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Literary analysis outline of the yellow wallpaper
Literary analysis essay of the yellow wallpaper
Literary analysis outline of the yellow wallpaper
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Imagine being confined in a room for three months, you’ve been suppressing your fears and anxieties from other’s around you, so that you can keep up the facade that you’re in a wonderful marriage. The Yellow Wallpaper written by Charlotte Gilman portrays the struggles of a nineteenth century middle-class marriage. John, Jane’s husband has a special way of showing his love and compassion for his wife. With his persistent and dominate behavior, he has suppressed his wife’s ability to express herself. This literary analysis will focus on the effects of post-partum depression and the rest-cure, how self-expression and oppression throughout the story affected the main character, and how the yellow wallpaper contributed to Jane’s hallucinations. The Yellow Wallpaper was written in 1892, when post-partum depression and other mental illness weren’t seen by doctors as a disease. This caused most physicians to prescribe a specific treatment for post-partum depression that didn’t help. The Rest Cure was prescribed mostly to women and after being on the treatment patients began to …show more content…
It also showed a male dominated society and where women didn’t have any choice but to obey their husbands. Women who acted out of character would be treated for having a temporary nervous depression and even sent to Weir Mitchell. The narrator has been prohibited from writing about her thoughts and ideas. This soon consumes the writer into going insane. Her creativity should have been expressed and not suppressed this would have improved her post-partum depression. The Yellow Wallpaper shows how important the views, opinions, and ideas about women’s health, marriage, and wellbeing should be considered by their doctors and loved ones. This would allow women the ability to control their life and make decisions that empower
In “The Yellow Wallpaper,” Gilman recounts, by means of Jane’s journal, the story of Jane and her husband John, following the birth of their baby. Like Gilman, Jane suffers from post-partum depression, and, her husband, who is a physician, locks her in the nursery on the top floor of their summer home. After the first few weeks of her summer in isolation, Jane hides her journal, which contains her true thoughts, so that John will be unaware of...
In the "The Yellow Wallpaper," Charlotte Perkins Gilman describes her postpartum depression through the character of Jane. Jane was locked up for bed rest and was not able to go outside to help alleviate her nervous condition. Jane develops an attachment to the wallpaper and discovers a woman in the wallpaper. This shows that her physical treatment is only leading her to madness. The background of postpartum depression can be summarized by the symptoms of postpartum depression, the current treatment, and its prevention. Many people ask themselves what happens if postpartum depression gets really bad or what increases their chances. Jane's treatment can show what can happen if it is not treated correctly. If Jane would have had different treatment, then she would not have gone insane.
"The Yellow Wallpaper," by Charlotte Perkins Gilman, depicts a woman in isolation, struggling to cope with mental illness, which has been diagnosed by her husband, a physician. Going beyond this surface level, the reader sees the narrator as a developing feminist, struggling with the societal values of the time. As a woman writer in the late nineteenth century, Gilman herself felt the adverse effects of the male-centric society, and consequently, placed many allusions to her own personal struggles as a feminist in her writing. Throughout the story, the narrator undergoes a psychological journey that correlates with the advancement of her mental condition. The restrictions which society places on her as a woman have a worsening effect on her until illness progresses into hysteria. The narrator makes comments and observations that demonstrate her will to overcome the oppression of the male dominant society. The conflict between her views and those of the society can be seen in the way she interacts physically, mentally, and emotionally with the three most prominent aspects of her life: her husband, John, the yellow wallpaper in her room, and her illness, "temporary nervous depression." In the end, her illness becomes a method of coping with the injustices forced upon her as a woman. As the reader delves into the narrative, a progression can be seen from the normality the narrator displays early in the passage, to the insanity she demonstrates near the conclusion.
"The Yellow Wallpaper" by Charlotte Perkins Gilman, is a story told from the first person point of view of a doctor's wife who has nervous condition. The first person standpoint gives the reader access only to the woman’s thoughts, and thus, is limited. The limited viewpoint of this story helps the reader to experience a feeling of isolation, just as the wife feels throughout the story. The point of view is also limited in that the story takes places in the present, and as a result the wife has no benefit of hindsight, and is never able to actually see that the men in her life are part of the reason she never gets well. This paper will discuss how Gilman’s choice of point of view helps communicate the central theme of the story- that women of the time were viewed as being subordinate to men. Also, the paper will discuss how ignoring oneself and one’s desires is self-destructive, as seen throughout the story as the woman’s condition worsens while she is in isolation, in the room with the yellow wallpaper, and her at the same time as her thoughts are being oppressed by her husband and brother.
