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Comment on the role of women characters in Othello
Othello womens role
Short essay on the death of Desdemona in Othello
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In the play, Othello written by William Shakespeare, a character named Emilia paved new roads for women in the 16th and 17th centuries. She was one of few complex women characters created in this time. Emilia’s complex nature makes her have many similarities to actions humans do today, even though the play was written nearly five-hundred years ago. Her depth as a character are shown in her actions explain how Emilia is the most realistic character in the play Othello. Emilia’s realness is expressed by her actions of trying to make her life better. When she gives Iago the handkerchief, she is trying to trade an easier for the handkerchief from Iago. She says, “Do not chide; I have a thing for you,”, which helps her lead up into her advantage …show more content…
Emilia and Desdemona are very good friends and when Desdemona is saddened by Othello’s distance, Emilia explains that all men are like that sometimes saying, “'Tis not a year or two shows us a man./ They are all but stomachs, and we all but food./ To eat us hungerly, and when they are full,/ They belch us (III. iv. 100-105).” Emilia is showing her realness by trying to ease the pain of her friend, we do this to our friends. No one wants to see their friends emotionally pained. Emilia also tries to protect Desdemona from physical pain when Desdemona is preparing to go to bed. Emilia says, “I would you had never seen him” knowing that Othello wants to harm her. Emilia tries to convince Desdemona to not go to Othello (IV. iii. 18). Emilia is trying to protect her friend’s life, although Desdemona doesn’t listen. After Othello kills Desdemona, Emilia screams out in horror for the loss of her friend. Emilia is heartbroken by the death of her friend and exclaims to Othello, “Thou hast not half the power to do me harm/ As I have to be hurt” (V.ii.166-167). She is saying that her pain for the loss of her friend Desdemona is nothing compared to any physical pain possible. This is realistic because when humans are grieving someone close to them, they feel like nothing can be as bad as this
In equation with the Elizabethan era, Shakespeare offers us a male dominated society in his renowned tragedy, Othello. Consequently, this definitely persuades a negative attitude and demeanor towards the women of the times. The female characters in the play: Desdemona, Emilia, and Bianca; play relevant roles in contributing to one’s understanding of this exhausted Elizabethan view. In contrast to the larger portion of the play, Emilia, spouse to the scandalous Iago, takes an opinionated stand for Desdemona in relation to her wholesome gone sour relationship with the Moor of Venice, Othello. I recognize Emilia’s “Betrayal lecture” as a justified outlook in accordance with today’s period and events surrounding Desdemona’s and Othello’s fatal misunderstanding.
The presentation of moral issues in Othello focuses on Emilia’s courage to challenge the social and religious morality of their time in Act 4, Scene 3. For instance, Emilia’s Speech establishes cynicism towards men as Shakespeare’s lexical choice of ‘would not’ demonstrates that with the contraction displayed, Emilia is willing not to ‘marry.’ Therefore, her courage presents a moral issue in the play because challenging the social and religious morality of her time establishes that she disobeys the main principle that “Wives submit…to husbands and the Lord.” She knows that marriage is an obligation and her refusal demonstrates she has “Sense like the men....
Emilia in Othello confronts gender roles when she exploits the method introduced by Christine de Pizan in The Book of the City of Ladies. Christine’s realization of women’s oppression in her journey with the Ladies allows her to view life with a new perspective. Likewise, Emilia demonstrates the same ideals from The Book of the City of Ladies with her opinionated mindset and deviation from the women’s social norms of the time. Furthermore, Emilia develops in a similar progression as Christine, especially in the deconstruction of the men’s manipulation. Even though they go against gender stereotypes, complete equality is one battle avoided by Christine and Emilia. In Shakespeare’s Othello, Emilia defies gender norms when she employs a speculative mindset introduced by the character Christine in The Book of the City of Ladies.
