As her narrator enters the descent into madness, Charlotte Perkins Gilman’s “The Yellow Wallpaper” (1892) exposes the damage and misogyny behind the treatment of Silas Weir Mitchell’s infamous “rest cure”. Because many women were subjected to this treatment, readers of the time would already be familiar with Mitchell and his prescription. Interestingly, Gilman herself was a patient of Mitchell and the narrator’s condition and state of mental health, although embellished, is a reflection of her own experience. The therapy behind the “cure” often involved such tactics as enforced bed rest, prohibition of mental or physical exercise, isolation from family and friends, overfeeding, massage, and electrotherapy (Martin 1). Mitchell often prescribed …show more content…
in Stiles “The Rest Cure” 3). To view any external indicators as infallible evidence of a cure, regardless of what the patient says about her mental health is what makes “The Yellow Wallpaper” so disturbing. John takes his wife’s physical appearance as proof the cure works. This signifies that he only respects his wife’s body as her entire identity and not the power of her intellect. An additional factor that further proves the rest cure as a misogynistic medical practice is Mitchell’s prescription for male neurasthenic patients. While women were being forced into confinement and denied intellectual exercises, men were prescribed to go West and have an invigorating experience that refreshed both their mental and physical health. Though men were diagnosed with nervousness, it was regarded as a result of his superior intellect and an overtaxing of his highly evolved brain. Unlike women, men were meant to enter the professions and therefore needed to be invigorated both mentally and physically so that they could refresh the nervous system and return to work. Because Mitchell believed that under nervous stress “the strong man becomes like the average woman” he prescribed that his patients find …show more content…
Interestingly, Mitchell’s ‘west cure’ had more positive effect on American history than he may have realized. While treating patients such as Walt Whitman, Owen Wister, and Theodore Roosevelt, Mitchell encouraged the men to go out, engage in a sturdy contest with Nature, and to write about their experiences. Roosevelt’s experience was highly influential in terms of his physical appearance and persona. Before the west cure, Roosevelt was considered to have an effeminate look and high voice, but after following the advice of Mitchell he “became known for his strenuous brand of masculinity” and personification of Western ideology with his famous motto: “Speak softly and carry a big stick” (Stiles “Go Rest” 2). Because of this transformation, he was able to make such an impact in American history and in his politics as an embodiment of power. In the cases of Wister and Whitman, their experiences were documented in literature with “The Virginian” and “Specimen Days” respectively. Wister’s “Virginian” is even considered to be the
Born in Hartford, Connecticut, Charlotte Perkins Gilman (1860-1935) was an aspiring artist who attended the Rhode Island School of Design. After the birth of her child, she fell into a deep, long-drawn depression. Her medical treatment, S. Weir Mitchell’s “rest cure,” which involved a period of continuous bed rest, not only failed to cure Gilman, but instead angered her. As someone who psychologically deteriorated under S. Weir Mitchell’s “resting cure,” Gilman unsurprisingly structured her story as an attack on this ineffective and brutal course of treatment. In “The Yellow Wallpaper,” Gilman illustrates the way an already anxious, agitated mind can deteriorate and begin to prey on itself when forced into inactivity and deprived of the benefits of structure, work and a productive lifestyle.
The conventional course of action to take in the narrator's case was the one of nothing. I mean literally, nothing. For the narrator was considered hysterical and slightly depressed and there was only one course of action for such symptoms. That was one of complete rest. In those days the rest cure was very popular. It involved being set apart from anything that might have even the remotest possibility of stress in it. The main character of The Yellow Wallpaper was indeed set apart from all activity as directed by her husband. John dutifully followed the set path, not questioning any of the accepted methods.
The Yellow Wallpaper by Charlotte Perkins Gilman is the story of a woman spiralling into madness whilst her physician husband refuses to acknowledge that she has a "real" problem. On the other hand The Black Cat by Edgar Alan Poe is about a man who is initially fond of cats however as the plot progresses he becomes an alcoholic making him moody and violent, which lead him to torture and kills the animals and eventually also his wife. In Edgar Allan Poe’s "The Black Cat," symbolism is used to show the narrator’s capacity for violence, madness, and guilt .The recurring theme present in both these stories is that the main protagonists claim that they suffer or have been taken over by a form of madness. In this essay I shall examine the various symbolism used by the writer's to represent madness.
