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Mountain narrative
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Deep in the dense forests that arose on the Blue Ridge Mountains of West Virginia, amidst the rocky crags and lofty peaks, Ellis McHanan trekked with an assertiveness foreign to most nineteen year old men. By the glimmering light of the moon, he navigated the narrow paths that only his feet had ever walked. The night was chilly and dim, and the thin shirt he wore could not keep out the mist that settled on the peaks with the early morning hours-- so he suppressed the aching breaths that attempted to groan out of his chest with the tiny puffs of white that came from his mouth and surrounded his red, wind-whipped cheeks. Ellis had trod the trails before him so often, that when the dark canopied trees threatened his view, his steps proceeded on the direct path to his destination, without the hesitation usually accompanying the loss of sight. When finally he could hear the hushed rush of water, his heart fluttered in his chest. His steps quickened. No longer could he feel the frigid wind beating on his back, or the prickles of mist on his skin. Ahead he could see a brilliant moon glaring through the thick branches of towering trees, untouched by the hands of man. …show more content…
Ellis was cautious. In his mind, he recalled each detail he was told only a few hours before. One: “Don’t go away from the tree line.” He crept further into the safety of the shadows cast across the
By noon they had begun to climb toward the gap in the mountains. Riding up through the lavender or soapweed, under the Animas peaks. The shadow of an eagle that had set forth from the line of riders below and they looked up to mark it where it rode in that brittle blue and faultless void. In the evening they came out to upon a mesa that overlooked all the country to the north... The crumpled butcher paper mountains lay in sharp shadowfold under the long blue dusk and in the middle distance the glazed bed of a dry lake lay shimmering like the mare imbrium. (168)
I had only to close my eyes to hear the rumbling of the wagons in the dark, and to be again overcome by that obliterating strangeness. The feelings of that night were so near that I could reach out and touch them with my hand… Whatever we had missed, we possessed together the precious, the incommunicable past. (170)
The drive to cross the Kentucky border had taken hours and hours of strenuous patience to finally arrive in another state. The view was by far country like as hints of cow manure could be smelled far from a distance. We drive through small towns, half the size of our hometown of Glen Ellyn had been the biggest town we've seen if not smaller. The scenery had overwhelmed us, as lumps of Earth from a great distance turned to perfectly molded hills, but as we got closer and closer to our destination the hills no longer were hills anymore, instead the hills had transformed to massive mountains of various sizes. These mountains surrounded our every view as if we had sunken into a great big deep hole of green pastures. Our path of direction was seen, as the trails of our road that had followed for numerous hours ended up winding up the mountainous mountains in a corkscrew dizzy-like matter.
My life so far has been like a good hiking path. A path that is winding and twisting and encompassed with plenty of beauty. A path that is lined with trees like angels protecting you from the mysteries in the deep forest and that keep you rooted on the path you are destine to take. One that is filled with deep troughs and the most beautiful peaks you could ever image. Sometimes the path is rocky and hurts the soles of your feet until they crack and bleed, but other times it’s covered with a soft green moss that lifts your steps and revives your spirits. Through the last 17 years of my life, I have traveled that path and endured every step. I have gone into the dark abyss of the trough and have found in it the most precious grace of light. As I have gotten older I have come to recognize that the scary and shaky steps of my path have indeed been “fearsome blessings” (Buechner, 92).
"Several changes of day and night passed, and the orb of night had greatly lessened, when I began to distinguish my sensations from each other. I gradually saw plainly the clear stream that supplied me with drink, and the trees that shaded me with their foliage. I was delighted when I first discovered that a pleasant sound, which often saluted my ears, proceeded from the throats of the little winged animals who had often intercepted the light from my eyes. I began also to observe, with greater accuracy, the forms that surrounded me, and the boundaries of the radient roof of light which canopied me. Sometimes I tried to imitate the pleasant sounds of the birds, but was unable. Sometimes I wished to express my sensations in my own mode, but the uncouth and inarticulate sounds which broke from me frightened me back into silence."
Marshal McLuhan has been described as both a “media prophet” and a “pop professor” (Wilcox). Although his book The Medium is the Massage was rejected by some academics (Wilcox), it became a popular success outside the academic world. His ability to coin such phrases as the “global village” and his ideas on how media influences culture allowed McLuhan to become an icon of the counterculture movement of the 1960’s. Some scholars argue that McLuhan’s voice was even “swallowed up in the popular cultural movement” (Surette). The word macluhanisme has been adopted into the French language as “a synonym for the world of pop culture” (Playboy). But was McLuhan truly a pioneering scholar? It surely depends on how one defines “pioneering scholar”. I believe that many of McLuhan’s ideas, even if they have become their own clichés and are not wholly understood, are valuable contributions to our academic and cultural heritage by the fact that they are still discussed today.
