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Descriptive writing on new york city
Descriptive writing on new york city
Descriptive writing on new york city
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Visualize being at a lovely dinner in New York City during the early 20th century and scrutinizing some of the most affluent people the city has to offer. Edith Wharton was able to witness all of the arrogance in New York during this time and put those observations into her novel, The House of Mirth. Edith Wharton was born on January 24th, 1862 into a prosperous New York family. She lived in an expensive area of New York and was primarily educated by governesses and personal tutors (Olin 72). Her family inspired the phrase “Keeping up with the Joneses” (Lee 22). Edith’s personal experiences have definitely had a huge impact on her writing. Her high social status, the Gilded Age in America, and her love for nature influenced Edith Wharton to write The House of Mirth.
Wharton’s noble social background was very influential on her writing. It allowed Wharton to give an insider’s perspective on the wealthy people of New York during this time. Due to her first hand view of society during the Gilded Age, Wharton was able to satirize this society and also reference the tragedies that go on through out it. In a letter to Dr. Morgan Dix, a rector of Trinity Church in New York, Wharton wrote: "Social conditions as they are just now in our new world, where the sudden possession of money has come without inherited obligations, or any traditional sense of solidarity between the classes, is a vast and absorbing field for the novelist” (Wharton “To Dr. Morgan” 98). In the novel, The House of Mirth, Wharton displays this opinion of society through the main character of the novel, Lily Bart. Lily is an unmarried woman without wealthy parents and no significant income of her own. In order to achieve financial and social stability, she must marry...
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...as Gossip Girl and 90210. Without Wharton’s novels, people of the twenty-first century would not know what goes on throughout the upper class.
Works Cited
Dwight, Eleanor. Edith Wharton: An Extraordinary Life. New York: Harry N. Abrams, 1994.
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Lee, Hermione. Edith Wharton. New York: Alfred A. Knopf, 2007. Print.
Olin-Ammentorp, Julie. “Edith Wharton’s Challenge to Feminist Criticism.” Studies in American
Fiction. 16.2, 1998. 237-44. Rpt. in Novels for Students. Ed. David Galens. Vol. 15.
Detroit: Gale, 2002. 72-76. Print.
Singley, Carol J., ed. A Historical Guide To Edith Wharton. New York: Oxford UP, 2003. Print.
Wharton, Edith. The House of Mirth. New York: Vintage Books, 2012. Print.
Wharton, Edith. "To Dr. Morgan Dix."The Letters of Edith Wharton. Ed. Nancy Lewis. New
York: Macmillan Publishing Company, 5 Dec 1905. 98-100. Print.
Despite the common cliché, ?don?t judge a book by its cover,? you never get a second chance to make a first impression, most first impressions are derived from appearance. Edith Wharton harshly juxtaposes the appearances of Mattie and Zeena, to such an extreme that it almost seems bias. From the beginning of the novel, Zeena is depicted as an old and ?repugnant? (46) housewife. Substantial background information is not given, nor causes for her worn out and ?bloodless? (53) demeanor. ?Though she was but seven years her husband?s senior, she was already an old woman.? (53) In harsh comparison, Mattie is portrayed as a youthful, vivacious woman, yet with natural beauty. This drastic juxtaposition is black and white, with no grey areas, just the strong Mattie and the feeble Zeena. However, the colors used to describe Mattie and Zeena are not black and white, they each ...
In the case of Elizabeth Ammons, she introduces her analysis by stating that Edith Wharton,
Throughout “Ethan Frome,” Edith Wharton renders the idea that freedom is just out of reach from the protagonist, Ethan Frome. The presence of a doomed love affair and an unforgiving love triangle forces Ethan to choose between his duty and his personal desire. Wharton’s use of archetypes in the novella emphasizes how Ethan will make choices that will ultimately lead to his downfall. In Edith Wharton’s, “Ethan Frome.” Ethan is wedged between his duty as a husband and his desire for happiness; however, rather than choosing one or the other, Ethan’s indecisiveness makes not only himself, but Mattie and Zeena miserable.
Ammons, Elizabeth. “Edith Wharton’s Ethan Frome and the Question of Meaning.” Studies in American Fiction, Vol. 7, No. 2,
Perhaps Edith Wharton's reason for writing Ethan Frome, was that it so vividly reflected her own dreary life. Abandoned of any love as a child from her mother and trapped in a marriage similar to that of Zeena and Ethan, Wharton found herself relying on illicit love. This illicit love was also her favorite topic of writing, which helped her to escape her own tragedies. She spent many nights in the arms of other men searching desperately for the love she believed existed, but had never felt, which is evident in all of her writings.
