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Globalization in the world
Influence of globalization on movies
Globalization in the world
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Globalization is a process of modernization and integrating ideas from other international cultures, the effects of which can be both profound and damaging. Beginning in its post-world war II society, Taiwan experienced an objective movement toward globalization through the KMT regime and into the post-KMT society. By absorbing many Western values, the forces of globalization and thus modernization brought many changes to peoples’ gender roles and family values. Ang Lee’s The Wedding Banquet follows a homosexual couple, an immigrant, and two traditional parents in a clash between traditional Eastern and modernized Western cultural values. In a dysfunctional familial setting, Lee’s Eat Drink Man Woman demonstrates a shift toward non-traditional behavior in Taiwan, using food as a central theme. Ultimately, both The Wedding Banquet and Eat Drink Man Woman reflect on the globalization of Taiwan as the country shifts from a traditionalized to modernized society. A close analysis of the characters, their relationships, and events of both films reveal Ang Lee’s connection to how Taiwan’s globalization creates …show more content…
At the turn of the century, Taiwanese women had “moved into virtually all industries and occupations” with an abundance of “young women working as cheap laborers” in addition to women being “more likely than men to be employees rather than employers” (Gold 1102). Furthermore, women “have still not equally reached the top administrative and managerial positions” in comparison to men (Gold 1103). At an economic standpoint in Taiwan, women are not equals with men in power which inevitably leads to women being “especially active in the creation and consolidation of civil society” (Gold 1113) which includes a feminist movement. In essence, men continue to claim much of the power—in “patriarchal families” (White 101) and in economic values—in comparison with
The 19th Century is an age that is known for the Industrial Revolution. What some people don’t realize is the effect that this revolution had on gender roles in not only the middle and upper classes (Radek.) It started off at its worst, men were considered powerful, active, and brave; where as women were in no comparison said to be weak, passive, and timid (Radek.) Now we know this not to be true, however, back in the day people only went by what would allow ...
The Sun of the Revolution by Liang Heng, is intriguing and vivid, and gives us a complex and compelling perspective on Chinese culture during a confusing time period. We get the opportunity to learn the story of a young man with a promising future, but an unpleasant childhood. Liang Heng was exposed to every aspect of the Cultural Revolution in China, and shares his experiences with us, since the book is written from Liang perspective, we do not have a biased opinion from an elite member of the Chinese society nor the poor, we get an honest opinion from the People’s Republic of China. Liang only had the fortunate opportunity of expressing these events due his relationship with his wife, an American woman whom helps him write the book. When Liang Heng and Judy Shapiro fell in love in China during 1979, they weren’t just a rarity; they were both pioneers at a time when the idea of marriages between foreigners and Chinese were still unacceptable in society.
Gender hierarchies have been a central pillar of social orders almost since its inception. However, the balance has not been remotely even throughout history, with patriarchies far outnumbering matriarchies. Despite the large dominance held by men, it was not all black and white in East Asian societies. Even though Tang and Song China were all patriarchal, they were very different in their application and influences of gender hierarchies.
Chen, Jo-shui. "Empress Wu and Proto-feminist Sentiments in T'ang China." In Imperial Rulership and Cultural Change in Traditional China, edited by Frederick P. Brandauer and Chün-chieh Huang. 77-116. Seattle: University of Washington Press, 1994.
Today, nothing remains of the former social role of women. Nearly all professions are open to women. The numbers of women in the government and traditionally male-dominated fields have dramatically increased. More women than men earn bachelor’s degrees. Many women's groups still prevail and are major political forces. Although the two movements hoped to achieve different things and used different tactics, they still came together to gain women’s rights and have achieved more than anyone would have ever anticipated.
Women usually worked as secretaries or on the assembly line because “bosses felt that young women were more diligent and easier to manage” (p. 56). Men, however, were either in a high managing position in the factory or worked in the lowest of jobs available, such as a security guard or driver. It was interesting to learn that about one-third of all of China’s migrants are women. These women go to the factory towns to work, but also, a majority of them leave their homes to see the world and experience life on their own for the first time. Chang makes a point that “to some extent, this deep-rooted sexism worked in a woman’s favor” (p. 57). The statement is supported by the idea that women are less treasured in their families; therefore, they had more freedom to do what they wanted with little care from the family. Shockingly, Chang noticed that no woman ever complained about unfair treatment. “They took all of these injustices in stride” (p.58). The women were grateful for the opportunity leave home and gain a sense of freedom; injustice was not a prominent
Amy Tan’s “Fish Cheeks” describes Tan’s upbringing as a Chinese-American caught in between two cultures. In “Fish Cheeks” Tan’s crush Robert and his family were invited to Tan’s house for Christmas, Amy was embarrassed of Robert’s impression of her Chinese relatives, cuisine, and culture (Tan 110). Tan’s situation is not uncommon as millions of first generation Americans encounter similar situations while living within two cultures. Albeit the extreme embarrassment Tan endured throughout the encounter, she contends that her mother taught her a valuable lesson in appreciating her Chinese culture (111). Ultimately, Tan's purpose was to implore first generation Americans to embrace both of their cultures, in spite of its unique traditions (Tan
Oftentimes the children of immigrants to the United States lose the sense of cultural background in which their parents had tried so desperately to instill within them. According to Walter Shear, “It is an unseen terror that runs through both the distinct social spectrum experienced by the mothers in China and the lack of such social definition in the daughters’ lives.” This “unseen terror” is portrayed in Amy Tan’s The Joy Luck Club as four Chinese women and their American-born daughters struggle to understand one another’s culture and values. The second-generation women in The Joy Luck Club prove to lose their sense of Chinese values, becoming Americanized.
