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Ecofeminist Analysis of Militarism and the War on Terrorism
Since the start of our retaliation against terrorism, war, and the military-industrial complex used to support war, have become extremely important topics. While accomplishing its primary objective, war also destroys the innocent. War hits the young, old, women and children. The environment is partially destroyed in the country in which the war is fought. Both a feminist and environmentalist perspective are useful when analyzing militarism and its policies of domination and oppression.
Feminists see the military system as another patriarchal institution of domination that values the masculine over the feminine. War usually exploits women and other marginalized
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Ecofeminists look at the ideological and psychological pressures on the masculine ego that fuels the abuse of power. The traditional femininity or environmental approach is to suggest that the military institution can be changed through reason, education, and /or religion. This approach denies the importance of the individual's actions in daily life about socially constructed sex and gender roles. The system is not the target of analysis, rather the individual is seen as the burden of solution. Ecofeminism seeks to change and create a new system, a system which does not put the blame and pressure on the …show more content…
In both critiques, feminist and ecological, the goal is to point out the sexism of the appeal to a generic mankind and humanity and to uncover, instead of a comprehensive appeal, the connections between sexism, racism, imperialism, classism, and environmental exploitation. An example of an ecofeminist deconstruction is feminist analyst Joni Seager. Seager, as discussed in Noel Sturgeon's book entitled Ecofeminist Natures, identifies the patriarchal characteristics of governments, militaries, and corporations as one of the main factors in their continuing responsibility for environmental degradation
The military is trying to find new ways to recognize the fact that women now fight in the country’s wars. In 2011 the Military Leadership Diversity Commission recommended that the Department of Defense remove all combat restrictions on women. Although many jobs have been opened for women in the military, there is still 7.3 percent of jobs that are closed to them. On February 9, 2012, George Little announced that the Department of Defense would continue to reduce the restrictions that were put on women’s roles. The argument that “women are not physically fit for combat” is the most common and well-researched justification for their exclusion from fighting units. It has been proven if women go through proper training and necessary adaptations, they can complete the same physical tasks as any man. Though there seem to be many reasons from the exclusion of women in the military, the main ones have appeared to be that they do not have the strength to go through combat, would be a distraction to the men, and that they would interrupt male bonding and group
Laws exist to protect life and property; however, they are only as effective as the forces that uphold them. War is a void that exists beyond the grasps of any law enforcing agency and It exemplifies humankind's most desperate situation. It is an ethical wilderness exempt from civilized practices. In all respects, war is a primitive extension of man. Caputo describes the ethical wilderness of Vietnam as a place "lacking restraints, sanctioned to kill, confronted by a hostile country and a relentless enemy, we sank into a brutish state." Without boundaries, there is only a biological moral c...
Men have always been looked upon as the leading sex. Looking back through history women have been the ones who take care of the home and children, while men are the ones who work and go to war. However in recent years there’s no doubt that women have become much more equal in the work force. Nevertheless men are still the ones who are forced to fight our wars when the time calls for it. Many think that women should be entirely equal to men having their choice to be drafted taken away but the fact is that they are physically at a disadvantage, too emotionally oriented, and the increase of female presence would have a more negative impact in the military in the way of social interactions.
In Belmont’s article “Ecofeminism and the Natural Disaster Heroine” she notes that the definition of ecofeminism stems from the “theory that the ideologies which authorize injustices based on gender, race, and class are related to the ideologies which sanction the exploitation and degradation of the environment” (351). In Jurassic Park, the film makes clear distinction of gender boundaries. For instance, when the group first meets th...
swamp, he gets the knights to try and beat up Shrek and when he sees
Perhaps the most fundamental theme of Shakespeare’s Macbeth is the inherent corruptibility of even a seemingly good man when ambition turns to greed, and Macbeth himself, as one would expect, exemplifies this concept throughout the play. While at the outset he is seen to be loyal to his king, generally considered trustworthy, and displaying numerous other laudable qualities, Macbeth ultimately succumbs to the influence of those around him and becomes unequivocally evil, setting aside all his previously held morals and coming to be driven only by his lust for power. This transition is brought about by a wide variety of factors and plays an integral role in the development of the plot. In his tragedy Macbeth, William Shakespeare employs multiple methods of characterization in order to highlight the protagonist’s transformation from hero to villain as a result of the influences of the people surrounding him, namely the Weïrd sisters, Lady Macbeth, and Macduff, including extensive foreshadowing, a general shift in tone corresponding with turning points in the plot, and the inclusion of long-winded soliloquies to mark a critical change in Macbeth’s character.
