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123 essays on character analysis
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Emilia, A Heroine of Shakespeare's Othello
Shakespeare, in his tragedy Othello, presents a minor character who does great things in the final act. Her character is deserving of analysis.
Kenneth Muir, in the Introduction to William Shakespeare: Othello, explains the motivation of Emilia through most of the play:
Emilia’s character, too, is determined by the plot. In the source, the villain’s wife is privy to the nefarious designs. Shakespeare wisely makes her, like the other characters, ignorant of Iago’s character. She knows that she has lost his love, and her unhappy marriage drives her to cynicism about sex; but she tries to win back her husband’s affections by carrying out his wishes, even when this involves betrayal of the mistress she loves. (41)
A.C. Bradley, in his book of literary criticism, Shakespearean Tragedy, defines the character of the ancient’s wife:
Few of Shakespeare’s minor characters are more distinct than Emilia, and towards few do our feelings change so much within the course of the play. Till close to the end she frequently sets one’s tooth on edge; and at the end one is ready to worship her. She nowhere shows any sign of having a bad heart; but she is common, sometimes vulgar, in minor matters far from scrupulous, blunt in perception and feeling, and quite destitute of imagination. She let Iago take the handkerchief though she knew how much its loss would distress Desdemona; and she said nothing about it though she saw that Othello was jealous. (222)
Emilia is not mentioned in the play until the initial furor of the first two scenes subsides. Brabantio’s rage, among other reasons, necessitate that Desdemona live with Iago and Emilia during the Moor’s campaign in Cyprus against...
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...g murder: “And your reports have set the murder on.” Emilia is aware that she is violating social convention here: “’Tis proper I obey him, but not now.” This violation costs her dearly. Emilia’s stunning interrogation and conviction of her own husband as the evil mastermind behind the murder results in Iago’s killing her. She becomes a martyr for the cause of truth and justice. Quite suddenly she is transformed into a heroine of the play!
WORKS CITED
Bayley, John. Shakespeare and Tragedy. Boston: Routledge & Kegan Paul Ltd., 1981.
Bradley, A. C.. Shakespearean Tragedy. New York: Penguin, 1991.
Muir, Kenneth. Introduction. William Shakespeare: Othello. New York: Penguin Books, 1968.
Shakespeare, William. Othello. In The Electric Shakespeare. Princeton University. 1996. http://www.eiu.edu/~multilit/studyabroad/othello/othello_all.html No line nos.
...e practically endless, and each person will have his or her own opinion on which is better based on the desired outcome of the setup. It is almost is basically a given that a turbocharger will produce more peak power, but the power band on the supercharger is the main property it has going for it. Each set up is complicated to some extent, but the supercharger is an easier way to learn what you’re doing as it is much less work than installing a turbocharger. Turbochargers are more in depth and require more tuning and more modifications in order for it to operate efficiently and correctly. If the end game is to produce as much power as possible the turbo is going to be the best bet, but if the goal is to reach peak power as quick as possible the supercharger might fit the bill better. At the end of the day everybody has their own opinion and nobody is going to win.
The presentation of moral issues in Othello focuses on Emilia’s courage to challenge the social and religious morality of their time in Act 4, Scene 3. For instance, Emilia’s Speech establishes cynicism towards men as Shakespeare’s lexical choice of ‘would not’ demonstrates that with the contraction displayed, Emilia is willing not to ‘marry.’ Therefore, her courage presents a moral issue in the play because challenging the social and religious morality of her time establishes that she disobeys the main principle that “Wives submit…to husbands and the Lord.” She knows that marriage is an obligation and her refusal demonstrates she has “Sense like the men....
"You can see that it is difficult to say which is better. The main advantages to supercharging are low-end response and simplicity. The main advantages to turbocharging are efficiency and the realization of maximum power. It is up to the vehicle owner to decide which solution is best for him or her" (Turbocharger or Supercharger).
Many may say Emilia was not aware of how she is supposed to treat by her husband conversely, a comment made by her states otherwise. “Tis proper I obey him, but not now’ (Shakespeare V.ii.195). Towards the end of the story she explains to Othello how her husband asked her to steal the handkerchief from Desdemona She clearly states she know it is the right to obey her husband, but she was not going to support him in his wrong. She is one of the few in this time period to disobey their husband. Emilia is not the type of wife to support him in his wrong-doing. She stands up to her husband.
Emilia displays to Desdemona a helping hand and says to leave Othello if she is so hurt by his “understandings”. “…Having the world for your labor, ‘tis a wrong in your own world, and you might quickly make it right” She is basically explaining to Desdemona to leave Othello for his ludicrous antics.
