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How does Faulkner use Miss Emily's character to symbolize the Old South after the Civil War in the short story A Rose for Emily
How does Faulkner use Miss Emily's character to symbolize the Old South after the Civil War in the short story A Rose for Emily
Essays on Faulkner's A Rose for Emily
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In William Faulkner’s A Rose for Emily, the author exemplifies the old south in the character of Emily Grierson. He uses the decay to show the south deteriorated after the Civil War. Emily represents the refusal of the old south to let go time-honored traditions and adapt to the changing culture. Even when Emily desperately makes an attempt to move forward, but devout traditionals hold her back. Faulkner describes both Emily and the Old South as one. He says her old house had “once been white, decorated with cupolas and spires and balconies,” but now “ garages and cotton gins had encroached” the town. He goes on to depict Emily as the Old South by calling her “a tradition, a duty, and a care,” just as slavery had been in the past. He continues to associate Emily to slavery when she, symbolizing the South, leans “on an ebony cane with a tarnished gold head,” implying South no longer lives in the golden age of slavery. The “invisible watch ticking at the end of the gold chain” represents the lack of time Emily and the Old South can coexist with the New South …show more content…
The last house, stubborn and coquettish, belonged to Emily. Emily joins the soldiers of the Union and the Confederate that died at the battle of Jefferson. When the next generation came it was more updated with mayors and aldermen. The New generation on the first year sent out tax notices. Emily had nothing to do with that she did not reply. She keep on getting more and more letters till the mayor send her a personal letter. She did nothing did not respond at all, the tax notice was enclosed. No one had a comment after just left her
Faulkner first tells that shortly after her father’s death Miss Emily’s sweetheart left her. Everybody in the town thought that Emily and this sweetheart of hers were going to be married. After her sweetheart left her the people of the town saw her very little. Faulkner then tells what might be viewed as the climax of the story next. He explains that one day Miss Emily went into town and bought rat poison. By revealing this so early on in the story it challenges the reader to use their imagination. The readers’ view of Miss Emily could now possibly be changed. It has changed from feeling sorry for this woman to thinking she is going to murder someone.
Even the casual reader of William Faulkner will recognize the element of time as a crucial one in much of the writer's work, and the critical attention given to the subject of time in Faulkner most certainly fills many pages of criticism. A goodly number of those pages of criticism deal with the well-known short story, "A Rose for Emily." Several scholars, most notably Paul McGlynn, have worked to untangle the confusing chronology of this work (461-62). Others have given a variety of symbolic and psychological reasons for Emily Grierson's inability (or refusal) to acknowledge the passage of time. Yet in all of this careful literary analysis, no one has discussed one troubling and therefore highly significant detail. When we first meet Miss Emily, she carries in a pocket somewhere within her clothing an "invisible watch ticking at the end of [a] gold chain" (Faulkner 121). What would a woman like Emily Grierson, who seems to us fixed in the past and oblivious to any passing of time, need with a watch? An awareness of the significance of this watch, however, is crucial for a clear understanding of Miss Emily herself. The watch's placement in her pocket, its unusually loud ticking, and the chain to which it is attached illustrate both her attempts to control the passage of the years and the consequences of such an ultimately futile effort.
William Faulkner’s “A Rose for Emily” weaves the tale of the troubled Miss Emily Grierson as she struggles against the modernization taking place around her that threatens to disrupt her idealized perception of the past, a woman who is so incapable of adaptation, that she wages a crusade of personal isolation against the changing times in order to protect the only way of life she has ever known. Faulkner tells us Emily herself is a tradition, “Alive Miss Emily had been a tradition, a duty, and a care” (p 125). As such, her character is depicted as the physical embodiment of tradition, giving human form to the concept of stasis of time, in that she stubbornly stays the same over the years despite, or more accurately, in spite of, the many changes going on around her. Faulkner also refers to her as an “idol”, which furthers the concept of her personification of the past. Emily, much like a statue erected in the town square to pay homage to past idols, is literally frozen in time. She refuses mail service, refuses to pay taxes, and eventually refuses to leave her home, effectively blunting the progression of time, and leaving the townspeople to speculate on the strange recluse that is Miss Emily Grierson. Her inability to let go of the past paralyzes her and prevents her from embracing any kind of future, or even functioning in the present. Her unwillingness to accept the change that inevitably accompanies passing time provides the framework for a less obvious, but no less important, underlying theme in “A Rose for Emily”.
