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Hamlet character development
Changing in character in Hamlet Essay
Changing in character in Hamlet Essay
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Duality of The Human Condition
The complexity of the mind has yet to be uncoded. This is a story of two characters that both lose a parent unexpectedly and somewhat violently at the hands of a close person. Their reactions are vaguely similar in their emotional intensity. However, one turns into a paranoid vigilante, and the other becomes a despaired suicide victim. The connection between Ophelia and Hamlet seem to be a reversed reaction. As Hamlet’s insanity is somehow resolved by overcoming his cowardice to deal with his father’s death, Ophelia’s grip on reality becomes more fragile as she comes under attack from her love and the unfortunate murder of her father. In this essay, we will explore the influence of the people in this story
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She then obliges her father’s and King Claudius’ plan to read a book as they conspired against Hamlet. Whether it’s a sweet disposition or a result of a motherless upbringing, it’s hard to decide if Ophelia’s fate was predetermined or is just a product of a series of unlucky events.
While Hamlet’s achelis was his inability to adapt to the new realities he had come back too, Ophelia’s weakness was adapting to the will of everyone around her. This consequently lead her to lose herself in the end. The clear pattern of her willingness to please those around her at the cost of her own peace of mind is obvious from the beginning of the book as we are introduced to her.Her scene with Laertes sets the pace of her relationships as he attempts to dispense some advice in the form of a long winded cautionary tale against love and consequent betrayal. Her ‘concerned’ brother barrages her in Act 1 scene 3 against the treachery of men and the importance of virtues.
...Perhaps he loves you now,
And now no soil nor cautel doth
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This is followed by Polonius, in the same scene chastising her not to ‘speak like a green girl’ highlighting her inexperience and dispensing his own advice too.
As Hamlet becomes more and more disillusioned with love and the opposite sex, Ophelia retained her optimistic somewhat naivety. This is clearly shown in Act 3, scene 1 when she and Hamlet exchange words and how they remember accounts differently. She doesn 't seem to lose hope in him in spite of denying his love and telling her to join a nunnery. She instead answers with a prayer ‘O heavenly powers, restore him!’ thinking that he has truly gone mad and finding a legitimate excuse for him.
Furthermore, she is once again deceived by Hamlet’s disposition in Act 3, Scene 2 as they sit to watch the play he produced. She mistakenly assumes his change in disposition and sitting at her feet as him being ’merry’ and asks him about that. Her oblivion, whether an act or a sign of her true self might be debated. Her father’s mention of his thespian past in playing Julius Caesar that is later killed unexpectedly by Brutus foreshadows his death making the following acts harder for the reader not to sympathize with
There are many topics deeply hidden in the works of William Shakespeare. One of his greatest pieces of works is the story of Hamlet, Prince of Denmark. Not only are the words of Shakespeare meaningful, but there are also many follow up pieces of literature that contain important interpretations of the events in this play. These works about Hamlet are extremely beneficial to the reader. I have found four of these works and will use them as sources throughout this essay. The first source is “The Case of Hamlet’s Conscience,” by Catherine Belsey, and it focuses on the topic of Hamlet’s revenge in the play. The second source is “’Never Doubt I Love’: Misreading Hamlet,” by Imtiaz Habib, and it explains a lot of information about Hamlet’s “love” for Ophelia. The third source is “Shakespeare’s Hamlet, III.i.56—88,” by Horst Breuer, and it talks in depth about the issue of suicide in Hamlet. The fourth and final source is “Shakespeare’s Hamlet 1.2.35-38,” by Kathryn Walls, and it describes the significance of the role the Ghost plays throughout Hamlet. There are many different confusing parts in Hamlet and the best way to fully understand the play is to understand all of these parts. By understanding every miniscule detail in the play, it creates a different outlook on the play for the reader. In this essay, I will explain these confusing topics, as well as explain why the sources are helpful and what insight they can bring. At the end is this essay, the reader will have a complete understanding and appreciation of the play Hamlet, Prince of Denmark.
