Emily Dickinson never published any of her works, instead they were brought to light anonymously by others. One of her most famous works, "If You Were Coming in the Fall" became wildly popular once it was known. Emily’s works consisted of general themes such as self-identify, the marvels of nature, and immortality. Her first published work was introduced to the public in the year 1890. The very identity of her poem contained several components that transformed writing during that time such as her tone, message, and use of figures of speech. The meaning behind "If You Were Coming in the Fall" can be described as a deep yearning transcribed by the factors such as love, time, and separation. Dickinson states that, “If certain, when this life …show more content…
At the beginning of her work she expresses that she will wait for her man by providing a detail such as, “If I could see you in a year, I'd wind the months in balls.” Dickinson’s strong intentions and feelings towards the man only flourish as the poem continues. Although she is uncertain of the time she would have to wait for him, she doesn’t give up on her man. She even declares that, “If certain, when this life was out, that yours and mine should be, I'd toss it yonder like a rind, and taste eternity.” The sentimental tone becomes more potent when Emily mentions taking the path of death if the man would be united with her in eternity. Dickinson portrays an intense tone throughout her work, which only compliments the figures of speech contained …show more content…
Emily explains that, “If you were coming in the fall, I'd brush the summer by with half a smile and half a spurn, as housewives do a fly.” She uses a simile to show that she will let the summer go by like a housewife swats away a fly. This provides the reader with her ability to see past the dreary summer without her man. In the fourth stanza Dickinson says, “If certain, when this life was out, that yours and mine should be, I'd toss it yonder like a rind, and taste eternity.” She uses another simile comparing her life to a rind containing the essence of her love and spirit. The ending statement saying that she will “taste eternity” alludes to life after death, where she would be content with her man by her side. The author of this poem provides an in-depth understanding of what she was feeling while waiting for her partner by providing several figures of speech. Emily Dickinson was a strong-willed poet in which most people discovered after her works were published anonymously. Her poem provided the vital ingredients for a well written work such as the inclusion of her tone, message, and figures of speech. From the start to the end of the written work, you can clearly see her determination and love that she possesses. Emily had strong yearning feelings for a man that remained nameless throughout the entire poem. If it had not been for the anonymous introduction of Dickinson’s
“Although Emily Dickinson is known as one of America’s best and most beloved poets, her extraordinary talent was not recognized until after her death” (Kort 1). Dickinson was born on December 10, 1830, in Amherst, Massachusetts, where she spent most of her life with her younger sister, older brother, semi-invalid mother, and domineering father in the house that her prominent family owned. As a child, she was curious and was considered a bright student and a voracious reader. She graduated from Amherst Academy in 1847, and attended a female seminary for a year, which she quitted as she considered that “’I [she] am [was] standing alone in rebellion [against becoming an ‘established Christian’].’” (Kort 1) and was homesick. Afterwards, she excluded herself from having a social life, as she took most of the house’s domestic responsibilities, and began writing; she only left Massachusetts once. During the rest of her life, she wrote prolifically by retreating to her room as soon as she could. Her works were influenced ...
Dickinson's poetry is both thought provoking and shocking. This poem communicates many things about Dickinson, such as her cynical outlook on God, and her obsession with death. It is puzzling to me why a young lady such as Emily Dickinson would be so melancholy, since she seemed to have such a good life. Perhaps she just revealed in her poetry that dark side that most people try to keep hidden.
There is probably no one, among people, who has not considered death as a subject to think about or the events, people, and spirits that they would face after death. Also, since we were little kids, we were asking our parents what death is and what is going to happen after we die. People have always linked death with fear, darkness, depression, and other negative feelings, but not with Emily Dickinson, a reclusive poet from Massachusetts who was obsessed with death and dying in her tons of writings. She writes “Because I could not stop for Death” and in this particular poem she delivers a really different idea of death and the life after death. In the purpose of doing that, the speaker encounters death, which was personalized to be in the form of a gentleman suitor who comes to pick her up with his horse-drawn carriage for a unique death date that will last forever.