Nothing But a Man is a love film that addressed a lot of issues that were happening in the United States in 1960. It is a film about two couples who are facing discrimination. Nothing but a Man was released in 1964. The director name is Michael Roemer. Michael Roemer was a white German immigrant who didn’t like the racial injustice that was happening in America. There were some questions about why did a white man decide to make a film about African-Americans struggles in the 1960’s. This film has been cited as one of the best films about African Americans. ("Nothing But A Man Movie Review (1993) | Roger Ebert." All Content. N.p., n.d. Web. 06 Apr. 2016. ) This movie was one of the best movie describing how racism was a problem towards African-Americans.
Amy Tan loved her Chinese culture. Her mom made her favorite meal every Christmas Eve dinner. She has grown up in America where it is considered a melting pot, the place of variety cultures. She liked the manners Americans had and the American look so much, that she had a crush on the Ministers’ son, Robert. Those would represent the positive vibes of multiculturalism. The negative part would be the feeling of being accepted by her peers or the shame she had of her culture during this special event. Amy was afraid of what the American’s would think of a Chinese Christmas Eve dinner. Also she wanted it to be more like an American Dinner because she thought that the Chinese food will be disappointing because the Minister’s family would be hoping for an American meal, like turkey and mashed potatoes. She knew her family’s manners were horrendous, so she was embarrassed about that as well. “Dinner threw me deeper into despair. My relatives licked the end of their chopsticks and reached across the table, dipping them into dozen or so plates of food” (Tan 185). This really shows a great struggling image of multiculturalism for Amy Tan had during her
Kazuko, Ono. "Chinese Women in a Century of Revolution, 1850-1950." edited by Joshua A. Fogel, Stanford: Stanford University Press, 1989.
Directed by Ang Lee, Eat Drink Man Woman uses food to separate the film into different parts. During each Sunday dinner, an important announcement is made by one of the family members. These announcements gradually change the structure of the family, but in the end, Before the first dinner, all major characters are introduced. The father of three daughters, named Old Chu, is a master chef who takes care of the three daughters. The oldest daughter, Jia-Jen, is a devoted Christian and a school teacher, whereas the middle daughter, Jia-Chien, works as an airline executive.
Gish Jen’s In the American Society is, on the surface, an entertaining look into the workings of a Chinese American family making their way in America. The reader is introduced to the life of a Chinese American restaurant owner and his family through the eyes of his American-born daughter. When we examine the work in depth, however, we discover that Jen is addressing how traditional Chinese values work in American culture. She touches on the difference in gender roles, generation gaps between immigrants and their American-born children, and the hesitance of these immigrants to conform to the American way of life.
Class this semester was widely based on the ideas and problematic events in which revolve around the idea of globalization. This term, idea, or concept poses many negativities to the gender of women. Despite the media and the common portrayal that the idea of globalization is a positive thing for the world, in many instances it is causing great negativity for people, specifically women. Globalization can be applied to many aspects of culture but many times it is applied in terms of economics. In the patriarchal world in which exists when speaking about economics it is typically a male centered conversation due to the males typically being in lead roles of the work force despite many women in this country and well across borders in other countries being very highly educated and capable of carrying out such jobs. Many of these women who seek to be educated and successful in the workforce do not achieve their goals and fall back into their gender roles which goes against their personal goals. This was demonstrated very well by the case study of “Clashing Dreams: Highly Educated Overseas Brides and Low-Wage U.S. Husbands” written by Hung Cam Thai. Not only are these brides in which are talked about in this essay failing at their personal goals they are also failing at the goals in which Estelle B. Freedman discusses in her book No Turning Back. In this work she speaks much about transnational feminism and the objectives in which much be met to obtain equality rights for women transnational. The link between Freedman’s work and the study of Vietnamese brides marrying transnational is undeniable not for positive outcomes but for negative. By linking these two works not only will it show what needs to be done for women to obtain equal ri...
These questions and the objective of my paper are significant to explore because they will help me to better understand my current status as a women in our capitalist economy. Understanding the origin of women’s economic oppression, and other inequalities, is a part of reaching an idea of how to remedy our current situation as women. It is important to me to answer the questions I have laid forth in order to take small steps in personally and possibly publicly, changing the current position of women.