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The chrysanthemums character development
Steinbeck's view of women
The themes of romanticm
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Desperate Behaviors In the story, “The Chrysanthemums” John Steinbeck allows the readers to be put in Elisas shoes to demonstrate her frustrations and feelings in her life. From the very beginning Elisa is shown to be a character whose life is filled with confusion and lifelessness. She’s not only trapped in Salinas valley but also in her own marriage and life with the only thing to nurture is her chrysanthemums. Just when she thinks she may have a chance of her needs being fulfilled when a stranger comes by her hope is then crushed. John Steinbeck creates this short story to show woman's need for sexual fulfillment is astonishingly powerful. Steinbeck demonstrates that if their needs aren’t met then the result of it can lead people to act …show more content…
He’s unimaginative and can’t provide enough compliments and romance with Elisa. He seems confused towards the end of the story when Elisa brings up questions about the fights which shows he’s unable to understand her and see what she’s truly feeling. Henry can provide Elisa with everything she wants except the most important thing she truly needs. Although Steinbeck characterizes him as an adequate husband he doesn’t understand Elisa’s true frustration. The final character Steinbeck characterizes is Tinker who is described as a large man who approaches their ranch in an old spring wagon. Tinker is shown as a man who makes a living by repairing old pots, pans or any kitchen utensils. “Pots, pans, knives, sisors, lawn mores, fixed” (Steinbeck 758). He seems to be a poor uneducated man because of the fact that the words on his wagon were misspelled. He seemed to be persistent on finding any repairs to be done with any of her old pots or pans. After the character analyzed what Elisa was passionately doing he finds a way to interest her in order to convince Elisa to give him work. “The irritation and resistance melted from Elisa’s face” (Steinbeck 760). This quote shows how quick her mood changed because the man recognized her plants. This tactic he uses shows …show more content…
For example, The chrysanthemums symbolize Elisa. When she’s in the garden nurturing her flowers she then becomes the plants. “It’s a good bitter smell,” she retorted, “not nasty at all.” He changed his tone quickly, “I like the smell myself” (Steinbeck 760). When Elisa brings up the smell of the chrysanthemums at first tinker thought they had an odd smell but then quickly changed his mind and agreed with Elisa. When he notices her plants Elisa is surprised and felt as if he had noticed her instead. When Elisa welcomes him to her garden it’s as if she’s welcoming him to herself in a sexual way. Then soon she offers to put a chrysanthemum bud in a pot as if she’s offering herself to him. Steinbeck construct this to show how desperate she got once she felt noticed by tinker. Towards the end of the story when Elisa sees her buds thrown on the side of the road this is a symbolic way of showing that the little hope she had of her needs being met is gone. This also shows that once he got what he wanted he is careless and acts by throwing them out on the road. Another symbolic example is the Salinas Valley. The valley symbolizes Elisas life and emotions. She’s basically trapped in a closed pot. It serves as Elisas negative energy that can boil over or explode because of her unfulfilled needs. Steinbeck uses Elisa as a comparison to the stubble field that’s unable to grow just like Elisa who lacks independence
One symbol appears throughout chapter three, the turtle. It is a symbol for the migrants and how some people will go out of their way to knock them down, “the driver saw the turtle and swerved to hit it” simply because they want to, they want to feel like they are powerful (Steinbeck 22). However, some of the people go out of their way to avoid hurting the migrants, “she saw the turtle and swung to the right, off the highway, the wheels screamed and a cloud of dust boiled up” because they know that it would be immoral to hurt something, although they have more power (Steinbeck 22). Another example of a symbol is Rose of Sharon’s pregnancy, it holds new life for the family, except when the baby is born it is “a blue shriveled little mummy” that “‘Never breathed’ said Mrs. Wainwright softly. ‘Never was alive.’” symbolizing how the Joads never really had a chance (Steinbeck 603). They believe in their hearts that they persevere throughout their trials, but in the end they realized their certain doom as soon as they left for California, maybe even
In this short the Chrysanthemums, written by John stein beck. The author tells a character who is in need of love. Stein back reflects the charazteratiom of Elisa in the story because he shows us how Elisa character changes threw out the story. The traits of Elisa’s show us that Elisa is strong and want affection and resorts to the chrysanthemums as a way to show herself.
The main character in John Steinback’s short story: The Chrysanthemums, is a married woman named Elisa Allen. She is a hardworking diligent young woman. In the opening chapters of The Chrysanthemums, Elisa is seen heartily in a great degree tendering to her gentle flowers. Powerful she is – gentle and conservative with her strength. She knows her weakness. Like the gentle calm flow of water embedding itself into layers of strata – which forms the highest peaks and grandest canyons.
Elisa Allen reveals two very different sides of herself in The Chrysanthemums- the person she forces herself to be outwardly and the person she inwardly craves to be. As the story opens, Elisa is very quiet with her husband, giving him brief responses that lack enthusiam. After exchanging a few words with her husband, consisting much of the word “good,” “she said: 'I'll have plenty of time to transplant some of these sets, I guess” (American Short Stories 315). Here, Elisa's responses are neither affirmitive nor a reflection of how she truly feels. Progressively, though, Steinback unveils an eager, overly-expressive Elisa as she encounters a stranger that come to visit her. With the pot fixer, Elisa shares her passion for growing chrysanthemums and expresses a personality trait that is in direct opposition with her otherwise passive attitude. “'It must be very nice,' she said. 'It must be very nice. I wish...
