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The stranger by Albert Camus analytical essay
Essays on albert camus the stranger
Essay on stranger by camus
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While it takes only a year or two to establish a dysfunctional relationship, the adverse effects it leaves can be felt for a lifetime. This can be seen in Meursault’s relationship with his mother and his fiance, Marie, in Albert Camus’ L’Étranger, translating to The Stranger in English. In this story, the reader follows Meursault as he attempts to cope with his mother’s death in untraditional ways, leaving him as a true stranger to others. Through the story, Meursault also finds himself charged and guilty of murder after shooting a man, not soon after his own mother’s death. Throughout the court case, it becomes evident to both the jury and the reader that there is something not quite right about Meursault, and all of which traces back to …show more content…
First, he never visited his mother in the home even when she was alive, leading him to grow distant from her and know little about her life. One sign of this is that he didn't even know about his mother’s close relationship with a man named Thomas Perez. “He and your mother were almost inseparable. The others used to tease them and say, 'Perez has a fiancee.' He'd laugh. They enjoyed it.” (Camus 13). Once Meursault left his mother, he had no need to ever see her again, according to his id, as caring for his mother offered no benefit to him. The two never truly know each other, leading to Meursault to develop an Oedipal Complex. Another cause of this dysfunctional relationship is the fact that Meursault was the one who sent her to a home. Through the course of the story, a variety of reasons are given for why he sent her. A worker at the home says it was because Meursault couldn’t provide enough financial support for his mother. While this may be true, Salamano, one of Meursault’s neighbors, provides a different account. “He answered a question about my mother and me by saying that I had run out of things to say to Maman and that was why I'd put her in the home.” (94). In either case, Meursault’s mother did not want to be sent away. Based on Salamano’s account, it seems that it was purely for selfish reasons, like being bored with her, which again shows Meursault following his …show more content…
Because of this, Meursault’s lack of a relationship with his mother leaves him embedded in his id. This stagnation later develops into an Oedipal Complex, resulting in an abnormal relationship with his fiance, Marie. Albert Camus’ The Stranger shows the dangers of not only an oedipal complex but also a prevailing id. While the story may be fiction, everyday people develop unhealthy relationships with others, that may cause damage in the future. This damage, as shown through Meursault, cannot only damage the person, but also those around them. Knowing how one’s mind works, and how one might react, either following their id, ego, or superego, is vitally important to understanding each other and becoming fully empathetic. Therefore, it's important to make sure everyone can have a safe and stable relationship with not only their parents but everyone around them, as it may, at some point, save a
In “The Stranger”, the protagonist, Monsieur Meursault, is characterized as cold, uncaring, and emotionally detached. Throughout the novel, Meursault expresses no emotions toward the death of his very own mother, the proposed marriage between the woman, Marie Cardona, who became his lover, and to the actual murder of a man he didn’t know. While the jury at his trial sees him guilty because his uncommon and disassociated demeanor shows that he willfully intended to murder the Arab on the beach, a variety of psychologists would instead diagnose Meursault with Major Depressive Disorder, Antisocial Personality Disorder, and Asperger’s Syndrome in order to characterize his indifferent thought patterns. If Meursault is suffering from Major Depressive Disorder, he is unable to function as a normal person would which ultimately leads the jury to believe that he is actually a cold blooded killer. Antisocial Personality disorder, like Major Depressive Disorder, causes Meursault to communicate a disregard for the lives of others and lacks remorse when he harms and even kills the Arab.
