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Importance of cultural diversity
Importance of multiculturalism in education
Importance of multiculturalism in education
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Today’s television is lacking in both quality and quantity when it comes to characters that are minorities. There is a distinct deficiency these characters, and an even bigger lack of dynamic characters that are minorities. In television today we rarely see people of color, people of different sexualities, and people of different genders being portrayed with accuracy. It is time for American television and the media in general to start diversifying their casts, and to stop only trying to appeal to such a narrow demographic. The media needs to stop feeding consumers generalized, stereotyped characters and start giving them the diverse, fleshed out characters they deserve. One of the biggest problems we face today in the media is the lack of characters represented by minorities. According to Vadim Rizov, a reporter for The Dissolve,” Across 100 top-grossing films of 2012, only 10.8 percent of speaking characters are …show more content…
Black, 4.2 percent are Hispanic, 5 percent are Asian, and 3.6 percent are from other (or mixed race) ethnicities,”. If you add all of that together, it means only 23.6 percent of speaking parts in movies are of minorities. Only a few of those actually have major parts, the rest could just have a few lines. Not surprisingly, 44 percent of all movie revenues come from minorities. Obviously, the amount of minorities represented is much smaller than the amount consuming them. Rebecca Keegan said, in a Los Angeles Times article written on October 30, 2013, “In 2012, the researchers found, 76.3% of all speaking characters in these movies were white; according to U.S. Census figures, 63% of the country is white, and according to the Motion Picture Assn. of America, 56% of movie ticket buyers are white.” Later in the article, Katherine Pieper says “At the core, this is a visibility issue. Who we see in film sends a powerful message about who is important and whose stories are valuable, both to international audiences and to younger viewers in our own country.... Are films communicating to audiences that only certain stories are worth telling?" The races we represent in the media show who we view as important in society. By only casting a few people of minorities in movies, we imply that white people are more important than people of other races. Another example of lack of representation has been hidden right in front of us our whole lives: Disney princesses. Out of all of the Disney princesses, only three aren’t white. There’s also another problem: they all have the same physique. All of them are very unreasonably skinny, with big eyes and long flowing blonde hair, teaching kids that to be considered beautiful or princess-like they must fit in to that small mold. Donna Brown Guillaume said in Happily Ever after: Fairytales for Every Child, “When I was young, all the fairytale princesses had long blond hair. When you are black, you just don’t feel like it could be you.” There is hope in the future though. It was recently revealed at a convention that there is a new Disney princess in the works. The new princess, Moana, will make her debut in 2018. She breaks the typical mold for Disney Princesses because she is a girl of color and she has a stocky, more muscular build than the other princesses. Hopefully this is a sign that Disney is taking a better direction with there characters. Not only are we lacking a quantity of characters portrayed by minorities, we are lacking in quality with the few we do have. When we do have characters that play a significant part in a film or TV show they are used as token side characters, characters lacking substance that are used only as comic relief or as a ladder the main character steps on to get to their goal. Characters like these are very problematic because they degrade the value these people have and make them seem lesser than their white counterparts. By lacking these dynamic characters, children who grow up and watch these shows think lesser of themselves. As they grow up we teach them that unless they are white they will never be the main character, we teach them that they are only going to be supporting characters in other people’s lives. When we do get characters portrayed by minorities, there is another toxic thing that destroys their quality: stereotypes. It is a common trope in movies and television shows to write the characters that are minorities with vicious stereotypes. For example, when a gay man is presented in a TV show, he is always portrayed with the “gay best friend” stereotype. He’s there for shopping, gossiping, and any other thing you would expect in the media. Gay best friends are treated more as an accessory every girl wants, but not as actual people. Another good example we can see in television today is Raj from the Big Bang Theory. He is a great example of bad stereotypes. While he is a major character in the show, he is also constantly ridiculed and made fun of because of the stereotypes they wrote him with. Raj is man from India. He is portrayed with a thick accent and often makes jokes about his culture back home. He makes many jokes about eating cows, how poor the country is, and many other distasteful jokes. There is even a scene where he is dreaming and a white character on the show is dancing around in a Bollywood style music video. Not only is he used as a bad stereotype throughout the show, he is also constantly the butt of the jokes simply because of his race. He is only used as comic relief and has no actual substance or depth as a character. Another problem we have in the media is the representation of women. It’s very common, in a television show targeted at a male audience, for women to be portrayed as dumb sexual objects. Another trope commonly used on women is the “nagging smart girl” that is always chiding and bossing around the main character. Female characters in television are usually just used for sex appeal and to create romance and drama in the show. It is all too common for the female character and the main character to fall in love or have a relationship sometime in the future. One example of these television clichés is Doctor Who. Before 2009 , the female characters to the Doctor, called companions, were of equal importance to this thousand year old time lord, but now they are barely even important assets in the plot at all. The female companions are just there for “eye candy” and to fall in love with the Doctor. Another problem Doctor Who presents is the lack of a female doctor. Throughout all or the regenerations he’s gone through, the main character still remains a male. And, his companion always remain female (with two exceptions). This promotes the idea that women will always just be sidekicks in men’s adventures. The Legend of Korra, a sequel to the Avatar: The Last Airbender series, is a more recent show that is being praised for is representation of women. The main character, Korra, is a woman of color who is also bisexual. At the end of the series, it is confirmed that she is in a relationship with one of the other female characters. In the Legend of Korra, minorities are portrayed as very powerful characters. Korra herself is the most powerful being in the world. In an article “The Legend of Korra and Minority Representation”, the author Adolfo Aranjuez says “Through The Legend of Korra, you can teach your students the importance of diversity, and how being part of a minority isn’t necessarily a weakness”. Even though television is way behind the times in its casting, there are a few TV shows that are making strides for equal representation.