Emily Dickinson was a different type of poet that has people thinking of things people would never think about in another author’s work. Dickinson was born and raised with the rich life with only two siblings. Her work was inspired by her much of her childhood and the people she interacted with. An example of Dickinson’s different type of style is, “ So I conclude that space and time are things of the body and have little or nothing to do with ourselves. My Country is Truth,”(Berry) Emily Dickinson did not share hardly any of her writing when she was alive. According to Berry,” With the exception of six poems that appeared in newspapers at various times, and another that appeared in a collection of stories and poems in 1878, Emily Dickinson never published her work,” (Berry) Even though Dickinson wrote differently, does not mean she had a different lifestyle compared to most people today. Dickinson was an outstanding American poet where her childhood, family and friends, religion, and education inspired most of her poetry.
Emily Dickinson is one of the great visionary poets of nineteenth century America. In her lifetime, she composed more poems than most modern Americans will even read in their lifetimes. Dickinson is still praised today, and she continues to be taught in schools, read for pleasure, and studied for research and criticism. Since she stayed inside her house for most of her life, and many of her poems were not discovered until after her death, Dickinson was uninvolved in the publication process of her poetry. This means that every Dickinson poem in print today is just a guess—an assumption of what the author wanted on the page. As a result, Dickinson maintains an aura of mystery as a writer. However, this mystery is often overshadowed by a more prevalent notion of Dickinson as an eccentric recluse or a madwoman. Of course, it is difficult to give one label to Dickinson and expect that label to summarize her entire life. Certainly she was a complex woman who could not accurately be described with one sentence or phrase. Her poems are unique and quite interestingly composed—just looking at them on the page is pleasurable—and it may very well prove useful to examine the author when reading her poems. Understanding Dickinson may lead to a better interpretation of the poems, a better appreciation of her life’s work. What is not useful, however, is reading her poems while looking back at the one sentence summary of Dickinson’s life.
Recognized for experimenting with poetry, Emily Dickinson is said to be one of the greatest American poets. Her work was an amazing success even after being published four years after her death in 1890. Eleven editions of Dickinson’s work were published in less than two years. Emily Dickenson’s personal life, literary influences and romantic sufferings were the main inspirations for her poetry.
Emily Dickinson is one of the most well known poets of her time. Though her life was outwardly uneventful, what went on inside her house behind closed doors is unbelievable. After her father died she met Reverend Charles Wadsworth. She soon came to regard him as one of her most trusted friends, and she created in his image the “lover'; whom she was never to know except in her imagination. It is also said that it was around 1812 when he was removed to San Fransico that she began her withdrawal from society. During this time she began to write many of her poems. She wrote mainly in private, guarding all of her poems from all but a few select friends. She did not write for fame, but instead as a way of expressing her feelings. In her lifetime only six of her poems were even printed; none of which had her consent. It was not until her death of Brights Disease in May of 1862, that many of her poems were even read (Chelsea House of Library Criticism 2837). Thus proving that the analysis on Emily Dickinson’s poetry is some of the most emotionally felt works of the nineteenth century.
Emily Dickinson had a fascination with death and mortality throughout her life as a writer. She wrote many poems that discussed what it means not only to die, but to be dead. According to personal letters, Dickinson seems to have remained agnostic about the existence of life after death. In a letter written to Mrs. J. G. Holland, Emily implied that the presence of death alone is what makes people feel the need for heaven: “If roses had not faded, and frosts had never come, and one had not fallen here and there whom I could not waken, there were no need of other Heaven than the one below.” (Bianchi 83). Even though she was not particularly religious, she was still drawn to the mystery of the afterlife. Her poetry is often contemplative of the effect or tone that death creates, such as the silence, decay, and feeling of hopelessness. In the poem “I died for beauty,” Dickinson expresses the effect that death has on one's identity and ability to impact the world for his or her ideals.