The two short stories have different characters, plot and setting and yet they have a common ground in which human beings are deeply involved. In short, the setting of each work powerfully suggests a rather calm, dull and peaceful mood at a superficial level; however, the main characters are struggling from the uncontrollable passions and exploding desire at heart. First of all, in "The Chrysanthemums" the Salinas Valley is depicted as somewhat dull, like "a closed pot." In addition, its geographical setting represents an isolated atmosphere, and, furthermore, Elisa's actions of handling chrysanthemums can be translated into a static, inactive one. However, when it comes to her concealed passion, the whole picture in this piece can be interpreted in a different way. In fact, Elisa is portrayed as "over-eager, over-powerful" in a sharp contrast to the unanimated space in which she lives. On top of that, Elisa expresses her volition to explore uncharted worlds like the peddler who happens to visit her farm house. Also, it must be noted that, even though Elisa does not reveal her desire openly largely due to the authoritative patriarchal system, Elisa's interior motive is directed toward the violent, bloody prizefights. In other words, the imbalance between the relatively restricted setting and Elisa's vaulting desire to wander into the unknown territory is chiefly designed to strengthen the overall imagery of Elisa, whose drive to experience the violent outer world. At the same time, it can be inferred that appearance (setting) and reality (Elisa's human nature) are hard to understand.
Within Steinbeck's story, "Chrysanthemums," the main character, Elisa Allen, is confronted with many instances of conflict. Steinbeck uses chrysanthemums to symbolize this conflict and Elisa's self-worth. By examining these points of conflict and the symbolism presented by the chrysanthemums, the meaning of the story can be better determined.
In John Steinbeck’s The Chrysanthemums, the reader is introduced to the seemingly timid and shy Elisa Allen. Elisa is routinely planting her yearly sets of Chrysanthemums, which appear to be the sole receptor of her caring and gentle touch, but all the while it is evident that “the chrysanthemum stems seemed too small and easy for her energy.” Her hidden eagerness seems not only out of place, but out of touch with her dry and wilted surroundings, of which her husband, Henry, abruptly interrupts her steady pace. Inquiring of dinner plans, he is quickly shuttered out, so that Elisa can continue her work in the fenced in flower bed. This seems to be the only place on the ranch that belongs to her, and thus devoting the entirety of her time, and consideration, towards this lonely sandy square.
Initially, John Steinbeck’s short story, “The Chrysanthemums” illustrates the internal conflict a sorrowful housewife faces. The day-to-day life of character, Elisa, seems like a boring one and Steinbeck attempts to remind the reader to not give into temptation and cherish loved ones. During the dialogue, Elisa’s husband, Henry, offers an idea to go out to dinner and the less than enthusiastic response of, “I’ll have plenty of time to transplant some of these sets” (Steinbeck 435) proves that Elisa cares more about her garden than spending time with her husband. Rather than make an effort to bond with her spouse, she appears to be reluctant when asked to go out and enjoy a simple night on the town. Additionally, the failure of a connection between the couple gives the Tinker an opening to make an impact on Elisa’s mental state. Once the Tinker gives her the least bit of attention, Elisa’s entire demeanor starts to change. When Elisa is first described to us, she is unwomanly: “her figure looked blocked and heavy, and she wore a “man’s black hat pulled low down over her eyes” (Steinbeck 438). Although, she is not portrayed as a strong symbol of femininity, the Tinker has spiked an interest in her taboo ways. In the web article “Symbolism in ‘The Chrysanthemums’,” Elizabeth Kassim classifies the tinker as the “catalyst in Elisa’s life”(http://www.lonestar.edu). The admiration of the flowers leads the tinker to admire Elisa. Her sexuality is defined by the chrysanthemums and she “tears off the battered hat and shakes out her dark pretty hair” (Steinbeck 441). With a few kind and well-placed remarks by the Tinker, Elisa thinks there could be a new beginning all aspects of her life. Elisa’s marriage and the way she feels about herself ...
Elisa’s inner feelings are most apparent with the portrayal of her working in the garden, the conversation she has with the “Fixer-Guy”, and finally, when she and her husband are going out to dinner. Steinbeck offers an array of different details concerning the character of Elisa Allen. The main detail being that she is a strong woman on the inside although she seems to struggle in showing it throughout the story. Because of the "Pot Fixer," she is able to act, although for a short time, like that strong woman. Steinbeck unfortunately brings Elisa full-circle, back to where she started. She notices on the way to dinner her chrysanthemum sprouts at the roadside. This, along with her husband’s hesitation to allow her curiosity, puts her back where she started, canceling her emergence. One must ask after reading this short story if Elisa will continue this discontented lifestyle. Or will she be able to blossom beautifully for good, as do her chrysanthemums?