Charlotte Perkins Gilman's The Yellow Wallpaper is partly autobiographical and it illustrates the fight for selfhood by a women in an oppressed and oppressive environment. In the story, the narrator is not allowed to write or think, basically becoming more dysfunctional as she is entrapped in a former nursery room where bars adorn the windows and the bed is nailed to the floor. In this story there is an obstinacy on behalf of the narrator as she tries to go around her husband's and physician's restrictions, however, there is no resisting the oppressive nature of her environment and she finally surrenders to madness even though it represents some kind of selfhood and resistance because it allows her to escape her oppression, "She obsesses about the yellow wallpaper, in which she sees frightful patterns and an imprisoned female figure trying to emerge. The narrator finally escapes from her controlling husband and the intolerable confines of her existence by a final descent into insanity as she peels the wallpaper off and bars her husband from the room" (Gilman, 1999, 1).
Charlotte Perkins Gilman’s "The Yellow Wall-Paper," does more than just tell the story of a woman who suffers at the hands of 19th century quack medicine. Gilman created a protagonist with real emotions and a real psych that can be examined and analyzed in the context of modern psychology. In fact, to understand the psychology of the unnamed protagonist is to be well on the way to understanding the story itself. "The Yellow Wall-Paper," written in first-person narrative, charts the psychological state of the protagonist as she slowly deteriorates into schizophrenia (a disintegration of the personality).
The medical profession’s godlike attitude in “The Yellow Wallpaper” demonstrates this arrogance. The Rest cure that Dr. Weir Mitchell prescribed, which is mentioned in Gilman’s work, reflects men’s disparaging attitudes. His Rest cure calls for complete rest, coerced feeding and isolation. Mitchell, a neurosurgeon specializing in women’s nervous ailments, expounded upon his belief for women’s nervous conditions when he said,
The “Yellow Wall Paper “ by Charlotte Perkins Gilman, is a chilling study and experiment of mental disorder in nineteenth century. This is a story of a miserable wife, a young woman in anguish, stress surrounding her in the walls of her bedroom and under the control of her husband doctor, who had given her the treatment of isolation and rest. This short story vividly reflects both a woman in torment and oppression as well as a woman struggling for self expression.
Charlotte Perkins Gilman’s short story, "The Yellow Wallpaper," is the disheartening tale of a woman suffering from postpartum depression. Set during the late 1890s, the story shows the mental and emotional results of the typical "rest cure" prescribed during that era and the narrator’s reaction to this course of treatment. It would appear that Gilman was writing about her own anguish as she herself underwent such a treatment with Dr. Silas Weir Mitchell in 1887, just two years after the birth of her daughter Katherine. The rest cure that the narrator in "The Yellow Wallpaper" describes is very close to what Gilman herself experienced; therefore, the story can be read as reflecting the feelings of women like herself who suffered through such treatments. Because of her experience with the rest cure, it can even be said that Gilman based the narrator in "The Yellow Wallpaper" loosely on herself. But I believe that expressing her negative feelings about the popular rest cure is only half of the message that Gilman wanted to send. Within the subtext of this story lies the theme of oppression: the oppression of the rights of women especially inside of marriage. Gilman was using the woman/women behind the wallpaper to express her personal views on this issue.
Blackie analyzes Gilman’s take on the rest cure created by Weir Mitchel in this document and goes into depth to describe the regimen that is to be followed. He expresses his view that the rest cure may not have been as bad as it is portrayed in The Yellow Wallpaper. This document will allow me to provide the accounts of others, both good and bad, when it comes to the treatment known as the rest cure. This will be relevant to my research because the main character in The Yellow Wallpaper undergoes this treatment herself. I will be able to compare the experiences of the woman in the short story with that of women who had actually completed the regimen and get a good idea of any opposing views that may exist. Comparing and contrasting these two perspectives may give better insight on whether or not the cure worked
“The Yellow Wallpaper” is the story of a woman descending into psychosis in a creepy tale which depicts the harm of an old therapy called “rest cure.” This therapy was used to treat women who had “slight hysterical tendencies” and depression, and basically it consisted of the inhibition of the mental processes. The label “slight hysterical tendency” indicates that it is not seen as a very important issue, and it is taken rather lightly. It is also ironic because her illness is obviously not “slight” by any means, especially towards the end when the images painted of her are reminiscent of a psychotic, maniacal person, while she aggressively tears off wallpaper and confuses the real world with her alternative world she has fabricated that includes a woman trapped in the wallpaper. The narrator of this story grows obsessed with the wallpaper in her room because her husband minimizes her exposure to the outside world and maximizes her rest. Academic essayists such as Susan M. Gilbert, Susan Gubar, and Elaine Showalter have a feminist reading of the story, however, this is not the most important reading. The author experienced the turmoil of the rest cure personally, which means that the story is most likely a comment on the great mistreatment of depression, hysteria and mental disorders in general. Despite the claims of Gilbert, Gubar, and Showalter that “The Yellow Wallpaper” is solely feminist propaganda, their analysis is often unnecessarily deep and their claims are often unwarranted, resulting in an inaccurate description of a story that is most importantly about the general mistreatment of psychosis and the descent into insanity regardless of gender.
