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Editing in movie making
Essay of film editing
The importance of film editing
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Editing Critique of Terry Zwigoff's Ghost World In order for a film to be successful many different elements must be taken into consideration even before beginning to shoot. The tone of the piece, what sort of lighting will be used, the location of the shots, and a palette for the film, are all elements that need to be considered before the actual filmmaking begins. However, even with rigorous planning, questions will still arise during shooting, questions that might not even be apparent or answered until the footage reaches the editing room. However, many shortcomings in shooting can be solved through editing. In fact, with good editing pretty much any type of footage can be made into a working piece of art. But good editing is not an easy task. There are many aesthetic factors that need to be taken into consideration such as shot size, mass, movement on screen, and music, in order to keep a film cohesive and interesting. These elements will work together to inform not only the mood of the piece but also the meaning behind it. Editing can make or break a film. In Terry Zwigoff's film Ghost World, it does both, as attention to detail and sometimes lack there of, both strengthens and weakens the film as a whole. One of Ghost World's greatest accomplishments in editing is the use of continuous motion both within and between scenes. The film begins using this technique with a scene of the main character Enid, dancing along with a woman who is performing on her television. The camera cuts back and forth between the television and Enid, Enid picking where the dancer on TV left off. The result is the feeling of one continuous dance shared by Enid and the woman performer. Continuous motion is also used as a tran... ... middle of paper ... ...em if f there was some variation in the duration of the shots, but they are all pretty similar in length. The result is a monotonous tit-for-tat feeling; one that hangs like a heavy dead weight dragging down an otherwise brilliantly edited film However, on the whole Ghost World shows a great deal of editing skill. Editing is not only used in the film as a method of joining events and creating a convincing timeline, but is also used as a tool to develop characters and emphasize different themes in the story. However, because the entire film is not treated with the same attention to detail, weak edit points stand out like eyesores. Yet, while hindering its overall effectiveness as a film, it is also this possession of both successful and unsuccessful editing that makes Ghost world such an excellent example of what a difference good editing can make in a production.
Throughout the film, Marker used the still photographs as the connection to the man’s memories and to show the relationship between the past and the future. With that one shot of motion scene, it created the association between time, space and memories. Before the film turned to motion scene of the woman waking up, and blinking, there were series of still images of the woman tossing and turni...
But not only is the film so similar in darkness, the scenes are short, reflecting the shortness of the panels. Unlike a more “normal” movie, the scenes change quite frequently and not only by perspective. The movie is constantly changing both viewpoint and scenes. Although this is common in action movies, it is used more widely in this film unlike in action movies that tend to use this form of filmography during very high tension scenes.
Pictured on the back cover of the comic book "Ghost World," by Daniel Clowes, are the two main characters of the book in full color. This strikingly significant image, surely shrugged off by most Clowes' readers, represents worlds of diversity within the frames of the book. Sporting pink spandex pants underneath her goldfinch yellow skirt and a blue t-shirt to match perfectly, Enid seems to live her life outside the bubble. She's a very dynamic girl, especially interested in her surroundings and people around her. On the other hand, Becky is dressed like a "typical" girl, with a long black skirt and a white blouse, thus representing her conforming presence in the world. Becky is much more passive than Enid, going with the flow of things just living life. The contrasting personalities of Enid and Becky come ironically, being best friends. However, it brings out their defining qualities in the comic book while quietly calling attention to the values of life, what is real and what is not.
One scene in particular stands out as a masterfully edited moment in the movie. In this scene, Wendy and Danny Torrance leave the inside of the hotel to go outside and explore the giant hedge maze. Wendy and Danny both run around in excitement as they delve deeper and deeper into the massive maze. The scene then cuts to a shot of Jack throwing a ball around the lobby of the hotel in boredom. He walks up to a three-dimensional model of the maze that is on a table in the lobby. The camera then cuts to a close-up of the model of the maze, and the audience sees what appears to be miniature versions of Wendy and Danny exploring the many corridors of the hedge maze. The audience can hear Wendy and Danny talking, and this helps assist the allusion of Jack watching the two go through the maze.
When it comes to films most people think that the filmmakers just draft up the script, hires some actors, films and edits some scenes, then releases the next number one movie in America to the world (or select theaters near you). In actuality, there are a lot more details that go into film than that. Filmmakers are constantly making decisions in regards to a films narrative and cinematic style and making sure a film comes out as well as it can. One of those decisions fall under cinematic style and is called mise-en-scene. Mise-en-scene has four elements: lighting, costume/makeup, sets/props, and figure expression and movement. The three that will be focused on when analyzing the film Modern Times are costume/makeup, sets/props, and figure expression
...successful collaboration of sound, colour, camera positioning and lighting are instrumental in portraying these themes. The techniques used heighten the suspense, drama and mood of each scene and enhance the film in order to convey to the spectator the intended messages.
