“I am no bird, and no net ensnares me; I am a free human being, with independent while.” Females have been oppressed and belittled since the beginning of time. Two females are going to change that throughout the course of history. The authors of Eclipse and Wuthering Heights, Stephanie Meyer and Elizabeth Bronte, expresses the need of a female wanting freedom with a male figure trying to control them throughout the reading of the below literature. Katherine 's and Bella are forswearing of male predominance causes extraordinary changes throughout their life and viewpoint.
Bella is a strong willed and independent teenager in today’s youth. Bella is dating Edward, a controlling male figure. One would expect that Bella would suffocate under the
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At a young age, she defies her father and brother “with bold saucy looks,” and “ready words.” Throughout her life, they were the ones who tried to control her to be what they want her to be. She becomes friends with Heathcliff and they go out and do things that they want. Her brother was “entirely negligent how they behaved.” Her brother did not approve that Catherine and Heathcliff spent a lot of time together; so he arranged for Katherine to marry Edgar. Katherine, even when she is married, goes out and pursues her freedom. Heathcliff returns after a few years and wants to see Katherine. Edgar disapproves and wants Heathcliff out. Edgar walked out the room and Katherine “slammed the door and locked it.” Katherine was upset that Edgar talked to Heathcliff in the way that he did and that he wasn’t as happy as she was when Heathcliff showed up. A few chapters’ later, Catherine and Heathcliff ran away together. By doing so, Katherine escaped the wicked demands from a man she did not love and freed herself from the submission of a male with a higher status. After Catherine dies, another female is put in her same position. Isabella, Edgar’s sister, arrives back with Heathcliff and wants to see her brother. He disowns her and her now husband, Heathcliff, is not the man she imagined he was. Heathcliff is more violent and that no dangerous animal can “not rouse terror” in her like Heathcliff. Edgar’s daughter, Catherine, is the third female to witness his demanding behavior. She wants to visit her cousin and he denies her of that. Like her mother, Catherine goes against Edgar by writing letters to her cousin, Linton. Linton falls ill, and begs Catherine to visits him. While she’s there, he states that Catherine harmed him, and that he’s worse because of it. She’s upset and thinks it’s her fault, and Linton uses that to his advantages.
Catherine first becomes exposed to the opposing forces as she experiments with her desires for love and a better quality of life. *6* Because she constantly shifts priorities from one man to the other, her love for Heathcliff and Edgar results in a destructive disequilibrium. *1*In the novel, Cathy is portrayed as a lady with untamable emotions. *7* In her childhood she learns to l...
The complicated nature surrounding Heathcliff’s motives again adds an additional degree of ambiguity to his character. This motivation is primarily driven by Catherine’s marriage to Edgar and past rejection of Heathcliff, since he was a servant whom Hindley disapproved of. Prior to storming out of Wuthering Heights, Heathcliff overhears Catherine say, “It would degrade me to marry Heathcliff now…” (Brontë 87). The obstacles that ultimately prevent Heathcliff from marrying Catherine provide insight into Heathcliff’s desire to bring harm to Edgar and Hindley. The two men play prominent roles in the debacle, Edgar as the new husband and Hindley as the head figure who refused Heathcliff access to Catherine. Following this incident, Catherine says, “Whatever our souls are made of, his and mine are the same…” (Brontë 87). Catherine’s sentiment indicates she truly would rather be with Heathcliff, but the actions of others have influenced her monumental decision to marry Edgar. Furthermore, Heathcliff is motivated to not only ruin Edgar’s livelihood, but also gain ownership of his estate, Thrushcross Grange. This becomes clear when Heathcliff attempts to use Isabella
Ladies should be depicted as strong, gracious, beautiful beings that every man needs and respects, although Meyers portrayal of this strays away from other novels based on vampires such as Bram Stokers’ Dracula. Stoker’s women are Independent and describe the perfect picture of a heroine which is defined as “‘a woman distinguish...
of Catherine. Before she dies, she says that she wants both Edgar and Heathcliff to suffer.
