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Elizabethan era culture
Elizabethan era culture
Elizabethan era daily life
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Stuff in red bold was added after 3:05 I saw the disdain creep into your faces as soon as you saw what I was wearing. The wrinkled shirt and the tattled shorts are the way I chose to represent myself, and unsurprisingly they had an impact on the way you viewed me, before I had even begun. What you must realise though, is not the fact that you were all quick to judge, as that is intrinsic to the human psyche, but that I was able to mould your interpretation of my character to my liking through the representation of my outer self. Good morning colleagues, I’m honoured to have the chance to speak to you all about the topic of: "All representations of people and politics are acts of manipulation". As I’ve already demonstrated, it is quite clear …show more content…
Honour within the Elizabethan era primarily stood for the reputation of a person, and it offered respect and admiration. Shakespeare undoubtedly chose to position the responder to depict his own perception on honour due to the prevalence of it throughout his political landscape and its impacts on everyday life. The notion of honour, is first established within the guilt-ridden King Henry IV, who wears a figurative bloody crown as a result of his deposition of his cousin, Richard II. King Henry IV kicks off the play with an attempt to clear his conscience while maintaining the illusion of a clear one to his subordinates. He says to the Lord of Lancaster and the Earl of Westmoreland: “To chase these pagans in those holy fields / over whose acres walked those blessed feet / which fourteen hundred years ago were nailed / for our advantage on the bitter cross.” in Act 1, Scene 1. There are two red herrings Shakespeare throws out to produce the illusion of a stable conscience and an honourable heart to his subjects and these are the use of blank verse to signify nobility and thus power, and the use of the pluralistic language found within ‘our advantage’. The King shies away from the singular ‘I’ so as not to draw attention to the plague ravaging his conscience, and Shakespeare through this shines light on the gratuity of an act such as a Holy
Passage Analysis - Act 5 Scene 1, lines 115-138. Shakespeare’s ‘King Henry IV Part I’ centres on a core theme: the conflict between order and disorder. Such conflict is brought to light by the use of many vehicles, including Hal’s inner conflict, the country’s political and social conflict, the conflict between the court world and the tavern world, and the conflicting moral values of characters from each of these worlds. This juxtaposition of certain values exists on many levels, and so is both a strikingly present and an underlying theme throughout the play.
Shakespeare constructs King Richard III to perform his contextual agenda, or to perpetrate political propaganda in the light of a historical power struggle, mirroring the political concerns of his era through his adaptation and selection of source material. Shakespeare’s influences include Thomas More’s The History of King Richard the Third, both constructing a certain historical perspective of the play. The negative perspective of Richard III’s character is a perpetuation of established Tudor history, where Vergil constructed a history intermixed with Tudor history, and More’s connection to John Morton affected the villainous image of the tyrannous king. This negative image is accentuated through the antithesis of Richards treachery in juxtaposition of Richmond’s devotion, exemplified in the parallelism of ‘God and Saint George! Richmond and victory.’ The need to legitimize Elizabeth’s reign influenced Shakespeare’s portra...
The undeniable pursuit for power is Richard’s flaw as a Vice character. This aspect is demonstrated in Shakespeare’s play King Richard III through the actions Richard portrays in an attempt to take the throne, allowing the audience to perceive this as an abhorrent transgression against the divine order. The deformity of Richards arm and back also symbolically imply a sense of villainy through Shakespeare’s context. In one of Richard’s soliloquies, he states how ‘thus like the formal Vice Iniquity/ I moralize two meanings in one word’. Through the use of immoral jargons, Shakespeare emphasises Richard’s tenacity to attain a sense of power. However, Richard’s personal struggle with power causes him to become paranoid and demanding, as demonstrated through the use of modality ‘I wish’ in ‘I wish the bastards dead’. This act thus becomes heavily discordant to the accepted great chain of being and conveys Richard’s consumption by power.
“This, by his voice, should be a Montague. Fetch me my rapier, boy. What dares the slave come hither, cover’d with an antic face, To fleer and scorn at our solemnity? Now, by the stock and honour of my kin, To strike him dead I hold it not a sin.” (Shakespeare, page 54).
