Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Analysis of Bronte s Wuthering heights
Analysis of Bronte s Wuthering heights
Discuss the character traits of characters in the novel, wuthering heights by Emily Bronte
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Analysis of Bronte s Wuthering heights
Wuthering Heights: A Great Romantic Novel
The Romantic Period was a very imaginative and creative period of thinking. The literature produced during this period reflected this wild and free-spirited imagination. The works dismissed the Enlightenment thinkers in their claims of "Reason, progress, and universal truths" (Damrosch, 1317). Instead, these writers explored superstitions and had a renewed sense of passion for the wild, the unfamiliar, the irregular, and the irrational (Damrosch, 1317). Other common elements of the writing during this period were the returned interest of gothic romance elements, a fascination of exploring the inner world of the mind and the unconscious into its dark side, an interest in emotional adventures in exotic and remote times and places, an interest in the outcast people in society (outlaws, rebels, nonconformists, exiles, etc.), and an interest in characters performing dangerous self-explorations that take them to hell, and not always back (Agatucci, 1&3).
Wuthering Heights, by Emily Bronte, is an excellent example of a great Romantic novel, especially of the kind of romanticism known as Dark Romanticism. There are many different Romantic elements found in this novel, making it a masterpiece of the period. These elements include that fact that it is most definitely one strange story that is very original, emotionally charged, and imaginative and innovative (Agatucci, 4); its characters are very intense, passionate, go to emotional excesses, and even become violent; and it deals with the element of the supernatural and the antirational also (Agatucci, 4). Other Romantic elements contained within its pages include its Gothic setting that is sensual but remote, the dark roma...
... middle of paper ...
...d Heathcliff.
Thus, as you can see, this is indeed a very powerful, emotionally charged story that delves into the darkness of the human unconscious, the supernatural forces that surround reality, and the romantic charges that initiate and cause all sorts of different human actions and thought. The story is very strange, but full of adventure, creating a very engrossing reading. This novel by Emily Bronte is definitely a piece of classic Romantic literature, and will continue to be read for years to come.
Works Cited
Agatucci, Cora. Lecture Notes. Romanticism & Realism. Literary-Historical Contexts for Wuthering Heights. 2001.
Bronte, Emily. Wuthering Heights. New York: W.W. Norton & Company, Inc., 1990.
Damrosch, David . The Longman Anthology Of British Literature. Volume B. Compact Edition. New York: Addison Wesley Longman, 2000.
revenge on the rebels who had taken everything from him by taking part in the fight against
Damrosch, David, et al., ed. The Longman Anthology of British Literature: Vol. B. Compact ed. New York: Longman - Addison Wesley Longman, 2000. p. 2256
allowed it to last over 200 years. To sit and read through all of the
Longman. The Longman Anthology of British Literature, vol. B. Damrosch, D. NY, LA: Addison Wesley Longman.
Lipking, Lawrence I, Stephen Greenblatt, and M H. Abrams. The Norton Anthology of English Literature: Volume 1c. New York: W.W. Norton & Co, 2006. Print.
...ncompetitive compared to other firms. If firms cut price then they would gain a big increase in market share, however it is unlikely that firms allow this. If this occurs, as a result to that, other firms will follow and cut price as well. Demand will only increase by a small amount: demand is inelastic for a price cut.
Damrosch, David, et al., ed. The Longman Anthology of British Literature: Vol. B. Compact ed. New York: Longman - Addison Wesley Longman, 2000.
Damrosch, David, et al., ed. The Longman Anthology of British Literature: Vol. B. Compact ed. New York: Longman - Addison Wesley Longman, 2000.
Wuthering Heights is a novel which deviates from the standard of Victorian literature. The novels of the Victorian Era were often works of social criticism. They generally had a moral purpose and promoted ideals of love and brotherhood. Wuthering Heights is more of a Victorian Gothic novel; it contains passion, violence, and supernatural elements (Mitchell 119). The world of Wuthering Heights seems to be a world without morals.
(2) Emily Bronte’s purpose in writing Wuthering Heights is to depict unfulfilled love in a tragic romance novel and hence the theme of Wuthering Heights is love is pain. Emily Bronte reveals an important life lesson that love is not sufficient for happiness and if anything, stirs up more agony. This message is important because, although it is difficult to accept, the message is devastatingly honest. In Wuthering Heights, two characters named Heathcliff and Catherine loved each other immensely. However, their pride and adamance disabled them from making any progress on their romantic relationship. In fact, Heathcliff and Catherine purposely hurt each another through reckless and cruel actions. The author is exemplifying a recurring theme in history that love is associated with pain. The message allows readers to be aware that love is not constant perfection and happiness.
him to go to the land where his brothers were fighting a war against the
This shifts the supply curve to the right, lowering price. The firms making losses leave the market, which shifts the curve to the left and raises price. Allowing the rest of the firms to earn normal profits, as shown in Figure 1&2.
“Wuthering Heights is a strange, inartistic story”(Atlas, WH p. 299). “Wuthering Heights is a strange sort of book” (Douglas, WH p.301). “This is a strange book” (Examiner, WH p.302). “His work [Wuthering Heights] is strangely original” (Britannia, WH p.305). These brief quotes show that early critics of Emily Bronte’s first edition of Wuthering Heights, found the novel baffling in its meaning - they each agreed separately, that no moral existed within the story therefore it was deemed to have no real literary value. The original critical reviews had very little in the way of praise for the unknown author or the novel. The critics begrudgingly acknowledged elements of Wuthering Heights that could be considered strengths – such as, “rugged power” and “unconscious strength” (Atlas, WH p.299), “purposeless power” (Douglas, WH p.301), “evidences of considerable power” (Examiner), “power and originality” (Britannia, WH p.305). Strange and Powerful are two recurring critical interpretations of the novel. The critics did not attempt to provide in depth analysis of the work, simply because they felt that the meaning or moral of the story was either entirely absent or seriously confused.
Stitt-Gohdes, W. L. Career Development: Issues of Gender, Race, and Class. Columbus: ERIC Clearinghouse on Adult, Career, and Vocational Education, 1997. (ED 413 533)
Longman. The Longman Anthology of British Literature, vol. B. Damrosch, D. (ed.). NY, LA: Addison Wesley Longman, Inc. 2000.