Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Culturally constructed sexuality
Essay on divorce in america
Changing perception of divorce over the last century
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Culturally constructed sexuality
In the late 1800s, the average wealthy woman conformed to society 's very high standards, but Edith Wharton was not your average wealthy woman. She stood out as being a women 's rights activist, and always wanted to push the boundaries of society 's standards by reading and writing even from a very young age. Her view of marriage was skewed because of the hardships she faced with her second husband. Edith Wharton 's cynical view of marriage and society are reflected in her characters emotions and actions in her short stories because of the injustices she faced with her mother and standards of women at the time.
Edith Wharton was born into a wealthy family and spent her early childhood in New York. From the beginning, however—and to some extent
…show more content…
Most women did not receive an education and were not encouraged to (Rights for Women). Women were at the mercy of their husbands in most relationships. The men were supposed to be the leader of the house and deal with any problems that arise. Wharton’s marriage was different, she married Mr. Edward “Teddy” Robbins Wharton and he was her second husband. They both loved to travel, however Teddy never shared Wharton 's artistic and intellectual interests. The differences outweighed the similarities and their marriage was not satisfying for either party (Dwight, Winner …show more content…
Her second husband’s depression had a massive impact on her later years. They both loved traveling but had to stop since he was so sick. “The Journey,” tells a similar story to Wharton 's by showing a woman care for her ill husband. The story starts with a woman and her husband sitting in a train car. The woman is looks outside and beings to reflect on the times with her husband. She remembers when the doctor first diagnosed him with depression. The doctor said “Six weeks of mild air will set him right” (The Greater Inclination 67) so they moved to Colorado. Now they are on a train back from Colorado to New York. Her husband’s condition has worsened since they first arrived in Colorado. The husband is visually ill and there is nothing that the women can do to assist him. As they travel passengers ask if he is ok and if the wife needs help caring for him. She refuses and says she can do it by herself. As they near New York, the husband becomes severely ill and the wife sees the husband has finally died. She became sick to her stomach thinking that she will be at the train station with her dead husband 's body. “Feeling dizzy, she sank down on the edge of the berth, keeping away from his outstretched body, and pulling the curtains close, so that he and she were shut into a kind of sepulchral twilight” (The Greater Inclination 70). The story ends in confusion as they come to a
“It was a large, beautiful room, rich and picturesque in the soft, dim light which the maid had turned low. She went and stood at an open window and looked out upon the deep tangle of the garden below. All the mystery and witchery of the night seemed to have gathered there amid the perfumes and the dusky and tortuous outlines of flowers and foliage. She was seeking herself and finding herself in just such sweet half-darkness which met her moods. But the voices were not soothing that came to her from the darkness and the sky above and the stars. They jeered and sounded mourning notes without promise, devoid even of hope. She turned back into the room and began to walk to and fro, down its whole length, without stopping, without resting. She carried in her hands a thin handkerchief, which she tore into ribbons, rolled into a ball, and flung from her. Once she stopped, and taking off her wedding ring, flung it upon the carpet. When she saw it lying there she stamped her heel upon it, striving to crush it. But her small boot heel did not make an indenture, not a mark upon the glittering circlet.
Perhaps Edith Wharton's reason for writing Ethan Frome, was that it so vividly reflected her own dreary life. Abandoned of any love as a child from her mother and trapped in a marriage similar to that of Zeena and Ethan, Wharton found herself relying on illicit love. This illicit love was also her favorite topic of writing, which helped her to escape her own tragedies. She spent many nights in the arms of other men searching desperately for the love she believed existed, but had never felt, which is evident in all of her writings.
While everyone is legally intitled to the pursuit of happiness, the truth of the matter is that very few ever achieve it. Ones morals, standards, conscious, or perhaps even fate, keep them from accepting a pure form of satisfaction. While a person can search and struggle their entire life for happiness, the truth of the matter is, that they will never be happy with what they have infront of them. The character Ethan, portrayed in Edith Whartons novel, Ethan Frome, is emotionally weak, he battles constantly with what he wants, how to get it, and what is ethically right. Ethan was obligated to care for his wife Zeena until death, but his misguided decisions lead him to be concerned only with his immediate happiness. Much like Ethan in Ethan Frome, people who concentrate on personal happiness, without factoring in personal responsibility, set themselves up for a painful reality check.
“For the first time in his life he sees her in a new light: he sees her as no longer the listless creature who had lived at his side in a state of self-absorption, but a mysterious alien presence an evil energy secreted from the long years of silent brooding…” (Wharton 117) Edith Wharton is best known for her books Ethan Frome and The House of Mirth. Wharton was often compared to another writer in her time, Henry James. Even though this occurred, she considered her books one of a kind. She was pleased with her work, but the critics were not. Often, she received poor reviews, but this did not stop her; in fact, she then went on to be the first woman to win The Legion of Honor Medal. Wharton also won the Pulitzer Prize and a gold
Edith Wharton, originally named “Edith Newbold Jones”(Cliff Notes), was born on “January 24, 1862 in New York City to George Frederic Jones and Lucretia Stevens Rhinelander Jones and died on August 11, 1937”(Cliff Notes). She was born into a wealthy family and was a “designer, short story writer and American novelist”(Cliff Notes). Wharton descended from the English and Dutch cultures. She had two siblings, one known as “Frederic Rhinelander Jones” (Cliff Notes) who was sixteen years older than her, and “Henry Edward Jones eleven years older”(Cliff Notes). While her brothers attended boarding school, Wharton became “raised as an only child in a brownstone mansion on West Twenty-third Street in New York City”(Cliff
Society continually places specific and often restrictive standards on the female gender. While modern women have overcome many unfair prejudices, late nineteenth- and early twentieth-century women were forced to deal with a less than understanding culture. Different people had various ways of voicing their opinions concerning gender inequalities, including expressing themselves through literature. By writing a fictional story, authors like Charlotte Perkins Gilman and Henry James were given the opportunity to let readers understand and develop their own ideas on such a serious topic.
