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Horror movies are one of the most fascinating genres of film that exists. They are unrealistic but at the same time, they are also realistic. This realism that they contain is what draws people’s interest towards them because viewers are able to associate aspects of their own lives with the film. Every horror movie, no matter how farfetched the theme or plot may be, contains an element that people can relate to. This element may not be observable to a conscious mind, but to an unconscious mind, it brings back memories of something that has been repressed earlier in our lives (Wood, 197). This recollection of suppressed memories is how horror films create a sense of fear and it is literally what Robin Wood means when he talks about “the return …show more content…
of the repressed” (202). Two films that demonstrate “the return of the repressed” are Jacques Tourneur’s 1942 Cat People and David Robert Mitchell’s 2015 It Follows. Through the antagonist Irena (Cat People) and the sexually transmitted demon (It Follows), we see how people’s repressed emotions and ideologies regarding female sexuality are utilized to create a sense of fear and horror. Men fear what they do not know.
Things that are out of the control of men is viewed as a threat to mankind (Berkowitz, 2012). Most people know that babies come from women, however, according to Berkowitz, people living in biblical times did not know why. This lack of knowledge is how female sexuality turned into something that many people repressed. Babies come from women, that much is clear, but menstrual cycles, female orgasms and sexual desires could not be understood by people in the way that male sexuality was understood. Men have many sexual desires and needs, and when they become aroused, they get erections, when men orgasm, they ejaculate. These clear indicators regarding male sexuality allowed people living in BCE to grasp onto what male sexuality is, however, there was a gap in knowledge about female sexuality. Due to people’s inability to reason why there was blood flowing from women at random times, as well as being unable to discern whether or not a woman is aroused is what created the repression of women’s sexuality. “The oldest and strongest emotion of mankind is fear, and the oldest and strongest kind of fear is fear of the unknown.” (Lovecraft). In relation to what I mentioned earlier, female sexuality was the “unknown” and therefore men at that time decided that the way to deal with it would be to repress and dehumanize it (Wood, 199). All throughout history, people have repressed female sexuality to the point where even in today’s progressive society, people still don’t fully accept the notion that women are or should be as sexual as men (Berkowitz, 2012). Sadly, because of patriarchy in religion, we have grown up in a world where the equality of male and female sexuality does not exist and this inequality is ingrained in our brains from infancy (Wood, 196). Religion teaches us that the pleasures and desires of sex come from the devil and if we engage in these desires, then we too are considered evil and
sinful.
The article Why We Crave Horror Movies by Stephen King distinguishes why we truly do crave horror movies. Stephen King goes into depth on the many reasons on why we, as humans, find horror movies intriguing and how we all have some sort of insanity within us. He does this by using different rhetorical techniques and appealing to the audience through ways such as experience, emotion and logic. Apart from that he also relates a numerous amount of aspects on why we crave horror movies to our lives. Throughout this essay I will be evaluating the authors arguments and points on why society finds horror movies so desirable and captivating.
“Why We Crave Horror Movies,” an essay by the legendary Stephen King, explains two challenging concepts to understand: why people like gory horror movies and how people are able to control their darkest desires. “I think that we’re all mentally ill; those of us outside the asylums only hide it a little better – and maybe not all that much better, after all.” King opens the essay by addressing the hard truth- we are all insane. People have dull lives, and often it’s the little bit of crazy within in us tha...
Part of making a horror movie horrifying, is efficiently capitalizing on the bizarre and supernatural elements of the story, while also making them relatable to the audience. “The Shining” uses both happenings of natural intrinsic psychic abili...
Overall, in Stephen King’s essay, “Why We Crave Horror Movies”, his suggestion that we view horror movies to “reestablish our feelings of essential normality” (562) and there is a “potential lyncher in almost all of us” (562) has brought forth many aspects that I have never really thought about. Why do we have so much excitement when it comes to horror films? Everyone has their own opinion, which will never end with one definite answer. Stephen King thinks there’s and evil in all of us, but I don’t think so. The evil only comes out if you make it, we do not need horror films for psychic
Horror is one of many fears humans have. We all have many terrors, but horror is the one that gets the best of us. Some crave, while others resent, the feeling horror movies bring to our body and the emotions that we experience. In Stephen King’s article, “Why We Crave Horror,” he explains that it is a part of the “Human Condition,” to crave the horror. King gives many strong and accurate claims on why we crave the horror movies, such as; testing our ability to face our fears, to re-establish our feelings of normality, and to experience a peculiar sort of fun.
To begin with, some people would say they enjoy a horror movie that gets them scared out of their wits. They go see these movies once a month on average, for fun, each time choosing a newer sequel like “Final Destination” or “The evil Dead”. King says “When we pay our four or five bucks and seat ourselves at tenth-row center in a theater showing a horror movie we are daring the nightmare” (405). As a writer of best-sel...
