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Emily dickinson analysis of poems
Dickinson as a poet of death
Emily dickinson analysis of poems
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In her poem #465, Emily Dickinson’s speaker allows the reader to experience an ironic reversal of conventional expectations of the moment of death in the mid-1800s, as the speaker finds nothing but an eerie darkness at the end of her life. Initially, the events that occur at the moment of the speaker’s death demonstrate the eerie yet simple death she experiences, unlike what a Christian in the 1800s would expect. During the moment of the speaker’s passing, she “heard a Fly buzz” (1). After the speaker’s demise, there is no grand gateway to the heavens, as most Christian families in the mid-1800s believed. There is only a fly buzzing around the room. Dickinson’s symbol of the filthy, simple fly reveals the reality of death for the speaker, as …show more content…
Specifically, the speaker, while on her deathbed, notices that “The Eyes around – had wrung them dry - / and Breaths were gathering firm” (5-6). Dickinson’s synecdoche demonstrates how, in the face of death, the speaker only observes the miniscule portions of the mourners, rather than the whole. This synecdoche illustrates how during the speaker’s death, rather than experiencing a grand death, the small details, which seem insignificant, are essentially the focus. This demonstrates how in life and in death, the details that may seem insignificant are in fact what people may remember when their time has come to an end. Additionally, while waiting in the room for the speaker’s inevitable demise, the mourners remain inaudible while anticipating “that last Onset – when the King / Be witnessed – in the Room”(7-8). During the mid-1800s, there was a common misconception among Christians that during the moment of death, God himself would appear for a grand departure and carry the deceased to heaven. Dickinson’s allusion to God or the “King” demonstrates the grandeur of death that was a common belief during this time period. Also, through oxymoron of “last Onset” meaning the final beginning, Dickinson illustrates the magnificence of death as believed by Christians in the mid-1800s. It was ordinarily believed that heaven following death was the final destination for souls where knowledge and happiness are experienced and fulfillment is ultimately reached. The extraordinarily high expectations of death that results from the Christian belief system only leads to unavoidable disappointment as the “King” is not “witnessed,” only a filthy fly accompanying a modest, uneventful
The explanation of the speaker’s death is shown in this poem. A day that happened many centuries ago and now is being told in the afterlife. In this poem Emily Dickinson tells us about life. The poem says that there is a place after death, which would explain as to why she was so calm about all that has happened. She implies that death is not the end, but only the beginning.
Dickinson’s poem 465 is interesting, but also gruesome because it transforms a small, disregarded fly into the figure of death itself. It is interesting to see that the fly’s wing cuts the speaker off from the light until she cannot “see to see.” The fly is a minor character that does not gain any future power or importance, and its final disconnecting act is performed “With Blue—uncertain stumbling Buzz—.” One could also assume that this fly could potentially represent the speaker’s inability to hold onto their spirituality, faith, or hope, while in the process of facing death. The speaker may succeed in willing away their possessions, but they appear distracted by the idea that not all of them are “assignable”, and this potentially means their spirit or soul. According to Michael Ryan, this fly stands between the speaker and the “light.” The poem does not really state that all hope is lost, especially since the speaker has the ability to write a poem
“Because I Could Not Stop for Death,” Dickinson influences the reader that death is a courteous gentleman instead of a terrifying figure and that sooner or later the gentleman will come to take one’s life. Many people aren’t willing to stop for death, but are taken away. In the poem, the poet puts away concerns of work and leisure. This is a reminder that death is the end of life and energy. The poet rides in a carriage with Death and immortality. During the journey, pleasant scenes of the poet’s past are passed. Once the carriage passed the setting sun suggests the inevitable end of mortal time. Beyond the sun, the dark earth and dew send chills. This is the final transformation of life to death. The carriage becomes a hearse, and the poet is taken to her grave t...
Dickinson's The Last Night that She Lived presents a meditation on the reaction of the speaker and those with her while they are confronted with the death of a female friend. Strangely, in dealing with the subject of death, Dickinson steers away from the metaphysical aspect of such a heavy situation and remains firmly anchored in the tangible world. The speaker makes no references to God or the afterlife, and her allusions to nature are fleeting. The poem is anything but an attempted justification of the death of her friend, rather it is resembles a catalogue of the human responses of those who remain in the earthly realm after the death of a loved one.
