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Characterise shakespeare plays short topic
Shakespeare linguistic techniques
Shakespeare's plot and characterization
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The noise had been intolerable. I had snapped. I was weak. I had done all the careful, oh so careful, strategic planning, just for the old man's cursed heart to dash my plans. I had thought about the rest of my life being spent rotting in a cell. I had arrived at the jail and was escorted to a cell. The cell was small and dank. The room had a strong smell of rotting wood mixed with a strange musty odor. There were two uncomfortable looking beds, one of the beds had a burly man with a large black beard and a bald head sleeping on it. The toilet in the corner had been repulsive. It hadn't been flushed, and it had smelled putrid. I glared my new home with disdain. “It was all the old man's fault,” I had thought. With his wretched eye and abhorrent …show more content…
The following weeks had been a blur. Sleep, wake up, eat a repugnant meal, followed by more sleep. When one day I had thought that I could no longer live like this. The odor, the meals, the uncomfortable beds. So I began to devise a scheme. My plan was to wait for lunch, and while the guards weren't looking, sneak into the kitchen and search for an exit from there. The plan had been rather crude, but I was confident. I had been halfway through my meal when I spotted an opening. There was a door on the opposite side of the room, unguarded, with a garbage bin near it. The door was propped open slightly. I had tried to contain my excitement as I strolled over to the door. After my “food” was thrown away, I swiftly slipped in the door, and closed It behind me. But, to my dismay, when I had surveyed the room, I had walked back into the cell area. Anger swelled inside of me, once again, I had been a fool. The noise returned, the watch enveloped in cotton. It was too much. Why does this happen to me? “Calm down,” I had thought to myself. I could not let this heinous noise get the best of me. When I returned to my cell, I pondered the noise. Why did it have to show up at the most inopportune moments? When I realized the noise became louder and more prominent as I became angrier. Was it possible the noise I had been hearing wasn’t the old man’s heart? Could I have been hearing … my
Unsurprisingly, the narrator finds comfort in trying to understand his environment and fate. He measures the room carefully because he wants to make sense out of his situation in order to ease his mind. His captivity is unpredictable and he never knows what is going and is totally unaware of his surroundings. However, he knows sooner or later that he is going to die. Upon receiving his death sentence, the narrator loses consciousness. When he awakes, he is in complete darkness. He is confused ...
interviewed, the narrator claims he can "hear" the old man's heart, even though it's not
The narrator's sense of imagination through hearing had led to senseless fear, which had then led to his mind going into a protective state for both himself and his lrene. This same idea is also presented in a terrifing moment I have lived through once in my life.
11:14 p.m.-I slowly ascend from my small wooden chair, and throw another blank sheet of paper on the already covered desk as I make my way to the door. Almost instantaneously I feel wiped of all energy and for a brief second that small bed, which I often complain of, looks homey and very welcoming. I shrug off the tiredness and sluggishly drag my feet behind me those few brief steps. Eyes blurry from weariness, I focus on a now bare area of my door which had previously been covered by a picture of something that was once funny or memorable, but now I can't seem to remember what it was. Either way, it's gone now and with pathetic intentions of finishing my homework I go to close the door. I take a peek down the hall just to assure myself one final time that there is nothing I would rather be doing and when there is nothing worth investigating, aside from a few laughs a couple rooms down, I continue to shut the door.
The door to the attic creaked open in front of me. In the secluded obscurity of the attic I felt something rustle. As I walked deeper into the on-going darkness a malodorous smell invaded my nostrils. After minutes of utter silence-something began to awake. Suddenly everything had become more sinister and colder. As I glanced down I saw the moth-eaten rugs along with spiders crawling all over the floor. This place had perceptibly not been maintained as it had: dust powdering every single surface, cobwebs along with towering piles of newspapers. In the distance I saw a motionless hand-but then it moved.
