Dramatic Devices Used to Keep Abigail Williams at the Center of the Action

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Crucible: what Dramatic Devices does Miller use to Keep Abigail Williams at the Centre of the Action?

Abigail Williams is constantly at the heart of the action in the play through

either her direct actions or speech. Miller concentrates on Abigail as

a consequence of her being one of the real historical figures. It is

obvious that Miller has tried to get his play as historically correct

as possible and therefore had lots of facts available for him to weave

into the play about Abigail. Although he did change certain points

such as Abigail's age because it would not have been morally correct

in a play to have a child and a man in a relationship. It is also to

give a greater impression of love, lust and want from Abigail, which a

child could not express as meaningfully.

I also think that she is concentrated on so much because she is so

volatile throughout the story and therefore offers so many dramatic

possibilities. Abigail was innocent and shocked with the judges making

her story extremely believable. She would be fierce and extremely

manipulative with her 'friends', and yet coy, persuasive and kind with

John Proctor. Through these endless possibilities, Miller guarantees

that Abigail is at the centre of the play's action

I think that Miller was writing a play based around fact, but still

holding a warning that the dangers superstition and 'witch-hunting'

can cause to a modern audience. Miller is very good at using powerful

speech to keep Abigail as a strong character within the play's

hysteria.

I feel that Miller's main intention of the play was to write a piece

of drama that contained the rich language and thought of seventeenth

century America with all of its superstitions and anxieties, while

still having an interesting and powerful story in modern times.

The most important way in which Miller keeps Abigail at the centre of

the plays action is that she is involved in nearly all of the dramatic

movements within the play. The crucial events of the play happen as a

consequence of her own actions to achieve her personal goals.

In Act One Abigail is at the centre of attention. She is focused on

with her interview with her Uncle Parris. This interrogation focuses

on the girls dancing in the woods. Through Parris' selfishness and

disbelief in his own niece, Abigail appears convincingly innocent.

Miller raises the tension by continuing accusations from Parris of

which Abigail seems hurt and angry at his foolish questioning.

"There be no blush about my name."

(pg 20)

This quote from Abigail follows Parris' querying as to whether or not

her name is white in the town.

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