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Dracula and its supernatural element
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Count Dracula versus Frankenstein’s monster; the two beasts seem very different, yet also show similarities. Although Dracula is a thousands of years old vampire and Victor’s creation was merely born when he awoke, both monsters are the main part of their perspective story. The roles of these monsters are vital to their tales because without them, their separate protagonists would have nothing to fight; the two sagas would be nothing more than journal entries about boring everyday living.
Mary Shelley’s Frankenstein and Bram Stoker’s Dracula are stories of coldhearted beings instigating devastation and anguish for the lead characters until the time of the monsters’ downfall. Each story encompasses a male protagonist, a cruel villain and a secondary character who just so happens to be female. The central characters of Frankenstein and Dracula alike differ in the way that they fought their beasts. Victor followed his haunter around until his own dying days, while Harker and his gang of acquaintances trick the vampire and ultimately cleanse his castle and use knives to ultimately kill the animal.
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A centuries-old vampire by the name of Count Dracula is a Transylvanian nobleman whom lives in a decaying castle in the Carpathian Mountains.
His aristocratic charm cannot cover up the evil soul that lies below his pale white skin. Dracula has these unhuman like abilities about him; he can assume the form of different animal and mist, control the weather, sort of read minds, and is stronger than twenty men all together. Bram Stoker portrayed the Count as a true villain, Dracula obtains no pity from readers for his visibly selfish objectives. His powers are restricted; however, he is unable to enter his prey’s home unless they invite him in, he cannot cross water unless carried in his home soil, and is basically rendered powerless by
daylight. Victor Frankenstein’s Monster is an eight-foot tall, hideous beast. Although assembled from dead body parts, the creation is awoken as if a babe. The monster is supposedly exceedingly intelligent and sensitive; he attempts to integrate into society and its norms, but fails because people could not look past his appearance and learn what was on the inside. Because of people never giving the beast a chance to explain himself and his appearance, he developed abandonment issues and soon begins to seek ravages on his creator. With this, he demands love and urges Victor to assemble him a mate. Readers can sympathize with the monster because he seems to be a misunderstood creature who just wants an acquaintance. His desires turn him into a monstrous villain who destroys everything Victor loves. The classic novels are parallel because each plot orbits the horror of the villains’ actions. Frankenstein’s monster and Count Dracula had two very different motives for their destructive behaviors. The monster craves love and affection; I feel that Shelley was just trying to write a ghost story that would beat her friends, but it is a possibility that she was trying to show how ugly a being could be. I do not think she tried to show societies level of acceptance because she was part of the aristocracy and would likely not have excepted the monster or anything of his nature. Stoker’s villain seems to be a bit more believable, Dracula seems to just be a normal, slightly creepy old guy. His beast may have been chosen due to the stories of vampire’s people told when they dug up dead bodies. I believe both stories chose their characters very differently, both authors seem to have different backgrounds that would lead them to write about their creations.
Frankenstein, by Mary Shelley, a very gory story, can also be seen a romantic piece within having characteristics, such as celebration of the individual, importance of imagination, strong emotions, and an awe of nature. Within the piece there is many references to how one comments on the accomplishments and achievements of another or themselves, also known as the celebration of an individual. An example of how Frankenstein uses the celebrations of individual is when Frankenstein, himself, talks about his achievements of how fast his experiments turned out. He talks about his success, by staying, “ As I applied so closely, it may be easily conceived that my progress was rapid ” (chapter four). By saying, “applied” it shows that he is saying
Life is a cruel. It, will attempt to take one down; it will humble one; it will attempt to break many down. In moments one may not know what to do, instead he/she must a find a way to use what they have around them as an advantage to defeat the problems that stands their way. Throughout dark fiction, authors utilise different elements as a tool to defeating the antagonist. the story Dracula uses completely different approaches in taking down the mighty Dracula. In the novel Dracula, Bram Stoker effectively employs the different elements that are used to defeat Dracula. Stoker effectively demonstrates the elements that are used to destroy Dracula through act of Religion, the aspect of Science and the setting.
In the stories Frankenstein by Mary Shelley, and A Midsummer Night’s Dream by William Shakespeare, there are characters that have similarities, and also share some differences. In the book Frankenstein, the character I chose is the monster, and the character I chose from the book A Midsummer Night’s Dream is Oberon. I chose these individuals because they are both out for revenge, they both are cruel, but they also differ. Their differences are that Oberon has a wife, but the monster does not. The monster was created by Victor Frankenstein, but Oberon was born.
If one wants to be powerful, the only way is through the right path because with deceiving and tricking it only leads to problems, which is what happens to the count. Stoker life showed signs that he believed in this since he followed in his father’s footsteps and was very close to family, which was one of his keys to success. What Dracula was lacking was the trust between him and the other vampires. If he followed good practices like Helsing he would be all powerful, but then again ‘good’ Dracula, is an oxymoron. Stoker lived in a changing time period where there was a mix of different feelings and ideas coming about.
Comparing the 1931 version of Dracula, starring Bela Lugosi, with Frances Ford Coppola's Bram Stoker's Dracula 1993 version yields some similarities. Both films are of the same genre: Horror. Both films are set around the same time period. Also, both deal with a vampire coming to England and causing disruptions in people's lives. Beyond these few similarities are numerous contrasts.