The mythology of Superman is a paradigm that embodies the cultural reality of the era; constructed around an archetype of ideology, fantasies of human spiritual ambiguity, a religious messiah, and a semiotic representation of modernity. In further study, Superman can be identified to have specifically changed to adhere to American culture in three distinctive periods; midst the Great Depression and WWII, post WWII and finally the socially progressive change of the Vietnam period. In each chapter Superman was re-imagined to meet the definition of the period, a tool of propaganda over that of entertainment. Currently, America is entering a new phase of cultural shift, and thus Superman will be redefined to represent the ideologies of truth, justice, and the American way of that required era. Yet, the mere surface mythology of Superman has applications to cultural ideologies, questions of human freedom, dreams in a Freudian nature, and the complex relation of fantasy and reality which required introduction before in-depth research.
At the beginning of the action, the two ladies relationship furthers the plot by creating a circumstance in which Desdemona’s handkerchief goes missing. Desdemona’s most valued token of Othello’s love is a supposedly magic handkerchief that belonged to his mother and Desdemona keeps it with her at all times. When she drops it Emilia swipes it to try to please her husband, Iago. By stealing the handkerchief Emilia unwittingly sets in motion Iago’s scheme that will eventually lead to the death of herself, Othello, and her beloved Desdemona. Without this handkerchief Iago’s scheme would never work because it is the only piece of substantial proof of Desdemona's infidelity can use to convince Othello. Therefore, without Desdemona and Emilia's close friendship there would be no plot. Toward the end of the play, Emilia and Desdemona’s relationship becomes crucial to the plot again. After Othello kills Desdemona Emilia is the one who puts together the facts and unearths Iago’s scheme, risking her own life to do so. After witnessing Desdemona’s death Emilia says, “O thou dull Moor, that handkerchief thou speak’st of I found by fortune, and did give my husband- for often, with a solemn earnestness he begged of me to steal ‘t”(5.2.267-272). At the threat of her own death she revealed Iago’s treachery and concluded the plot by explaining how Iago’s scheming led to the death of four different people. Without Emilia’s proximity to Desdemona she would never have been able to take the handkerchief and her knowledge of Iago and Desdemona’s natures made her the only character able to uncover Iago’s scheme. Certainly, Desdemona’s close relationship and differing characters were essential to the plot of the
She is the only one who is involved but not counted in Iago's scheme. Desdemona shall die, Cassio shall die, but Iago does not plan anything to prevent Emilia from speaking, because he does not anticipate Emilia will abandon her husband for Desdemona. Yet Emilia speaks, and speaks an extremely defenseless thus courageous speech. When Othello tries to stab Iago, he is disarmed twice, once even after everybody has realized what a villain Iago is (Othello 5.2 242&292). But nobody disarms Iago either when he threatens Emilia with his sword or when he stabs Emilia (Othello 4.2 228&242). She is armless but not powerless. The truth she speaks brings justice in, wins the audience's respect, and shows the potential power of a female
Superconductors have been used in many fields in recent times, and this paper will mainly
Emilia is a realistic woman. She does not always do what is right, but does things to make life easier for herself. When Emilia steals Desdemona’s handkerchief she says,
Emilia, while lying next to her best friend on her deathbed, began to suppress her passive nature and attempts persecute the murderer. Nonetheless, the only woman who stood up for herself got killed in the end by her own husband. Othello and Iago’s wives were thought to be disloyal to their husband, while only one of them was correct in this accusation, Desdemona and Emilia were both murdered by the people they pledged their allegiance to. But, Emilia was the only woman who denounced the authority men had over women and compares the qualities of both men and women. She is fully aware of the gender
responsible for Othello’s behavior, but Emilia is responsible for the person who takes the handkerchief and causes these events to take place ; therefore, she unwittingly is responsible for Desdemona’s death. Work Cited Shakespeare, William, and Alvin, Kernan. The tragedy of Othello. Signet Classics, 1998.
There are many qualities that people think a hero should have. To name a few of those qualities there is; courage, determination, focus, compassion, dedication, honesty, loyalty, responsibility, and wisdom. (http://www.personalitytutor.com/qualities-of-a-hero.html). Most people believe these are very important qualities to have, probably because they themselves wish they had more of those traits. Most people believe that these traits are not just traits of “superheroes”; they are also the traits of everyday heroes, or real heroes-not super heroes- throughout history.
First, in order to defend Desdemona's chastity, Emilia challenges the societal norm of silence. Recall the incident when Othello calls Desdemona a "whore" for cheating. In response, Emilia protests loudly against Othello and attempts to disprove his belief that Desdemona is not chaste: "A halter pardon him [Othello]! And hell gnaw his bones! / Why should he call her [Desdemona] whore? (4.2. 143,144). Instead of Emilia conforming to the attribute of Renaissance women as silent, she condemns Othello for his false accusations against her mistress, Desdemona. Later in the play, after finding Desdemona killed, Emilia challenges silence again: "As ignorant as dirt! Thou hast done a deed-... / The Moor hath killed my mistress!" (5.2. 171,174). Although Othello tells Emilia that it would be "best" for her to remain silent, she ignores his request and ridicules him for killing "sweet" Desdemona (5.2. 169).
heroism into the standards of society today. Superman is a character that was made by a person