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Characteristics of western movies
Characteristics of western films
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Elements of Western, Comedy and Thriller in Jarmusch’s Film Dead Man
Released in 1995, the film “Dead Man” is set in the West in the latter half of the 19th century. The film is a genre-combining work. Although “Dead Man” is a Western, it brings in many elements from the Comedy and the Thriller. The movie is set in the west, yet the audience finds themselves laughing at many comical incidents as well as anticipating what will happen to Blake next.
The film is a Western in many ways, but is also a satire of the genre. First of all, the character Nobody is a Native American. This is common to Westerns, however, the remainder of his character is not. While Indians in Westerns are usually savages, Nobody was educated in England and only interested in helping the protagonist. Also, Blake arrives in town alone. Heroes in Westerns have typically been loners. However, Blake’s character is not much of a hero as he does not demonstrate many characteristics commonly associated with heroism. He is not courageous, fighting some ‘evil’ or ‘bad’ presence, or have some sort of special skills. When walking through, the town is established as a lawless place. For example, Blake and the audience see a woman performing oral sex on a man in public. This lawlessness is expected in the West. However, this specific incident is also satirical of the genre as Westerns would not normally show such a vulgar act.
During the course of “Dead Man,” Jarmusch uses some scenes to create a Thriller-like tension. For example, in the first scene, when Blake is traveling, many interesting passengers ride along with him on the train. The train conductor sits across from Blake and warns him of his destination, the town of Machine. The conductor tells Blake that Machine is the “end of the line.” These are very ominous words. The conductor also states that Blake is likely to find his grave there. A gunshot is then fired. These are actions and dialogue not regular to Westerns. This scene brings to “Dead Man” the element of suspense common to the Thriller.
Throughout the film, the audience is also exposed to many different comical scenes. Many situations and even dialogue are humorous. For example, one of the three killers sleeps with a Teddy Bear. Additionally, Nobody calls Blake a “stupid fucking white man.” This is funny purely because it is not something that would be expected from his character.
First, a key method used to create suspense is the usage of the setting. When a character is in an unwelcoming or uninviting location, uneasy or tense feelings can be formed. When there is a sense of not knowing what is around the corner or lurking in the shadows, suspense is created. Also, ominous weather, such as threatening thunderstorms, can lead the reader to anticipate an unfortunate event occurring. An example of an uncomfortable setting is the secret passageway, which is dark, dirty, and most often only occupied by a single individual. Under these conditions many people become anxious, and because of these uneasy feelings that one may encounter, when a character is subjected to these conditions, the reader may become apprehensive, which leads to the formation of suspense. When Dan Needham shuts John Wheelwright in the secret passageway while both are in a drunken stupor, a high level of suspense is created. The description of the secret passageway adds to the suspense of the scene, "The passageway was dark; yet I could discern the scurrying of spiders.
Everyone at one point has been captivated and intrigued by the plot of a movie or a book. This captivation is generated by the one tool that authors and directors love the most, suspense. Authors want their audience and readers of their writing to be enthralled by creating tension and thrill in their plot. The usage of style, characterization, point of view, and foreshadowing allows authors and directors to create suspense in their work. Suspense is a very difficult approach to master but with the correct tools it can be as simple as a walk through the park.
Suspense is the feeling of uncertainty or excitement, in waiting for an outcome or decision. Edgar Allan Poe uses suspense in his story “Masque of the Red Death” by using objects and great descriptive detail. Poe’s story is about a prince that tries to escape from the inevitable. He tries to lock himself away from the ‘red death’ and has a masquerade ball that doesn’t end happily. Prince and all of his guests die inside or around the seventh apartment room. The seventh room is preceded by six colored rooms which are meant to symbolize either the stages of life, or the seven sins. Inside the last room there are black velvet tapestries that hang all over the ceiling and down the walls. The window panes are a deep blood red color which gives the room an unwelcoming atmosphere. On the western wall, there is a gigantic clock of a deep black wood. Inside it has a pendulum that swings back and forth with a dull monotonous clang. When the minute hand marks a new hour, there is a clear, loud, deep sound, which can be heard from far away. Although it can give off an eerie feeling, the great eb...
