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Essay on edward scissorhands
Symbolism in tim burtons movies
Edward scissorhands literary essay
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Our world has a hard time accepting people with differences. You are supposed to treat people differently because they are different, however if you do treat them different it's like you're discriminating against them. This is the trouble the townspeople had with Edward. Edward was different,he was new, he wasn't like the rest of the town. The setting of Pegs backyard in the BBQ scene shows the obvious difference between Edward and the townspeople using a metaphoric stage prop. In Edward Scissorhands, there is the setting of peg’s backyard. It's like the rest of the backyards in the suburbia type town, square with a fence, grass, flowers and hedges. Tim burton uses an establishing shot to introduce this setting and to show the backyard fully. …show more content…
It shows treehouse in the corner where Kevin and his friends hang out, it matches the house with the pastel blue walls and grey roof. Like the pastel house all the people in the backyard are wearing pastel colours. All of the town is pastel and almost all the towns people are in this backyard for a BBQ. The thing that sticks out the most is the enormous t-rex in the front corner, it's a dark green that stands out next to the pastel colours, it's unrealistically big yet no one pays attention to it. The t-rex relates to edward in ways that are obvious and in ways that you don't pick up on right away. A T-rex is a giant, scary, horrible monster that lived millions of years ago, in this shot it's that but on the inside it's just a bush, leaves and branches.
Edward is pretty scary on the outside but like the T-rex his inside is harmless, he's a sweet person who makes bushes into child fantasies, like the T-rex, but you can't see his inside unless you look past the outside. The audience can see that the T-rex is out of place and that edward was the one who cut it to be like that. The audience probably was a kid once, some probably obsessed with dinosaurs making them understand that edward is a kid at heart. It makes them understand he wasn't trying to cut out a scary monster, he was just cutting out a cool dinosaur that is extinct now. His intentions were pure just like when a kid paints a picture of their family on the wall. Its overly obvious that it's out of place which was the director's intention, he didn't want you to have to find a hidden meaning, he wanted it to clearly be seen and make it easy to relate it to edward. We as humans judge people who don't fit in or are different in certain ways. This setting is where they patronise Edward, speaking with kindness yet looking down upon him like dirt, we do that a lot in our society. We always have this feeling that we are superior to everything and anything, even if that's not the
case.
Edwards gets caught and every friend of his from the neighborhood turns on him. Edward Scissorhands has an overall mood of self-discovery for most of the characters. In the film, Burton uses close-up shots in order to convey an unusual tone towards Peg’s curiosity. For example, when Peg goes to Edward’s house, she continues to walk into the house after seeing topiary in the garden. This achieves divergent tone because Peg being comfortable to walk into a dark home for a customer which contributes to the overall mood of self-discovery, because we discover what kind of person Peg is.
With giant in time the idea is that the historical figures in this case Edward, are greatly modified to make them seem larger than life.In the movie his father also tells him, he makes himself a hero and more than the orginary man. Larger than life, a giant in every story and reimaging of his life. All the things that happen in Edward’s life is told to make him seem a lot more interesting. Though all the misadventures that Edward goes through life, is massively exaggerated and altered to make him look much more likeable and interesting as a character. This is far from the truth and is the main problem with the movie story line.Will, Edward’s son wants to know who is father truly is behind the stories and myths that his father use to tell him as a child and uncover what this giant is really like before his time is out. This is the twisted truth about the story, some the events that happened are fiction if not maybe all the events that transpired are fiction and all made up to keep Will and others entertain but Edward is just a normal man that tells stories about himself and blante figurative events that could not possibly happen at all if you look at it from a different
Water is a recurring, and quite important symbol, that represents Edward’s life. The scene in which Edward Bloom confronts the misunderstood giant, Karl, shows water representing the danger to his life. As Edward seeks out Karl with the intention of being a human sacrifice, he steps away from the lake bordering the giant’s cave. The giant thrusts him towards the lake, commanding him to ‘go away’. Ed, of course, stays, and tries to convince the giant to eat him (to protect the town), and they proceed into a talk which eventually leads them into leaving Ashton. The positioning of Edward and the lake are key in this scene. When he peers into the cave, he is furthest away from the lake, and in turn closest to death. Karl, however, isn’t what our protagonist
‘Edward Scissorhands’ and ‘The Lost Thing’ are more the same than they are different. They are very much alike in the way they are set out and in the way they are plotted. I agree with this statement because as Edward Scissorhands, he was in the neighbourhood, he felt like he was an outcast, everything was so new and different compared to his castle. Even though Edward was considered like an outsider, he was still able to return to his rightful place. The same principle goes for ‘The Lost thing’, at first he was treated, in a way, simular to Edward. ‘The Lost Thing’ was returned to being with more ‘Lost things’ at the end of the movie.
Tim Burton once said, “Anybody with artistic ambitions is always trying to reconnect with the way they saw things as a child.” He values various cinematic techniques such as lighting, sound, and camera angles conceive mood, tone, and fantasy in his movies. If he wanted a happy scene, he would make the lighting and music more upbeat, on the other hand, for a dark, gloomy scene, he would have dreary and obscure music. I will further explain how he creates his own world.