Macbeth by William Shakespeare is a recognized classic tragedy portraying the victory of good over evil. This paper will explore the various expressions of evil within the play.
Historically, women’s participation in combat roles was limited or hidden, with the exception of a few individuals. Although women had fought unofficially in the U.S army as far back as the Revolutionary War, which they usually disguised themselves as men in order to avoid the rules that excluded them. The gender war and integration in the military has always faced the question of social acceptance, were as society can accept how women will be treated and respected in the military. Throughout the history of the military, our leadership has always sought ways of how to integrate without upsetting the general public to believing that women are capable and created equal as any man.
The male-dominated institution that is the U.S. military, through daily practice, has shown its implementing of hegemonic masculinity among ranks. As this institution relies on rigid masculine qualities, it feeds from the history of hyper-masculinity. Warfare and hegemonic masculinity go hand in hand, “for ages throughout countless societies the final initiation rite from boyhood to manhood has been an inclusion in the practice of war” (Morgan 125). Through this idea, “boys who aspire to manhood, and men seeking to express theirs, follow masculine scripts generated in and for particular milieus, but they must also negotiate their course in relation to the hegemonic forms of contemporary masculinity and femininity” (Nye 1940). This ideal of a strong and aggressive leader is emphasized through American war politics as well “where our major response to the indirect tactics of guerrilla warfare has been to rely upon more and bigger ‘strikes’ and ‘assaults’, despite all the evidence of their long-run ineffectiveness” (Mansfield 351). Essentially this idea that to prove oneself through the strength and refusal to retreat, regardless of the effectiveness of the strategy “seems to reflect a psychological reality” within the military: “to lose will be to unman us all” (Mansfield
Perhaps the most fundamental theme of Shakespeare’s Macbeth is the inherent corruptibility of even a seemingly good man when ambition turns to greed, and Macbeth himself exemplifies this concept throughout the play. While at the outset he is seen to be loyal to his king, generally considered trustworthy, and displaying numerous other laudable qualities, Macbeth ultimately succumbs to the influence of those around him and becomes unequivocally evil, setting aside all his previously held morals and coming to be driven only by his lust for power. This transition is brought about by a wide variety of factors and plays an integral role in the development of the plot. In his tragedy Macbeth, William Shakespeare employs
William Shakespeare’s Macbeth, first published in 1606, is an endearing tale outlining the dangers of unchecked ambition and moral betrayal. In the subsequent centuries after first being performed, Macbeths critics have been divided upon whether Macbeth himself was irrevocably evil, or if he was guided by the manipulation and actions of the women in the play to his ultimate demise. Although Lady Macbeth and the witches were influential with their provocations in the opening acts, it is ultimately Macbeth’s inherent immorality and his vaulting ambition, that result in the tragic downfall. It was Macbeth’s desire for power that abolished his loyalty and trustworthiness and led him down a path of murder. It is evident through his actions and words
that she is an ogre and explain the story to Shrek. Shrek and her then
William Shakespeare's tragic play, Macbeth shows the gradual descent of the character Macbeth into the moral abyss. Macbeth's yearning for power draws him to the murder of King Duncan, Banquo, and Macduff's family. It is difficult to understand how a courageous, gentle man such as Macbeth, could be involved in such villainous activities. In truth, it was the witches and Lady Macbeth that transformed into evil Macbeth's natural desire for control and authority. The play, Macbeth clearly illustrates that wicked intention must, in the end, produce wicked action.
Though in theory, ecological feminism has been around for a number of years, it emerged as a political movement in the 1970s. Francoise d’Eaubonne, a French feminist philosopher, coined the term “Ecofeminism” in 1974. Ecofeminism is a feminist approach to environmental ethics. Karen Warren, in her book Ecofeminist Philosophy, claims that feminist theorists question the source of the oppression of women, and seek to eliminate this oppression. Ecofeminists consider the oppression of women, (sexism) the oppression of other humans (racism, classism, ageism, colonialism), and the domination of nature (naturism) to be interconnected. In her book New Woman/New Earth, Rosemary Radford Reuther wrote, “Women must see that there can be no liberation for them and no solution to the ecological crisis within a society whose fundamental model of relationships continues to be one of domination. They must unite the demands of the women’s movement with those of the ecological movement to envision a radical reshaping of the basic socioeconomic relations and the underlying values of this society (204).”