One of these shows is a popular kids television show on Cartoon Network, Steven Universe. Steven Universe initially aired on Cartoon Network in 2013 and is a show about a young boy growing up with his three alien “mothers”. Along with writing many important characters as people of color, the show also equally represents and praises many different body types. The show even has representation of many different sexualities. One of the main characters, Garnet, is in a lesbian relationship and another, Pearl, was in love with Stevens mother. This is a big step in television considering how diverse the characters are, especially for a children’s show. One drawback to this show, however, is its small audience. Although this show is hitting and teaching many people, its audience is still small. Once the audience of this show expands, it will effect a greater variety of people and have a greater impact on the world
itself. Television today is severely lacking in characters that are minorities. There is a lack in quantity of characters of different races, genders, and sexualities. When we do have these diverse characters, they are portrayed with bad stereotypes that don’t accurately represent the depth these people have to offer. These stereotypes and the lack of diversity have a very negative effect on children and teach them that they aren’t as important as their straight, white counterparts. If we are going to move anywhere as a society we must start representing a larger diversity in the media, or we will remain at a standstill.
The majority of today’s films starring Asian actors and actresses often contain numerous stereotypes. They cater to the biased views that most non-Asians have of Asian ethnicity and culture. What they do not know they make up for in ignorance and ridicule in one of today’s top forms of mass media. By using a widespread style of media in today’s pop culture, more and more people are being displayed the fabricated stereotypes of Asians.
Since its start, the television industry has been criticized for perpetuating myths and stereotypes about African-Americans through characterizations, story lines, and plots. The situation comedy has been the area that has seemed to draw the most criticism, analysis, and disapproval for stereotyping. From Sanford and Son and The Jefferson’s in the 1970s to The Cosby Show (1984) and The Fresh Prince of Bel-Air in the 1990s, sitcoms featuring black casts and characters have always been controversial. However, their significance upon our American culture cannot be disregarded. During the 1950s and 1960s, 97% of the families were Caucasian. In the first five years of the 1990s, nearly 14% of the television families were African-American (Bryant 2001). These statistics obviously show the substantial impact our American culture has had on African-American television families.
In the new millennium, the concepts of racial diversity in multiculturalism have become part of the fabric of American discourse. Consequently, the television industry faces an increased pressure from advocacy groups to better reflect the nation’s demographic reality. Many observers of American popular culture believe that multicultural television fare presented when children are most likely to be viewing this critical to advancing acceptance of racial and ethnic diversity in the United States. (Wilson, Gutierrez & Chao) Being a show designed for younger audiences, Everybody Hates Chris is able to address racial stereotypes to young audiences and possibly impact the way younge...
Marlon T. Riggs’ video, Color Adjustment, offers the viewer an exciting trip though the history of television, focusing on the representation, or lack thereof, of African-Americans. A perfectly chosen combination of television producers, actors, sociologists, and cultural critics join forces to offer insight and professional opinion about the status of African-Americans in television since the inception of television itself. As Color Adjustment traces the history of television shows from Amos n’ Andy and Julia to "ghetto sitcoms" and The Cosby Show, the cast of television professionals and cultural critics discuss the impacts those representations have on both the African-American community and our society as a whole. Color Adjustment continually asks the question: "Are these images positive?" This video raises the viewer’s awareness about issues of positive images for African-Americans on television.
Andre, Judith. “Stereotypes: Conceptual and Normative Considerations.” Multicultural Film: An Anthology. Spring/Summer 2014. Eds. Kathryn Karrh Cashin and Lauren Martilli. Boston, MA: Pearson, 2013.
"Race and Ethnicity in Entertainment." Issues & Controversies On File: n. pag. Issues & Controversies.
