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About architecture
About architecture
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Abstract
Architecture is one of the most prestigious fields of knowledge and the most important expression of human interaction with the society and the environment in which it lives. The research deals with the subjective and objective terms and the relationship between them. The two links are related to the humanities in order to provide the cognitive background of the term and its reflection on functional and aesthetic architectural thought. This literature review focused on the clarification of these two elements in architecture in general and Revivalism, Postmodernism, Critical regionalism, Neo historicism - Pseudo historicism, Symbolism and cultural identity format in particular, as they are interrelated and synchronized, affecting and complementing each other.
Revivalism and Eclecticism
Eclecticism
This is an almost universal phenomenon generally occurring as a transition between two periods of more vigorous activity. It believes that meaning and value of everything is shifted often. There are several distinct types of eclecticism like, symbolic, synthetic, revivalism and creative. These have been
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It refers to the mixing of elements in a single building. Being a fairly recent concept in comparison with other concepts that have been around for a very long time, it is self-conscious and romantic. The diverse buildings in a group are built at one moment using different styles, while aiming to stimulate delightful moods by the thoughts associated with each style, this being symbolic of an alien culture.
Gandouins Place de l’ecole de Chirurgie (1980), the church medical school and prison are not harmonized in the Baroque manner, but they stand out in the expression of the character of its use independently. Thus, highlighting the main difficulty in symbolic eclecticism, which is the inability to agree on what certain symbols stand
...e built-in, inexplicable preferences to a greater or lesser degree. A visionary predilection for certain combinations of form, rhythm, color, light, space and texture...every age exhibits a tendency, a preference for certain forms” (Rudolph 1977, 317)
With the post war baby boom of the 1940s resulting in a huge shift in age demographic, the 60s became a decade belonging to the new wave of youths. Liberated and hedonistic, this affluent generation shunned the values of their parents,
...lical scene, but the use of different artistic techniques and the impact of separate influences can create unique creations. The catering to particular audiences and patrons further exacerbates the apparent variation among art during this artistic period.
Modernism represents a shift amongst artists in wanting to create something new. This marked a new era in change within tradition that includes religious, political, and society that creates a new trend of ideas. This movement appeared in France during the late 19th century as a rebellion against the ideas of realism. Artist embraces society with new ideas in terms of social life and art. Modern pieces of art and music give a new free theme that was criticized by the people. Everything that is always inconsistent and always changing is modern.
In conclusion, the debate between aesthetics and functionalism has been around for a long time. It becomes clear however, through research, that the first thing architects consider is function, and then aesthetics. It is because of this approach that aesthetics becomes somewhat of a by-product of the whole design process. By looking at examples of various buildings, it is apparent that aesthetics is important to structure and in many instances has been successfully coupled with function. But in no circumstance should aesthetics take precedence over the function and practicality of a building. It seems more likely that a happy medium between function and aesthetics can be reached, on a project by project basis, and then applied to the design process of creating the building.
Modernism is defined in Merriam-Webster's Dictionary as "a self-conscious break with the past and a search for new forms of expression." While this explanation does relate what modernism means, the intricacies of the term go much deeper. Modernism began around 1890 and waned around 1922. Virginia Wolf once wrote, "In or about December, 1910, human character changed." (Hurt and Wilkie 1443). D.H. Lawrence wrote a similar statement about 1915: "It was 1915 the old world ended." (Hurt and Wilkie 1444). The importance of the exact dates of the Modernist period are not so relevant as the fact that new ideas were implemented in the era. Ideas that had never before been approached in the world of literature suddenly began emerging in the works of many great authors. Two of the pioneer Modernist writers were Joseph Conrad and T.S. Eliot. The tendencies to question the incontestable beliefs embedded in all thinking and to focus on the inner self dominated. Old viewpoints were tossed aside to make way for the discovery of modern man's personal spirituality. Two works that are considered important forbears in the Modern period are T.S. Eliot's The Wasteland and Joseph Conrad's Heart of Darkness.
