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Poetic techniques of wilfred owen essay
How Does Wilfred Owen Use Language and Poetic Devices
Critical analysis of wilfred owen poetry
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Effective Use of Revision in Strange Meeting
In writing his poem Strange Meeting, Wilfred Owen uses revision as a tool to both clarify his ideas and re-evaluate one of the central figures in the poem. By examining a reproduction of Owen’s original text and comparing it to the final, published copy, we are able to retrace his steps and, hopefully, gain a further understanding of his thought process and motivations concerning this particular poem. From these examinations, it is evident that Owen spent a large portion of the revision process attempting to alter the character of the “encumbered sleeper”, whom the narrator encounters in hell. These alterations could be viewed as an attempt by Owen to make this “vision” more ambiguous, vague, and otherworldly, and therefore to alter his readers’ perception of this character, the narrator, and the poem itself.
The sheer frequency of revisions concerning the appearance and characteristics of the ghostly figure are staggering when compared to number of revisions made elsewhere in the poem. Perhaps the first thing one notices while examining Owen’s revisions is the long stretch during the figure’s speech in which there are very few marks of revision by the author. In contrast, the sections in which the figure is described, or in which he describes himself, are heavily revised. It appears, then, Owen’s primary difficulty with the first draft of his poem was not with the content of what the ghostly speaker said, but with how the character was portrayed.
Owen pays strict attention during revision to every mention of this ghostly figure. There are at least six changes made to the text concerning the figure’s description, including two changes dedicated sol...
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...hat absurd; how can enemies be friends, and why should they fight and kill one another?
In order to bring about these changes in perception, Wilfred Owen focused the majority of his revisions on the character of the ghostly figure found in hell. By making this figure seem more abstract, vague, and otherworldly, Owen alters the significance of his poem and its statements and assumptions about war and battle from draft to draft. By making use of a few seemingly inconsequential revisions, he is able to use the re-evaluation of one character to affect the readers’ perceptions of both the other main character in the poem, and the poem as a whole.
Works Cited:
Owen, Wilfred. “Strange Meeting.” The Norton Anthology of English
Literature The Twentieth Century Volume 2C Seventh Edition. Ed. M.H. Abrahms. New York, N.Y. W.W. Norton & Company, Inc., 2000.
A stick and poke tattoo is done with a handheld needle instead of a tattoo gun. “They’re hand poked tattoos using some kind of pointy object,” Parola said.
Stillinger, Jack, Deidre Lynch, Stephen Greenblatt, and M H. Abrams. The Norton Anthology of English Literature: Volume D. New York, N.Y: W.W. Norton & Co, 2006. Print.
Many authors have different ways of building characters and how they look. It is up to the reader to build their perspective from the descriptions given by the author in order to understand books. Mary Shelley, the author of Frankenstein, sculpts the readers’ perspective of her monster through powerful diction and emotional syntax. After Dr. Frankenstein finally accomplishes his goal of re-animating a lifeless human, Shelley uses her strong word choice to fully express the extent of horror that Frankenstein had felt, describing his monster as a “demonical corpse to which I had so miserably given life.” (Shelley 45). Frankenstein’s horror is shared with the reader simply from a well descripted sentence. The detail Shelley put into Victor Frankenstein’s perspective is gradually shaping our own, as the reader’s, perspective. Furthermore, the diction being used adds a more definitive appearance to the monster. It helps us imagine what the monster looks like and additionally, how Frankenstein feels about his success.
Baldick, Chris. In Frankenstein's Shadow: Myth, Monstrosity, and Nineteenth-Century Writing. Oxford: Oxford University Press, 1990. Print.
Twentieth-Century Literary Criticism, edited by Linda Pavlovski and Scott T. Darga, vol. 106, Gale, 2001. 20th Century Literature Criticism Online, http://link.galegroup.com/apps/doc/KSZNPN102098467/LCO?u=schaumburg_hs&sid=LCO. Accessed 14 Dec. 2017. Originally published in CLA Journal, vol. 31, June 1988, pp.
