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Negative influence in teens lives
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Growing up as a youngster in the 1990s, it was impossible to escape the popularity of R.L. Stine’s book series, Goosebumps. Come to think of it, that could be one of the many reasons for my undying devotion to the horror genre. Regardless, Stine’s novels were one of the cornerstones of a generation – incomparable to any other youngster novel series that was one the market, at least from a male perspective, I suppose. The books were full of edgy, scary grit that had the power to infect every facet of the mind – causing plenty of darkness laced paranoia and sleepless nights. But, that was half the fun (at least it seems that way now). From zombies, mummy’s and talking dummies, the seemingly endless array of villainy was enough – one story …show more content…
to the next – to keep you coming back for more. And, to be honest – it’s rather surprising it took this long for a Goosebumps themed movie to hit the big screen (although the late 90s Fox Kids TV series did have its moments). In the film adaptation, directed by Rob Letterman (Gulliver’s Travels), Dylan Minnette stars as Zach Cooper, the new kid in town that happens to move in next door to a reclusive, rude neighbor, and his daughter, Hannah (Odeya Rush). Oddly enough, the rude neighbor is eventually revealed to be the world-renowned author, R.L. Stein (Jack Black). Stein is strangely protective of his daughter, whom he endlessly shelters and refuses to let leave the house – raising a great amount of suspicion from Zach. And, one night, when Zach hears Hannah scream from inside her house, he decides to bring in – accompanied by his new friend, Champ (Ryan Lee), only to find her alive and well. However, Zach and Champ also take notice a bookshelf full of locked Goosebumps novels – one of which they decide to unlock. Night of the Living Dead also happens to be unlocked, too, releasing the fiendishly evil Slappy the dummy, who decides to gradually free every monster from each novel. And, with the town under attack, Stein, Zach, Champ, and Hannah must figure out a way to capture the freed monsters. Much like the rest of the popular entertainment mediums of the 1990s, like Power Rangers, superhero cartoons, and grungy rock banks – Goosebumps (the movie) provides copious amounts of nostalgia. It’s like hoping in the DeLorean and traveling back to a time where creativity was at its apex – where a simple premise could encompass your mind, without having to worry about Skype chats, Facebook posts, and Twitter updates (even though this film does make reference to Instagram and such). While Jack Black doesn’t necessarily feel like the right man to lead a pop icon revival, his portrayal as R.L.
Stein hits the spot. It’s not overly childish or outlandish, although he is kooky enough to be a member of the Adams Family. Nevertheless, Black injects the right about of enthusiasms and charisma into this character – and is provided enough emotional layers to be relatable for viewers. Admittedly, Jack Black is the selling point in terms of a marketing credibility, but its Dylan Minnette that drives home the fun, fast-pitch pace of this production. Best known for his roles in the film adaptation of Alexander and the Terrible, Horrible, No Good, Very Bad Day and TV’s Saving Grace, not to mention R.L Stein’s The Haunting Hour, Minnette is establishing himself to be a solid young acting commodity with a bright future ahead of him. Minnette’s onscreen chemistry with co-stars Odeya Rush and Ryan Lee is also quite impressive – proving that an adolescent cast is fully capable of delivery a completely engaging viewing experience. Rush and Minnette feed off each other wonderfully, but it’s hard to ignore the vitality of Ryan Lee – who contributes solid comedy relief at even the tensest moments, like when a Werewolf is on the loose in a grocery
store. With a solid cast behind the wheel of this admirably conceived film, the story doesn’t exactly feel as though it came from the mind of R.L. Stein – probably because it didn’t Honestly, it feels as if a writer (Scott Alexander and Larry Karaszewski) came in and said “let’s throw set every single monster from Stein’s imagination loose on a town and see what happens.” And, with that said – this film is essentially an entire pop icon universe stuffed within an unrelated story. On that front, Goosebumps doesn’t break new ground – opting to follow a pretty generic narrative that depicts nosey kids making a mess and having to figure out a way to clean it up. It just so happens that there’s so much monster-mashing action stuffed into this plot that it’s a complete deterrent from the fact that this story seeming appears – from afar, mind you – like every other kid oriented movie. No, that plot isn’t all that extravagant – and follows usual guidelines, but it does provide an enjoyable protagonist versus antagonist dynamic. It’s comparable to pitting each half of a person’s personality against itself in a battle for supremacy. In