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Applying dream interpretation to literature
Literary Criticism as Dream Analysis
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Countries around the world have their own myths. Myths were made to explain everything, even the unexplainable to a layman. Through myths, they can relay how they perceive their own culture related to the subject of their myth. Myths also become a metaphorical narrative of their life. The structure of hero’s journey obviously shows that. The hero’s journey becomes the uniting agent despite the differing perspectives. It shows the universality of human experience no matter what culture.
Eric Gamalinda’s Empire of Memory is about two men being assigned to create a book that will trace the history and lineage of Marcos as the fated rulers of the country which will bring them to an island called San Miguel. Connected with that is another part
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Empire of Memory can be considered as a metaphor of the martial law era. Isla de San Miguel becomes a microcosm of Philippines; Jose Zabarte taking on the role of Marcos and Antonio Zabarte portraying the NPAs.
This book follows the narrative that Campbell made about hero’s journey. More than that, there also exists the contemporary monomyth that glues Empire of Memory along with books also made during the martial law period.
The monomyth originated from the rites of passage from the indigenous tribe, “a magnification of the formula represented in the rites of passage: separation-initiation-return.” (Campbell 36). He formulated the idea of the monomyth based from the Jung’s collective unconscious. In an interview, Campbell detailed Jung’s importance in the theory “Within each person there is what Jung called a collective unconscious [my italics]. We are not only individuals with our unconscious intentions related to a specific social environment. We are also representatives of the species homo sapiens. And that universality is in us whether we know it or not. We penetrate to this level by getting in touch with dreams, fantasies and traditional myths; by using active imagination.” (Jung, qtd in Rensma
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Since Empire of Memory is a book about the Martial law-era made during 1992, post-martial law books need to be analysed to see if they also follow the same format as Empire of Memory.
As a modern novel, Empire of Memory is a grounded book with no fantastical leaning. In Campbell’s theory, supernatural help is a part of the hero’s journey. The idea of a supernatural help in this book will be out of place but to be considered as a monomyth, it is needed.
The term hero’s journey is also a problematic part in this research due to the word hero. A question rises whether the novel’s protagonist, Al, is a hero. A hero “is a personage of exceptional gifts” (37). Al is simply portrayed as a normal person in the novel who just happens to work under the government. What can be considered as his exceptional gifts exactly? Al is a questionable hero, and applying the term hero’s journey to him can be quite problematic.
As this is a research focusing on the monomyth elements of the primary book, Empire of Memory by Eric Gamalinda, there is a need for a secondary book outside of the primary book. The secondary book will be Killing Time in A Warm Place as it is also about martial law. The main theory will come from Joseph Campbell’s Hero With A Thousand
The past dictates who we are in a current moment, and affects who we might become in the future. Every decision people make in lives has an influence on future, regardless of how minimal or large it is. Some decisions people decide to make can have dire consequences that will follow them for the rest of the life. Moreover, even though if someone would want to leave any memories from past behind, however it will always be by his side. Specific memories will urge emotional responses that bring mind back to the past and person have no choose but to relieve those emotions and memories again. Nonetheless, certain events change people and make them who they are, but at the same time, some wrong choices made past haunts us. This essay will discuss the role of the past in novel Maestro, that was written by Australian author Peter Goldsworthy in 1989 and also in Tan Shaun's story Stick Figures which was included in book called "Tales from outer suburbia" and published in 2008.
In conclusion, it is through these contradictions between history and memory that we learn not to completely rely on either form of representation, due to the vexing nature of the relationship and the deliberate selection and emphasis. It is then an understanding that through a combination of history and memory we can begin to comprehend representation. ‘The Fiftieth Gate’ demonstrates Baker’s conclusive realisation that both history and memory have reliability and usefulness. ‘Schindler’s List’ reveals how the context of a medium impacts on the selection and emphasis of details. ‘The Send-Off’ then explains how the contradiction between memory and history can show differing perspectives and motives.
The Hunger of Memory is an autobiography of an immigrant. When Rodriguez started going to the Roman Catholic elementary school he only knew about a few words of English. His parents had to speak more English with their children around the house a...
As the story comes to its conclusion, the hero has endured his hardships; he went from the one that started fights to the one that thought of what could make everything work. An ordinary person in an ordinary world faced his share of trials and tribulations to come out as a new person. Defining the hero myth—he struggled and still was able to triumph to his prize at the end ; individuals relish these type of stories, they can
The human need to be relatable is unquenchable. We love to be able to see parts of ourselves in others, and to be able to feel like our idols are not untouchable. The Hero’s Journey format is one that can be found in almost any story, even in real life. Overall, it is the perfect recipe for keeping readers engrossed. Another place the journey has shown up is in Unbroken by Laura Hillenbrand and Odyssey by Homer. These two stories—one a biography, the other, an epic poem—are so effective in their storytelling, it is easy to see how authors today continue to use the same method to make stories that grab the readers’ attention. What makes them most alike, however, is the emotions and thoughts they have the power to provoke.