From being isolated in the moors of England, with only the two houses-Wuthering Heights and Thrushcross Grange. And those are placed 4 miles apart from each other. Having grown up at Wuthering Heights, Catherine, Hindley, and Heathcliff all suffer from a lack of love and structure. Wuthering Heights is a very bleak and dark place, that isn’t too happy. None of them found happiness until they fled from that dreary place that they call home. Heathcliff is grumpy and mean, and wants to inflict that on everyone else around him. Hurt people, hurt people. As opposed to Thrushcross Grange, which is more structured. Edgar and Isabella are more compassionate people, because of the love that they received from their parents. It also leaves them vulnerable to Catherine and Heathcliff’s aggressive nature, as well as a ploy in Heathcliff’s plan. Knowing this, Catherine is only stuck with two options-marry Heathcliff or Edgar. Based on the decision she made (good or bad, depending on the person) it started a spiral of events that currently effects Linton, Hareton, and Cathy. The same thing is to be said about Cathy. Cathy is still in the same environment. Though she is growing up at Thrushcross Grange, and be raised by her father and Nelly. Hareton is growing up at Wuthering Heights, under the wrath of Heathcliff, which is not pleasant. He is becoming mean and malicious, something Heathcliff wants. Then you have Linton who grew up
Catherine is trapped between her love of Heathcliff and her love for Edgar, setting the two men down a path of destruction, a whirlwind of anger and resentment that Catherine gets caught in the middle of. Catherine is drawn to Heathcliff because of his fiery personality, their raw attraction and one certainly gets the sense that they are drawn together on a deeper level, that perhaps they are soulmates. C. Day Lewis thought so, when he declared that Heathcliff and Catherine "represent the essential isolation of the soul...two halves of a single soul–forever sundered and struggling to unite." This certainly seems to be backed up in the novel when Catherine exclaims “Nelly, I am Heathcliff! He's always, always in my mind--not as a pleasure, any more than I am always a pleasure to myself, but as my own being...” This shows clearly the struggle Catherine feels as she is drawn spiritually to Heathcliff, but also to Edgar for very different reasons. Edgar attracts Catherine predominantly because he is of the right social class. Catherine finds him "handsome, and pleasant to be with," but her feelings for him seem petty when compared to the ones she harbours...
In the novels The Awakening and Wuthering Heights, both authors use similar traits to give an idea of how women were treated. Kate Chopin’s The Awakening revolves around the child-like Edna Pontellier, and her struggles to live a happy and free life. Emily Brontë’s Wuthering Heights uses the character of Isabella Linton, later Isabella Heathcliff, to show the hardships of being used and abused. Both novels exhibit parts where the women are commanded, insulted, and generally viewed as children and/or property.
Catherine is the first woman that Heathcliff is introduced to. He treats her well; Heathcliff has never struck her or curse her. Throughout their childhood and adolescence, the pair are inseparable. When Catherine is injured at the Linton’s he refuses to leave her side,
Heathcliff says, speaking about Edgar, “I hated him with a hatred that turned my life to a gall… I would have torn his heart out, and drank his blood!” (146). He truly hated him for stealing Cathy away. In revenge, he marries Edgar’s sister, Isabella Linton, making them in-laws. He abuses Isabella and she describes herself feeling “particularly cheerless”(137) while living with him. After Cathy dies and Isabella runs away, the only thing Edgar has left is his daughter, Catherine. Since Edgar stole the one person Heathcliff loves most, he decides to take away Catherine, the last person alive that Edgar truly loves. Heathcliff uses his son, Linton, as a pawn and shows him no compassion; when talking about his son's health he says “His life is not worth a farthing, and I won't spend a farthing on him” (278). Using Linton as a pawn, he forces him to marry young Catherine to spite Edgar. This will also lead to the Heathcliff family ownership of Thrushcross Grange after Edgar’s death. Heathcliff’s vengeful actions are infectious as they hurt everyone around him. Ultimately, it destroys himself mentally and he dies after his mental and physical states slowly
‘My love for Linton is like the foliage in the trees. My love for Heathcliff resembles the eternal rocks beneath: a source of little visible delight, but necessary.’ During the conversation between Catherine and Nelly, Catherine contrasts her love for Edgar which is shown as temporal to that for Heathcliff which is shown as eternal, and when she identifies herself with Heathcliff, she ally’s herself with a different material which is rocks verses foliage and this links to the natural imagery used in the novel of Catherine and Edgar being of different essences, so her decision to marry Edgar is a shock to the reader and she only marries Edgar because it would result in her living in Thrushcross Grange which embodies her goal to become higher in the social class scale.
