Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
What is the central theme of the awakening
Literature writing about love
The awakening themes
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: What is the central theme of the awakening
The purpose of chapter three is to detail the relationship between a man and wife and to show what causes Edna’s “awakening”, which Chopin achieves through her stylistic techniques which include diction, rhetorical questions, and imagery.
One of the purposes of the chapter is to show the relationship between a husband and wife. In the chapter, Edna’s husband returns home one night while his family is asleep, and expects her to be interested in his day. “He was in an excellent humor, in high spirits, and very talkative.” Chopin describes Leonce this way in order to show that he expects his wife to reflect his mood when he comes home. Due to this description, the audience can assume that he intends to talk to Edna, who is awakened by his entrance
…show more content…
and still tired. “He thought it very discouraging that his wife, who was the sole object of his existence, evinced so little interest in things which concerned him, and valued so little his conversation.” Chopin's diction here reveals how Leonce and other men at this time, think of their wives as objects, as shown in the quote. The quote also shows how little he cares about what his wife thinks in that, to him, she is not concerned with him at all since she is not engaged in their conversation. Chopin does this to show how a wife is less important than her husband. Despite his initial reaction, Chopin shows that he does love his family by having him go to check on his son's, “ Notwithstanding he loved [his children] very much, and went into the adjoining room where they slept to take a look at them and make sure that they were resting comfortably.” Although this appears to be a touching moment for Leonce, he returns to his wife to tell her that she needs to look after one of their sons. “Mr. Pontellier returned to his wife with the information that Raoul had a high fever and needed looking after.” Choplin includes this interaction in order to further demonstrate the roles of man and wife in society, in this case, the wife's role is to take care of the sick, instead of the husband. “Then he lit a cigar and went and sat near the open door to smoke it.” Chopin uses this imagery of a man smoking by a window in his house at night is meant to show how a man has the power to do whatever he wants in his house, unlike the wife. “He had gone to bed perfectly well, she said, and nothing had ailed him all day. Mr. Pontellier was too well acquainted with fever symptoms to be mistaken. He assured her the child was consuming at that moment in the next room.” Chopin uses these differing views to create tension between the couple as they figure out if their son does in fact have a fever. Since Leonce wins this argument due his his experience, it shows how the husband is always right in the household, regardless of the wife’s input. “If it was not a mother’s place to look after children, whose on earth was it?” Chopin uses this rhetorical question to establish how Leonce feels about his sick son and how well Edna is doing her job as a mother. She also uses it to show Edna’s role as a mother in the household. In the morning, Edna’s husband returns to work in the city as he leaves the family again. “He was returning to the city to his business, and they would not see him again at the Island till the coming Saturday.” Chopin includes this part because it shows that his absence is a regular part of his family’s life, meaning that it is his job as as man to go off and work while his wife stays home and tends to housework and the children. The purpose of this chapter was for Chopin to demonstrate the unbalanced relationship between husband and wife in Edna’s society, which Chopin uses for her awakening in the same chapter (Chopin 5-7). The purpose of the chapter is to show what “awakens” Edna Pontellier, which Chopin displays in the text.