The late nineteenth century Irish novelist, Bram Stoker is most famous for creating Dracula, one of the most popular and well-known vampire stories ever written. Dracula is a gothic, “horror novel about a vampire named Count Dracula who is looking to move from his native country of Transylvania to England” (Shmoop Editorial Team). Unbeknownst of Dracula’s plans, Jonathan Harker, a young English lawyer, traveled to Castle Dracula to help the count with his plans and talk to him about all his options. At first Jonathan was surprised by the Count’s knowledge, politeness, and overall hospitality. However, the longer Jonathan remained in the castle the more uneasy and suspicious he became as he began to realize just how strange and different Dracula was. As the story unfolded, Jonathan realized he is not just a guest, but a prisoner as well. The horror in the novel not only focuses on the “vampiric nature” (Soyokaze), but also on the fear and threat of female sexual expression and aggression in such a conservative Victorian society.
While Cullen chose the path of compassion and became a doctor (Meyers, 2005; pp. 339), the Count planned to invade the British empire (Stoker, 1897/2001; pp. 328). Healing or invading, both can get lonely with time. Cullen, as a physician had decided to turn a human into vampires only if he could save them from death. All the humans that Cullen changed, he called them as his family. They were part of his coven and moved with him wherever he went (Meyer, 2005). On the other hand, count Dracula took by force and against the will of his victims. He possessed the power to hypnotize and control his victims, as he controlled Mina when he forced her to drink his blood (Stoker, 1897/2001). He lives with three beautiful female vampires in his castle, but their relationship to the Count is not clarified in the book. In chapter 3, when they are scolded by the Count for attacking Harker, they taunt him that he does not love, Dracula responds that “Yes, I too can love; you yourselves can tell it from the past” (Stoker 1897/2001; pp. 39). Although they exist in the castle and are fed by the count as noted in Jonathan’s diary entry, Dracula has no apparent interest in them. Similarly, after he changes Lucy Westenra to a vampire he stops visiting her. He feels no need to connect or form relationships with the humans he changes. As immortals, both Cullen and Count Dracula are destined to
to Bram Stokers story as myself to a chimp. If it was named 'Parody Of
James Whale's Frankenstein is a VERY loose adaptation of Mary Shelley's 1818 novel. The spirit of the film is preserved in its most basic sense, but the vast majority of the story has been entirely left out, which is unfortunate. The monster, for example, who possesses tremendous intellect in the novel and who goes on an epic quest seeking acceptance into the world in which he was created, has been reduced to little more than a lumbering klutz whose communication is limited to unearthly shrieks and grunts. Boris Karloff was understandably branded with the performance after the film was released, because it was undeniably a spectacular performance, but the monster's character was severely diminished from the novel.
The evil that is present in Victor and the monster is another example of similarity between the characters. This evil in both characters is caused, although not directly with Victor, by society. The monster tries to be accepted by society. He shows kindness toward society and he tries to help people. However, he is immediately rejected by society because of his ugly physical appearance. The evil and the anger present in the monster comes when the monster presents himself as a friend to a family that he has secretly helped. Instead of accepting the monster as one of their own, the family immediately sees the ugly form of the monster and rejects him.
Free will is an inherited ability everyone obtains from birth. This ability allows humans or any living being the freedom to act on their own behalf without being influenced or forced by an external medium. However, this fragile, yet powerful capability is susceptible of being misused that may result in unsavory consequences to the one at fault. In Paradise Lost and Frankenstein, both texts feature powerful figures who bequeathed the characters in focus, the freedom to do whatever they desire in their lives. Satan and Adam and Eve from Paradise Lost, and the monster from Frankenstein are given their free will from their creators, all encounter unique scenarios and obstacles in their respective texts however, have distinctions in how they handle
From Transylvania to Hollywood, vampires have transformed from unfamiliar, mysterious personalities to one of the most dominant monsters in the horror genre today. Vampires are one of the oldest and most noted creatures in mythology, with many variations of them around the world. Although the most famous version is Bram Stoker’s Dracula, many variants have come before and after telling of the same legend with their own added ideas and modifications to relate to their cultures. Today, there is a multitude of literary and film works that convey and resurface peoples’ fear of vampires. As gothic works like Dracula, by Bram Stoker and Scooby-Doo! and the Legend of the Vampire directed by Scott Jeralds share certain traits reflective of the genre;
In Twilight, Edward Cullen presents the question; “ But what if I’m not the hero? What if I’m the bad guy?” The role of vampires is very controversial. Back in the day they were evil, soulless monsters and people genuinely feared them. However, in the present day it seems that we have grown to love them and even hope to one day be them. There are a plethora of vampire stories and many of them have become immense hits. With so many vampire stories, it is not uncommon that readers are able to identify a vast amount of similarities. Although similar in aspects, there are still many differences between the classic and modern day vampires. Two highly popular stories, in which we can easily identify similarities and differences, are Bram Stoker’s Dracula and Stephenie Meyer’s Twilight.
In the book, Dracula by Bram Stoker there are many characters that display qualities of good verse evil. The Count Dracula is a mysterious character who appears as an odd gentleman but the longer the story goes on Dracula shows his true self. Dracula started infiltrating the lives of anyone who crossed his path and he was not stopping his destruction of others’ lives. Many people were affect by Dracula’s actions but there were two people that Dracula caused an impact on during his rampage. Dracula is an evil, cunning, and selfish character who harms the life of a young man and ruins the future of an innocent woman.
Bram Stoker’s Dracula is analogous to the 1958 movie Horror of Dracula. Dracula, a novel from 1897, is a story of a group of friends who come together, to not only fight for themselves, but also to fight for each other, and the curse of the vampire. They fight for peace and clarity, in order to resume their daily lives. The Horror of Dracula, A 1958 film, is a story of two men coming together to save their family from the curse of the vampire. Between both the film and the novel: the overall context, characters, and myths remain similar, however small differences develop each story, leading to each ending. The movie, based off of Bram Stoker’s Dracula, has a storyline that remains focused on the novel. Between both the movie and the novel,