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Gender role in literature
Gender role in literature
Gender role in literature
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Role of Women
Edna Pontellier lives in a world where women are supposed to act, think and live a certain way because it was expected of them. In the first couple chapters of the book we see Edna slowly retreating back from what is expected from her. Edna during that duration was trying to find herself and her identity instead of looking at what was expected from her. At the beginning she was more willing to accept her husband wishes but near the end she completely removes herself from the family she once known and cared much for. The characters that Chopin creates play a role in Edna’s non-conforming ideology. Chopin has a balance of characters where some influence her to become independent while others influence her to be “normal”. In The
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Awakening, Chopin displays Edna Pontellier as a character who bears malice toward the role of women to highlight that many women felt this way during the early 1900’s. “In short Mrs.
Pontellier was not a mother woman” (Chopin 10). Many people realized that Edna was not a very motherly figure. She loves her children but she would not lose herself in them. Her husband, Mr. Pontellier, also notices that Edna does not really care about her kids that much. “It would have been a difficult matter for Mr. Pontellier to define to his own satisfaction or anyone else's wherein his wife failed in her duty toward their children. It was something which he felt rather than perceived, and he never voiced the feeling without subsequent regret and ample atonement” (Chopin 10). Children were not something she thought about before getting married to her husband. She wanted to be a musician or an artist instead of a mother. In her point of view once she gave birth to her two children she realized that those dreams she had were now crushed. In the middle of The Awakening, Edna meets Mademoiselle Reisz. Mademoiselle Reisz helps and coaches Edna to become both an artist and a musician. Edna idolizes Reisz because she helped Edna find that peace in her. With that Edna finally became what she wanted to …show more content…
be. Chopin creates a character, Robert Lebrun, who has Edna hate society’s standards and rules more viciously.
Robert Lebrun was Edna’s lover. He was the one who played the most crucial role in having Edna realize that she in fact did not love her husband and she was willing to do anything and everything to be with Robert. Robert pursued to be with anyone before Edna. He was emotionally mature and childish though charming and caring. Edna did admit that she loved Robert but she was not allowed to do anything about it besides have an affair. During the early 1900s there was no such thing as a divorce meaning the affairs in that time period occurred frequently and happened often. Not being able to divorce Mr. Pontellier did not matter to her because she did have an affair with Robert, both emotionally and sexually. Robert leaves for Mexico because he understands that he does love Edna but there is nothing he can do about it. People in their society resented the idea of divorcing someone and marrying someone else. Once Robert left for Mexico and her husband was in New York, Edna met Arobin who opened up and let Edna develop sexual needs and lust. Women were talked about if they were not loyal to their husbands but men always had the excuse that they had needs therefore it was okay for them to cheat and have affairs. These sections of The Awakening made Edna the character that despises the role of women. She deemed it unfair. Chopin does this to explain to her readers that these
actions were not permitted in that time period but rather than elope they stayed and had affairs for long amounts of times. Adele Ratignolle is the complete opposite of Edna. Adele cares for her children all day every day. She is also a devoted wife. Edna cares for her children at the very least amount and she has sexual affairs with people other than her husband. Adele is the ideal women of the era’s culture. She is everything that Edna has to be but doesn’t want to be. Adele urges Edna to think of her children and to be a better wife to her husband. Since Edna and Adele are friends she is grateful for the advice but she just does not see herself living the way that Adele is. When people look at Adele they see beauty and the immense care for her husband and children but Edna looks at Adele she sees expectations, expectations that she refuses to care for. Edna adores the fact that Adele is immensely happy but when Edna sees herself in that arrangement she feels that she would be unhappy. In conclusion, Edna bears malice towards the role of women because she cannot express herself the way she wants and expectations are too high for her. Robert, Arobin, Adele and her children all influenced her to break away from society’s standards. She loves her children but she would not lose herself in them. Robert has Edna fall in love with her which creates a rift between her and her husband. The last main point of this essay is that Adele is the embodiment of an ideal person but Edna will never be her.