Elisa Allen is a thirty-five-year-old woman who lives on a ranch in the Salinas Valley with her husband Henry. She is "lean and strong," and wears shapeless, functional clothes (Steinbeck 203). The couple has no children, no pets, no near neighbors, and Henry is busy doing chores on the ranch throughout the day. Elisa fills her hours by vigorously cleaning the ''hard-swept looking little house, with hard-polished windows,'' and by tending her flower garden (204). She has ''a gift'' for growing things, especially her chrysanthemums, and she is proud of it (204).
As Elisa and her husband leave for dinner, she sees that the tinker has thrown her chrysanthemums onto the side of the road. This is a painful and emotionally experience, she realizes that she has been used, in a way. “She tried not to look as they passed it, but her eyes would not obey. She whispered to herself sadly, "He might have thrown them off the road.” ….” But he kept the pot," she explained.” She has let someone into the most personal aspects of her life and soul, has given him a piece of herself and the tinker has merely discarded it. Elisa try to forget the horrible moment with some wine at her dinner with her husband. “"Henry," she asked, "could we have wine at dinner?” She wants to take away the pain by using alcohol as her source of escape from the reality she is living in. This is a painful experience for her--she realizes that she has been exploited, in a way. She has let someone into the most personal aspects of her life and soul, has given him a piece of herself (quite literally) and the tinker has merely discarded it. Up until this moment, allowing herself to feel has only been positive for Elisa. But now she realizes that to truly experience life, one must feel pain as well. This is difficult for Elisa. She wants to revert back to her "fog" of not feeling; she wants to take away the pain by putting up her barriers again. At the end of the story, Elisa is “crying weakly, like an old woman” she could not control her feeling broke and unwanted by the one person she thought was interested in her and her
In the short story “The Chrysanthemums” John Steinbeck uses symbolism to reflect the characteristics of his main character Elisa Allen. Elisa, a married woman uncovers her deeply smothered femininity in an inconspicuous sense. Her life in the valley had become limited to housewife duties and the only sustenance that seemed to exist could merely be found in her chrysanthemum garden. Not until she becomes encountered with a remote tinker-man out and about seeking for work, does she begin to reach many of the internal emotions that had long inhibited her femininity. The tinker subtlety engages an interest in Elisa’s chrysanthemum garden that encourages Elisa to react radically. When Elisa realizes that there are other ways to live she attempts to lift the lid off of the Salinas Valley, but unfortunately the tinker’s insincere actions resort Elisa back to her old self and leaves Elisa without any optimism for her hollow breakthrough. Steinbeck’s somber details of the setting, strong description of the chrysanthemums and meaningful illustration of the red flower-pot reveal the distant, natural, ambitions Elisa Allen desired to attain.
Elisa Allen embodies the image of a simple woman eager to escape the confines of a gender defined role in society. Readers are introduced to Elisa as a 35 year old, strong woman living with her husband, Henry, on a ranch in Salinas Valley (Steinbeck 460). Elisa’s masculinity is highlighted from the attire she is wearing to the strength in her hands. Henry affirms that Elisa is capable in her endeavors when he states, “you’ve got a gift with things,” in regards to her garden (Steinbeck 460). Even though Elisa is delighted at Henry’s suggestion that she work in the orchard, the idea does not seem to get a second thought (Steinbeck 460). The idea of a woman working in the orchard is dismissed on the premise that the orchard is not a woman’s place. In Elisa’s account with the man in the wagon, her sexuality exudes in her graphic explanation of picking off the flower buds and being under the stars, to the point that she almost physically touches the man (Steinbeck 463). Her desire would go unsatisfied, as it would not be appropriate for her to act on her impulse. Elisa is searching for fulfillment in life but finds her role to be trivial. Intrigued by the idea of traveling, as the gentleman in the wagon does, she states, “It must be very nice. I wish women could do such things.” She is shot down as the man replies, “It ain’t the right kind of a life for a woman” (Steinbeck 464). This conversation clearly depicts the prevalent inequality of the sexes. Furthermore, once the man leaves in the caravan Elisa cements her urge for something more, looking out at the horizon whispering, “That’s a bright direction. There’s a glowing there” (Steinbeck 464-465).
Elisa is at her strongest and most proud in the garden and becomes weak when placed in feminine positions such as going out to dinner with her husband. Steinbeck carefully narrates this woman’s frequent shifts between femininity and masculinity over a short period of time. In the opening of the story, Elisa is emasculated by the description of her clothing. She wears "a man’s black hat pulled low down over her eyes, clodhopper shoes, a figure print dress almost completely covered by a big corduroy apron." (paragraph 5).
Is the husband to Elisa Allen. The writer manages to depict Henry as a three dimensional character by displaying character traits that are conflicting. We see him appreciating his wife’s gardening skills and at the same time we see him giving her condescending remarks and demeaning her. He treats his wife kindly and even makes the effort of taking her out occasionally in the evenings yet we get to see that he does not have sexual relations with the wife leaving her feeling neglected. He is depicted as being a very moderate man but who is unable to fulfill the needs of his own wife.