As her husband comes home from work, he see’s that one of their children is sick and blames Edna for not being able to take proper care of their family. This interaction cause Edna to get upset. “She began to cry a little, and wiped her eyes on the sleeve of her peignoir.” Chopin uses these emotions that flow from the character to demonstrate the toll that society is taking on Edna as she tries to be the best wife that she is able to do. “Blowing out the candle, which her husband had left burning, she slipped her bare feet into a pair of satin mules at the foot of the bed and went out on the porch, where she sat down in the wicker chair and began to rock gently to and fro.” Edna’s action of leaving the room where her husband is sleeping represents the first step in her awakening as she leaves her husband to sleep somewhere else. Chopin uses the candle as a symbol that represents Edna’s devotion towards her husbands, and when she blows it out, it means that she wants to become independant. “It was then past midnight. The cottages were all dark. A single faint light gleamed out from the hallway of the house.” This imagery that Chopin uses is meant to show how alone Edna feels inside as she represents the light inside her house when compared to the darkness of the outside world. Chopin also shows the oppression of women in this scene as they are the light that is stuck …show more content…
inside the house, and the darkness that surround them is the world's oppression. “Turning, she thrust her face, steaming and wet, into the bend of her arm, and she went on crying there, not caring any longer to dry her face, her eyes, her arms. She could not have told why she was crying.” This quote is more centralized around Edna herself as she does not attempt to keep herself from crying. Chopin does this for a reason, which is to show how Edna feels comfortable by herself, but she she only knows that something is wrong with her life, which is why she does not say why she is crying. “An indescribable oppression, which seemed to generate in some unfamiliar part of her consciousness, filled her whole being with a vague anguish.” Chopin describes Edna’s awakening as it being an untouched part of her consciousness to show that this is the first time that Edna has felt this way in her entire life. The oppression she describes is the way that her husband has been treating her, which Chopin describes as a shadow, “It was like a shadow, like a mist passing across her soul’s summer day. It was strange and unfamiliar; it was a mood.” Chopin's description of Edna’s oppression is a simile because she wants to express just how much Edna is being affected by her husbands treatment of her. It’s this feeling about her life that causes Edna to become “awakened” and want to become independant. “She did not sit there inwardly upbraiding her husband, lamenting at Fate, which had directed her footsteps to the path which they had taken. She was just having a good cry all to herself.” The language Chopin uses in this quote shows that Edna is denying the fact that she despises her husband and knows that she has to become her own woman, due to the “Fate” that directed her. Chopin does this to characterize Edna and to develop the purpose of the chapter which is to show what causes Edna’s awakening (Chopin 6-7).
The purpose of the chapter is to tell about the relationship and roles of men and women and to show the event that caused Edna’s awakening and inner struggle with herself, all of which Chopin accomplishes through different viewpoints, imagery and similes to show a deeper meaning of the chapter which is that Edna awakens due to the unbalanced relationship between husband and
wife.
Chopin’s Impromptu arouses "the very passions ... within [Edna’s] soul"(p.34). The harmony, fluidity, subtle rhythm and poetic beauty of the Romantic composer make Edna loose herself in the music that stirs her emotions. The art completes, for her, what nature cannot bring to a finish. The exquisite, looping, and often fiery melodies of the Impromptu make a cut in Edna’s mind through the conventional beliefs about people and society. Because she is not a musician, her listening is based on intuition, allowing for a direct apprehension of the music by the soul and leading to a confrontation with the reality itself — the reality of "solitude, of hope, of longing, ... of despair"(p.34). This is the beginning of Edna’s awakening, for such emotions, especially despair, are not an end but a beginning because they take away the excuses and guilts, those toward herself, from which she suffers. This revelation of previously hidden conflicts gives birth to dramatic emotions within Edna. It is so powerful that Edna wonders if she "shall ever be stirred again as...Reisz’s playing moved" her that night (p.38).
The end of Chapter 17 in Chopin’s THE AWAKENING offers a richly compressed portrait of a woman desperate to break through the bonds of domesticity and embark into the unknown. The passages (pages 74 and 75) immediately follow the dinner scene in which Edna first announces to Léonce that she will longer observe the ritual of Tuesday reception day. After Léonce departs for the club, Edna eats her dinner alone and retires to her room:
When her husband and children are gone, she moves out of the house and purses her own ambitions. She starts painting and feeling happier. “There were days when she was very happy without knowing why. She was happy to be alive and breathing when her whole being seemed to be one with the sunlight, the color, the odors, the luxuriant warmth of some perfect Southern day” (Chopin 69). Her sacrifice greatly contributed to her disobedient actions. Since she wanted to be free from a societal rule of a mother-woman that she never wanted to be in, she emphasizes her need for expression of her own passions. Her needs reflect the meaning of the work and other women too. The character of Edna conveys that women are also people who have dreams and desires they want to accomplish and not be pinned down by a stereotype.