Popular Press, 1993. 92-99. Rpt. in Twentieth-Century Literary Criticism. Ed. Linda Pavlovski. Vol. 157. Detroit: Gale, 2005. Literature Resource Center. Web. 11 Mar. 2014.
2nd ed. of the book. New York: St. James Press, 1995. Literature Resource Center -. Web.
To draw into the poet’s world, the poet must draw relations between them, including the reader, making them feel what the poet feels, thinking what the poet thinks. Wilfred Owen does this very creatively and very effectively, in both of his poems, Dulce et Decorum Est Pro Patria Mori and Anthem of Doomed Youth, who is seen as an idol to many people today, as a great war poet, who expresses his ideas that makes the reader feel involved in the moment, feeling everything that he does. His poems describe the horror of war, and the consequences of it, which is not beneficial for either side. He feels sorrow and anger towards the war and its victims, making the reader also feel the same.
There is no known safe amount of alcohol a woman can drink while pregnant. Alcohol can cause life-long physical and behavioral problems in children, including fetal alcohol syndrome. FAS is a serious condition where babies can be born with mentally ill condition and may have deformation mainly in there face. When you consume alcohol during pregnancy, so does your baby, because alcohol passes freely through the placenta to your baby. If you choose to drink alcohol while you are pregnant, you will increase the risk that your baby will be born with a Fetal Alcohol Spectrum Disorder (FASD). Fetal alcohol syndrome is a condition in a child that results from alcohol exposure during the mother 's pregnancy. Fetal alcohol syndrome causes brain damage and growth problems. The problems caused by fetal alcohol syndrome vary from child to child, but defects caused by fetal alcohol syndrome are
Literature of the Western World, Volume 2. 4th edition by Brian Wilkie and James Hurt. Upper Saddle River, NJ: Prentice-Hall, Inc., 1997.
The consumption of alcohol during any gestation of pregnancy equates into alcohol fetal consumption, which can cause detrimental physical and neurological defects. Infants born with the varying degrees of detrimental effects of prenatal alcohol ingestion can have an array of disorders which are described as Fetal Alcohol Spectrum Disorders [FASD] (May & Gossage, 2011a). The most profound effects of prenatal alcohol exposure are on the fetus’s brain development, which includes cognitive and behavioral effects that follow (Riley, Infante, & Warren, 2011). The incidence of FASD is believed to range from 0.2 to 2 per 1000 live births (Douzgou et al., 2012). Alcohol yields teratogentic effects in all the gestations, with peculiar features in relationship to the trimester of pregnancy in which the alcohol is consumed (Paoletti et al., 2013). Due to the fact that there is no exact dose-response relationship between the amount of alcohol ingested during the prenatal period and the extent of damage caused by alcohol in the fetus, abstinence from alcohol at conception and during pregnancy is strongly recommended (Paoletti et al., 2013).
Abrams, MH, et al. Eds. The Norton Anthology of English Literature. New York. W.W. Norton & Company, Inc., 1993.
The term Fetal Alcohol Spectrum Disorder, also known as FASD, is an umbrella term used to describe a range of adverse effects caused by maternal intake of alcohol while the fetus is in utero. Under the Canadian diagnostic guidelines FASD includes the diagnostic terms ‘fetal alcohol syndrome’ (FAS), ‘partial fetal alcohol syndrome’ (pFAS), ‘alcohol-related Neurodevelopmental disorders’ (ARND), ‘fetal alcohol effects’ (FAE), and ‘alcohol-related birth defects’ (ARBD). These conditions manifest themselves in the form of developmental disorders, weight and height deficiencies and a specific set of facial characteristics to varying degrees. While many characteristics of FASD are well understood, the vast majority are still being researched. This leads to vast information gaps especially when concerned with Aboriginal populations globally notably in Canada and Australia.
How Wilfred Owen Uses Language and Imagery in His Poetry to Communicate his Attitudes of War
The Norton Anthology of English Literature. Sixth Edition Volume1. Ed. M.H.Abrams. New York: W.W.Norton and Company, Inc., 1993.