Mandeep Singh The Epic of Gilgamesh is about the King of Uruk, Gilgamesh, who is two-thirds god and one-third man. This story teaches people that life is always changing and it influences us immensely. Several themes are put forth in this story. One theme is love. Enkidu’s love in friendship changed Gilgamesh for the better. This epic shows that interactions with gods (divine) are dangerous because they disapprove the fact that they are being challenged. Another theme is death and immortality. Enkidu dies and this leaves Gilgamesh heartbroken. He wants to avoid his death so starts out to find Utnapishtim. The gods had granted him (Utnapishtim) an eternal life after the flood. However, we learn to accept death and acknowledge that humans …show more content…
His subjects were instilled with a feeling of fear and distrust. When he came to power as a king, he treated the people of Uruk very bad. He was a tyrant and showed no caring emotions towards his people. He forced labor on them and built the city. Afterwards, he let the city deteriorate. He raped women that he was attracted to. He slept with virgin brides even before their husbands were allowed to, which was very unfair. Everyone grumbled because of his brutality. A king’s rightful responsibility was to protect the people of his city and to not abuse his powers. After listening to the requests of the people of Uruk, the gods created Enkidu. He was just as great and strong as Gilgamesh. He lived with the animals, drinking their milk and staying in the meadows. A hunter sent a prostitute to “civilize” him and make him a human being. Enkidu sleeps with her and the animals no longer accept him. Enkidu goes to Uruk to challenge Gilgamesh and his cruel rule. He stops Gilgamesh from harassing a bride. The story very clearly presents the feelings of the people towards their king at this scene, when the people begin to cheer for Enkidu, who is fighting against their king. It is shown that the people of Uruk do not have respect for their ruler. Later, Gilgamesh and Enkidu make matters up and become really close with each other. Gilgamesh changes and becomes a better ruler. Gilgamesh and Enkidu decide to kill Humbaba, who guards the …show more content…
For example, “the gods have said that one of us must die, because we killed Humbaba and the Bull of Heavens… But Shamash spoke for me and called me innocent,” 4 (Mason, 1970) pg 46 shows when Shamash, Gilgamesh’s protector tries to plead other gods for Enkidu’s life, they ignore it and let him suffer. Enkidu suffers and eventually dies from an illness, leaving Gilgamesh heartbroken. The interactions between the divine and the mundane show a sense of inferiority and superiority. The gods are very superior and get their ways, while the people have to obey them. For example, the gods decided Enkidu’s death and there was no way out but to abide to it. The gods are always nearby and present. They will do whatever possible to show their power and strength to the humans. They make sure the humans know they are below the gods and that is their position. They always interfere with the lives of the humans. Gilgamesh realizes the power of the gods when his friend, Enkidu dies and he hunts for the secret of an eternal life. He is somewhat jealous that the gods are the only ones who will live on forever. “What interests me, to drink from the well of immortality, which means to make the dead rise from their graves,” 5 Pg 74 shows the desires of Gilgamesh of becoming immortal. The gods are controlling the humans in one way, which leads to an imbalance in society. This imbalance created a chain of death and
In the Epic of Gilgamesh, we see a significant transition or development of the main character as the story progresses. Throughout the epic, we see Gilgamesh act as a tyrant, fearless warrior, depressed man, a man filled with fear, and a man who has finally accepted his fate. The epic begins by describing Gilgamesh as a king who tyrannizes his people. “He will couple with the wife-to-be, he first of all, the bridegroom after” (pg 15). We see that Gilgamesh abuses his power as king and terrorizes the people. The people of Uruk plead the gods to ease Gilgamesh’s burden. The gods answered the prayers created an equal to match Gilgamesh. Enkidu a wild-born chimera, part animal and part man, would
The Epic of Gilgamesh is a historic story of the king of Uruk, Gilgamesh. The story depicts the short lived friendship of Gilgamesh and Enkidu. The story begins as Shamat the harlot seduces Enkidu and convinces him to go to the city of Uruk and meet Gilgamesh. From that moment on, the two were very close. They planned a trip to the forest of cedars to defeat the monster known as Humbaba so that Gilgamesh could show his power to the citizens of Uruk. However, Enkidu tried “vainly to dissuade” (18) Gilgamesh in going to the forest. Despite Enkidu’s plead, the two continued on their voyage to the forest where Humbaba lives. Once they arrived, they found the monster and killed him.