In Edith Wharton’s Ethan Frome, there is a prevalent conflict of class struggles. Ethan Frome, his wife Zeena, and their maid Mattie all live in extreme poverty. Wharton portrays them as miserable beings, seemingly always encompassed in misfortune. Wharton herself, however, lived a near opposite life compared to that of her characters. She was born into fortune; money was rarely a concern for her (Lee). Through a Marxist lens, one could argue that Edith Wharton, a woman of extreme wealth and privilege, would characterize lower, working class people such as the ones in Ethan Frome in an inaccurately dismal light. The consistent image of winter and coldness, typically associated with misery, in Ethan Frome foreshadows an unhappy ending for the
Edith Wharton, a famous author of many outstanding books, wrote a chaotic love story entitled Ethan Frome. The story took place in the wintery town of Starkfield, Massachusetts. Wharton was a sophisticated young woman who found love in sitting down and holding people’s attention by way of a pen. Wharton wrote yet another thriller that told the tale of two love stricken people that barely found it possible to be together; which later forced them to fall into the temptation of love that cannot be controlled. Wharton had many different writing styles but for different books meant different needs. In Edith Wharton’s novel, Ethan Frome, frustration and loneliness play roles in disappointment while imagery, symbolism, and individual responsibility provide the novel with a tortuous plot.
In the novel Ethan Frome, Edith Wharton creates an interesting plot revolving around two star-crossed lovers. Unfortunately, there is only one important thing that gets in the way of these lovers, a wife who’s a hypochondriac. Zeena, the wife, finds herself in a particular situation, a situation where she needs to figure out how to get rid of Mattie. She tries everything to get rid of her, especially her illness, using it as an excuse to get what she wants, oppressing Ethan’s desires and needs. Despite her malicious actions, she creates a justifiable reasoning of her intent. In Ethan Frome, Edith Wharton creates a psychological response in regards to Zeena. Rather than being depicted as the villain of the novel, Zeena is merely the victim of
The lives we lead and the type of character we possess are said to be individual decisions. Yet from early stages in our life, our character is shaped by the values, customs and mindsets of those who surround us. The characteristics of this environment affect the way we think and behave ultimately shaping us into a product of the environment we are raised in. Lily Bart, the protagonist in Edith Wharton’s The House of Mirth, is an exceedingly beautiful bachelorette who grows up accustomed to living a life of luxury amongst New York City’s upper-class in the 20th century. When her family goes bankrupt, Lily is left searching for security and stability, both of which, she is taught can be only be attained through a wealthy marriage. Although, Lily is ashamed of her society’s tendencies, she is afraid that the values taught in her upbringing shaped her into “an organism so helpless outside of its narrow range” (Wharton 423). For Lily, it comes down to a choice between two antagonistic forces: the life she desires with a happiness, freedom and love and the life she was cut out to live with wealth, prestige and power. Although, Lily’s upbringing conditioned her to desire wealth and prestige, Lily’s more significant desires happiness, freedom and love ultimately allow her to break free.
In order to establish her novel in Darwinian terms, Wharton dehumanizes her characters to portray them as creatures that rely on money for survival. Specifically, this applies to the symbolic biome of the upper class. While Selden, a friend and spectator of the wealthy, talks with Lily he comments, “And so it is with [the] rich people-they may not be thinking of money but they’re breathing it all the while: take them into another element and see how they squirm and gasp” (Wharton 75). Wharton’s diction characterizes the wealthy as animals, rather than people, so she can relate the classes to biomes, or environments that are based on wealth. Instead of climate changing between the different environments, it is one 's income changing between
Reading literature, at first, might seem like simple stories. However, in works like William Faulkner's “A Rose for Emily,” Katherine Mansfield's “Miss Brill,” and Kate Chopin's “The Storm,” the female protagonists are examples of how society has oppressive expectations of women simply because of their gender.
During the 1800s, society believed there to be a defined difference in character among men and women. Women were viewed simply as passive wives and mothers, while men were viewed as individuals with many different roles and opportunities. For women, education was not expected past a certain point, and those who pushed the limits were looked down on for their ambition. Marriage was an absolute necessity, and a career that surpassed any duties as housewife was practically unheard of. Jane Austen, a female author of the time, lived and wrote within this particular period. Many of her novels centered around women, such as Elizabeth Bennet of Pride and Prejudice, who were able to live independent lives while bravely defying the rules of society. The roles expected of women in the nineteenth century can be portrayed clearly by Jane Austen's female characters of Pride and Prejudice.
...f society and the desire to marry into a higher class, she is able to expose her own feelings toward her society through her characters. Through Marianne and Elinor she displays a sense of knowing the rules of society, what is respectable and what is not, yet not always accepting them or abiding by them. Yet, she hints at the triviality and fakeness of the society in which she lived subtly and clearly through Willoughby, John Dashwood and Edward Ferrars. Austen expertly reveals many layers to the 19th century English society and the importance of having both sense and sensibility in such a shallow system.
Throughout the book House of Mirth by Edith Wharton, the main character, Lily Bart, rejects both Simon Rosedale, a rich social outcast, and Lawrence Selden, a less profitable but well liked lawyer. Lily realises, through her rejections, that she does not have the potential she thought to have had and that because of her inflated views of herself, she is now doomed to be a part of the working class. Her choice to reject both men has been understood as selfish but might also have a small sense of molarity contributing to the aspects of her upbringing. Lily’s choices to reject have left a lasting impact on the plot of this novel and have shaped Lily’s character including her status to society as well as her self worth.