Charlotte Perkins Gilman’s tantalizing short story, “The Yellow Wallpaper,” tells the horrifying tale of a nineteenth century woman whose husband condemns her to a rest cure, a popular approach during the era to treat post-partum depression. Although John, the unnamed narrator’s husband, does not truly believe his wife is ill, he ultimately condemns her to mental insanity through his treatment. The story somewhat resembles Gilman’s shocking personal biography, namely the rest cure she underwent under the watchful eye of Dr. Silas Weir Mitchell in 1887, two years after the birth of her daughter, Katherine. Superficially, the rest cure the narrator in "The Yellow Wallpaper" endures loosely replicates Gilman’s personal anguish as she underwent such a treatment. More complexly, however, the story both accentuates and indirectly criticizes the oppression women faced in both marriage and motherhood.
The Yellow Wallpaper as a Guide To Insanity "There comes John, and I must put this away- he hates to have me write a word" (p659). As evident by the above quote, Gilman places the narrator of "The Yellow Wallpaper" as secluded as she could be; she is placed in a large house, surrounded only by her husband and by little help (Jennie), when it is unfortunately clear that her relationship with her husband is based on distance and misunderstanding: "It is so hard to talk with John about my case, because he is so wise, and because he loves me so"(p 663). Gilman further confines her narrator as it becomes clear that the poor soul has absolutely no one to talk to; that is, no one who can understand her. The narrator is cornered by her loved ones, she is isolated from the world under her husband-doctor orders, she is thus physically confined to her shaky mental realm. The next aspect of the narrator that zooms us into her state is her tone: "I really have discovered something at last..
Szasz, Thomas. Coercion as Cure: A Critical History of Psychiatry. New Brunswick, New Jersey: Transaction, 2007. Print. Braslow, Joel T. Mental Ills and Bodily Cures: Psychiatric Treatment in the First Half of the Twentieth Century. California: University of California, 1997. Print.
"If a physician of high standing, and one's own husband, assures friends and relatives that there is really nothing the matter with one but temporary nervous depression -- a slight hysterical tendency -- what is one to do?" (Gilman 1). Many women in the 1800's and 1900's faced hardship when it came to standing up for themselves to their fathers, brothers and then husbands. Charlotte Perkins Gilman, the narrator of the story, "The Yellow Wallpaper", is married to a physician, who rented a colonial house for the summer to nurse her back to health after her husband thinks she has neurasthenia, but actually suffers from postpartum depression. He suggested the 'rest cure'. She should not be doing any sort of mental or major physical activity, her only job was to relax and not worry about anything. Charlotte was a writer and missed writing. "The Yellow Wallpaper" is significant to literature in the sense that, the author addresses the issues of the rest cure that Dr. S. Weir Mitchell prescribed for his patients, especially to women with neurasthenia, is ineffective and leads to severe depression. This paper includes the life of Charlotte Perkins Gilman in relation to women rights and her contribution to literature as one of her best short story writings.
Home, in contemporary literature, often plays an integral role often symbolizing security, unison, and support; although, things were not always this way. “The Yellow Wallpaper”, by Charlotte Perkins Gilman, depicts the all-too-real struggle many women faced in the nineteenth century and earlier. This short passage portrays the narrative of female intellectual oppression – an examination of nineteenth century social mores. The passage voices the common practice of diagnosing women with “rest cure” who displayed symptoms of depression and anxiety with a supposed treatment of lying in bed for several weeks, allowing no more than twenty minutes of intellectual application per day. Women, at this time, were considered to be the second sex – weaker and more fragile, unable to grapple the same daily activities as men – and such the “rest cure” prevents women from using any form of thinking, trusting the notion that naturally the female mind is empty. Not even were