Dickinson 's poem uses poetic devices of personification to represent death, she represents death as if it were a living being. Dickinson 's capitalization of the word “DEATH”, causes us to see death as a name, in turn it becomes noun, a person, and a being, rather than what it truly is, which is the culminating even of human life. The most notable use of this, is seen in the very first few lines of the poem when Dickinson says “Because I could not stop for Death, He kindly stopped for me”. In her poem Dickinson makes death her companion, as it is the person who is accompanying her to her grave. She states that death kindly stopped for her and she even goes as far as to give death the human ability to stop and pick her up. The occasion of death through Dickinson use of personification makes it seem like an interaction between two living beings and as a result the poem takes on a thoughtful and light hearted tone. The humanization of death makes the experience more acceptable and less strange, death takes on a known, familiar, recognizable form which in turn makes the experience more relatable. As the poem
In Emily Dickinson’s “Because I Could Not Stop for Death,” she uses the structure of her poem and rhetoric as concrete representation of her abstract beliefs about death to comfort and encourage readers into accepting Death when He comes. The underlying theme that can be extracted from this poem is that death is just a new beginning. Dickinson deftly reassures her readers of this with innovative organization and management, life-like rhyme and rhythm, subtle but meaningful use of symbolism, and ironic metaphors. Dickinson organizes the lines into quatrains—stanzas containing four lines—which are frequently used in religious hymns.
Have you ever been scared by your own shadow? Or have you ever been walking home at night, and nothing unusual is happening, but you can't shake this feeling that some mass murderer is following close behind, waiting to strike? Maybe you are crazy. More likely, though, you become scared by thinking of old tales or stories, like all the people who have gone into the woods and mysteriously vanished without a trace. I knew one girl who saw The Blair Witch Project and had to sleep with all the lights and the TV on that night, and still to this day won't go traipsing into the woods.
Emily Dickinson was a polarizing author whose love live has intrigued readers for many years. Her catalog consists of many poems and stories but the one thing included in the majority of them is love. It is documented that she was never married but yet love is a major theme in a vast amount of her poetry. Was there a person that she truly loved but never had the chance to pursue? To better understand Emily Dickinson, one must look at her personal life, her poems, and her diction.
Emily Dickinson stands out from her contemporaries by discussing one of man's inevitable fears in an unconventional way: death. In two of her poems, "I heard a fly buzz when I died" and "Because I could not stop for death," Dickinson expresses death in an unforeseen way. Although Dickinson portrays death in both of these poems, the way that she conveys the experience is quite different in each poem. Dickinson reveals death as a grim experience, with no glimpse of happiness once one's life is over in "I heard a fly buzz when I died. " In contrast to this, Dickinson consoles the reader by characterizing death as a tranquil journey in "Because I could not stop for Death."
An average fly is only 1.2 millimeters in length. One may think an unpleasant fly is insignificant, though it can symbolize a much larger meaning. In Emily Dickinson’s commendable poem I Heard a Fly Buzz-When I Died, Dickinson negatively approaches religion in the fly that buzzes throughout the course of her poem resembles the evil one, death throughout the poem and where there is good there is evil around the corner. One can prove these methods by the three elements of symbolism, oxymoron and irony.
Dickinson employs vivid impressions of death in this poem. In the first line, she employs the analogy between sleep and death; sleep is silent but death lives within silence. She uses the word “it” to help identify something other than human. She declares that “it….will not tell its name” as thought it refuses to speak and then resents the dead for its stillness and laziness. Then she acknowledges the attraction she has to death by doubting its “gravity”. In the third stanza, she expresses that she would not cry for the dead because not only is it offensive to the dead but it might panic the soul to return to dust. Christians believe that from the earth we are made and once we die, we return to the dust of the earth.