For a long time, I have felt that Emilia could not possibly have been unaware
At the beginning of the action, the two ladies relationship furthers the plot by creating a circumstance in which Desdemona’s handkerchief goes missing. Desdemona’s most valued token of Othello’s love is a supposedly magic handkerchief that belonged to his mother and Desdemona keeps it with her at all times. When she drops it Emilia swipes it to try to please her husband, Iago. By stealing the handkerchief Emilia unwittingly sets in motion Iago’s scheme that will eventually lead to the death of herself, Othello, and her beloved Desdemona. Without this handkerchief Iago’s scheme would never work because it is the only piece of substantial proof of Desdemona's infidelity can use to convince Othello. Therefore, without Desdemona and Emilia's close friendship there would be no plot. Toward the end of the play, Emilia and Desdemona’s relationship becomes crucial to the plot again. After Othello kills Desdemona Emilia is the one who puts together the facts and unearths Iago’s scheme, risking her own life to do so. After witnessing Desdemona’s death Emilia says, “O thou dull Moor, that handkerchief thou speak’st of I found by fortune, and did give my husband- for often, with a solemn earnestness he begged of me to steal ‘t”(5.2.267-272). At the threat of her own death she revealed Iago’s treachery and concluded the plot by explaining how Iago’s scheming led to the death of four different people. Without Emilia’s proximity to Desdemona she would never have been able to take the handkerchief and her knowledge of Iago and Desdemona’s natures made her the only character able to uncover Iago’s scheme. Certainly, Desdemona’s close relationship and differing characters were essential to the plot of the
Emilia is not just in the play to be a simply friend. She is there to tell everyone the horrible acts that have happened. Once, Emilia realizes her mistress has died she starts asking questions which helps her put two and two together. Emilia finds out that Othello thinks Desdemona cheated on her something that Desdemona would never do. Emilia then asks Othello, why? The main reason is the handkerchief. Othello gave Desdemona handkerchief that represents their love and its precious. Because Othello finds out Cassio had it he thinks an affair was going on. Then is when, Emilia reveals that she gave the handkerchief to Iago because she found it. Quickly after that it’s revealed that Iago (her husband) is doing evil acts. Emilia “...That handkerchief thou speak’st of I found by fortune and did give my husband. For often, with a solemn earnestness—More than indeed belonged to such a trifle—He begged of me to steal it.” With that said, Emilia was much more than a
In Shakespeare’s The Tragedy of Othello the Moor of Venice, there are several strong, predominate female characters. Emilia, Desdemona, and Bianca have to defend themselves from the vicious men in the play. However, despite being victimized by the domineering men, their individual strengths set them apart from their abusers.
The definition of Renaissance women is fundamentally important in William Shakespeare's play Othello. One of the major causes of Othello's tragedy is his belief that Desdemona is not chaste. According to the men of the Renaissance, chastity, silence, and obedience are three attributes that define Renaissance women. Although Othello takes place during the Renaissance, the women in the play, Bianca, Desdemona and Emilia, defy traditional norms by lacking at least one of the major attributes defining women; Bianca's lack of chastity is clearly displayed when she unlawfully sleeps with Cassio; Desdemona's lack of silence is clearly displayed when she constantly urges Othello to give Cassio's position back. However, in the last two acts, Emilia displays the strongest challenge to the definition of Renaissance women as silent, chaste, and obedient, mainly to defend Desdemona.
These behaviours allude towards tension due to their dissimilarity to the accustomed conduct of Othello and Desdemona. Desdemona’s growing fear of Othello is evident. in the precautions she takes to avoid his anger. Desdemona places the importance of Othello’s commands above her need to confide in Emilia.... ...
Many may say Emilia was not aware of how she is supposed to treat by her husband conversely, a comment made by her states otherwise. “Tis proper I obey him, but not now’ (Shakespeare V.ii.195). Towards the end of the story she explains to Othello how her husband asked her to steal the handkerchief from Desdemona She clearly states she know it is the right to obey her husband, but she was not going to support him in his wrong. She is one of the few in this time period to disobey their husband. Emilia is not the type of wife to support him in his wrong-doing. She stands up to her husband.
He suspects that Othello and Emilia have been together intimately. He then seeks revenge on the Moor; in the process, he uses his own wife as an accomplice. This leads to, the case of the missing handkerchief! Emilia is completely naive and without any suspicion she never suspects that Iago envies the Moor and will use the handkerchief to deceive him. When Emilia says: I am glad I have found this napkin!
During the Elizabethan era women had a status of subordination towards men. They had a role to marry and oblige to their husband’s wishes. Shakespearean literature, especially illustrates how a woman is psychologically and physically lesser to their male counterpart. The play, Othello, uses that aspect in many different ways. From a Feminist lens others are able to vividly examine how women were subjected to blatant inferiority. Being displayed as tools for men to abuse, women were characterized as possessions and submissive; only during the last portion of the play did the power of women take heed.
The women in Othello are synonymous with Venetian societal standards. Only three women are characters in Othello: Desdemona, Emilia and Bianca but the roles these women play give the reader an idea of how women were portrayed, not only in Shakespeare's Othello but in society in general.
Although, each woman varies in roles and personality, they all had a common trait: they lived in a patriarchal society and suffered together. Each of them lived in a society where it was ideal to think women were psychologically and physiologically inferior to men, however in reality each of them knew their role in society. At first, Emilia's character is the ideal submissive wife. Iago treats Emilia rather badly during the first scenes of the play. He refers to her as a nagging housewife and Emilia is submissively unresponsive to his harsh allegations.
...ps their characters to function with adjusted roles in culture. In his novel Othello, William Shakespeare reveals Desdemona and Emilia’s courage through situations involving conflict to portray the ability for women to stand up for themselves as he exhibits his idea of feminism through their actions. The courageous attitudes of these women and their passionate voice grew stronger throughout the play as they eventually died staying true to their beliefs. This transformation parallels the rights of women over history, as the female population progressed very slowly towards a more equal position in society. With Shakespeare being an advocate for women’s unheard voices during the Elizabethan period of time, he is able to use Desdemona and Emilia’s characteristics to contrast what the world was like during that era, and how he viewed and wished the world would function.