this case, Slappy the Dummy returns (utilize in the TV show), cleverly voiced by Jack Black, to boot, to wreak havoc on his counterpart’s life (R.L. Stein). This avenue is far from unexplored, as well, but it makes for an above average climatic showdown. Overall, the positives far outweigh the negatives in this Goosebumps themed film production. It’s not exactly a Goosebumps film, per say – because it’s not a scary story focused on one particular angle, at least not like you’d find in one of the books. This film goes big and it goes big quickly, opting to unleash every villain in immediate fashion – a maneuver that will force writers to think bigger and bolder in an unavoidable sequel. IN the meantime, Jack Black and Dylan Minnette lead an enjoyable, charming cast on an adventure that should easily wrap its target audience around its finger. In the end, Goosebumps is clearly kid oriented, making it a slight disappointment for those of us that would have liked to see an edgier and scarier film. Despite that drawback, though – this first Goosebumps film, which is likely the first of many, is a harmless, family-friendly movie that the kids won’t have to worry about losing any sleep over. It won’t give you Goosebumps, but it’s a solid first endeavor just the same.
In life, everyone makes mistakes. Some are minor, some are major, but all in all, it happens. Eddie Rake made his fair amount of mistakes in life but managed to gain forgiveness back from every player and family because of the positive impact he made on the lives of the people of Messina. In John Grisham’s, Bleachers, Neely Crenshaw, one of Rake’s former players, said, “Coach Rake was not easy to love, and while you’re playing here you don’t really like him. But after you leave, after you venture away from this place, after you’ve been kicked around a few times, faced some adversity, some failure, been knocked down in life, you soon realize how important Coach Rake is and was” (Grisham 223). This tells one that no matter how bad Rake hurt a
For my movie review I chose the movie “Simon Birch”. The main stars of this movie are: Ian Michael Smith who played the role of Simon Birch, Joseph Mazello who played the role of Joseph Wenteworth, Ashley Judd who played the role of Rebecca Wenteworth, Jim Carrey who played the role of Joseph Wenteworth in his older years, Oliver Platt who played the role of Ben Goodrich, and David Strathairn who played Rev. Russell. This movie is a coming of age/Comedy-drama.
In two of the three books in this series - Cross My Heart and Hope to Spy, and Don’t Judge a Girl by Her Cover - one character that was prominent was Zach Goode. However, Zach is an enigmatic character, whose relationship with Cammie - not to mention Zach himself - changed rapidly. After taking a closer look at Zach’s character, it is quite easy to find some very interesting things.
Christopher Johnson McCandless, a.k.a Alexander Supertramp, “Master of his Own Destiny.” He was an intelligent young man who presented himself as alone but really he was never lonely. However, he believed that life was better lived alone, with nature, so he ventured off throughout western United States before setting off into Alaska’s wild unprepared where he died. Some may say he was naive to go off on such a mission without the proper food and equipment but he was living life the way he wanted to and during his travels he came across three people: Jan Burres, Ronald Franz, and Wayne Westerberg. McCandless befriended these people, it is believed that he made such a strong impression on them that their connection left them with strange feelings after finding out about McCandless’ death.
After hearing a brief description of the story you might think that there aren’t many good things about they story. However, this is false, there are many good things in this book that makes it a good read. First being that it is a very intriguing book. This is good for teenage readers because often times they don’t willingly want to read, and this story will force the teenage or any reader to continue the book and continue reading the series. Secondly, this is a “good” book because it has a good balance of violence. This is a good thing because it provides readers with an exciting read. We hear and even see violence in our everyday life and I believe that it is something teenagers should be exposed to. This book gives children an insig...
Ethan Frome published by Eddie Wharton was set in Starkfield, Massachusetts in 1904. The story happenss against cold hard weather at the New England state. The main character was established as outreach farmer who tends to his very cold, aggressive and disturbed wife named Zeena. He had little hope with his wife until Zeena's cousin, Matte arrives to help him. During the period, he slowly fall in love with Matte causing his marriage to collapsing the relationship between him and Zeena. Ethan From was one all-time classic American books showing characters development through hard facts or conditions that reflects and teaches us the relation in today's social standards.