In the novel The Awakening, Kate Chopin tells of Edna Pontellier's struggle with fate. Edna Pontellier awakens from a slumber only to find that her life is displeasing, but these displeasing thoughts are not new to Edna. The actions taken by Edna Pontellier in the novel The Awakening clearly determine that she is not stable. The neglect of her duties as a wife and mother and as a woman of society are all affected by her mental state. Her choices to have affairs and disregard her vow of marriage represent her impaired judgment. The change in her attitude and interests becomes quite irresponsible, and that change along with her final decision to commit suicide tell the reader that Edna Pontellier is not capable of making valid judgments. Had Edna Pontellier been of sound mind and body, she would not have ended her young life by suicide. The fact that she can clearly and easily turn to such an alternative suggests that she is depressed and obviously in opposition to the church. The thoughts and actions of Edna Pontellier are solely determined by her manic depressive state, her apparent repressed abuse from her childhood, and her abandonment of Christianity.
Edna Pontellier was on her way to an awakening. She realized during the book, she was not happy with her position in life. It is apparent that she had never really been fully unaware However, because her own summary of this was some sort of blissful ignorance. Especially in the years of life before her newly appearing independence, THE READER SEES HOW she has never been content with the way her life had turned out. For example she admits she married Mr. Pontellier out of convenience rather than love. EDNA knew he loved her, but she did not love him. It was not that she did not know what love was, for she had BEEN INFATUATED BEFORE, AND BELIEVED IT WAS love. She consciously chose to marry Mr. Pontellier even though she did not love him. When she falls in love with Robert she regrets her decision TO MARRY Mr. Pontellier. HOWEVER, readers should not sympathize, because she was the one who set her own trap. She did not love her husband when she married him, but SHE never once ADMITS that it was a bad decision. She attributes all the problems of her marriage to the way IN WHICH SOCIETY HAS defined the roles of men and women. She does not ACCEPT ANY OF THE BLAME, AS HER OWN. The only other example of married life, in the book, is Mr. and Mrs. Ratignolle, who portray the traditional role of married men and women of the time. Mr. Pontellier also seems to be a typical man of society. Edna, ON THE OTHER HAND, was not A TYPICAL WOMAN OF SOCIETY. Mr. Pontellier knew this but OBVIOUSLY HAD NOT ALWAYS. This shows IS APPARENT in the complete lack of constructive communication between the two. If she had been able to communicate with her husband they may have been able to work OUT THEIR PROBLEMS, WHICH MIGHT HAVE MADE Edna MORE SATISFIED WITH her life.
Edna Pontellier: she is the protagonist of the novel. With twenty eight years, she is housewife married with Léonce Pontellier and mother of two boys, Etienne and Raoul. At the beginning of the novel she is comfortable in her marriage, where she sees the end of passion and the beginning of a responsible life. Through a series of experiences, she evolves into an amazing independent woman, who lives apart from her husband and her children, the only ones of whom she was in charge and is just responsible for her own acts. In a way, the only responsibilities she has during this period are art and having fun with friends. As we have said, she is the main
When her husband and children are gone, she moves out of the house and purses her own ambitions. She starts painting and feeling happier. “There were days when she was very happy without knowing why. She was happy to be alive and breathing when her whole being seemed to be one with the sunlight, the color, the odors, the luxuriant warmth of some perfect Southern day” (Chopin 69). Her sacrifice greatly contributed to her disobedient actions. Since she wanted to be free from a societal rule of a mother-woman that she never wanted to be in, she emphasizes her need for expression of her own passions. Her needs reflect the meaning of the work and other women too. The character of Edna conveys that women are also people who have dreams and desires they want to accomplish and not be pinned down by a stereotype.