I awake to lukewarm water dripping down my forehead from a damp towel. I feel a thick liquid against my back. I scan the area, Unfamiliar. I find myself lying in a cot in a filthy room. The sight room itself was depressing, not that it was in extremely bad conditions but it was all…brown, the kind of brown that makes you feel depressed. It reeked of fish and motor oil, one of the queerest combinations of scents I have encountered. My ears start to pick up the deep monotones of a man speaking in other room. In my drowsy state I couldn’t make out exactly what he said but I did manage to g...
You’re sitting in a back ally of an amateur theatre in Paris, fog settling on the cobblestones creating a sea of dappled grey. The year is 1870 and you had just been turned away from a backstage position at a small theatre in the western quarter in Paris, sadly your dreams had been crushed with a mere, “sorry (Y/N) you’re not what we’re looking for.” Crushed and dejected you took a moment outside to fall apart, you had only just moved to Paris from the country side and you needed a job. You had very little money to your name and you had rent as well as expenses to pay neither of which you could afford. “Come on (Y/N) pull yourself together,” you whisper to yourself, standing as you do so, your knees cracking in protest the cold seeping into
I sprung up off the sofa and sprinted towards my door. I bent down and ripped the duct tape off, opening the seal and screaming to myself on the inside. I’d finally caught that little S.O.B. Throwin’ open the door, I checked the traps, all just where I’d left ‘em, except for one of the little mouse guillotines. Except there was no rat. Still hazy from my nap, I thought I was dreamin’.
The very next day I was told by Ray to leak Answer the Phone from my fan account but just before I uploaded it Hannah walks in quietly with her Guitar. " Sam?" she says in her soft, sweet voice walking over to me slowly. I close my laptop and pull the flash-drive out, "Yes Hannah? " she sits next to me, "Wrote a song and I want you to see what I can work on.
I can still remember the first time I met you, that handsome smile and beautiful eyes I just wanted to fall deep into. There was something about you that was so mesmerizing, deep, and wild. You were like a puzzle that I wanted to figure out. Little did I know that I was going to be lucky enough to call you mine someday. Since the day you entered my life it has never been the same and neither have I.
The black water outside made the hall lights a little softer and the shadows along the floor made my journey to the janitor’s closet even stranger. It was like I was in a dream. This whole thing was a dream. The kind where you are running and running to no particular place but the hall just kept going and going on forever. Except, this time my run/walk was real and the turn to the next hall did approach. Please, please, just let him be there. I opened the door slowly and slid through before anyone
All of a sudden the spine chilling metal door burst open followed with a bulging confused guard racing in closing the door behind and just stood there inattentively. The guard wore a untidy mismatched shirt and a messy pair of pants with untied brown leather shoes. The obese guard look more confused than happy to look after the imprisoned men. Looking at him felt like looking at a joke because of his unprofessional and unkempt look. As soon as I looked away the door lingered with a quick bang completely melting the childlike guard.
I got up from the moth-eaten covers of my make-shift bed and my body shivered violently. Sitting near the left corner overlooking the window, I used the wall as support for my sore back and gazed out of the window, my fingers fidgeting with the cuffs of my ragged brown shirt. The moonlight illuminated the bars on the window and my eyes stayed vaguely on them for some time. However, a figure peering into my cell from the window broke my dazed state like the crackle of thunder. “Long time, no see.
When discussing the poetic form of dramatic monologue it is rare that it is not associated with and its usage attributed to the poet Robert Browning. Robert Browning has been considered the master of the dramatic monologue. Although some critics are skeptical of his invention of the form, for dramatic monologue is evidenced in poetry preceding Browning, it is believed that his extensive and varied use of the dramatic monologue has significantly contributed to the form and has had an enormous impact on modern poetry. "The dramatic monologues of Robert Browning represent the most significant use of the form in postromantic poetry" (Preminger and Brogan 799). The dramatic monologue as we understand it today "is a lyric poem in which the speaker addresses a silent listener, revealing himself in the context of a dramatic situation" (Murfin 97). "The character is speaking to an identifiable but silent listener at a dramatic moment in the speaker's life. The circumstances surrounding the conversation, one side which we "hear" as the dramatic monologue, are made by clear implication, and an insight into the character of the speaker may result" (Holman and Harmon 152).