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Importance of montage in film
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Effective Use of Montage in the Film, The Night of the Hunter
In the film The Night of the Hunter, director Charles Laughton uses montage on multiple occasions to create a variety of visual and emotional effects. Montage is used to slow time and create tension, as a foreshadowing device, and as a symbolic depiction of the film’s conflict.
Towards the end of the film, when John and Pearl Harper escape from Preacher Harry Powell via the river, montage is skillfully utilized to slow time, thus enhancing the drama of the moment. As the children scramble down the riverbank to the rowboat, the frame alternates between a high angle shot of the children by the river and a low angle shot of the Preacher on the hill. With each successive shot, the Preacher moves steadily closer to the boat, slowly building the scene to its dramatic climax and the children’s narrow escape. By alternating the shots in this montage, the entire scene takes longer to depict than if the camera merely showed a stationary long shot. This additional time amplifies the tension of the moment, making John and Pearl’s escape all the more dramatic.
As Eisenstein discusses, montage can also be employed as the combination of two unrelated images to create a third, unrelated concept, similar to Japanese writing. Laughton uses this technique in the candy shop scene, when Willa Harper is told she needs a man in her life to take care of her and the children. The shot then changes to a large, black oncoming train, with loud, bass-heavy music in the background. High contrast lighting and the dramatic music intensify the fear the train produces. These two shots alternate several times, the train coming closer each time. The combination of the unrelated images ominously foreshadows the terror and fear to come when Willa meets Preacher Harry, and he begins to lie and scheme his way into her life and secrets. Harry’s domination and control eventually lead to Willa’s murder, and John and Pearl’s desperate escape. This montage in the first half of the film establishes the fearful tone of the remainder of the film.
Laughton also uses montage to illustrate the harshness of nature and society during the children’s trip down the river, in the form of close-up shots of various animals, both predator and prey.
Mattie, Cogburn, and LaBoeuf’s journey through the Choctaw Nation is a long, gruesome one. The scene features a couple of cinematographic techniques that make it very memorable. One of these is editing. The group’s journey takes approximately ten hours, but Deakins uses time lapse cinematography to make it much shorter. The images dissolve into one another with each new image bringing them farther into the Indian Territory. This technique shows the distance the Mattie, Cogburn, and LaBoeuf travel by compressing the time. Another ...
Lastly, this film uses doubles in the final scene of the movie where the two trains cross each other. This sequence is important due to the fact that Uncle was thrown under one of the trains to his death.
William Faulkner overwhelms his audience with the visual perceptions that the characters experience, making the reader feel utterly attached to nature and using imagery how a human out of despair can make accusations. "If I jump off the porch I will be where the fish was, and it all cut up into a not-fish now. I can hear the bed and her face and them and I can...
In the first minute of my scene there is some beautiful angelic music that in 20 seconds gets louder and then slowly gets brighter and clearer. But when we are reaching thirty, the scene is fully lit and bright and we see the countryside. As we drive by beautiful green hills,mountains and trees on a what seems completely calm day. The director uses an extreme long shot to set the scene for the character we’re about to see is. Then he pans at about 33 seconds all the way to 40 seconds.
Guerin, Wilfred L., et al., eds. A Handbook of Critical Approaches to Literature. Toronto: Oxford UP, 1992.
Heberle, Mark. "Contemporary Literary Criticism." O'Brien, Tim. The Things They Carried. Vol. 74. New York, 2001. 312.
Vertov uses montage make the viewer understand the connection between individual potential and societal potential, and furthermore, how technology is able to factor into this connection. To achieve his goal, Vertov uses one scene which begins with a close-up, eye-level of a woman cleaning her face with a towel (Vertov, 11’42”-12’11”). The use of a close-up, eye-level shot pins the viewer on the woman’s eyes. The woman abruptly peers up, and as she does so, Vertov fluidly cross cuts to a close up shot of blinds of a window looking out the city opening, successfully blending together the motion of both shots. The window of the house is a unit of the community, and by blending the motion of the woman’s eyes with the blinds of the windows house, Vertov establishes the woman as a unit of her greater society. Vertov uses another crosscut to connect the shot of the blinds to a close up shot of a camera. The camera focuses in and out on a subsequent close-up shot of flowers. Just as the woman can use
Rice, Philip. and Patricia Waugh, eds. Modern Literary Theory. 4th ed. New York: Oxford UP,
Enhancing the sustained fright of this film are an excellent cast, from which the director coaxes extraordinary performances, and Bernard Herrmann's chilling score. Especially effective is the composer's so-called "murder music," high-pitched screeching sounds that flash across the viewer's consciousness as quickly as the killer's deadly knife. Bernard Herrmann achieved this effect by having a group of violinists frantically saw the same notes over and over again.
...successful collaboration of sound, colour, camera positioning and lighting are instrumental in portraying these themes. The techniques used heighten the suspense, drama and mood of each scene and enhance the film in order to convey to the spectator the intended messages.
hooks, bell. "Feminism: A Movement to End Sexist Oppression." Feminist Theory Reader. Ed. Caroline McCann and Seung-Kyung Kim. New York: Routledge. 2003, 50-57.
The fat is obtained mostly from olive oil and moderate amounts of poultry, dairy, red meat, and fish. The low saturated fat and high fiber content of this diet has shown many positive results. It has been known to decrease the risk of cardiovascular diseases, diabetes, and strokes. There have also been studies that say this diet can reduce your risk of getting cancer. As the title describes, this diet originated in countries bordering the Mediterranean Sea. These countries include: Italy, Greece, southern France, and Spain. Compared to other diets, it’s meal plans consist of very few processed foods. While some people might think that this diet is extreme, there’s a diet that’s even more
Montage is from the beginning of the twenties characterized as a process of synthesis, building something new and in terms of the physical planes also something quite simple. Most montage’s films were created as a dialectical process, where initially from a two meanings of consecutive shots form a third meaning.
1. Rivkin, Julie and Ryan, Micheal. Literary Theory: An Anthology. Malden, MA: Blackwell Publishers, 1998.
Since the beginning of time, dreams have been a source of mysterious wonder amongst people. Everyone dreams, and those who claim they do not, do dream, however, they are unable to recall their dreams. Prior to psychological research, dreams were interpreted and explained as an unconscious desire, predictions, or subliminal messages. These outdated beliefs existed throughout time until new psychological research came into being. The new psychological research by Sigmund Freud and Carl Jung gave rise to new dream theories that helped gain a greater understanding on dream interpretations.