Using the production elements of symbolism; especially hands themselves, and the use of allusion to elements from other genres; particularly those from fairytale and gothic romance/horror films, Tim Burton has directed the film in such a manner to illustrate, emphasise and ridicule the materialism and lack of imagination of society. The film however, is prominently a satire which has certain elements from fairytale, comedy and horror genres. Through the choices made by the director, the audience is invited to become aware of the inhumanity present in the way society functions, especially in its prejudiced treatment towards people who do not conform. The use of allusion in Edward Scissorhands is one of the most important choices in production that has been made by director Tim Burton. In order to fully appreciate and understand the plot, the movie is dependant on the audience being able to recognise certain references and elements emulated from other films.
Imagine being stuck up in an old rundown castle that nobody has been in for years, secluded from society your whole life. Unfortunately, the only person you’ve ever know has recently passed away. The worst part of the whole ordeal is that your hands aren’t even hands but just scissors. Furthermore soon a women you’ve never seen, of course she’s the only women you’ve ever seen intrudes into your home and in the same fashion she takes you out with her to meet her family and neighbors. This whole experience is so new and you’re seeing things you’ve never seen before like bright colors, shapes, and people of all sizes in such as small period of time. You, Edward from Tim Burton’s Edward Scissorhands start to become weary of the life of seclusion
It is much the same in the movie "Edward Scissorhands" all he really wants is to be accepted. For a time he is excepted because of all of the wonderful things he can do. It seems as long as he is doing what they want him to do like trimming their dogs and hedges and cutting their hair he is all right but at the first sign of trouble they all turn on him. A good example of this is when Edward is in the beauty shop with Joyce Monroe and she wants to have her way with him, he leaves. But because Joyce feels rejected she tells everyone that Edward molested her and because he is different everyone is quick to believe it. Another example is when Jim has Edward break into his father's den, when Edward gets caught it is easy for everyone to believe he is guilty because he is different.
During the opening credits, the camera moves downward, changes direction, and tracks backward over an apartment building rooftop. From an aerial shot, the camera moves downward to reveal Guy and Rosemary Woodhouse, a young couple whom are the main characters of the film. The characters are at the apartment building seeking to rent an apartment previously occupied by an elderly woman, Mrs. Gardenia. As they are viewing the apartment, the camera moves throughout the residence allowing the audience to see its many areas containing massive am... ... middle of paper ... ...
Have you ever judge a book by the cover or made a bad first impression without getting to know the person first? Human beings need to come to the realization that everyone come from different walks of paths. We need to stop labeling people as "the other." No-Name Woman, Kingston 's aunt experienced Edward Said 's concept through the people in her village by them looking at her situation through a one-sided lens. The village that Kington 's family lived in had a preconceive notion on what the people should behave like and adultery was like a sin and a crime no matter of the circumstances.
Finding the town of Ashton and small pond for the big fish he is, Edward sets out for the wilder world. This is how it all began. Through witches, werewolves, and giants you can see Edward change and grow with each new experience. As Edward’s retells his story, Will begins to realise that his father has always been true.
In today’s society, people are being judged based their ability to embrace themselves in a world where everyone tries to fit in. Although, many of these people differ and become outcasts in society, others are unaffected by society standards and often lead prosperous lives. Tim Burton happens to be one of these individuals. As many people identify Burton as a film director who projects dark yet adventurous pieces of work, his talent has led him to become one of the most famous producers in Hollywood. Burton’s unique style is depicted in his films Alice and Wonderland and Edward Scissorhands, where the protagonist has certain personality traits that are not appreciated in society. Tim Burton uses low key lighting, close up shots, and flashbacks in Alice and Wonderland and Edward
He parachutes into the middle of a show entertaining North Korean troops, steals important documents, and convinces Siamese twins to help him get back to the United States, where he will make them stars. At his funeral, it was revealed that the characters that he mentioned in the story weren’t exactly as they appeared to be at his funeral. When he mentioned in the movie that he convinced Siamese twins to help him get back, they weren’t actually the real Siamese twins. Edward tried to be a “big fish” in this story by adding that when he was at the war, he parachuted in middle of the show, stole documents etc. when in reality it seems
In a day and age where more people have begun to adopt humanitarian views, a strong emphasis has been put on rehabilitation and redemption. However Edward Cullen, a vampire, has a deep ingrained fear that he is beyond saving. This reflects society's fears as society now believes that everyone has the potential to be good and to be saved. Edward rejects these notions and fuels this fear that one can be inherently beyond saving.
The idea and act of Edward’s protection over Bella is preserved by interpreting details making them physically and visually noticeable. The audience can also notice how the incident enhanced the connection between Bella and Edward. The mystery of the passages is kept well through his denial in both movie and book. There were quite a few changes for reasons like length of the movie, interest of the audience, climax and direction. The producers have to take out the part where they ride in the hospital so the questioning isn't done there. It keeps the audience wondering if he’ll tell her how he saved her, which extends the rise in suspense. They also show him being across the parking lot and not four cars away. This is done so that the exaggeration on the abilities of his powers is emphasized. Dr. Cullen meets her after she’s treated by other doctors, he doesn't treat her and they barely speak. But in the movie they have a conversation and he meets her so then they can establish a connection early for the audience. Edward doesn't tell her how he saved her and she won’t believe him so they both leave angry. The producers changed this to her being the only one angry and him being sort of sorry because they want to show that he doesn’t want to tell her because he thinks it'll harm