Leonce Pontellier, the husband of Edna Pontellier in Kate Chopin's The Awakening, becomes very perturbed when his wife, in the period of a few months, suddenly drops all of her responsibilities. After she admits that she has "let things go," he angrily asks, "on account of what?" Edna is unable to provide a definite answer, and says, "Oh! I don't know. Let me along; you bother me" (108). The uncertainty she expresses springs out of the ambiguous nature of the transformation she has undergone. It is easy to read Edna's transformation in strictly negative terms‹as a move away from the repressive expectations of her husband and society‹or in strictly positive terms‹as a move toward the love and sensuality she finds at the summer beach resort of Grand Isle. While both of these moves exist in Edna's story, to focus on one aspect closes the reader off to the ambiguity that seems at the very center of Edna's awakening. Edna cannot define the nature of her awakening to her husband because it is not a single edged discovery; she comes to understand both what is not in her current situation and what is another situation. Furthermore, the sensuality that she has been awakened to is itself not merely the male or female sexuality she has been accustomed to before, but rather the sensuality that comes in the fusion of male and female. The most prominent symbol of the book‹the ocean that she finally gives herself up to‹embodies not one aspect of her awakening, but rather the multitude of contradictory meanings that she discovers. Only once the ambiguity of this central symbol is understood can we read the ending of the novel as a culmination and extension of the themes in the novel, and the novel regains a...
Kate Chopin's The Awakening is a terrific read and I am hardly able to put it down! I am up to chapter XV and many of the characters are developing in very interesting ways. Edna is unfulfilled as a wife and mother even though she and her husband are financially well off. Her husband, Leonce Pontellier, is a good husband and father but he has only been paying attention to his own interests. At this point he is unaware of the fact that his wife's needs are not being met. Robert and the other characters are equally intriguing but something else has piqued my interest. Some of Chopin's characters are not fully developed. I know that these are important characters because they are representative of specific things; they are metaphoric characters. In particular, I've noticed the lovers and the lady in black. I'm fascinated by the fact that both the lovers and the lady in black are completely oblivious to the rest of the world. They are also in direct contrast with each another. For this week's reader response I am taking a different approach. Rather than analyzing the main characters, I will examine the lovers and the lady in black.
She begins by becoming “passionately enamored of a dignified and sad-eyed cavalry officer;” then “her affections were deeply engaged by a young gentleman who visited a lady on a neighboring plantation;” and finally, “the face and figure of a great tragedian began to haunt her imagination and stir her senses” (39). All of these figures are unattainable and, therefore, leave her discontented, yet she feels desire for them and so she feels passion, which to her is better than numbness. Chopin indicates that she needs something exciting, something beyond the ordinary routine of life. Edna wants to be “passionately enamored,” and have her affections “deeply engaged.”
Edna as a Metaphorical Lesbian in Chopin’s The Awakening. Elizabeth LeBlanc places The Awakening in an interesting context in her essay “The Metaphorical Lesbian,” as gender criticism must, for Chopin wrote the novel at the end of the 19th century, when homosexuality as an identity emerged culturally, at least in terms of the gay male identity, as proffered by Oscar Wilde across the Atlantic. Lesbianism, too, started to make its debut on the cultural stage, particularly in literature. However, although lesbianism started to emerge during Chopin’s lifetime, it seems doubtful that it played any formative role in Edna’s characterization. Yet gender criticism often requires a reading of a text in light of gender and sexuality regardless of authorial “intent.”