Where did Wharton get her inspiration for her characters? Simply out of curiosity. With a single last question, why a pickle dish?
“For the first time in his life he sees her in a new light: he sees her as no longer the listless creature who had lived at his side in a state of self-absorption, but a mysterious alien presence an evil energy secreted from the long years of silent brooding…” (Wharton 117) Edith Wharton is best known for her books Ethan Frome and The House of Mirth. Wharton was often compared to another writer in her time, Henry James. Even though this occurred, she considered her books one of a kind. She was pleased with her work, but the critics were not. Often, she received poor reviews, but this did not stop her; in fact, she then went on to be the first woman to win The Legion of Honor Medal. Wharton also won the Pulitzer Prize and a gold
The setting of a novel aids in the portrayal of the central theme of the work. Without a specific place and social environment, the characters are just there, with no reason behind any of their actions. The Age of Influence centers around the Old New York society during the 1870’s. Most of the characters are wealthy upper class citizens with a strict code to follow. The protagonist, Newland Archer, lives in a constant state of fear of being excluded from society for his actions. Archer’s character is affected by standard New York conventions as well as the pressure to uphold his place in society, both of which add to Wharton’s theme of dissatisfaction.
Edith Wharton, originally named “Edith Newbold Jones”(Cliff Notes), was born on “January 24, 1862 in New York City to George Frederic Jones and Lucretia Stevens Rhinelander Jones and died on August 11, 1937”(Cliff Notes). She was born into a wealthy family and was a “designer, short story writer and American novelist”(Cliff Notes). Wharton descended from the English and Dutch cultures. She had two siblings, one known as “Frederic Rhinelander Jones” (Cliff Notes) who was sixteen years older than her, and “Henry Edward Jones eleven years older”(Cliff Notes). While her brothers attended boarding school, Wharton became “raised as an only child in a brownstone mansion on West Twenty-third Street in New York City”(Cliff
Edith Wharton, belonging to the bourgeoisie, perpetrates the stereotype of the pitiful, unfortunate lower class by not allowing Ethan or his family a way out of their predicament. While she does not allow Ethan and his family financial support, she also does not allow them any happiness within the relationships they have with each other. Ethan is in a unhealthy relationship with Zeena, Mattie and Zeena do not get along, and Ethan and Mattie have fallen in love with each other. None of these relationships works out in the end, leaving all of them to live in eternal misfortune. A symbol that supports the entrapment of the poor is winter. The winter cold does not allow agriculture to thrive in Starkfield, limiting their source of income. The imagery of snow is also associated with being miserable and being stuck or trapped within its icy grip. Wharton uses these images to further limit her lower class characters, dooming them to live seemingly terrible lives. This story perpetrates the idea of the proletariat constantly being under the economic and social control of the bourgeois. Just like how the poor inhabitants of Starkfield were under the constant looming influence of bourgeois culture, Wharton was literally in control of the way the poor are depicted in her novel. This shows that the bourgeois acknowledge the proletarian life, but do nothing to change it because it would not benefit
Garcia, Angela. "Edith Wharton’s Ethan Frome." American Writers Classics. Ed. Jay Parini. Vol. 2. New York: Charles Scribner's Sons, 2004. 89-108. Gale Virtual Reference Library. Web. 4 Feb. 2014.
Papke, Mary E. Verging on the Abyss: The Social Fiction of Kate Chopin and Edith Wharton. Westport, CT: Greenwood, 1990.
Howells, W.D. “Editha.” The Heath Anthology of American Literature. Ed. Paul Lauter et al. Concise ed. Boston: Houghton, 2004. 1445-1454. Print.
Edith Wharton’s books are considered, by some, merely popular fiction of her time. But we must be careful not to equate popularity with the value of the fiction; i.e., we must not assume that if her books are popular, they are also primitive. Compared to the works of her contemporary and friend, Henry James, whose books may seem complex and sometimes bewildering; Wharton’s The Age of Innocence appears to be a simplistic, gossipy commentary of New York society during the last decade of the 19th century*. Instead, it is one man’s struggle with the questions of mortality and immortality. Wharton’s characters, settings and the minutiae of social rituals, manners, speech habits, dress and even flowers help her expose the mortal and immortal. But her adroit contrasts and comparisons with mythology elevate her fiction to the heights of sophistication.
A. A. Edith Wharton’s Women: Friends & Rivals.