In recent decades, many have argued that the line between realism and fiction in cinematic endeavours has become increasingly blurred. It has not been until recently that the world has truly been exposed to this completely innovative cinematic style, which has captivated audiences with its new approach to filmmaking. This new cinematic style was first introduced in Eduardo Sánchez and Daniel Myrick’s The Blair Witch Project. Here I will focus on breaking down the various levels of realism within The Blair Witch Project, in order to convey why it had such a monumental impact on the cinematic world, while still remaining a popular and modern horror film to today’s audiences. In order to achieve this I will pay particular attention to the style of filming, the clever marketing campaign and the combination of fact and fiction, which helped captivate even the most, experienced of cinemagoers.
What do you think about when watching a film? Do you focus on the characters' good looks or the dialogue? Or do you go behind the scenes and think about what made the film? Maybe, it's even a combination of all three. No matter what comes to mind first, an important part of any good movie will be what you see. A camera and good director or cinematographer is needed to make that possible. Different directors and cinematographers will use different camera techniques to make you focus on what you see. Camera techniques show emphasis in films, because they make you focus more on situations and people. They are especially important in Darren Aronofsky’s Requiem for a Dream.
Editing is one of the most important things in now only a film, but in any project. If people don’t edit, then little mistakes slip through. Parallel editing is used in the scene from Inside Out. Parallel editing is when two scenes alter between each other because of a connection that they have. This is also called crosscutting or intercutting. An example would be the fact that the film was switching back and fourth from the scene where Riley was talking in the classroom to where her emotions were trying to see how they could solve whatever was going on. One shot would show the emotions playing a joyful memory and then the next shot would be Riley talking about that memory with a joyful look on her face. This also happened in the shot where the memory became sad and then it showed Riley becoming sad as she talked. These go back and forth with each other because they have a connection that helps keep the story moving along. By using different editing techniques, the film not only looks better, but becomes more believable in a
For example, in the beginning of the film, the director used editing to include a scene from later on the movie to add confusion. The scene was when Paula was standing alone in the hallways of her school, when suddenly a herd of students come rushing down the halls being beaten by police officers. This scene was an example of foreshadowing and appeared later in the film. However, it immediately caught my attention and I began asking myself questions concerning what was occurring. The film’s cinematography was also unique and stood out to me. As Paula and the other leaders of the movement were protesting outside the school, I noticed that the scenes were filmed from a variety of perspectives. For example, when Paula was standing on top of a car shouting, the camera shot the scene at a low angle which made Paula seem larger and suggested a feeling of
Berliner, Todd and Cohen, Dale J. "The Illusion of Continuity: Active Perception and the Classical Editing System." Journal of Film and Video 63.1 (2011): 44-63. Project MUSE. Web. 14 Feb. 2011. .
Indeed, it is through editing that a story gains clarity and uniformity. This also applies for this movie. For instance, by analyzing the scene in which Joker and Rafterman arrive to the encampment of Cowboy’s platoon, one’s can understand how editing is used to define the spatial relationships between shots. The spacial editing tries to introduce the audience to facts that are taking place in a determined environment. In particular, it is important to notice that in only few minutes, there are many cuts and different kind of shots. Also, the 180° axis shifts numerous time. The two main conversations that are present in the scene, first the one between Joker and Cowboy then the one between Joker and Animal, are filmed using two shots and the shot/reverse shot system. Also, in this scene there are many examples of full shots and medium close up shots. Besides, when Cowboy introduces to his companions the new arrivals, Kubrick uses an eye line match shot to present the members of the platoon. It is important to notice that to engage the audience and grab people's attention the prospective on the events, even if slightly, changes continually. As mentioned above, the editing is also used to create a dynamic development of the events. This is a key aspect of the entire film, in fact, the succession of brief different shots recall the chaotic and unfair reality of the war. Furthermore on a level of content, this scene
With the discovery of techniques such as continuous editing, multiple camera angles, montage editing, and more, silent filmmaking developed from simple minute-long films to some of the most beautiful, awe-inspiring films that have ever been created—in only a few decades. In Visions of Light, someone alluded that if the invention of sound had come along a mere ten years later, visual storytelling would be years ahead of what it is today. This statement rings true. When looking at the immense amount of progress that was made during the silent era of films, one must consider where the art of film has been, where it is, and where it is
“Entertainment has to come hand in hand with a little bit of medicine, some people go to the movies to be reminded that everything’s okay. I don’t make those kinds of movies. That, to me, is a lie. Everything’s not okay.” - David Fincher. David Fincher is the director that I am choosing to homage for a number of reasons. I personally find his movies to be some of the deepest, most well made, and beautiful films in recent memory. However it is Fincher’s take on story telling and filmmaking in general that causes me to admire his films so much. This quote exemplifies that, and is something that I whole-heartedly agree with. I am and have always been extremely opinionated and open about my views on the world and I believe that artists have a responsibility to do what they can with their art to help improve the culture that they are helping to create. In this paper I will try to outline exactly how Fincher creates the masterpieces that he does and what I can take from that and apply to my films.
The development of editing - Editing - actor, film, voice, cinema, scene, story. 2014. The development of editing - Editing - actor, film, voice, cinema, scene, story. [ONLINE] Available at:http://www.filmreference.com/encyclopedia/Criticism-Ideology/Editing-THE-DEVELOPMENT-OF-EDITING.html#ixzz2sNiIEQqt. [Accessed 10 February 2014].