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Hamlet's influence
Themes of misogyny in hamlet
Themes of misogyny in hamlet
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"Motherless and completely circumscribed by the men around her, Ophelia has been shaped to conform to external demands, to reflect other 's desires." (Dane) Through both the misogyny of the time period and the overbearing males in Ophelia 's environment, Shakespeare took a character that could have had some depth and complexity through these environmental factors and flattened her character into this one dimensional, fragile damsel in distress whose sole purpose is to portray Hamlet and the rest of the men in her life as dominant and strong males. Through analyzing her dialogue and actions towards these men it becomes clear that Ophelia isn 't this innocent and naive songbird with a character flaw, and instead a woman who can 't fight against the males in her life, instead just deals with them in a quiet manner. In Ophelia 's first scene, her lack of depth is made clear by Shakespeare 's lack of dialogue for her. While her brother, Laertes, and father, Polonius, had pages devoted to their lines, Ophelia 's dialogue only consisted of two or three lines at a time. The scene in question is about Ophelia 's relationship with Hamlet. Ophelia discussed Hamlet 's …show more content…
Instead of being respectful and a decent human being towards her Hamlet decides to deny them ever being together, and complains about a woman 's power in the world; how women can "paint another [face] on top of it. You dance and prance and lisp; you call God’s creations by pet names, and you excuse your sexpot ploys by pleading ignorance." (Shakespeare 197). Hamlet continues to degrade her by inferring that 's she 's a whore disguised as a pure virgin, which is also the first sign in the play that Hamlet and Ophelia had a more sexual relationship than what would be considered the norm during this time and the first sign of her nymph-like
Hamlet shows much anger and disrespect to the women in his life. Ophelia’s believing her father’s words breaks Hamlets heart, being the reason for his treatment towards not just her but his mother. Ophelia
Ophelia is a character in Hamlet that is chronically faithful to everyone else but herself. Ophelia is deeply in love with Hamlet, and she is certain that he loves her as well. This is clear from the assertions she makes in Hamlet’s defense: “My lord, he hath importuned me with love in honest fashion. And hath given countenance to his speech, my lord, with almost all the holy vows of heaven” (1795). Ophelia’s downfall emerges when she doubts her own feelings and beliefs about Hamlet, upon instruction and advice from her brother and father. Ophelia, a confident and intelligent woman, begins to rely on others to tell her what to think and how to act. “I do not know, my lord, what I should think” (1795). Upon Polonius request, and going against her own hearts desires, she starts to avoid Hamlet. “No, my good lord, but, as you did command, I did repel his letters and denied his access to me” (1806). By doing what her father advises and wishes Ophelia is no longer capable of making decisions for herself. The loss of Hamlet’s love and the death of her father leave her with confusion and doubts about her future. “Well, Go...
Ophelia is portrayed as a sensitive, fragile woman. Easily overpowered and controlled by her brother and father, Ophelia is destined to be weak. Ophelia’s brother, Laertes, warns and pushes Ophelia to stay away from Hamlet and is further supported by their father Polonius. “Polonius enters and adds his warning to those of Laertes. He orders Ophelia not to spend time with Hamlet or even talk to him. Ophelia promises to obey” (“Hamlet” 95). Ophelia’s obedience to her father’s directions prove the side she
In The Tragedy of Hamlet, Shakespeare developed the story of prince Hamlet, and the murder of his father by the king's brother, Claudius. Hamlet reacted to this event with an internal battle that harmed everyone around him. Ophelia was the character most greatly impacted by Hamlet's feigned and real madness - she first lost her father, her sanity, and then her life. Ophelia, obedient, weak-willed, and no feminist role model, deserves the most pity of any character in the play.
When reading the text, one can comprehend that Ophelia is caught in the middle between two opposite sides. Her family (father and brother) believe that Hamlet is a womanizer rather then the philosopher that he is. They also believe that he will use her in order to achieve his own purposes, and that he would take her precious virginity only to discard it because he would never be her husband. But, Ophelia's heart mesmerized by Hamlets cunning linguistics is set on the fact that Hamlet truly loves her or loved her, even though he swears he never did. In the eye of her father and brother, she will always be a pure, wholesome girl, an eternal virgin in a sense, (due to a parents nature to always see their offspring as a child) they want her to ascend into her stereotypical role in life as a vessel of morality whose sole purpose of existence is to be a obedient wife and a committed mother. However, to Hamlet she is simply an object used to satisfy and fulfill his sexual needs. He also seems to hold her at a distant which suggests that he may...
To stay in control, the men in Hamlet taught Ophelia to fear her every day, natural thoughts causing her not to think for herself. Gabrielle Dane's article, "Reading Ophelia's Madness," discusses Polonius and Laertes retarding Ophelia's identity. Dane writes, "Both brother and father smother Ophelia in an incestuous strangle-hold, each the self-appointed tutor of her moral, intellectual, even psychological development" (407). Ophelia's father and brother telling her what to think only hurts her development instead of helping it in the long run. In Shakespeare's Hamlet, Ophelia looks to others for answers because she does not possess her own thoughts. Shakespeare shows how Polonius responds to Ophelia when she says she does not know what to think:
Ophelia, in William Shakespeare’s Hamlet, represents a self-confident and aware female character. She analyzes the world around her and recognizes the multitude of male figures attempting to control her life. Her actions display not only this awareness, but also maturity in her non-confrontational discussions. Though she is demeaned by Laertes, Polonius, and Hamlet, Ophelia exhibits intelligence and independence and ultimately resorts to suicide in order to free herself from the power of the men around her.