The essence of modern architecture lays in a remarkable strives to reconcile the core principles of architectural design with rapid technological advancement and the modernization of society. However, it took “the form of numerous movements, schools of design, and architectural styles, some in tension with one another, and often equally defying such classification, to establish modernism as a distinctive architectural movement” (Robinson and Foell). Although, the narrower concept of modernism in architecture is broadly characterized by simplification of form and subtraction of ornament from the structure and theme of the building, meaning that the result of design should derive directly from its purpose; the visual expression of the structure, particularly the visual importance of the horizontal and vertical lines typical for the International Style modernism, the use of industrially-produced materials and adaptation of the machine aesthetic, as well as the truth to materials concept, meaning that the true nat...
The book as a description of modern architecture, its styles and influence succeeds but falls short as a prescriptive methodology. His work is still recalled for the need by modernists to categorize everything into neat little boxes, not necessarily for the sake of uniformity, but for sake of some ambiguity. The ambiguity may be the triumph of this book as post modern architecture era is supposed to create more questions than the answers.
In the process of development of human society, architecture and culture are inseparable. Cuthbert (1985) indicates that architecture, with its unique art form, expresses the level of human culture in different historical stages, as well as the yearning towards the future. According to his article, it can be said that architecture has become one of the physical means for human to change the world and to conquer the nature. Consequently, architecture has been an important component of human civilization. Since 1980s when China started the opening and reforming policy, a variety of architectural ideas, schools and styles have sprung up. Accompanying with a momentum of...
The social conditions that contributed to the style of the Baroque are of particular importance, as well. During these years, it was very common for the rulers of that time to hold absolute power over their people. Some will call it the “age of absolutism”. Because of this, many common people never really experienced the benefits of this era. This was reserved for the wealthy and well-connected in that society. The politics of the day were driven b...
From my opinion off what I have gathered, I came to an understanding that Critical regionalism can be seen as an approach to architecture that tries to stand up for places culture and identifies the identity of a place where Modern Architecture has failed to, by using the building's geographical context and reference of vernacular architecture. The term critical regionalism was first used by Alexander Tzonis and Liane Lefaivre and, with a somewhat different meaning, by Kenneth Frampton. Critical regionalism could be considered as a particular kind of post-modern response. This response developed as a result of the failure of Post-modernism, together with the influence of Globalization and the spread of Western culture. Critical Regionalism could also be seen as the best solution to cultural issues and the problems of architectural identity. Frampton’s argument is that critical regionalism should not only answer to context, but it should also value the progress of universal modern architecture.
Different art movements are created as a reflection of the type of response to the existing or older art movement. It does not necessarily mean scrapping the old to make way for the new. In art, the new movement always takes with it part of the past, but what makes it distinct is the new and fresh perspective that it brings to the table that wasn't present or appreciated before. If anything, the chronology of art movements is testament to the growth process of the world of art, proof of how the art has evolved ever since. Impressionism and Post-Impressionism are two art movements that happened in succession, and the characteristics of and existence of Post Impressionism reflects how Post Impressionism is a reaction to the earlier Impressionism and how Post Impressionism, despite its efforts to introduce something new, still retains many important characteristics found in Impressionism.
The late 19th and 20th centuries were full of various technological innovations and major social upheavals. From the conflicts brought by a world at war to the booming revolutions of industry, civilization had gotten quite a boost. This led to new ways of creative expression, in both visual art and literature, that broke the binds of tradition and classical design. The term Modernism can characterize a broad array of styles and techniques, but it encompasses the same core ideals and principals that allows a piece to be easily identified as a Modernist work.
Toward the end of the eiteenth-century, Romanticism emerged as a response to Classicism. Even though this change was gradual, it transformed everything from art and philosophy to education and science. While the Classicsts thought of the world as having a rigid and stern structure, the romanticists thought of the world as a place to express their ideas and believes. The Romaniticists and Classicsts differed in their views of the relationship between an individual and society, their views of nature and the relationship between reason and imagination.
The paper tries to identify the techniques applied in postmodern architecture in the similarities to traditionalism that leads to the revision of old knowledge and revival of traditional forms through tangible or intangible activities. The