies on his strong Christian beliefs for creating spiritually compelling themes and deeply religious imagery. Despite the seemingly conflicting nature of these two polarized sources of inspiration, Milton somehow found a way of bridging the gap between a pagan and a Christian world, often weaving them together into one overpowering story. The pastoral elegy Lycidas, written after the death of a fellow student at Cambridge, exemplifies this mastery over ancient and contemporary traditions in its transition from a pagan to a Christian context. Opening the poem in a setting rich with mythological figures and scenery, then deliberately moving into a distinctly Christian setting, Milton touches upon two personally relevant issues: poetry and Christian redemption. In this way, Lycidas both addresses the subject of being a poet in a life doomed by death and at the same time shows the triumphant glory of a Christian life, one in which even the demise of the poet himself holds brighter promises of eternal heavenly joy.