Emily Dickinson was one of the greatest woman poets. She left us with numerous works that show us her secluded world. Like other major artists of nineteenth-century American introspection such as Emerson, Thoreau, and Melville, Dickinson makes poetic use of her vacillations between doubt and faith. The style of her first efforts was fairly conventional, but after years of practice she began to give room for experiments. Often written in the meter of hymns, her poems dealt not only with issues of death, faith and immortality, but with nature, domesticity, and the power and limits of language.
Life and death are but trails to eternity and are seen less important when viewed in the framework of eternity. Emily Dickinson’s poem Death is a gentleman taking a woman out for a drive.” Because I could not stop for death, He kindly stopped for me” (Dickinson 1-2). Emily describes being a busy woman who is caught up with everyday situations. When it comes to death, no one plans on a time or date to die; what Emily is identifying as a tragic event is translated to being a casual experience. Emily writes, “The carriage held but just ourselves, and immortality,” (3-4). Emily describes her ride with death, but affiliates a third rider Immortality. “Davidson does not emphasize what is gained after death; she emphasizes what is lost because of death,” (Privatsky 35). Emily’s third passenger has a wide variety of interpretations. Normally, one doesn’t think about death, yet Emily’s approach to death is similar of the approach to immortality. My viewpoint is Emily construes her belief in a soul that does not die but live on till eternity. “The idea of immortality is confronted with the fact of physical disintegration. We are not told what to think; we are told to look at the situation,” (Tate 26). According to Dickinson’s words, He slowly drove He knew no haste (5-6). Emily describes a relaxing slow pace towards an unknown destination. On the way she enjoys the peaceful scenes. “We passed the school, where children strove, At recess – In the Ring-“(Dickinson 9-10). Emily is reflecting in her past, this may also be seen as the beginning of a life cycle. Emily then goes on to say, We passed the Fields of Gazing Grain- (11). The phrase that she decides to use is judicious because she is not the observer, but instead she is the observed. At that point, she further goes on to describe “Setting Sun-“ as the last scene in her ride.” All three of these images suggest phases of the life cycle that the speaker has passed and is passing through and clue us in on her experience…Time has stopped for her, and the fields of grain do the gazing, not her,” (Semansky 34-35).
Breaking news revealing the truth about Emily Dickinson’s life has recently been uncovered. For the past hundred-plus years literary historians believed Dickinson to be a plain and quiet type of person who did not communicate with the public for most of her life. Her romanticism poetry drew attention from fellow literary legends. After corresponding with the well-known Thomas Wentworth Higginson, who showed interest in her work but advised her not to publish it, she became defiant to publish any of her work.
Dickinson's great display of attitude really gave me a chance of figuring out the message she was giving out. In the second stanza, Dickinson says, “If I could
Emily Dickinson once said, “Dying is a wild night and a new road.” Some people welcome death with open arms while others cower in fear when confronted in the arms of death. Through the use of ambiguity, metaphors, personification and paradoxes Emily Dickinson still gives readers a sense of vagueness on how she feels about dying. Emily Dickinson inventively expresses the nature of death in the poems, “I felt a Funeral, in my Brain (280)”, “I Heard a fly Buzz—When I Died—(465)“ and “Because I could not stop for Death—(712)”.
Throughout Emily Dickinson’s poetry there is a reoccurring theme of death and immortality. The theme of death is further separated into two major categories including the curiosity Dickinson held of the process of dying and the feelings accompanied with it and the reaction to the death of a loved one. Two of Dickinson’s many poems that contain a theme of death include: “Because I Could Not Stop For Death,” and “After great pain, a formal feeling comes.”
Emily Dickinson was an unrecognized poet her whole life. Her close family members recognized her talent, and her needs to write poetry, but the literary establishment of her time would not recognize her skill. Even though she was unrecognized, she was still quietly battling the established views through her poetry. Her literary struggle was exposed after her death since, while living, only five of her poems were published.