In Shohat and Stam’s article, Unthinking Eurocentrism: Multiculturalism and the media (2013), they discuss the issue of racism within the media and entertainment industry, such as Hollywood films. More importantly, Shohat and Stam’s discuss the assertion of racial politics in casting within the Hollywood films industry. The interesting idea to their argument is that they suggest that for a film to become financially successful, the casting of the protagonist must consist of a white star as they are seen to be ethnically universal (Shohat & Stam, 190). They further suggest that the ethnic minority have been limited to designated roles which ultimately perpetuate their ethnic stereotype (Shohat & Stam, 190). They concern this issue by critically analysing and contrasting western Hollywood films against other ethnic films.
I gave several examples where Asian Americans were used to play very simple characters. These roles were defined by stereotypes that exist in America. I also researched instances on counter actions taken by Asian Americans to protest against these negative images. My research also has examples of Asians that have succeeded in breaking through the racial barriers in the media.
While watching movies, have you ever noticed that the villains in almost every single Hollywood film are of Middle Eastern or European descent? In a reoccurring theme of Hollywood, the villains in these films are almost always foreigners or people of color. This is a stereotype. On the other side of the spectrum, we often see that the heroes of these films are most often than not white males. This is another stereotype. Within the last few years, we’ve seen actors such as Will Smith, Morgan Freeman, and Zoe Saldana take the lead roles, so it can’t be said that there are no non-white heroes, but there certainly isn’t many. Hollywood action movies, moreover than other genres, are typically loaded with an abundance of stereotypes. The way these movies are composed and structured can tell us a great deal about the views held within the American psyche and who holds the social power. The harsh reality is that the media ultimately sets the tone for societal standards, moralities, and images of our culture. Many consumers of media have never encountered some of the minorities or people of color shown on screen, so they subsequently depend on the media and wholeheartedly believe that the degrading stereotypes represented on the big screen are based on fact and not fiction. Mary Beltran said it best when she stated in her “Fast and Bilingual: Fast & Furious and the Latinization of Racelessness” article, “ultimately, Fast & Furious mobilizes notions of race in contradictory ways. It reinforces Hollywood traditions of white centrism, reinforcing notions of white male master while also dramatizing the figurative borders crossed daily by culturally competent global youth – both Latino and non-Latino” (77). This paper will specifically look...
At the end of the NPR article they discuss the problem between keeping television shows diverse, “without amplifying the problems of stereotyping and prejudice” (Feld). Television shows feel that in order to a successful show with diversity, the people need to be cast-typed or take on every stereotype that is associated with that particular race or gender. The Erigha article discusses how, “many of actors were type-casted, or put in racialized roles, that fit their ethnicity” and some of these people do not necessarily fit that type, “they used Asian Actors as an example, many of the actors that were born in America, were asked to speak in a Chinese accent.”
The extensive mass of corporation executives encourage diversity in their policies. Though this may be true Latinos are still missing behind the camera as well. From the 2010 to 2013 time span, Latinos made up not one of the ranked top television show creators (“Latino Media Gap”, pg.3). Though, Latinos were ranked in the top 1.1% of producers, 2% of writers, and 4.1% of directors (“Latino Media Gap”, pg.3). In the top ten movie rankings, Latinos only made up for 2.3% of directors, 2.2% of producers, and 6% of writers (“Latino Media Gap”, pg.3). While absolutely no Latinos presently serve as studio managers, network presidents, or CEOs. Even in the top 53 television, radio, and studio media administrators, only one is Latina (“Latino Media Gap”, pg.3).
Ethnicity and appearance has become a tremendous problem in the media due to the fact that they try to use it as a power to control creativity of abstaining the truth in media. According to journalist Nishijima, A, she refers to the Oscars and explains that it is very absurd how the media is slowly progression in lacking diversity. This was recognized when watching the Oscars and seeing that based off predominantly white nominees. Nishijima quotes “Boone Isaacs decl...
Any form of media having correct representation of minorities is very rare, but also incredibly vital. Minorities like people of color, people with disabilities, people in the LGBTQIA+ community and women often aren’t portrayed well in media outlets. Correct representation of minorities is very important in the media because it gives a voice to smaller groups, eliminates harmful stereotypes, and it gives everybody an equal chance in professions.
Before the 1970s, most programs had characters who were Caucasian. Having white characters on television soon became the “standard”. However, when minorities did seldom appear, they were presented as stereotypes. For example, roles such as servants would usually be played by African American actors and warriors would be played by Native American actors. The critics debated that the unfair treatment of minorities in America was the explanation for why there were not any minorities presented on screen. The concerns of minorities in America were ignored for years. In Phillip Brian
also demands attention. In whitewashed, American media — a heavily eurocentric portrayal of various peoples and group — there is a distinct deficient number of roles that cast Asian-Americans. Out of the few roles that portray Asians, even fewer characters who are not heavily accented and stereotyped to the point of dehumanization make it onto the big screen: the reduction of a character to traits derived from stereotypes prevails (Hampton).