What did the afterlife meant to Roman and Norse society? Back in the days, ones afterlife was essential since it set the behavior in ones normal life. While the Romans adapted a similar culture of the Greeks, the Vikings worshiped a pantheon of gods and goddesses, each one representing a different aspect of life.
The Romans and Vikings had several levels in their afterlife; both shared similar characteristics, but also different aspects. The Romans had a level called Elysian Fields where the warriors and heroes went, basically the people who have done well for mankind. The version of the Norse society was called Valhalla, where one would join Odin and train for the final battle called Ragnarök. If one had been a good citizen, that person would continue to live a good life as a shade in the Plain of Asphodel if one resided in Rome. The Plain of Asphodel is alike Fólkvangr, were the Scandinavian would join the goddess Freyja (wife of Odin). The next two stages were the ones a person would not like to be in: Tartarus in Roman mythology and Hel in Norse mythology. One ended up in Tarta...
According to the Romans, people are sent to the River of Forgetfulness so they can reincarnate into another life. However, those who have acted badly in their lives do not have the option of reincarnation reincarnation, and, instead, must stay in perdition forever. The Blackfeet Indians believed in a ghost camp afterlife where all the dead went In the reading it did never say if good or bad people live there or if all dead people go there or only some; in this story there isn’t much information discussing the afterlife so I don’t really understand everything about what they thought would happen to you after death. The third myth is about what the Mantu think about the afterlife. In neither of the stories it really discusses much about it, the first myth the Man who would shoot Iruwa just talks about how the sun gods guard the underworld nothing more. In the second myth the girl who Wanted New Teeth all it talks about regarding the afterlife is that the chief, Imana brought back the woman’s children. One of the most interesting things in it was the egyptian mythology. It says once before entering the
This theme of death giving meaning to life is prevalent throughout the Odyssey. Hell is death, heaven is now, in life, in the field of time and action.
Afterlife is what affected the people of Achen’s view of time. They were thinking about heaven and their life in eternity. In Pompeii, people were concerned with their every day life and chores.
and taught them how to live. He gave them the laws that are handed down from
The god they worshiped above all gods was Òõinn, who was the head of all gods and is said to be the father of many of the gods (Gunnell 357). The Vikings believe that Òõinn sits in a high chair where he can watch over the whole entire world with his huge eye. They also believe that he is who breathes the first breathe into the first humans. The Vikings say that Òõinn is very popular with the warriors, which the Vikings consider themselves being, but they also mention that they aren’t sure if Òõinn wants those warriors’ dead or alive (Gunnell 358). The reason the Vikings say this because there are stories that mention the warriors alive and dead. The alive warriors are fighting battles for Òõinn and protecting him. The dead warriors are also preparing for a battle, a battle way more intense than the alive warriors ever fought. The battle of Ragnarok, which is the last battle at the end of the world. The Vikings also connect the living and the dead with the factor of Òõinn only having one eye, they believe that he has one living eye and one dead eye (Gunnell
In a succession myth, the familial relationship between the gods is significant. In the three works: The Babylonian Enuma Elish, The Hittite Illuyanka Myths (version 2) and the Greek Theogony by Hesiod; it can be argued that the succession of the gods is a reflection of their power and that this power eventually leads to a redistribution of position within the gods. In the Babylonian Enuma Elish, each generation of god is proclaimed to be stronger than the last and eventually this culmination of power leads to Marduk killing his great-great grandmother. In the Illuyanka myths (version 2) there is a decrease of power in the line of succession but the power is restored to the Storm God in the form of his heart and his eyes. In the Greek poet Hesiod’s Theogony, gods and monsters (Cyclopes) also become more powerful with each succession and Zeus overthrows his father fulfilling the prophecy given by Heaven and Earth.
The Norsemen were feared for hundreds of years. They came from Scandinavia and raided both the known and unknown world. They were great warriors, raiders, shipbuilders and leaders. The Norsemen were pagan, their obedience to the gods and their leader Odin. Religion was an important part of their life and death. In life, the Vikings strived for is Valhalla (the great mead hall of the gods and fallen warriors) in Asgard. Only the most honorable warriors, who dies in battle or if executed by the way of blood eagle (the victims will be on his knees and held up by two hooks and they take an ax to his back to break away the ribs, then take his lungs and place them on his shoulders) without making a sound, will go to Valhalla. Their social behavior was based on an unwritten system of honor or code of ethics. Their moral code was determined by the gods but rather honor. Honor went a long way in Viking culture, it was the most defining attribute a man could have. A man of honor was a principled man, he gave moderation, was generous and hospitable, he would offer a helping hand to a friend in need. This included allying himself with his friends against his friend’s enemies. A man of honor also never forgot to be a foe to his enemy. A Viking never wanted to be a man of disgrace. This is the opposite of a man of honor, and because every man lived his life as a member of an extended family-circle, he could easily bring disgrace to his entire family - including his forefathers. Therefore, it was intolerable for a free man to live in such a fallen state. If he was disgraced, he could only restore balance in his social system by confronting the source of his fall from an honorable status. Thus, revenge was a key component of this social system, ...