Imagery is a big component to most works of poetry. Authors strive to achieve a certain image for the reader to paint in their mind. Dickinson tries to paint a picture of ?death? in her own words. Thomas A. Johnson, an interpretive author of Dickinson's work, says that ?In 1863 Death came into full statue as a person. ?Because I could not stop for Death? is a superlative achievement wherein Death becomes one of the greatest characters of literature? (Johnson). Dickinson's picture to the audience is created by making ?Death? an actual character in the poem. By her constantly calling death either ?his? or ?he,? she denotes a specific person and gender. Dickinson also compares ?Death? to having the same human qualities as the other character in the poem. She has ?Death? physically arriving and taking the other character in the carriage with him. In the poem, Dickinson shows the reader her interpretation of what this person is going through as they are dying and being taken away by ?Death?. Dickinson gives images such as ?The Dews drew quivering and chill --? and ?A Swelling of the Ground --? (14, 18). In both of these lines, Dickinson has the reader conjure up subtle images of death. The ?quivering an chill? brings to the reader's mind of death being ...
Emily Dickinson became legendary for her preoccupation with death. All her poems contain stanzas focusing on loss or loneliness, but the most striking ones talk particularly about death, specifically her own death and her own afterlife. Her fascination with the morose gives her poems a rare quality, and gives us insight into a mind we know very little about. What we do know is that Dickinson’s father left her a small amount of money when she was young. This allowed her to spend her time writing and lamenting, instead of seeking out a husband or a profession. Eventually, she limited her outside activities to going to church. In her early twenties, she began prayed and worshipped on her own. This final step to total seclusion clearly fueled her obsession with death, and with investigating the idea of an afterlife. In “Because I could not stop for Death”, Dickinson rides in a carriage with the personification of Death, showing the constant presence of death in her life. Because it has become so familiar, death is no longer a frightening presence, but a comforting companion. Despite this, Dickinson is still not above fear, showing that nothing is static and even the most resolute person is truly sure of anything. This point is further proven in “I heard a Fly buzz”, where a fly disrupts the last moment of Dickinson’s life. The fly is a symbol of death, and of uncertainty, because though it represents something certain—her impending death—it flies around unsure with a “stumbling buzz”. This again illustrates the changing nature of life, and even death. “This World is not Conclusion” is Dickinson’s swan song on the subject of afterlife. She confirms all her previous statements, but in a more r...
However, there seems to be a larger idea about death, similar to that of “I heard a Fly buzz-- when I died--,” in which Dickinson is trying to portray within the poem. Once again, the poem begins with a certain depiction of death as the speaker expresses that she “could not stop for Death” but that “He kindly stopped” for her. At the time, Death “knew no haste,” meaning that he did not mean any ill intent towards the speakers passing. However, the idea that death “kindly” stopped for the speaker, who “could not stop for” him, insinuates that the speaker was not ready for death to overtake her, but that death was going to take her anyway. Since death “knew no haste,” he wasn’t going to rush her death, but the speaker was definitely going to pass away. Additionally, the speaker had “put away / [her] labor,” suggesting that she was not going to try hard to avoid death, and the speaker had also put away “[her] leisure too”. “Leisure” is defined as ‘spare’ or ‘free’ time, so, if the speaker was to “put away” her “leisure,” then the speaker is demonstrating that she is reluctantly accepting the hands of death. Within the third stanza, it’s detailed that death’s carriage was passing by a School, “where Children strove” during recess. They passed “fields of gazing grain” and the “setting sun”. These
In Dickinson’s poem “Because I Could Not Stop for Death,” Dickinson portrays what it is like to go through the process of dying. According to Mark Spencer of the Explicator, the speaker portrays death as a two-step process. It is said that this particular poem makes more sense if read from the perspective that reconciliation with God is a delayed process. In this poem the speaker has ended their existence on earth but have yet to reach the final step. The horses are pulling the carriage “toward Eternity” which suggests that the final step has yet to be reached. The speaker says that “Centuries” feel “Shorter than the day” implying that although an end will come, it will not come soon. Although the end is said not to come soon, it will seem like nothing to those who have passed. A grave site is compared to a house when the carriage passes a “Swelling in the ground”, because indeed the speaker will stay in this home until her final day comes. The speaker then becomes “quivering and chill” wearing her thin flimsy clothing but then realizes that the clothing has become appropriate for what is to come. The speaker indicates that the carriage is only pausing because the current state she is in is only temporary (Spence). It is said that the speaker looks death in the eye and escapes ...