The end of the American Civil War also signified the end of the Old South's era of greatness. The south is depicted in many stories of Faulkner as a region where "the reality and myth are difficult to separate"(Unger 54). Many southern people refused to accept that their conditions had changed, even though they had bitterly realized that the old days were gone. They kept and cherished the precious memories, and in a fatal and pathetic attempt to maintain the glory of the South people tend to cling to old values, customs, and the faded, but glorified representatives of the past. Miss Emily was one of those selected representatives. The people in the southern small-town, where the story takes place, put her on a throne instead of throwing her in jail where she actually belonged. The folks in town, unconsciously manipulated by their strong nostalgia, became the accomplices of the obscene and insane Miss Emily.
The slow-moving, old-fashioned, chivalric south has become the setting of the story. Miss Emily’s house is one dating back to the 1870s, and it is designed with “cupolas ad squires and scrolled balconies." The house rests on town’s “most select street”. Miss Emily surrounding house was taken over by garages and cotton gins. The rest of the town became more of a working class area than it once was. Emily’s house
...s story he writes about how earlier in Emily’s life she refuses to let the town’s people in her house even though there is a strong odor that is coming from her property. In this section her father has just passed away and was abandoned by a man who she wanted to marry. This section she becomes very depressed. In section three it talks about how Emily is starting to come down with an illness after all of the depressing events she had to endure. In sections four and five Faulkner describes how there is fear throughout the towns people is that of which Emily is going to possibly poison herself. A while later she then she passes away. In section five is when the truth is revealed to the public about her sickness. Faulkner uses the view point of an unnamed town member while he uses a third person perspective to show the general corrosion of the southern town’s people.
Faulkner portrays the townspeople and Emily in the southern town of Jefferson during the late 1800's to early 1900's. The town is more than just the setting in the story; it takes on its own characterization alongside Emily the main character. It is the main reasoning behind Emily's attitude and actions. It gives the reader an easier understanding into why Emily makes the decisions she does as the story unwinds.
In a “Rose for Emily”, Faulkner uses Emily’s house as a symbol of the barrier Emily forms between herself and society. As society moves through generations and changes over the years, Emily remains the same, within the borders of her own household. The house is described as “in the heavily lightsome style of the seventies, set on what had once been our most select street”(125), but years passed and more modern houses had “obliterated even the august names of that neighborhood” (125). Faulkner set the house apart from the rest of the neighborhood, and Emily is described in the beginning as “a fallen monument” and a “tradition” indicating that she had not changed in an extended amount of time. The symbol of the house, remaining unchanged through the decades that passed becomes stronger when Emily does not permit tax collectors to pass through the threshold of the house, “She vanquished them, horse and foot, just as she had vanquished their fathers thirty years before”. Emily’s image of a “monument” to the community’s small society caused her to become exempt from the demands of the state that the rest of the population had to adhere to. Emily’s house enab...
The characters in Faulkner's southern society are drawn from three social levels: the aristocrats, the townspeople, and the Negroes (Volpe 15). In "A Rose for Emily," Faulkner describes Miss Emily Grierson in flowing, descriptive sentences. Once a "slender figure in white," the last descendent of a formerly affluent aristocratic family matures into a "small, fat woman in black, with a thin gold chain descending to her waist and vanishing into her belt, leaning on an ebony cane with a tarnished gold head" (Faulkner, Literature 25-27). Despite her diminished financial status, Miss Emily exhibits her aristocratic demeanor by carrying her head high "as if she demanded more than ever the recognition of her dignity as the last Grierson" (28). In an equally descriptive manner, Faulkner paints a written portrait of Miss Minnie Cooper in "Dry September." He portrays her as a spinster "of comfortable people - not the best in Jefferson, but good enough people" and "still on the slender side of ordinary looking, with a bright faintly haggard manner and dress (Faulkner, Reader 520). Cleanth Brooks sheds considerable insight on Faulkner's view of women. He notes that Faulkner's women are "the source and sustainer of virtue and also a prime source of evil. She can be ...