Stephen King, a very well-known writer and director, has a passionate voice when it comes to anything dealing with horror. In “Why We Crave Horror Movies,” King calls us out for knowing that we love the adrenaline rush and how we are so captivated by horror movies. He explains how we watch horror movies for the level of fun. King proposes that we go to defy ourselves; to see how far it can push us and that is what makes the experience so interesting. We lock our inner psycho from reality and feed it with the demonic, bloody violence found in horror movies. Doing this suggests that horror movies are our fix for our psychotic thoughts. Stephen King’s “Why We Crave Horror Movies” portrays that we are all insane in some weird way through
The Importance of Aesthetic Distance in American Horror Movies What then do we make of American horror movies? In the canon of horror pictures they almost always come second in respect to foreign horror movies and any American horror film that is considered to be artful is the one with the most aesthetic distance. Upscale slashers like Johnathan Demme's The Silence of the Lambs (1991) or David Fincher's Seven (1995) are both gruesome and bloody borrowing many of the same shock techniques as their lower budget counterparts (for example, Russell Mulchahy's Sevenish thriller Resurrection (1999)), both focus on the body and its violation, either through sexual means or violent means, and both feature villains who fit easily into Carol Clover's
Horror films are designed to frighten the audience and engage them in their worst fears, while captivating and entertaining at the same time. Horror films often center on the darker side of life, on what is forbidden and strange. These films play with society’s fears, its nightmare’s and vulnerability, the terror of the unknown, the fear of death, the loss of identity, and the fear of sexuality. Horror films are generally set in spooky old mansions, fog-ridden areas, or dark locales with unknown human, supernatural or grotesque creatures lurking about. These creatures can range from vampires, madmen, devils, unfriendly ghosts, monsters, mad scientists, demons, zombies, evil spirits, satanic villains, the possessed, werewolves and freaks to the unseen and even the mere presence of evil.
People are addicted to the synthetic feeling of being terrified. Modern day horror films are very different from the first horror films which date back to the late nineteenth century, but the goal of shocking the audience is still the same. Over the course of its existence, the horror industry has had to innovate new ways to keep its viewers on the edge of their seats. Horror films are frightening films created solely to ignite anxiety and panic within the viewers. Dread and alarm summon deep fears by captivating the audience with a shocking, terrifying, and unpredictable finale that leaves the viewer stunned.
In any good horror story line you have to have certain aspects or traits to be categorized as a good horror story. What do the readers look for in a horror story you may ask. Well the primary ingredients for making a fearsome, shuddery, monstrous story are foreshadowing, fear, suspense, mystery/surprise and imagination of course. Without every single one of these elements, the reader would not be involved and wouldn 't even continue to finish reading the full story. Nathaniel Hawthorne, Phillip K. Dick and Edgar Allen Poe are only some of the great representations of who have constructed frightening yet delightful stories for us to read.
Has anyone ever stopped and thought about why movie remakes exist? There is always a simple explanation to this conception, and it’s either that Hollywood directors are “lazy” or that Hollywood wants to destroy our childhood scares. For the most part, Hollywood isn’t literally attempting to become futile or destroy the integrity of films, but it’s much for the profit of recreating former popular movies. In addition to that, the revamp graphic quality allows for older movie plots to compete against their modern counterparts, but there still remains an issue. In order to reestablish an older horror film, a newer one has to take its place for the sake of pleasing the current technologically adept generation; however, alterations may completely
Almost everyone has a favorite genre of film, but how everyone defines their favorite genre can differ greatly. Horror is one of the genres where its definition can be perceived differently by many people. Like all other genres, horror does have rules and traditions that must be included in order for a film to be considered a horror film. These rules and traditions include a protagonist, an antagonist, an escape or escape attempt of some sort, and very influential audio and visual effects.
Over the years horror movies have become a big part of cinema business. Teenagers and adults like to watch scary movies because of the adrenaline rush. Every scary movie includes unexpected scenes that make the movie interesting and frightening. It is very terrifying that, parents are allowing their children to watch horror movies. This can be very harmful for children’s mental health. Watching really scary movies and cartoons, and even playing scary games, has many lasting side effects on children. When we watch those horror movies with kids, unknowingly we might hurt their feelings. To be more precise, it can easily affect their nervous systems. Unexpected loud scenes in horror movies may scare children easily. Horror movies can create negative
“Natural Born Killers,” “ Psycho,” “ Friday the 13th ,” and “The Legend of Sleepy Hollow” are all horror films. In these films there is always some crazy person or monster-like character that goes around and slaughters innocent people. And usually, but not all the time the killer is killed at the end of the movie. The media publishes or broadcasts stories that say that horror films influence people to imitate these wrongful acts of violence. I believe that these movies do not influence people to imitate these murderous crimes onto innocent people. Horror films are a way for people to exercise their violent emotions with out hurting anyone.