The idealization of Gilgamesh success will help its ethical structure. However, in the beginning of the epic Gilgamesh was very arrogant by the gods and so the people of Uruk decide to teach him a lesson. They sent Enkidu. At first they were enemies and soon after they became friends during their dangerous journey. It has been a long time Gilgamesh needed a friend and we learned that in the epic they teach each other some lesson and their friendship grow stronger. They were now brothers and they both show some weaknesses but they teach each other how they can conquer it. During the whole journey Gilgamesh has truly changed for the better. So, the people of Uruk can learn from their ruler. They realize that the king has risked his life and that the people of Uruk ethical structure was created. They had specialized occupations and the most common work was architecture. They were the ones who build the strongest and tallest walls to make sure that the accomplishments of Gilgamesh will remain forever. The people of Uruk were also educated, they were the first city to ever discover literature and writing. Gilgamesh was amazed by his people and he was content with everything now since all he was worrying about was being immortal. Yet, his people and the creation they construct made Gilgamesh immortal. The structure of the community must also be equal since Gilgamesh is working hard for his people,
Perhaps one of the main reasons the Epic of Gilgamesh is so popular and has lasted such a long time, is because it offers insight into the human concerns of people four thousand years ago, many of which are still relevant today. Some of these human concerns found in the book that are still applicable today include: the fear and concerns people have in relation to death, overwhelming desires to be immortal, and the impact a friendship has on a person’s life. It does not take a great deal of insight into The Epic of Gilgamesh for a person to locate these themes in the story, and even less introspection to relate to them.
The epic yarn Gilgamesh leaves me somewhat discouraged when I finished the book. This pessimistic ending is not the happy ending I was expecting to see considering the tragedies throughout of the rest of the story. The entire last part of the book, starting with Enkidu’s death, is nothing but more sorrow for Gilgamesh. The book seems to give Gilgamesh hope and then beat him down with more tragedy. It is almost as if the more he tries, the worse it gets for him.
Character is built in several different ways. Some may view character as how one handles a certain hectic situation or how well one person treats another. A true definition character contains these elements, but one’s character is built and developed mainly on how one picks and chooses his time to act and his time to wait. This definition refers to restraint and discipline. Gilgamesh and Homer’s The Odyssey uses many instances in which the main characters must use incredible restraint to protect not only themselves, but also the ones they care for and love. Although both stories use this theme of self-control and discipline to develop certain personalities, each one tells a different account of how these characters are viewed by their fellow men and women and the rewards that come from showing the traits of restraint and self-will. In Gilgamesh, the character that holds back and exhibits patience is viewed as a coward, as Gilgamesh believes, and is a sign of a lack of bravery and confidence. The way that patience is portrayed in Gilgamesh reflects how the society of the time feels about everything in their lives. The author of this story wants the reader to believe that one must not hesitate and must act decisively and quickly. Opposing this belief, Odysseus holds back emotions of rage and homesickness in order to complete the task at hand. Homer, living in Greek society, understood that his people thought more about the problem before coming to a quick conclusion and then acting on it impulsively. So, although both stories repeat the concepts of self-restraint and discipline as character building qualities, they differ in the way that these attributes build or weaken a personality.
Before the coming of Enkidu, Gilgamesh was a man of great power. A being for which there was no equal match, Gilgamesh boasted about his overwhelming glory and power. However, his arrogance was accompanied with an extensive abuse of power, which pushed the city of Uruk into a state of rage. Still Gilgamesh felt no despair; he lived to display to others his majestic power. The first sign of a sincere change in Gilgamesh arises as a result of the birth of Enkidu. From the beginning, a powerful link developed between man and woman. The wise Ninsun said to Gilgamesh,"You will love him as a woman and he will never forsake you". Gilgamesh had finally met his match, a friend that would serve as his life-long companion. Upon the seal of this great friendship, Gilgamesh began to change his selfish ways. Nevertheless, he shared with Enkidu the luxuries of kindness. Setting aside his great pride and power, Gilgamesh had opened a place in his heart, and in his sumptuous life, for his beloved brother.