... The Movie. Dir. Arne Johnson, Shane King. Perf. Carrie Brownstein, Beth Ditto. Ro*co Films. 2008. DVD.
The definition of the Horror genre differs completely to the Gothic genre. This idea of how the Gothic novel transformed from various architectures based around impending castles and morality tales, to the idea of monsters, fear, and repugnance. Therefore, it is interesting to notice the change from how the genre has developed from arguably the 17th century to the 20th century, where vampires, werewolf’s, and other monsters are very popular with teen audiences especially.
A recent young adult novel has stirred up a lot of controversy in the world of writing literature. The issue is that current young adult literature is too dark for teen readers, or is merely more realistic than previous works for teens. In early June 2011, the Wall Street Journal ran an editorial written by book critic Meghan Cox Gurdon says how dark is contemporary fiction for teens? Darker than when you were a child, my dear: So dark that kidnapping and pederasty and incest and brutal beatings are now just part of the run of things in novels directed, broadly speaking, at children from ages of 12 to 18. As I write rhetorically about this argument meaning the understanding of or approach to human interaction or based on their purpose and motivation.
Stephen King is one of the most respected and well known men to ever write horror stories, behind Edgar Allen Poe of course. Stephen King is very famous all around the world for his novels such as It, Halloween, Carrie, The Shining, Pet Cemetery, as well as another amazing fifty-nine other novels. I have only read three of Kings books, Carrie, Pet Cemetery, and The Girl Who Loved Tom Gordon, which I have selected for my book report. Personally The Girl Who Loved Tom Gordon was my least favorite, I did not find it frightening at all, and a little boring at times. It seemed like a nine year old would not be as intelligent as the the girl in the book and very unrealistic. Not that any of his other books are realistic, just this one did not satisfy me with the amount of horror even though it is classified as a horror story.
All the actors did an astonishing job. Tobin Bell has a loathsome attitude that is right for this character Jigsaw, a creepy serial killer who plays with his victims lives. Shawnee Smith?s performance was unpredictable, it kept you on the edge of your seat. A role women rarely have the opportunity to play. She plays an insecure, emotional woman with a self-destructive personality. Angus MacFadyen is a phenomenal underrated actor who has yet had...
This fetish has been manifested in the movies I view, the television shows I watch, and the books I read. When my obsession with reading is crossed with my obsession with monsters, the result is a bookshelf containing more vampire novels than most people would consider healthy. I have discovered that every vampire novel varies vastly; no two books are ever alike. For example, the Twilight Series, the Anita Blake Series and the Vampire Chronicles Series have different legends and lore, different relationships between vampires and society, and different genres, theme, and purpose; this array of novels displays most clearly the range of audience the vampire genre can cater. The Twilight series is a bestselling series written by Stephanie Meyer that has captivated millions of teenage girls.
The book is laced with emotionally and erotically boosted encounters. A person who would enjoy reading about vampires, the urge to keep reading comes within the first few chapters; in this story early as chapter three. The novel is a new vampire paradigm that casts a steady eye on racism, sexism, poverty, and ignorance. Relationships in this story, as loving and loyal as they are yet, are very different. There is no moral questioning at all, but this total acceptance of paedophilia is not only seen in those having sex with children, also by every single other character. Even though being black brought Shori some str...
David Fincher directs in a stirring style, and seems to truly commit his performances from a cast of highly talented actors. Especially with award winning actors, Brad Pitt and Edward Norton convey surplus poise to the film. If the movie has any single definite virtue, it is confidence; the writing and the story do not fade at all, even if they present strikingly and unlikely experiences. The story follows a beautifully structured pace as well, which enhances the power of their performances. Most importantly, the confidence remains in place when reality is shattered and the existential factor of Tyle...
The transition in women’s roles in horror stories and the genre itself is a long and overdue process. Today society regards men and women more equal than ever before. The transition from Perrault to Flagg demonstrates that horror has evolved from a genre that portrays women as weak, and dutifully obedient to giving them positions of authority over men, who will cater to their commands, without supernatural powers.