(4) Wuthering Heights’s mood is melancholy and tumultuous. As a result, the book gives off a feeling of sorrow and chaos. For example, Catherine’s marriage with Edgar Linton made Heathcliff jealous and angry. In retaliation, Heathcliff married Edgar’s sister, Isabella, to provoke Catherine and Edgar. Heathcliff and Isabella’s marriage ignited a chaotic uproar with Edgar and Catherine because Linton disapproved of Heathcliff’s character, and Catherine loved Heathcliff in spite of being married to Edgar. Inside, Catherine wanted to selfishly keep Heathcliff to herself. Their relationships all had tragic endings because Catherine died giving birth to Edgar’s child. Isabella also died, leaving behind her young son. Heathcliff and Edgar resented each other because of misery they experienced together. The transition of the mood in the story is from chaotic to somber.
Catherine is contemplating with Nelly about marrying Edgar Linton when she doesn’t love him with all her heart and soul. To be more exact, she describes her soul as being the same as Heathcliff’s: “‘It would degrade me to marry Heathcliff now; so he shall never know I love him; and that, not because he’s handsome, Nelly, but because he’s more myself than I am. Whatever our souls are made of, his and mine are the same, and Linton’s is as different as a moonbeam from lightning, or frost from fire’” (63). Now, not only does she love Heathcliff with all her heart and soul, but she claims that they share the same soul and that “he’s more myself than I am.” However, currently, Heathcliff is heartbroken because he overheard her saying that marrying him would be a degrading matter to her and fled off before he heard that she loves him. Realizing that he may have heard her, but unaware of what exactly it is that he heard, Catherine makes the conscious decision to place an obstacle between by marrying Linton in hopes of using light of it to aide Heathcliff. In other words, she’s sacrificing her happiness of being with the one she loves for a chance to help
Catherine is still in love with Heathcliff but for her need to have a social advancement she gets engaged with Edgar instead. Hindley’s wife, Frances, dies while giving birth to their son, Haerton, which pushes Hindley into alcoholism. Then Heathcliff runs away from Wuthe...
This implies that Catherine has some sway over his actions to some degree, and that she could have ceased his path of vengeance by leaving Edgar for his sake. The suspense of this simple, saving action is held for some time, with Heathcliff approaching her at the Grange and with Edgar attempting to fend him off without losing face with Catherine. This “household of three” developes a new twist when Isabella, Edgar’s younger sister, becomes infatuated with Heathcliff, thinking him to be a honourable soul. Catherine, who is well acquainted with him, tries to convince her of her folly. Heathcliff is reevaluated by contrast, this time with the pale, fragile and young Isabella. Also, he is elaborated on by Catherine, when she says to
...rd Times and Brontë in Wuthering Heights represent their protagonists as struggling to overcome oppression in order to survive as independent females. The struggles faced by the females provide similarities as well as contrasts to their literary counterparts. On one hand you have Louisa, corrupted by her father and never allowed to imagine or be free; and on the other hand you have Catherine, corrupted by her own aspirations and social constraints. Although Catherine does - for a short period of time, achieve some independence, she is destined to retain her traditional role of passive and dependent female; thus inevitably losing in her struggles. In contrast, Louisa faces similar struggles in the fight for the survival of her inquisitive mind; but she ultimately wins her battle against her ‘fact-loving’ father and in doing so, establishes herself as an individual.