The use of suspense in “The Hitchhiker,” keeps the audience in a state of panic, wondering what the outcome will be. The protagonist looks back upon the torturous six days, remembering his protective mother, and the commonplace traveler. Fear mixed with suspicion, he identifies the hitchhiker on the most inappropriate hitchhiking roads, set on terminating the foreboding individual. Leaving the audience at the climax, Adams believes the hitchhiker must be mortal, and therefore able to hinder, yet the fact of Adams’ unknown identity and his total isolation, prevent his ability to take
...dness but comedy was used as an emotion. When Michael was going to make a "citizens arrest" at the banks, there was comedy there, sort of like sarcasm which is known to sway a person's thoughts if it is funnier in the sense. The whole movie really shows a lot of emotions and tries to persuade our thoughts on the government with it.
In the movie, the three main types of comedy I recognized were farce, parody, and satire. Farce is comedy designed to provoke the audience into simple, hearty laughter and often uses highly exaggerated or caricatured character types and puts them into improbable and ludicrous situations. It also makes use of broad verbal humor and physical horseplay. Some examples of farce in the movie are:
In most of Ford’s western films, they are about principles, patriotism, and the interrelationships his characters have as they have to deal with while living in the outskirts of civilization during the great American Frontier movement of the 1800s. Ford was able to transport his filmgoing audiences into another realm and time period by picturesque images, staging actors in static poses, noble tough characters with morals, and designing worlds dominated by the western lifestyle. Truly a great film and by a director who knew how to translate a time in American history like no
Somewhere out in the Old West wind kicks up dust off a lone road through a lawless town, a road once dominated by men with gun belts attached at the hip, boots upon their feet and spurs that clanged as they traversed the dusty road. The gunslinger hero, a man with a violent past and present, a man who eventually would succumb to the progress of the frontier, he is the embodiment of the values of freedom and the land the he defends with his gun. Inseparable is the iconography of the West in the imagination of Americans, the figure of the gunslinger is part of this iconography, his law was through the gun and his boots with spurs signaled his arrival, commanding order by way of violent intentions. The Western also had other iconic figures that populated the Old West, the lawman, in contrast to the gunslinger, had a different weapon to yield, the law. In the frontier, his belief in law and order as well as knowledge and education, brought civility to the untamed frontier. The Western was and still is the “essential American film genre, the cornerstone of American identity.” (Holtz p. 111) There is a strong link between America’s past and the Western film genre, documenting and reflecting the nations changes through conflict in the construction of an expanding nation. Taking the genres classical conventions, such as the gunslinger, and interpret them into the ideology of America. Thus The Western’s classical gunslinger, the personification of America’s violent past to protect the freedoms of a nation, the Modernist takes the familiar convention and buries him to signify that societies attitude has change towards the use of diplomacy, by way of outmoding the gunslinger in favor of the lawman, taming the frontier with civility.
The enduring cultural expressions of the frontier were adapted into unique narrative traditions known as the “Western”. The Western genre portrays a story of conquest, competing visions of the land, and the quintessential American frontier hero who is usually a gunfighter or a cowboy. These Western archetypes can be observed in, The Outlaw Josey Wales, a film that employs revenge motifs that lead into and extended chase across the West and touches on the social and cultural issues of the American frontier.
The story is an Eastern take on the Hollywood western with a dash of satire,
The phrase Black Humor has the broad meaning of poking "fun at subjects considered deadly serious or even taboo by some"2. This definition is simple, and yet embodies an important idea that is often lost in more complex definitions: the idea that Black Humor can actually be "fun", and provoke laughter. This is not, of course, the only important aspect of the term, and I shall explore some of the other important defining features of Black Humor before moving on to discuss its use in Kurt Vonnegut's Cat's Cradle3.
This creates tension as it is withholding information. This is the main technique used to create both tension and suspense through out this story. Throughout the whole story we are not given any names of the character, but are distinguished by a certain phrase ‘the man with a withered arm’ shows us that each of the characters mentioned in this story has a negative description. The negative description and the withholding information build up tension as we want to know more about these characters and who they are. Using negative words make out that the characters are evil or decrepit.
culture. Initially slasher films don’t seem to break the barriers of American Cinema; they still
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