hilosophers have contemplated over the subject of immortality. They question if the soul, particularly, is immortal. Although Plato writes the Meno, it is supposed to be a copy of what Socrates personally encountered and “taught” in his lifetime. Even though the Meno is originally about the search for the meaning of virtue, one perspective on the immortality of the soul is introduced to us by Socrates in that play. Therefore, what Socrates thought about the immortality of the soul in the Meno is the following: “If the truth about reality is always in our soul, the soul would be immortal so that you should always confidently try to seek out and recollect what you do not know at present” (Plato, 86b) In the beginning, Meno challenges Socrates
There are multiple views on death and the afterlife and each view is different depending on the religion or belief that someone practices. Some religions believe in a heaven but not a hell, some believe in both and others do not believe in either. The religions that are practiced today were created by our ancient ancestors who had the ability to think beyond themselves. Practicing a religion and having an idea of death and an afterlife back in ancient times laid a foundation on how religion is seen and practiced today. Mesopotamians, Egyptians and Hindu’s created the concept of death and life after death through what they believed and practiced in ancient times.
Life and death are dualities. These two immaterial forces culminate into a beautiful and tenuous composition creating an awareness of abject mortality that indirectly contributes to the breadth and depth of human existence. This existence or being is marked by an incessant love of life, influenced by the pervasive knowledge of eventual death. The characters in Mrs. Dalloway endeavor to grasp the meaning of both life and death through the act of resistance and/or acceptance of the impermanence of human existence as it relates to them personally and to those around them. Nietzsche’s interpretation of the themes of life
Throughout the history of Rome, from the monarchy to the late empire, religion had played a great role in it's society and was involved in almost every aspect of the life of the Roman citizen. It was common for each house to have it's own patron god/gods and ,on special occasions, the head of the house would make a sacrifice to the personal gods of the family. Also, great festivals were usually held in honor of certain gods and would include spectacles like chariot races and Gladiatorial fights.
If there is one constant in this world, it would surely be death. Dying is an unavoidable part of life. Indeed, everything that lives will at sometime die. The fear of death is held by everyone. Perhaps it is the correlation of death with pain or the unknown state of the human consciousness after death, maybe a combination of both, that creates this fear. The fear felt is undoubtedly universal, however, the ways in which it is dealt with are varied and diverse.
Hundreds of years ago people did not have the technology to explain different forces of nature. They created gods, each with separate powers, to rule their domains. Some of the gods were merciful, some were wicked, and others were merely servants of more powerful gods. Looking at the gods, it is easy to tell what the civilization most valued. I am going to look at the Greek and the Norse gods to compare what was most important to their societies.
One way in which death can be viewed comes across the Catholic religion. The Catholic believers look life after death in a prospective of three different worlds, such as Hell, Purgatory, and Paradise according to the deeds committed during life. If a person during his or her lifetime committed any sins, this person’s next world will be the Hell. The traditional view in which people refer to hell can be found in the book written by Dante Alighieri, “La Divina Commedia”. The book states that the formation of Hell was given by the crash of Lucifer (the angel that wanted to be better than God) from the sky onto the earth. Crashing on the Earth in Jerusalem, his head formed an upside down cone inside the Earth. This is where is located the Hell. In the Hell, people pay for their sins with different penitences (12-13). For instance, a person that committed homicide will freeze in a lake frozen by the breath of Satan (XXXIV canto). If a person during his or her life commits any sins but asks for forgiveness, then he or she will go to the Purgatory. The purgatory is represented by an island with a mountain (23). One source states that “Purgatory is very similar to Hell; the main difference is that one will eventually be released from torture. The souls that go in the Purgatory are tortured with fire. These souls remain in purgatory until they become sufficiently purified to enter heaven”(2). For example, if a soul in the purgatory asks for forgiveness and pays the punition with some tests, the soul will be released and moved immediately to Heaven (2).
Leon Battista Alberti once said, “Men can do all things if they will.” The Florentine architect perfectly summarized the greatest value of the age of rebirth. The Renaissance, meaning “rebirth” was an era of European prosperity lasting from the fourteenth to the seventeenth century. Greco-Roman culture was reintroduced to the lives of dismal Europeans. As a result, the dark Middle Ages were transformed into a new period of radiance and opulence. Contrary to the practice of self denial during the Dark Ages, people began to live lives of hedonism during the Renaissance. Furthermore, intellectuals emphasized human worth. In order to live more pleasant lives and become well rounded people, they began to appreciate education, and the beauty of art. The antiquity-inspired principles of the Renaissance were preserved to this day in the numerous masterpieces of the Italian and Northern Renaissance.