The Epic of Gilgamesh, one of the earliest known stories, recounts the tale of the reckless King Gilgamesh and his adventures with his friend Enkidu, a natural man created by the gods from clay to humble and teach Gilgamesh to become a better ruler. Through Enkidu’s death, the once fearless Gilgamesh becomes fearful of his own inevitable demise and journeys to find immortality. However, by finding compassion for his humanity, he is able to come to terms with his mortality and continue living wholeheartedly as the ruler of Uruk. In the Epic of Gilgamesh, Gilgamesh learns to accept his mortality by gaining compassion for himself.
This story teaches that death is an unavoidable and inevitable circumstance of mortal life, which is the most significant precept Gilgamesh learns. Gilgamesh is resentful that only the gods can exist eternally. Gilgamesh is frightened by the idea of his own destiny. Mesopotamian divinity proposes a perception of an afterlife; the deceased spend their period being dead in a netherworld. Death is inevitably entwined within the structure of creation. Life is also entwined, although mortals die, humanity maintains to live. The message that Gilgamesh returns with from his adventure is not primarily about death, but about life. Fragment of a tablet of The Epic of Gilgamesh is figure C down
Myths have been a great example of the hero’s journey. Many heroes have journeys and trials to face throughout their life. Most of their journeys start out with their origin and end with the return. However, the hero’s role remains identical to every other hero. Most heroes like Gilgamesh has heroic traits because of the stages in the hero's journey. Gilgamesh is a man who can turn into a hero by changing himself, even when he has unusual circumstances surrounding his birth. Gilgamesh is viewed as a hero due to the stages of the hero's journey.
Although Gilgamesh starts out cruel he develops into a very kindhearted man. He is extremely supportive of Enkidu and encourages him in various situations. When the men are fighting Humbaba Gilgamesh says, ã[you] will surpass all of them... a fri...
Enkidu and Gilgamesh were the main characters in the Epic of Gilgamesh. In the city of Uruk, King Gilgamesh was a merciless ruler, a strong man, and had long, beautiful hair. Under Gilgamesh’s rule, the people asked the gods to generate their tyrannical king’s competitor. To cease Gilgamesh from dominating people, Enkidu was developed. Enkidu was a hairy-bodied man raised by animals. He was prepared to accept the challenge. The two men were almost iden-tical in their courage and physical abilities. Gilgamesh had a vision ...
This arrogant side of him is accompanied by an extensive abuse of power, which leads to injustice and rage in the city of Uruk: “The young men of Uruk he harries without warrant”. This problem does not bother Gilgamesh; he lives to display to others his royal power. The first sign of change in Gilgamesh occurs after the birth of Enkidu.
The epic begins with Gilgamesh terrorizing the people of Uruk. They call out to the sky god Anu for help. In response Anu tells the goddess of creation, Aruru, to make an equal for Gilgamesh. Thus Aruru created Enkidu, a brute with the strength of dozens of wild animals. After being seduced by a harlot from the temple of love in Uruk, Enkidu loses his strength and wildness yet gains wisdom and understanding. The harlot offers to take him into Uruk where Gilgamesh lives, the only man worthy of Enkidu's friendship. After a brief brawl the two become devoted friends.
One of the main themes in the epic is that death is inevitable, which is shown through Enkidu's death. When Enkidu dies, Gilgamesh becomes very worried, because he realizes for the first time that everyone is going to die at some point in time. The fact that Enkidu is a close friend makes it even more visible to Gilgamesh that everyone is mortal. Then, along with this realization, comes the theme of denial. Gilgamesh does not want to accept the fact that he will die. He denies the truth, because he does not want to think about the truth or cope with the tragedy that has struck him. "And he-he does not lift his head. 'I touched his heart, it does not beat'" (Tablet VIII, Column II, 15-16). "'Me! Will I too not die like Enkidu? Sorrow was come into my belly. I fear death; I roam over the hills. I will seize the road; quickly I will go to the house of Utnapishtim, offspring of Ubaratutu. I approach the entrance of the mountain at night. Lions I see, and I am terrified. I lift my head to pray to the mood god Sin: For...a dream I go to the gods in prayer: ...preserve me!'" (Tablet IX, Column I, 3-12).