In 1892 Charlotte Perkins Gilman wrote a short story known as, “The Yellow Wallpaper”. The story is based on how society treated and viewed females during the late 19th century. It involves an unknown female narrator that is believed to be suffering from temporary nervous depression. The story is conveyed through a biased first person point of view because it presented through the narrators personal diary. In order to treat and cure her from this acute form of depression the narrators physician husband John prescribes her the, “rest-cure”. (Gilman) The, “rest cure” (Gilman) required the narrator, “to forgo intellectual and social stimulation and to eat and sleep indulgently”. (Scott) This meant that the narrator could not do what she loves most and that was writing. However, that did not stop the narrator because the story is conveyed through a biased first person point of view presented through the narrator’s personal diary. The unnamed narrator did not agree with this method and thought, “that congenial work, with excitement and change” (Gilman), would be a more effective cure. However, the prescribed treatment failed and the narrator experiences a dramatic change in her mental stability and begins to lose touch with reality. The reason she begins to lose touch with the real word is because every second the narrator is in that room she becomes more, “adapted to her surrounding’s”. (Scott) It’s essential to understand that as the narrator continuously loses touch with the real world she is developing a better understanding about the inner reality of her life. Through developing an increased awareness of the inner reality of her life the narrator experiences a split in her personality. The split in her personality is crucial ...
Throughout “The Yellow Wallpaper,” Charlotte Perkins Gilman tells her readers the story of a woman desperate to be free. Gilman’s use of symbolism is nothing short of brilliant in telling the story of a new mother suffering from postpartum depression and fighting her way through societies ideas of what a woman should be. When her husband, John, also known as her physician, tells her nothing is wrong with her mind, at first she believes him because she knows that society tells her she should. However, with her husband’s misdiagnosis, or attempt to keep his wife sane for the sake of their reputation, comes a short journey into madness for his wife, Jane. Jane’s downward spiral, as one may call it, turns out to be not so downward when the reader
The unnamed narrator finds herself trapped within a large room lined with yellow wallpaper and hidden away from all visitors by her husband-physician John. In “The Yellow Wallpaper” by Charlotte Perkins Gilman, a summer spent in the large ancestral hall to find healing through rest turns into the manic changes of her mind. The overbearing nature of her husband inspires a program designed to make her better; ironically, her mind takes a turn for the worse when she believes the wallpaper has come to life. In Janice Haney-Peritz’s “Monumental Feminism and Literature’s Ancestral House: Another Look at ‘The Yellow Wallpaper’ ”, she tells that until 1973, Gilman’s story was not seen with a feminist outlook. “The Yellow Wallpaper” was misunderstood and unappreciated when it was published. The patriarchal attitudes of men in this era often left women feeling they had no voice and were trapped in their situations. Although originally interpreted as a horror of insanity, this initial perspective misses the broad, provocative feminist movement that Gilman supported. With the changes in perspective, over time this work has come to have a voice for women and the husband-wife relationship through the theme of feminism.
"The Yellow Wallpaper," written by Charlotte Perkins Gilman in the late nineteenth century, explores the dark forbidding world of one woman's plunge into a severe post-partum depressive state. The story presents a theme of the search for self-identity. Through interacting with human beings and the environment, the protagonist creates for herself a life of her own.
Charlotte Perkins Gilman’s short story, "The Yellow Wallpaper," is the disheartening tale of a woman suffering from postpartum depression. Set during the late 1890s, the story shows the mental and emotional results of the typical "rest cure" prescribed during that era and the narrator’s reaction to this course of treatment. It would appear that Gilman was writing about her own anguish as she herself underwent such a treatment with Dr. Silas Weir Mitchell in 1887, just two years after the birth of her daughter Katherine. The rest cure that the narrator in "The Yellow Wallpaper" describes is very close to what Gilman herself experienced; therefore, the story can be read as reflecting the feelings of women like herself who suffered through such treatments. Because of her experience with the rest cure, it can even be said that Gilman based the narrator in "The Yellow Wallpaper" loosely on herself. But I believe that expressing her negative feelings about the popular rest cure is only half of the message that Gilman wanted to send. Within the subtext of this story lies the theme of oppression: the oppression of the rights of women especially inside of marriage. Gilman was using the woman/women behind the wallpaper to express her personal views on this issue.