A typically assumed reason for having an affair is that the person's spouse is, in some way, unsatisfactory. Perhaps by their affair, they are searching for a better source of love. This, however, was not a justifiable cause for Edna's adultery. Mr. Pontellier was a loving husband who tried to show his love for Edna in all of the ways he was able. Léonce showered his wife with valuable gifts. His life revolved around money, and he knew no other way to show his wife how much he loved her. He attempted to compensate Mrs. Pontellier materialistically for the lack of emotional support. While this may not be an ideal solution to the problem, it cannot be denied that Mr. Pontellier was trying to diminish the problems between them. Yet, even though it is understandable that she is upset that her husband lacks family skills, getting married was solely Edna's fault. The history of their relationship is far from perfect. Chopin states "her marriage to Léonce Pontellier was purely an accident... He fell in love...and pressed his suit with an earnestness and an ardor which left nothing to be desired. He pleased her; his absolute devotion flattered her" (18). Edna was not fair to him when she married him without loving him. She "grew fond of her husband" (18), but fondness is not a good reason for marriage.
We first meet Edna on her way back from a swim with Robert Lebrun, as Chopin begins to establish Edna’s burgeoning transformation in the context of her relationship with Robert and to the sea. While Robert and Edna’s relationship develops, Edna becomes increasingly dissatisfied with her marriage to Léonce Pontellier and her traditional roles as wife and mother to her two children, Rauol and Etienne. Edna learns to swim, takes up painting, befriends Madame Reisz, an eccentric old woman that plays the piano, and moves into her own house. After Robert leaves for Mexico, she engages in an affair with Alceé Arobin, until Robert returns and they affirm their love for one another. However, Robert, afraid of the social repercussions of their affair, leaves town. As a result of losing Robert, failing to find fulfillment in her life without a man, and failing to reconcile her roles as a good and faithful wife and mother while becoming an artist and falling in love, Edna commits suicide by drowning herself in the sea.
Essentially, Edna is not able to fulfill any of the roles that are presented by Chopin in the novel: mother, sister, daughter, wife, friend, artist, lover to either man, and finally the traditional role of a woman in society. She does not quite fit into any niche, and thus her suicide at the end of the novel is the only way for Edna’s story to end. Chopin must have Edna die, as she cannot survive in this restrained society in which she does not belong to. The idea of giving yourself completely to serve another, Edna declares “that she would never sacrifice herself for her children, or for any one” (47). However, her awakening is also a realization of her underprivileged position in a male dominated society. The first sign that Edna is becoming comfortable with herself, and beginning to loosen the constrictions of not being an individual is when she asks Robert, her husband, to retrieve her shawl: "When he returned with the shawl she took it and kept it in her hand. She did not put it around her" (30). Edna is trying to establish herself as an artist in a society where there is no tradition of women as creative beings. For any woman to suggest a desire for a role outside the domestic sphere, as more than a mother or housewife, was perceived as
In Kate Chopin’s, The Awakening, the reader immediately notices the sexual undertones of Mrs. Mallard and Robert’s relationship and the strained relationship between Mr. and Mrs. Mallard. There are always going to be women who do not want the routine “married with children” lifestyle, unfortunately in Edna’s time period that was the primary role of women. Had she been living in today perhaps she would have been without a husband and children, possibly totally devoted to a career in the arts and totally single. Back to her reality though: I believe she is unsure if she wants that one true love (supposedly Robert) or if she just wants anyone who will pay her a little attention and is fun (supposedly Alcee Arobin). Edna wants to be Wild and Free, not saying that there is anything wrong with that, but she needs to recognize it for what it is because she is really fooling herself.
As the novel starts out Edna is a housewife to her husband, Mr. Pontellier, and is not necessarily unhappy or depressed but knows something is missing. Her husband does not treat her well. "...looking at his wife as one looks at a valuable piece of personal property which has suffered some damage." She is nothing but a piece of property to him; he has no true feelings for her and wants her for the sole purpose of withholding his reputation. "He reproached his wife with her inattention, her habitual neglect of the children. If it was not a mother's place to look after children, whose on earth was it?" Mr. Pontellier constantly brings her down for his own satisfaction not caring at all how if affects Edna.