As I inched my way toward the cliff, my legs were shaking uncontrollably. I could feel the coldness of the rock beneath my feet when my toes curled around the edge in one last futile attempt at survival. My heart was racing like a trapped bird, desperate to escape. Gazing down the sheer drop, I nearly fainted; my entire life flashed before my eyes. I could hear stones breaking free and fiercely tumbling down the hillside, plummeting into the dark abyss of the forbidding black water. The trees began to rapidly close in around me in a suffocating clench, and the piercing screams from my friends did little to ease the pain. The cool breeze felt like needles upon my bare skin, leaving a trail of goose bumps. The threatening mountains surrounding me seemed to grow more sinister with each passing moment, I felt myself fighting for air. The hot summer sun began to blacken while misty clouds loomed overhead. Trembling with anxiety, I shut my eyes, murmuring one last pathetic prayer. I gathered my last breath, hoping it would last a lifetime, took a step back and plun...
SparkNotes Editors. “SparkNote on Long Day's Journey into Night.” SparkNotes.com. SparkNotes LLC. n.d.. Web. 6 Jan. 2014. .
The first thing to see, looking away over the water, was a kind of dull line - that was the woods on t'other side; you couldn't make nothing else out; then a pale place in the sky; then more paleness spreading around; then the river softened up away off, and warn't black any more, but gray; you could see little dark spots drifting along ever so far away-trading-scows, and such things; and long black streaks-rafts ... and by and by you could see a streak on the water which you know by the look of the streak that there's a snag there in a swift current which breaks on it and makes that streak look that way; and you see the mist curl up off of the water, and the east reddens up.
Within the meticulous poem “Dark Pines under Water,” Gwendolyn MacEwen describes an internal journey, in the mind of the reader, through a mysterious dream. This whole dream is shrouded by thought-provoking ideas that clouds the mind on what the final destination is or what the reader’s soul wants it to be, for it is never defined. In reality, mentioning the internality would steal its potency. Of course, this happens only because MacEwen approaches the idea indirectly. This is done by means of connotations and imagery inherent within the landscape; therefore, utilizing these concepts to create an alien, but common internality. Because of this, MacEwen leads the reader to a multi-dimensional conclusion without objectively overstating it. An end result becomes a journey that encourages the reader to take part with the poem.
This morning I wake early from the light that creeps underneath my blinds and my bed next to the window. I wake floating on the streams of light, heated, like white wax spilled across the floor, dripping, soft. In bare feet I walk down the stairs, cold on the wood, and find my father in the kitchen, also awake early. Together, we leave the house, the house that my parents built with windows like walls, windows that show the water on either side of the island. We close the door quietly so as not to wake the sleepers. We walk down the pine-needle path, through the arch of trees, the steep wooden steps to the dock nestled in the sea-weed covered rocks. We sit silently on the bench, watch as the fog evaporates from the clear water. The trees and water are a painting in muted colors, silver and grays and greenish blue, hazy white above the trees.
Sitting in the back seat between two towering piles of clothes and snacks we drive up the abandoned streets of Adell. I see vast open fields of corn and dense wooded forest filled with life, along with the occasional, towering grain house. We pull into a dry, dusty, driveway of rock and thriving, overgrown weeds. We come up to an aged log cabin with a massive crab apple tree with its sharp thorns like claws. The ancient weeping willow provides, with is huge sagging arms, shade from the intense rays of the sun. Near the back of the house there is a rotten, wobbly dock slowly rotting in the dark blue, cool water. Near that we store our old rusted canoes, to which the desperate frogs hop for shelter. When I venture out to the water I feel the thick gooey mud squish through my toes and the fish mindlessly try to escape but instead swim into my legs. On the lively river banks I see great blue herring and there attempt to catch a fish for their dinner. They gracefully fly with their beautiful wings arching in the sun to silvery points.
“The offing was barred by a black bank of clouds, and the tranquil waterway leading to the uttermost ends of the earth flowed somber under an overcast sky – seemed to lead into the heart of an immense darkness.” (96)
Being invited to a friend’s house the other day, I began to get excited about the journey through the woods to their cabin. The cabin, nestled back in the woods overlooking a pond, is something that you would dream about. There is a winding trail that takes you back in the woods were their cabin sits. The cabin sits on top of a mountain raised up above everything, as if it was sitting on the clouds.
The sunset was not spectacular that day. The vivid ruby and tangerine streaks that so often caressed the blue brow of the sky were sleeping, hidden behind the heavy mists. There are some days when the sunlight seems to dance, to weave and frolic with tongues of fire between the blades of grass. Not on that day. That evening, the yellow light was sickly. It diffused softly through the gray curtains with a shrouded light that just failed to illuminate. High up in the treetops, the leaves swayed, but on the ground, the grass was silent, limp and unmoving. The sun set and the earth waited.