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The age of innocence edith wharton citation
The age of innocence edith wharton citation
The age of innocence edith wharton citation
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Ellen Olenska as a Mythological Muse in The Age of Innocence
Long ago in ancient Greece, mythology was used to explain our world, our lives, and most importantly, our interpersonal relationships. Still today Greek mythology is infused into the literature of almost every influential and lasting author, one of the more effective authors being Edith Wharton, author of The Age of Innocence. The relationship between Newland Archer and Madame Ellen Olenska, two protagonists in Wharton’s novel, is an example of the classic relationship between a muse and an inspired man. Wharton was obviously well learned in the art of mythology as seen in her stories, The Lamp of Psyche and The Muse’s Tragedy, and used this knowledge in order to portray a tragic tale of an inspired man.
From Ellen Olenska’s first appearance at New York’s ornate opera house, her presence is of a mythological being that “catches the eye and the interest of every man of the prominent New York social scene” (Millicent 229). Blake Nevius states that Ellen has the mysterious faculty of suggesting tragic and moving possibilities outside the daily run of experience (185); it is a classic trait of a muse to evoke ideas of a life superior to the ordinary with endless possibilities.
There are nine muses of Greek mythology who evoke different arenas of inspiration in a man; a muse of epic poetry, a muse of tragedy, a muse of comedy, a muse of history, a muse of astronomy, a muse of dance, a muse of sacred song, a muse of lyric poetry, and Erato, a muse of love poetry and passion (Marks 34).
Erato, whose name translates into passionate is known as the “awakener of desire” (35), and most closely resembles Ellen Olenska. The poet Hesiod wrote, “the muse’s spirit is free from care and for though men has sorrow and grief in his soul, when the Muses sing, at once he forgets his dark thoughts and remembers not his troubles (34). This explains Archer’s state of mind whenever he is in the company of Ellen, for an affair was of bad “taste,” and Archer believed that “few things seemed more awful than an offense against ‘Taste,’ that far-off divinity of ‘Form’ was the mere visible representative and vice-regent,” yet this notion slipped out of thought whenever he was in the presence of Countess Ellen Olenska.
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...ernatives, which Archer was able to do after Ellen inspired him to (96 Lyde).
Edith Wharton successfully portrayed Countess Ellen Olenska as a muse who inspired Newland Archer to open his eyes to the world outside of conventions and to act on what she had taught him. In no Greek tragedy does the certainty of defeat – the irresistible power of fate – free the central figure, in this case, Newland Archer, from personal responsibility. The important thing, the lesson learned by Ellen Olenska, which made the tale of Newland Archer tragic, is a quality of character which transforms suffering into wisdom and humanity.
Works Cited
Bell, Millicent. Edith Wharton and Henry James. Millicent Bell, 1965.
Coxe, Louis O. “What Edith Wharton Saw in Innocence.” The New Republic. Louis
O. Coxe, 1955.
Lyde, Marilyn Jones. Edith Wharton. University of Oklahoma Press, 1959.
Mansfield, Katherine. Novels and Novelists. New York Knopf, 1930.
Marks, Tracy. Our Muses. Tracy Marks, 1989.
Nevius, Blake. Edith Wharton. University of California, 1953.
Named Works:
Wharton, Edith. The Age of Innocence. Dover Publications, Inc. 1997.
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Quickly fear began to collect within the public, and it wasn’t before long that the fear translated into support for the new policies of foreign involvement. Truman mentioned in his speech that this investment of U.S. resources paled in comparison to the cost of World War II. Truman insisted it is a necessity to secure the investment in peace achieved through the war by the means of curbing the communist agenda via foreign involvement and aid. This effort was portrayed as a way to prevent further wars, but instead directly contributed to the start of the cold war. Truman’s final lines in his speech stretch from instilling a fear of the communist regime exclaiming “The seeds of totalitarian regimes are nurtured by misery and want. They spread and grow in the evil soil of poverty and strife. They reach their full growth when the hope of a people for a better life has died” and portraying the United States as a savior to nations under the scope of the Soviet Union as “The free peoples of the world look to us for support in maintaining their freedoms. If we falter in our leadership, we may endanger the peace of the world -- and we shall surely endanger the welfare of our own nation” (Truman). This quote accurately sums up the scope of foreign involvement and relations of the United States during this time period. Truman quickly made the point to
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The first established death penalty laws date as far back as the Eighteenth Century B.C. in the Code of King Hammaurabi of Babylon. The death penalty was also part of the Fourteenth Century B.C. 's Hittite Code; in the Seventh Century B.C. 's Draconian Code of Athens, which made death the only punishment for all crimes; and in the Fifth Century B.C. 's Roman law of the Twelve Tablets. Death sentences were carried out by such means as crucifixion, drowning, beating to death, burning alive, and impalement. In the Tenth Century A.D., hanging became the usual method of execution in Britain. In the following century, William the Conqueror would not allow persons to be hanged or otherwise executed for any crime, except in times of war. Some common
Within the writings of Greek mythology women commonly display certain attributes that the Greek society associated with women or femininity back in the day. A common quality demonstrated amongst the women in Greek society, and more specifically in Greek mythology, is deception. Throughout the Greek literature discussed in class, women have commonly showed their deception and trickery in different ways and for numerous different reasons. The Odyssey, Theogony, and Homeric Hymm all displayed Greek women showing some form of deception within the stories and poems. These stories show various ways and reasons for Greek women being deceiving and disingenuous, reasons for which there needs to be more discussion.