In Chopin's Awakening, the reader meets Edna Pontellier, a married woman who attempts to overcome her "fate", to avoid the stereotypical role of a woman in her era, and in doing so she reveals the surrounding. society's assumptions and moral values about women of Edna's time. Edna helps to reveal the assumptions of her society. The people surrounding her each day, particularly women, assume their roles as "housewives"; while the men are free to leave the house, go out at night, gamble, drink and work. Edna surprises her associates when she takes up painting, which represents a working job and independence for Edna.
Chopin carefully establishes that Edna does not neglect her children, but only her mother-woman image. Chopin illustrates the idea by telling the reader, "...Mrs. Pontellier was not a mother-woman" (689). Edna tries to explain to Adele how she feels about her children and how she feels about herself, which greatly differs from the mother-woman image. She says, "I would give up the unessential; I would give my money; I would give my life for my children; but I wouldn't give myself. I can't make it more clear; it's only something I am beginning to comprehend, which is revealing itself to me" (720).
Chopin again contradicts Walker, illustrating that Creole culture has not taken over Edna's mind, but instead allowed her the ability to revolt against it. In conclusion, while there are instances in the novel that do suggest Edna's enthrallment in Creole culture, Walker neglected to look at other instances where Edna shows resistance against it. Chopin suggests that although there are a multitude of things that can affect a person's decisions, a person in the end makes the decision consciously, and based on their own wants and desires. Regardless of whether Edna would have lived or died, nothing would have changed. Edna was not immersed in her culture, in fact she rejected it, and just like she did, perhaps others can reject the influences around them.
Edna’s dissatisfaction of her life is displayed by Chopin when she begins to feel confined and trapped. As Robert and Edna grow closer she discovers her misery with the life fated for her. In the beginning of the novel Edna meets Robert at Grand Isle and they start to spend more time together. Edna enjoys her time with Robert and is soon clear that Robert does too as they often expressed “…occasional words, glances or smiles which indicated a certain advanced stage of intimacy and camaraderie…” (). Edna realizes the difference Robert makes in her life and eventually falls in love with him when he moved to Mexico at a moment’s notice. As a Creole woman Edna finds
They had to be good daughters, good wives, and good mothers. A woman was expected to move from the protection of her father to the protection of her husband. Edna does not fit into this role. She neglects her children throughout the novel. She sees them as a barrier to her freedom. She tries to keep her distance from them. She feels relief when they are away and not bothering her. In a conversation with Adele Ratignolle, Edna declares: “I would give up the unessential; I would give my money, I would give my life for my children; but I wouldn't give myself. I can’t make it more clear; it’s only something which I am beginning to comprehend, which is revealing itself to me" (Chopin117). Edna is unwilling to sacrifice herself for her children, although she would give her life for them. She finds it difficult to express how she feels about this. Edna is not satisfied with devoting her life to her husband and children, she wants more, she needs to be her own person. She wants to be Edna, a woman, instead of a mother, or a wife. Towards the end, Edna is seen at an increasing distance from her children. Edna totally avoids the obligation she has towards her children for her own selfish reasons. They became her enemies and she was afraid that they will pull her into the soul’s slavery. This particular fear causes Edna to walk into the
The sexual aspect of Edna’s awakening is formed through her relationship with a supporting character, Robert LeBrun. In the beginning of the novel, Robert assigns himself to become the helper of Mrs. Pontellier and his advances help to crack the barrier in which Edna is placed in due to her role as a woman of the Victorian era. Her feelings begin to manifest themselves as she intends to liberate herself from her husband and run away with Robert. He on the other hand has no intention of having a sexual affair because of the role placed upon him as a man of the Victorian era which is not to destroy families. Her quest for complete independence ultimately brings her to committing suicide at the end of the story. Her suicide does not represent a disappointment in how she cannot conform to the society around her but a final awakening and symbol for her liberation.