Essentially, Edna is not able to fulfill any of the roles that are presented by Chopin in the novel: mother, sister, daughter, wife, friend, artist, lover to either man, and finally the traditional role of a woman in society. She does not quite fit into any niche, and thus her suicide at the end of the novel is the only way for Edna’s story to end. Chopin must have Edna die, as she cannot survive in this restrained society in which she does not belong to. The idea of giving yourself completely to serve another, Edna declares “that she would never sacrifice herself for her children, or for any one” (47). However, her awakening is also a realization of her underprivileged position in a male dominated society. The first sign that Edna is becoming comfortable with herself, and beginning to loosen the constrictions of not being an individual is when she asks Robert, her husband, to retrieve her shawl: "When he returned with the shawl she took it and kept it in her hand. She did not put it around her" (30). Edna is trying to establish herself as an artist in a society where there is no tradition of women as creative beings. For any woman to suggest a desire for a role outside the domestic sphere, as more than a mother or housewife, was perceived as
Another aspects of the story is that once Edna’s awakening begins to take place, she is on a roller coaster of emotions, from the manic exuberance of listening to music and the sounds of the water, her connection to robert--it’s as though all her senses are opened up. Between times, however, she is really depressed, as though all the color that Chopin imparts so beautifully in the descriptions of the other scenes, has become dull and uninteresting. Then, she is flung into an emotional upheaval when she reads Robert’s letter to Mlle Reisz, as the latter plays Wagner. Clearly, these kinds of emotions cannot be borne by a woman whose cultural structure does not admit the building of her own that it might sustain the weight and number. She is overwhelmed. She must escape, and she does, for her situation now is powerfully reminiscent of the “joy that kills” in “Hour.”
In Chopin's Awakening, the reader meets Edna Pontellier, a married woman who attempts to overcome her "fate", to avoid the stereotypical role of a woman in her era, and in doing so she reveals the surrounding. society's assumptions and moral values about women of Edna's time. Edna helps to reveal the assumptions of her society. The people surrounding her each day, particularly women, assume their roles as "housewives"; while the men are free to leave the house, go out at night, gamble, drink and work. Edna surprises her associates when she takes up painting, which represents a working job and independence for Edna.
Her transformation and journey to self-discovery truly begins on the family’s annual summer stay at Grand Isle. “At a very early period she had apprehended instinctively the dual life- that outward existence which conforms, the inward life which questions. That summer at Grand Isle she began to loosen a little of the mantle of reserve that had always enveloped her” (Chopin 26). From that point onward, Edna gains a deeper sense of desire for self-awareness and the benefits that come from such an odyssey. She suddenly feels trapped in her marriage, without being in a passionately romantic relationship, but rather a contractual marriage. Edna questions her ongoing relationship with Leonce; she ponders what the underlying cause of her marriage was to begin with; a forbidden romance, an act of rebellion against her father, or a genuine attraction of love and not lust? While Edna internally questions, she begins to entertain thoughts of other men in her life, eventually leading to sensuous feelings and thoughts related to sexual fantasy imagined through a relationship with Robert Lebrun. Concurrently, Edna wavers the ideas so clearly expected by the society- she analyzes and examines; why must women assimilate to rigid societal standards while men have no such
Another obvious example of the symbolism of clothing is seen at the end of the novel when Edna removes all of her clothing before committing suicide. Chopin writes that when Edna was "there beside the sea, absolutely alone, she cast the unpleasant, prickling garments from her, and for the first time in her life stood naked in the open air" (558). Edna seems to be removing her final restrictions before finding her freedom in death. This last rebellion against society seems to give Edna her final "awakening". This awakening can be seen when Chopin writes, "She felt like some new born creature opening its eyes in a familiar world that it had never known" (558).
Isolation comes in many forms and prompts self-reflection as well as physical, social, and mental detachment. In the novel, Chopin use isolation to enhance certain aspects of a Edna’s development and change. The isolation and despondency Edna feels throughout her awakening is the main motive behind her committing suicide.
Most marriages end in divorce. Indeed, the degree and level of suffering and pain throughout the populace is almost unfathomable. Perhaps, Ms. Chopin was living out a vicarious reality through Edna in committing suicide...and perhaps, this may be the underlying reason for the great reception which this novel has enjoyed...as well as staying power. Similarly, it has also been appointed a kind of jewel of the vanguard of women's rights. Indeed, "The Awakening" is one novel which exemplifies the attempt -- even realization -- of American womanhood's escape from personal and domestic bondage.
... This woman suffers a tremendous amount from the commitment of her marriage, and the death of her husband does not affect her for long. A marriage such as this seems so unbelievable, yet a reader can see the realistic elements incorporated into the story. This begs the question of how undesirable marriage was during Chopin’s life. The unhappiness felt by Mrs. Mallard seems to be very extreme, but Chopin creates a beautiful story that reflects upon the idea of marriage as an undesired relationship and bond to some women in the nineteenth century.