The rise and industrialization of the South began with the end of the Civil War. This aided in the transition from Old to New South, from a time of poverty and slave labor to a more progressive time. The decline of the Old South was often unaccepted and ignored by southerners as they tried to cling to their past ways. Faulkner highlights the cultural shift from Old to New South through character relationships and personalities in his short stories “A Rose for Emily,” “That Evening Sun,” and “Red Leaves.” The main character in William Faulkner’s story “A Rose for Emily,” Miss Emily, is a representation of the Old South.
...left on what was once one of the most selected street. The house was alone on that street. Emily’s father had died and she was alone and didn’t know what to do. She found Homer Barron, but he claims he liked men and wasn’t a marrying type. She killed him because she didn’t want him to ever leave. She had nothing to fall back on. She eventually grows sick and dies. She died alone. The house and her were alone with nothing in the world to fall back on.
In “A Rose for Emily”, by William Faulkner, Emily Geierson is a woman that faces many difficulties throughout her lifetime. Emily Geierson was once a cheerful and bright lady who turned mysterious and dark through a serious of tragic events. The lost of the two men, whom she loved, left Emily devastated and in denial. Faulkner used these difficulties to define Emily’s fascinating character that is revealed throughout the short story. William Faulkner uses characterization in “A Rose for Emily”, to illustrate Miss Emily as a stubborn, overly attached, and introverted woman.
Growing up in Mississippi in the late Nineteenth Century and the early part of the Twentieth Century, young William Faulkner witnessed first hand the struggles his beloved South endured through their slow progression of rebuilding. These experiences helped to develop Faulkner’s writing style. “Faulkner deals almost exclusively with the Southern scene (with) the Civil War … always behind his work” (Warren 1310. His works however are not so much historical in nature but more like folk lore. This way Faulkner is not constrained to keep details accurate, instead he manipulate the story to share his on views leading the reader to conclude morals or lessons from his experience. Faulkner writes often and “sympathetically of the older order of the antebellum society. It was a society that valued honor, (and) was capable of heroic action” (Brooks 145) both traits Faulkner admired. These sympathetic views are revealed in the story “A Rose for Emily” with Miss Emily becoming a monument for the Antebellum South.
In Faulkner’s tale “A Rose for Emily” there are many historical elements throughout the story; Faulkner uses them to give an authentic feel to the story and to add to the setting. A recurring theme that I found was reference to the reconstruction of the South after the Civil War. The setting of the South after their demise in the Civil War adds character to the story and to the characters. The attitudes people had and the way people treated Emily with respect was a tradition of the “Old South” that is presented throughout this tale.
Miss Emily's house as the setting of the story is a perfect metaphor for the events occurring during that time period. It portrays the decay of Miss Emily's life and values and of the southern way of life and their clash with the newer generations. The house is situated in what was once a prominent neighborhood that has now deteriorated. Miss Emily's "big, squarish frame house that had once been white, decorated with cupolas and spires and scrolled balconies in the heavily lightsome style of the seventies of an earlier time," now looked awkward surrounded by "cotton wagons" and "gasoline pumps." The townspeople consider it "an eyesore among eyesores." Time has taken a similar role with Miss Emily altering her appearance from that of a "slender figure in white" (624) to that of "a small, fat woman in black" (622). The setting of Faulkner's story defines Miss Emily's tight grasp of ante-bellum ways and unchanging demeanor.. Through her refusal to put "metal numbers above her door and attach a mail box" to her house she is refusing to change with society. Miss Emily's attitude towards change is ...