"The Yellow Wallpaper," by Charlotte Perkins Gilman, tells the story of a woman's descent into madness as a result of the "rest and ignore the problem cure" that is frequently prescribed to cure hysteria and nervous conditions in women. More importantly, the story is about control and attacks the role of women in society. The narrator of the story is symbolic for all women in the late 1800s, a prisoner of a confining society. Women are expected to bear children, keep house and do only as they are told. Since men are privileged enough to have education, they hold jobs and make all the decisions. Thus, women are cast into the prison of acquiescence because they live in a world dominated by men. Since men suppress women, John, the narrator's husband, is presumed to have control over the protagonist. Gilman, however, suggests otherwise. She implies that it is a combination of society's control as well as the woman's personal weakness that contribute to the suppression of women. These two factors result in the woman's inability to make her own decisions and voice opposition to men.
Charlotte Perkins Gilman’s literary work “The Yellow Wallpaper” expresses a dominating relationship between a husband and a compliant wife and her gradual decent into insanity. The wife, suffering from postpartum depression, is secluded from societal influences in attempts to return her to a healthier state of mind. She is not allowed to write or think in her isolated room and over a course of three months becomes more dysfunctional as she is entrapped in what she describes as a former nursery. Her determination to go against her husband’s and physician’s restrictions ultimately makes her surrender into madness because it symbolizes her escape from oppression and resistance from the treatment she is subjected to. Critics may claim that the insanity that the wife suffers from was not the cause of her treatments but existed early in her childhood and that the room in which she occupies is in an insane asylum. However, over the course of time her seclusion makes her fixate on yellow wallpaper in her room. Eventually her fascination of the wallpaper becomes an obsession and she begins to fantasize of imprisoned women behind the paper. By the end of the story she can no longer distinguish fiction from reality and eventually looses any sanity that she held in the beginning of the story. Additionally, the isolated treatments provided by her husband plays a great role in her breakdown and her animalistic behaviors exhibited upon her husband’s return.
“The Yellow Wallpaper:” a Symbol for Women As the narrator presents a dangerous and startling view into the world of depression, Charlotte Perkins Gilman introduces a completely revitalized way of storytelling using the classic elements of fiction. Gilman’s “The Yellow Wallpaper” combines a multitude of story elements that cannot be replicated. Her vast use of adjectives and horrifying descriptions of the wallpaper bring together a story that is both frightening and intensely well told. Using the story’s few characters and remote setting, Charlotte Perkins Gilman presents the wallpaper as both a representation of the narrator and the story’s theme, as well as a symbol for her descent into the abyss of insanity. As the story opens, the suspiciously unnamed narrator and her husband, John, temporarily move into a new home (226).
“The Yellow Wallpaper” is a short story written by Charlotte Perkins Gilman in 1899. One of the major themes is the cultural perception of women during this time. This short story is semi-autobiographical in the sense that Gilman went to the doctor that is mentioned in the story. She had similar struggles and feelings to the narrator of this story who is facing the controlling nature of her husband. While women of this time were trying to be kept in their private and domestic sphere, it left women feeling hopeless and full of depression. Because of this, Gilman may have been prompted to write this story to help express her feelings and also bring awareness to society about how some women were feeling. Through Gilman’s use of symbols, she is able to convey that women are being suppressed and only want to achieve freedom from their social bondage.
In the 19th century, medical innovations were not, but it wasn’t until the 1850s that medical professionals acknowledge Post-partum depression for what it is today. Before that women were often misdiagnosed with “hysteria” and subject to different treatments. In the short story “The Yellow Wallpaper” by Charlotte Gilman Perkins the protagonist is the victim of a medical misdiagnosis that
The Yellow Wallpaper by Charlotte Perkins Gilman is regarded as one of the most important early work of American feminism. This short story illustrates the attitude toward women in regards to their health, both physically and mentally, in the 1800’s. The story opens with the narrator and her husband John, a physician, as well as their child, in a mansion by the lake that they have rented for the summer. Since it is written in the form of a collection of journal entries, though the use of first person story-telling, pretty early on the mental state of the unnamed narrator is abundantly clear. She is diagnosed with a "temporary nervous depression – a slight hysterical tendency", a common issue for women of that time. However, she does not feel