He, however, seemed question his presence because the death of his mom or even from the absence of his father—the fairly dynamic that every child should have (both parents present). In chapter two Meursault found himself alone in his apartment as Marie had left for work earlier that morning. In this section he explains that, “After lunch I was a little bored and I wandered around the apartment” (21). In this quote, Meursault demonstrates just how meaningless is life is. To have nothing more to do with his time than walk around his apartment shows that Meursault is questioning his place in this world. He is a man with virtually only two friends—Raymond and Marie—and a neighbor that he associates with on occasion about his dog. As he wanders the apartment he explains that he lives, “in just one room now” (21), one that he literally put his dining table in so that he could eat in his room. This quote symbolizes his loneliness as a person. Not only is the apartment too big for him, the world is too, and his is basically alone in both. For some reason—maybe a tragedy or trauma that he faced in earlier years—Meursault has closed himself off from the world and does not express love for anyone or anything. In fact, Meursault made a statement about the death of his mother saying that, “at one time or another, all normal people have wished their loved ones were dead" (65). At this point in the story, I think that Meursault may not have had the best family dynamic. He does not speak of anyone else but Maman, and mentions a father that he does not know. So, he may not feel like he belongs or does not know how to. He also explains that, “it was one of Maman’s ideas, and she often repeated it, that after a while you could get used to anything” (77). This quote could explain the fact that Meursault is closed off—he has gotten so used to not having anyone around that truly cares for him (his
Part I of The Stranger begins with Meursault's attendance at his mother's funeral. It ends with Meursault on the beach at Algiers killing a man. Part II is concerned with Meursault's trial for that same murder, his ultimate sentencing to death and the mental anguish that he experiences as a result of this sentence. Several curious parallels emerge here, especially with regard to Meursault's perception of the world.
Meursault doesn’t conform to society such as understanding what we would call normal human emotions such as the emotions of love or death. The reason Meursault may seem disconnected from the felling of love is shown when his girlfriend ask about marriage. Meursault answers without caring by saying “it doesn’t make any difference to me and that we could if she wanted to” (Camus, 156). Meursault also show the disconnection of normal human emotions after his mother’s death. “… Maman’s death, but that was one of those things that was bound to happen sooner or later” (Camus, 123).
In The Stranger, Albert Camus describes the life of the protagonist, Meursault, through life changing events. The passage chosen illustrates Meursault’s view during his time in prison for killing the Arab. In prison, one can see the shifts in Meursault’s character and the acceptance of this new lifestyle. Camus manipulates diction to indicate the changes in Meursault caused by time thinking of memories in prison and realization of his pointless life. Because Camus published this book at the beginning of World War II, people at this time period also questions life and death similar to how Meursault does.
Meursault shows very little love or sorrow at the fact of his mother's death. A normal man would feel pain and regret for not being by her side while Meursault does not even care much about the date she passed away. Immediately on the first page in the novel, we confront the situation where Meursault's mother dies, and he does not care about it. "Maman died today. Or yesterday maybe, I don't know. I got a telegram from the home: `Mother deceased. Funeral tomorrow. Faithfully yours.' That doesn't mean anything. Maybe it was yesterday" (3). Meursault does not bother to call back and find information about his mother. Meursault shows no emotion or care for his mother because he sends her away for someone else to take care of her. During the last years of an elder person's life, they are invited to stay with the family in order to become closer with one another. Meursault could care less as he shows no sign of pain, and goes off to do something else. He resembles a figure where an issue as important as death does come as a priority. "We are the hollow men/ We are the stuffed men/ Leaning together/ Headpiece filled with straw" (Lines 1-4).
Albert Camus’ The Stranger offers one man’s incite into the justice of society. Monsieur Meursault, the main protagonist in the novel, believes that morals and the concept of right and wrong possess no importance. This idea influences him to act distinctively in situations that require emotion and just decision, including feeling sadness over his mother’s death, the abuse of a woman, and his killing of an innocent man. In these situations Meursault apathetically devoids himself of all emotion and abstains from dealing with the reality in front of him. When confronted by the court over his murder, he reiterates his habitual motto on life that nothing matters anyways, so why care? His uncaring response inflames the people working within the
Albert Camus is a skillful writer noted for showing aspects of culture and society through the depiction of his characters. In The Stranger, Camus illustrates the existentialism culture and how that comes into play in the life of the protagonist Meursault. The Stranger, as suggested by the title, is a novel revolving around the protagonist, Meursault, who is a stranger to the French-Algerian society as he challenges its values. Camus vividly portrays Meursault’s journey through the use of imagery, irony, and symbolism. In The Stranger, Albert Camus uses the minor character, Raymond Sintes, to illustrate the contrasting nature of Meursault and how his friendship with Raymond leads to his downfall.