Thou shall honour thy father and thy mother, is not only one of ten powerful commandments but is also the foundation for King Lear's perception of himself and his overwhelming situation in Shakespeare's masterpiece King Lear. After a recent life-altering decision, Lear's seemingly stable and comfortable world has been thrown into upheaval through the disobedience and lies told by not only his two daughters but also by his servants! Thus, after being dishonoured by his family and attendants, Lear forms an accurate perception of his situation, that he is "a man / More sinned against than sinning" (Act III scene ii lines 60 - 61).
With so many words making up the content of plays, it is difficult for one, single word to make much of an impact. However, the word ‘honor’ does just that in the play Titus Andronicus. Honor means different things to different people, and this is quite evident in the tragedy that is Titus Andronicus. The definition of honor has changed throughout the history of man. The character for which the play is named, Titus, puts his honor and the honor of Rome before anything else. In the play, honor is used as justification for wrongful actions. There are murders that happen in the name of honor. Honor is also lost by some and taken from others. Although small in size, the word honor plays a large role in Titus Andronicus.
Another controlling method that is diffused through television, radio and written publications; is any reported information about world politics and news. Powerful political groups narrow people’s views of what is going on around them by tainting and twisting information to their own device. They decide what to say and when to say it, revealing as much or little information as desired, in ‘befitting’ instances; thus enabling them to hide information they consider deleterious to themselves, from the public. It also permits them to depict opponents in overly negative terms.
Act I of Shakespeare’s Macbeth serves as the beginning and exposition for the story to come, a tragedy filled with deceit and dishonor. This is made clear through the introduction of the titular character, Macbeth himself, and the dichotomy that develops within him. Before Macbeth ever enters the act, he is spoken of by a Scottish captain as among the bravest and most valuable soldiers in the army under King Duncan. After hearing of this account, Duncan has the utmost respect for Macbeth, exclaiming that he is “smack of honor” (ii. 61) and rewarding his courage with the title of Thane of Cawdor. At this point in the play, Macbeth is not only appears as a noble and worthy subject, but every indication suggests that this is the reality of his
The power of manipulation is a very powerful tool and can easily be misused to benefit
Shakespeare, William. Henry V. The Norton Shakespeare Based on the Oxford Edition: Histories. Eds. Greenblatt, Stephen et al. New York: Oxford University Press, 1997. 736-793.
Throughout the play, Brutus speaks about honor and his loyalty to his country. These two concepts become major conflicts for him when it comes to his friendship and loyalty to Caesar. Brutus life is conducted by the concept of honor. He constantly throughout the play speaks of how honorable he is and how honorable men should live. He 's very proud of how Romans view him as a noble and honorable man, who fights for what is right and is always following the moral and ethical code. Brutus ends up using the concept of honor and loyalty to his country as a reason why Caesar must die. He 's convinced that his countrymen will thank him for saving them from a tyrant and that Rome would be much better off without Caesar, but it ends up being a big miscalculation
To turn Henry V into a play glorifying war or a play condemning war would be to presume Shakespeare's intentions too much. He does both of these and more in his recount of the historical battle of Agincourt. Although Shakespeare devotes the play to the events leading to war, he simultaneously gives us insight into the political and private life of a king. It is this unity of two distinct areas that has turned the play into a critical no man's land, "acrimoniously contested and periodically disfigured by opposing barrages of intellectual artillery" (Taylor 1). One may believe that Henry is the epitome of kingly glory, a disgrace of royalty, or think that Shakespeare himself disliked Henry and attempted to express his moral distaste subtly to his audience. No matter in which camp one rests, Henry V holds relevance for the modern stage. Despite containing contradictions, Henry is also a symbol as he is one person. This unity of person brings about the victory in the battle of Agincourt.
Politics, although a very abhorred profession, is a necessity for society, and requires good leaders who make good political decisions for their constituents. Unfortunately, there is always a negative connotation associated with politicians, as they are usually seen as corrupt, lying, and scheming people. There are many dif...
...has so much power. The findings of this research could be used by campaigners in an attempt to swing an election in their favour, creating an unfair bias in parliament and denigrating the ideals of democracy.
This questioning of what is actually important, physical needs or conceptual ideals, was relevant in Shakespeare’s time, and still is today. Living under Elizabeth I, the product of major religious upheaval, Shakespeare may have been disillusioned with the worlds of kings and queens of which he wrote. The belief in the importance of honor and reputation was still very popular during this time period, and in a play in which the entire plot revolved around these ideals Falstaff’s speech sticks out. This may have been a subtle critique of these values held so dearly by Shakespeare’s