(200)This mythic study will define the first ten stages of the hero’s journey as defined by Joseph Campbell in The Hero with a Thousand Faces. Campbell defines the various stages of the hero’s journey within the context of a universal mythic "cycle” found in world ligature. These similar events define the universal stages of the hero’s journey in (1) the call to adventure, (2) refusal of the call, (3) supernatural aid, (4) the first threshold, (5) challenges, (6)revelation (7) abyss (rebirth), (8) transformation, (9) atonement, and (10) the return in the gift of the goddess. These ten stages define the cycle of the heroic journey, which
At the beginning he did not posses any heroic qualities, but by taking and accepting the first step of the passage he was able to rediscover his true potential. I believe that Amir came looking to redeem his past mistakes belated, however, he found an alternative way to put himself to peace with his past. I learned that we should stand up for who we are and what we believe to be true. It also learned that the past is unforgettable and immutable. It made me realize that we are all capable of becoming our own hero’s, by simply accepting the call to action and transforming ourselves to return as the best version of who we are. While giving us the chance to explore the
The Hero’s Journey is an ancient archetype that we find throughout our modern life and also, in the world of literature.Whether metaphorical or real, the journey that a character goes on shows not only the incredible transformation of the hero but it also gives them their life meaning. It is the ultimate human experience and it reflects on every aspect of life. Take Logan, also known as Wolverine, from the X-Men movie as an example. His adventure starts with “The Call,” which is the first step of the Hero’s Journey. This step happens due to the realization of imbalance and injustice that the character has in their life. Logan steps into the first stage of the pattern but is hesitant to start his adventure because he does not know what and
There are many stories that follow Joseph Campbell's Hero's Journey, and tells the tale of a Heroic character. These fables introduces us to heroes that begin their journey in an ordinary place, then receive a call to enter an unknown world full of bizarre powers and peculiar events. These heroes often display great traits, such as bravery or intelligence, that defines their character. One of these heroic's tales is Haroun and the Sea of Stories, telling the adventures of a young man named Haroun. This essay will prove that Haroun from Haroun and the Sea of Stories by Salman Rushdie is a hero, because he possess heroic qualities. Haroun shows his heroic qualities by overcoming obstacles, helping his friends, and having good intentions.
Joseph Campbell defines a hero as “someone who has given his or her life to something bigger than oneself” (Moyers 1). The Hero’s Journey consists of three major parts: the separation, the initiation, and the return. Throughout a character’s journey, they must complete a physical or spiritual deed. A physical deed involves performing a daunting and courageous act that preserves the well-being of another person. A spiritual deed calls for action that improves another individual’s state of mind.
From the beginning of time, mythology has appeared to be one key method of understanding life’s confusions and battles. Within these myths lies a hero. From myth to myth and story to story, heroes experience what may be called a struggle or a journey, which lays down their plot line. Bearing tremendous strength, talent, and significant admiration, a hero holds what is precious to their audience, heroism. Over time however, no matter the hero, the hero’s role remains indistinguishable and identical to the position of every other hero.
It has been stated that the application of memory functions in fictional works which act as a reflective device of human experience. (Lavenne, et al. 2005: 1). I intend to discuss the role of memory and recollection in Kazuo Ishiguro’s dystopian science-fiction novel Never Let Me Go (2005).
In movies, novels, and life, people are named as heroes. The heroes we establish and the heroes we recognize, however, may not meet the criteria for a mythic hero. A mythic hero ventures forth on his journey, and comes forth from the hero’s path to greatness. Joseph Campbell, a mythologist who studied many of the great human myths and religious tales, realized, in studying these myths and tales, that there were certain steps that every hero went through. Campbell called this “The Hero’s Journey”; it is based on Carl Jung's idea that all human beings have an archetype.
Wilhelm, Jeffrey D., et al. A Brief History of Heroes. 2004. Glencoe Literature. New York: Glencoe McGraw-Hill, 2009. 69-72. Print.
Yann Martel’s “Life of Pi” shows all three of the main elements of a hero’s journey: the departure, initiation and the return, helping the story to greatly resemble Joseph Campbell’s structure of a hero’s journey. Through the trials Pi has to face, he proves himself to be a true hero. He proves himself, not just while trapped on the lifeboat with Richard Parker, but also before the sinking of the Tsimtsum. His achievement to fulfill the heroic characteristics of Campbell’s model are evident as he goes though the three stages.