Although the play Hamlet is largely centered around the “tragic hero” Hamlet, it is the minor foil characters that gives us a deeper understanding of the text and a more conscious understanding of the internal struggles experienced by Hamlet. Each of these characters contrasts a specific aspect of Hamlet that would otherwise be overlooked. Horatio consolidates all of the desirable features that Hamlet wants to be into one person. Fortinbras, although in the exact same situation as Hamlet with his father dead and his uncle on the throne, is the complete opposite of Hamlet by choosing action over inaction. Finally, Ophelia personifies Hamlet’s innocence and the death of his innocence after the death of his father. Despite being opposites of each other, each of these characters bring a new outlook on the tragedy of Hamlet.
Living in an environment of deception and hostility, the reader can easily identify with Hamlet's anger. Most all compassionate audiences will be sympathetic to his plight. However, the origins of Hamlet's vehement actions toward his once beloved Ophelia can be debated from several different points of view. Whatever his reasoning may be, it is probably correct to assume that he regrets deeply every harsh world spoken toward Ophelia. He only realizes again what a beautiful and kind person she was- after her death.
As the play opened, Hamlet and Ophelia appeared as lovers experiencing a time of turbulence. Hamlet had just returned home from his schooling in Saxony to find that his mother had quickly remarried her dead husband's brother, and this gravely upset him. Hamlet was sincerely devoted to the idea of bloodline loyalty and sought revenge upon learning that Claudius had killed his father. Ophelia, though it seems her relationship with Hamlet is in either the developmental stage or the finalizing stage, became the prime choice as a lure for Hamlet. Laertes inadvertently opened Ophelia up to this role when he spoke with Ophelia about Hamlet before leaving for France. He allowed Polonius to find out about Hamlet's courtship of Ophelia, which led to Polonius' misguided attempts at taking care of Ophelia and obeying the king's command to find the root of Hamlet's problems. Ophelia, placed in the middle against her wishes, obeyed her father and brother's commands with little disagreement. The only time she argued was when Laertes advised her against making decisions incompatible with the expectations of Elizabethan women. Ophelia tells him, in her boldest lines of the play:
It is widely believed that “Living life without honor is a tragedy bigger than death itself” and this holds true for Hamlet’s Ophelia. Ophelia’s death symbolizes a life spent passively tolerating Hamlet’s manipulations and the restrictions imposed by those around her, while struggling to maintain the last shred of her dignity. Ophelia’s apathetic reaction to her drowning suggests that she never had control of her own life, as she was expected to comply with the expectations of others. Allowing the water to consume her without a fight alludes to Hamlet’s treatment of Ophelia as merely a device in his personal agenda. Her apparent suicide denotes a desire to take control of her life for once. Ophelia’s death is, arguably, an honorable one, characterized by her willingness to let go of her submissive, earth-bound self and leave the world no longer a victim.
It is impossible to get around Hamlet's murder of Polonius being a trigger for Ophelia's decent into madness. However, upon closer examination it is not this trigger alone that is the cause for her madness and it is surely not only this that leads to her eventual suicide. Ophelia is expected to be a perfect lady, which in part meant following the orders of the men in her life. In addition to that pressure and cruelty is the added cruelty of how often those men change their minds about her and what she should do. Adding to that the repeated abandonment and the murder of her father by her lover, it is no wonder she went into a madness that ended in her death.
In conclusion, Shakespeare shows throughout the play Hamlet, that when people try to cope with a lack of control created by the loss of an authoritative parent, they harm, and eventually destroy themselves. Through the lives of character’s Ophelia, Hamlet and Laertes, this truth is revealed, as they respectively lose their mind, damage those around them, and their plans retaliate against themselves because they did not cope in healthy ways. When undergoing times of trial and testing, positive ways to cope involve doing so with close friends, accepting the facts, and moving on with life at a pace that is neither to concentrated in the past, nor the future.
Hamlet's relationship and actions towards Ophelia are not exempt from his dual personalities. In private, he is deeply devoted to her; but in public, he humiliates and belittles her...