With the men’s constant abuse, they each start telling her different things. Unsure of whom to listen to, she starts to get confused and starts losing herself. When finally there was no one there to tell her anymore she goes mad, and on the brink of her madness she ends up killing herself. Throughout all these events, no one stops to think of her as an actual person, but instead like a rag doll they could just toss around. The play Hamlet itself was discussed without any bother of Ophelia for nearly four hundred years before scholars started to think of her and read the play with a Feminist viewpoint.
Critics argue that Hamlet has the first reason to be hurt by Ophelia because she follows her father's admonitions regarding Hamlet's true intentions for their beginning love. In Act 3, scene 1, line 91 Hamlet begins with his malicious sarcasm toward her. "I humbly thank you, well, well, well," he says to her regarding her initial pleasantries (Johnson 1208). Before this scene, he has heard the King and Polonius establishing a plan to deduce his unusual and grief-stricken behavior.
Two of Ophelia’s difficulties arise from her father and brother. They believe that Hamlet is using her to take her virginity and throw it away because Ophelia will never be his wife. Her heart believes that Hamlet loves her although he promises he never has (“Hamlet” 1). Hamlet: “Ay, truly, for the power of beauty will sooner transform honesty from what it is to a bawd than the force of honesty can translate beauty into his likeness. This was sometime a paradox, but not the time gives it proof. I did love you once.” Ophelia: “Indeed, my lord, you made me believe so.” Hamlet: “You should not have believed me, for virtue cannot so inoculate our old stock ...
... she had nothing to say to try to defend herself. Ophelia is misled by Hamlet’s affection; this shows that she was easily manipulated.
Ophelia’s betrayal ends up putting Hamlet over the edge, motivating him in his quest for revenge. Ophelia is one of the two women in the play. As the daughter of Polonius, she only speaks in the company of several men, or directly to her brother or father. Since we never see her interactions with women, she suppresses her own thoughts in order to please her superiors. Yet, however weak and dependent her character is on the surface, Ophelia is a cornerstone to the play’s progression.
There are two major female characters in Hamlet, the first is Ophelia. Ophelia is Hamlet’s love interest, and the daughter of Polonius - a faithful servant to King Claudius. On several occasions, Ophelia is disrespected and controlled by the men in her life. OPhelia’s father Polonius, was constantly dictating her life. He made his wishes known to her on several occasions in regards to her relationship with Hamlet. Polonius was also successful in getting Ophelia to help him spy and keep tabs on Hamlet. He tells Ophelia to stop spending time with Hamlet after a long talk about his intentions, “I would not, in plain terms, from this time forth, Have you so slander any moment leisure,As to give words or talk with the Lord Hamlet.Lo...
Another significant female character is Ophelia, Hamlet's love. Hamlet's quest for revenge interferes with his relationship with Ophelia. There is much evidence to show that Hamlet loved her a great deal, but his pretense of madness drove her to her death. Ophelia drowned not knowing what was happening to her. This can be deduced by the fact that she flowed down the river singing and happy when in truth she was heartbroken. Ophelia was very much afraid when she saw Hamlet "with his doublet all unbraced; No hat upon his head; his stockings foul'd, Ungarter'd, and down-gyved to his ancle" (Act #. Scene #. Line #). She described him as being "loosed out of hell" (Act #. Scene #. Line #). In addition to that he scared her when he left the room with his eyes still fixed on her. She is especially hurt when Hamlet tells her that he no longer loves her and that he is opposed to marriage. He advises her to go to a nunnery and avoid marriage if she can.
It is evident that Hamlet defines Ophelia by her sexuality. Hamlet does not value her as the woman she is. Instead, Hamlet views her as a mere object. Hamlet makes various sexual innuendos towards Ophelia. For example, this is apparent in 2.3, when Hamlet is speaking to Ophelia. Hamlet says, “It would cost you a groaning to take off mine edge” (3.2.250). Hamlet is making this regard to her in public and Ophelia lets him continue. Ophelia because of her gender continues to let Hamlet exploit and oppress her. Ophelia embodies a mutual assessment of femininity. Author Pragati Das writes, “Ophelia, it would seem, wholly at the mercy of the male figures throughout her life, is certainly a victim character” (Das 38). Ophelia does not have any alternative thoughts; she only responds with a simple sentence, “Still better and worse” (3.2.251). Ophelia is not standing up for herself, instead of she “…expresses acquiescence, uncertainty, and obeisance; she utters half lines” (Fischer 2). The power of Hamlet is manipulating Ophelia and it this shown through from her dull reaction of such crudities. Hamlet sums his vulgar and suggestive speech with, “For, oh, for, oh, the hobby-horse is forgot” (3.2.23–24). After Hamlet’s pressures of sexual suggestions, Ophelia is found to be under the absolute dominance of Hamlet’s demands, and as a result, her sanity diminishes. Ophelia’s song reflects on Hamlet, her father, and life