Meursault’s Maman, when introduced to the reader, has already passed away; however, her past relationships that disclose themselves when Meursault attends the funeral directly contrast her son’s emotional receptivity, or lack thereof. During Maman’s funeral, a woman “in the second row...emitted a little choking sob” (8). The keeper subsequently relieves Meursault of his frustration by explaining to him that “she was devoted to [his] mother” and that they were close friends (8). Along with friendship, Maman also embraces romance during her last few days with her relationship with Thomas Perez at the home, where “[he] and [maman] [are] almost inseparable” and “people [would] tease Perez about having a fiance” (10). Maman’s attempt to form de...
It is true that Meursault was different from the rest of society. However, he changes throughout the trial and eventually becomes an existentialist hero. This is because he finds meaning in life. It is ironic, though, that he learns to appreciate life after his is effectively over. His apathetic approach to life is made clear from the first page: “Maman died today. Or yesterday maybe, I don’t know.” This foreshadows his approach to everything else in the book. His indifference to Maman’s death contrast’s significantly to Salamano’s distress at losing his dog. Many of the characters in this book also function to highlight his qualities through contrast.
Meursault’s apathy towards his mother’s death, his girlfriend, Marie Cardona, and the Arabic man symbolize a cruel French colonist. The first sentence of “ The stranger”, “Mother died today. Or, maybe, yesterday; I can’t be sure”(4), appalls reader by showing Meursault’s unconcern about his mother’s death date. At the funeral, Meursault behaves indifferently which contrasts with the old Perez, “who put on and put off his hat again and again”(11). Conversation between Meursault and his girlfriend also shows Meursault aloofness. “Marie came that evening and asked me if I’d marry her. I said I didn’t mind; if she was keen on it, we’d get married. Then she asked me again if I loved her. I replied, much as before, that her question meant nothing or next to nothing- bu...
“But from the moment he knows, his tragedy begins.” Meursault is not unlike Sisyphus. In the novel, The Stranger, by Albert Camus, we watch this character change from a carefree man who loves being alive and free to a man who is imprisoned for a meaningless murder he commits but who eventually finds happiness in his fate.
In The Stranger, Camus portrays women as unnecessary beings created purely to serve materialistically and satisfy males through the lack of a deep, meaningful, relationship between Meursault and females. Throughout the text, the main character, Meursault, creates closer, more meaningful relationships with other minor characters in the story. However, in his interactions with females in this book, Meursault’s thoughts and actions center on himself and his physical desires, observations, and feelings, rather than devoting his attention to the actual female. Living in Algiers in the 1960s, Meursault originates from a post-modernist time of the decline in emotion. Meursault simply defies the social expectations and societal ‘rules’, as post-modernists viewed the world. Rather than living as one gear in the ‘machine’ of society, Meursault defies this unwritten law in the lackluster relationships between he and other females, as well as his seemingly blissful eye to society itself. In The Stranger, males, not females, truly bring out the side of Meursault that has the capacity for compassion and a general, mutual feeling relationship. For example, Marie and Meursault’s relationship only demonstrate Meursault’s lack of an emotional appetite for her. Also, with the death of Maman, Meursault remains virtually unchanged in his thoughts and desires.
The Stranger by Albert Camus focuses largely on the concept of absurdism. Camus uses family and personal relationships, or the lack of it thereof, to show the isolation that the main character, Meursault, undergoes in the novel and it’s effect on him overall. Camus utilizes the protagonists’ character development as a tool to further his plot of the novel. The absence of family and personal relationships tied in with the particular recurring topics of the novel are crucial in both the development of the protagonists’ characters as well as the plot as it affects the portrayal of the main character.
Meursault is distant from set plans, ambitions, desires, love, and emotions in general. He has a difficult time with emotions such as regret and compassion. The reader sees the nature of his personality in the first few lines of the novel: "Maman died today. Or yesterday maybe, I don't know." When he hears of the death of his mother through a telegram, he is unattached, and can be considered uncaring.