This can be proven by the change in Ophelia’s actions and behavior. Ophelia starts to sing strange songs in front of Gertrude about her father’s death and Hamlet’s madness. Ophelia sings to Gertrude and sings, “He is dead and gone, lady, he is dead and gone, at his head a grass-green turf, at his heels a stone” (4.5.26-29).This tells us that Ophelia is a very soft and is a very weak character and can easily get heart broken. She cares about her family and the death of her father has shattered her into pieces, it may cause problems for her to
Two of Ophelia’s difficulties arise from her father and brother. They believe that Hamlet is using her to take her virginity and throw it away because Ophelia will never be his wife. Her heart believes that Hamlet loves her although he promises he never has (“Hamlet” 1). Hamlet: “Ay, truly, for the power of beauty will sooner transform honesty from what it is to a bawd than the force of honesty can translate beauty into his likeness. This was sometime a paradox, but not the time gives it proof. I did love you once.” Ophelia: “Indeed, my lord, you made me believe so.” Hamlet: “You should not have believed me, for virtue cannot so inoculate our old stock ...
Shakespeare’s play Hamlet is a complex and ambiguous public exploration of key human experiences surrounding the aspects of revenge, betrayal and corruption. The Elizabethan play is focused centrally on the ghost’s reoccurring appearance as a symbol of death and disruption to the chain of being in the state of Denmark. The imagery of death and uncertainty has a direct impact on Hamlet’s state of mind as he struggles to search for the truth on his quest for revenge as he switches between his two incompatible values of his Christian codes of honour and humanist beliefs which come into direct conflict. The deterioration of the diseased state is aligned with his detached relationship with all women as a result of Gertrude’s betrayal to King Hamlet which makes Hamlet question his very existence and the need to restore the natural order of kings. Hamlet has endured the test of time as it still identifies with a modern audience through the dramatized issues concerning every human’s critical self and is a representation of their own experience of the bewildering human condition, as Hamlet struggles to pursuit justice as a result of an unwise desire for revenge.
In Hamlet, Ophelia is unaware of the evil is spreading around her. She is an obedient woman, and is naive in that she takes what people say at face value, which makes her an innocent lady. "You should not have believed me, for virtue/ cannot so inculate our old stock but we shall relish of/ it. I loved you not." (III.ii. 117-119). Hamlet says these lines as a mask of his madness, but Ophelia does not understand his true motives and takes Hamlet's words very seriously to heart. The words that Hamlet says to Ophelia both confuse and hurt her greatly. Hamlet's lines are what eventually lead Ophelia to insanity, and Ophelia's insanity is what causes her death by drowning.
Ophelia’s betrayal ends up putting Hamlet over the edge, motivating him in his quest for revenge. Ophelia is one of the two women in the play. As the daughter of Polonius, she only speaks in the company of several men, or directly to her brother or father. Since we never see her interactions with women, she suppresses her own thoughts in order to please her superiors. Yet, however weak and dependent her character is on the surface, Ophelia is a cornerstone to the play’s progression.
Ophelia loves Hamlet; her emotions drive her to perform her actions. Some would say that Ophelia’s emotions could have actually been what ended her young
Hamlet is one of the most often-performed and studied plays in the English language. The story might have been merely a melodramatic play about murder and revenge, butWilliam Shakespeare imbued his drama with a sensitivity and reflectivity that still fascinates audiences four hundred years after it was first performed. Hamlet is no ordinary young man, raging at the death of his father and the hasty marriage of his mother and his uncle. Hamlet is cursed with an introspective nature; he cannot decide whether to turn his anger outward or in on himself. The audience sees a young man who would be happiest back at his university, contemplating remote philosophical matters of life and death. Instead, Hamlet is forced to engage death on a visceral level, as an unwelcome and unfathomable figure in his life. He cannot ignore thoughts of death, nor can he grieve and get on with his life, as most people do. He is a melancholy man, and he can see only darkness in his future—if, indeed, he is to have a future at all. Throughout the play, and particularly in his two most famous soliloquies, Hamlet struggles with the competing compulsions to avenge his father’s death or to embrace his own. Hamlet is a man caught in a moral dilemma, and his inability to reach a resolution condemns himself and nearly everyone close to him.