Ependyte: The Biggest Garments In Ancient Greece

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The foreign garment types, which were different fundamentally from the Greece draped garments, became identifiable in sculpture and vase painting. They often wore animal skins. Take Dionysus for example. He, as well as his fellows, usually wore panther skins in vase painting, indicating his foreign origin. On the other hand, the close fitting garments were in contrast to the loose fitting Greek garments. However, foreign garments were not exclusive to the foreigners. Sometimes, native Greeks, especially slaves and mercenaries, would wear these foreign garments as well. Therefore, it was difficult to identify whether the wearers were Athenian or foreigner, according to the appearance of their garments only. The cheiridotos chiton, kandys, and …show more content…

People often wore them over a long chiton. After Persian war, the ependytes became the dress of Amazons, Persians, and the other easterners. In the archaic period, the ependytes is known as a luxurious garment in festive occasions in the eastern Greece. Then, in the classical period, the ependytes reappeared as women’s dress especially, because of its patterns and fringes. As the picture shows in figure 17, the ependytes was characterized by its colorful and patterned appearances, and the typical features of foreign garment. The social status of this garment was uncertain. It not only had significant associations with barbarians or slaves, but also wore by elite Athenian women in ritual …show more content…

The layers of dress functioned as the personification of different identities in ancient Greece society. Generally, women’s garments were related to the patriarchal notion of controlling over female’s body. Greek women were assumed to cover their bodies from head to feet entirely. For instance, peplos, as the primary garment for the earliest inhabitants of Greece, used its heavily woven texture to obscures the form of female body underneath and conceals feminine sexuality deliberately. On the other hand, even though the strophion usually is difficult to be identified in the visual sources, women should cover their breasts properly, avoiding erotic connotations. Men’s garments, on the contrary, mainly communicated their social status through their garments. First, they had to dress correctly. Then, the luxurious garments, to some extent, were exclusive to wealthy old men. The imported garment was different from the others because of its foreign origin that generally had barbarian connotations in Athens. Even though it was inaccurate to determine whether the wearer of the garment was Athenian or foreigner, the garments still functioned as nonverbal messages communicating their divergent identities effectively. The expressive forms of garments in ancient Greece exemplified the intricate relationships between gender and

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