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The role of women in social change
Their eyes were watching god critical analysis
Their eyes were watching god critical analysis
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According to W.E.B. DuBois, “double consciousness” is the “sense of always looking at one’s self through the eyes of others, of measuring ones soul by a tape of a world that looks on in amused contempt and pity” (DuBois 5). In other words, it is the self that a person views themselves as, compared to the self that comes from the outside perspective, where the person viewing it rather believe in the outside view. This idea connects to gender stereotypes, how women cannot see themselves as equal in society because they are often portrayed as being voiceless, lonely, or dependent on men. Despite such stereotypical views that separate women from men, Audre Lorde “challenges her feminist community to deliver a collective voice ale to attend …show more content…
After dealing with “double-consciousness” of being seen as having no voice, Janie’s choice to speak up against Joe Stark’s stereotypical view on women leads to feminist empowerment, where she breaks his gender identity by emasculating him and wounding his pride, as she gains self-determination and, most importantly, the freedom of …show more content…
From this point, “double-consciousness” is obliterated when a man is unexpectedly voiced by a woman in front of society, resulting in his masculinity and pride being destroyed. This is evident in the story when Janie speaks up against Joe Starks when he continues to humiliate and degrade her in public. Janie breaks Joe Stark’s gender identity when she “took the middle of the floor to talk right into Jody’s face, and that was something that hadn’t been done before…‘Hmph! Talkin’ about me lookin’ old! When you pull down yo’ britches, you look lak de change uh life” (Hurston 78-79). Before Janie speaks up against Joe Starks, he is upset with her because she did not cut the tobacco correctly. When he ridicules her in front of the townspeople, she is fed up because anything she does is not perfect for him and he always downgrades her. For the first time, she lashes out at him. Brian Norman agrees when “Hurston turns to nature to compare Janie to the mule of the world in Their Eyes were watching God...In this way, Walker is able to address—ad protest—suffering, injustice, and division while at the same time lay the groundwork for an earthbound collective vision that can analyze and refuse sociological, historical, and political divisions” (Norman 127). From this point, Joe Starks’s gender identity is destroyed because his pride and masculinity are broken by Janie’s voice
After a year of pampering, Logan becomes demanding and rude, he went as far to try to force Janie to do farm work. It was when this happened that Janie decided to take a stand and run away with Joe. At this time, Janie appears to have found a part of her voice and strong will. In a way, she gains a sense of independence and realizes she has the power to walk away from an unhealthy situation and does not have to be a slave to her own husband. After moving to Eatonville and marrying Joe, Janie discovers that people are not always who they seem to be.
Janie’s first relationship was with Logan Killicks. She married him only because she wanted to appease her grandmother. Logan did not truly love Janie, but saw her as an asset to increase his own power. Logan expressed this through several actions. He first tries to use her to "increase his profits" rather than treating her as a wife when he travels to Lake City to buy a second mule so Janie can use it to plow in the potato field because potatoes were "bringin' big prices”. When Janie later refused to work at his command, stating that it was not her place to do so, Logan told her, "You ain't got no particular place. It's wherever Ah need yuh". After Logan told her this, Janie decided she had to either escape or face becoming her husband's mule for life. Janie stood up to her husband. This is a feminist action because Janie is willing to leave a husband who makes her unhappy, which was rare act of independence and defiance for women living in the 1930’s. To free herself from her marriage with Logan Killicks, she only needed to invalidate the elements of his symbolic vision. She recognized that for Killicks marriage was primarily a financial arrangement, and his sixty acres acted both as a sign and guarantee of matrimonial un...
Sexual dominance of males in this novel was a prominent view held by most of the main characters. Women are supposed to follow the demands of men and this is especially true for Janie in her relationship with Jody. Jody set very strict regulations for Janie during the time of their
The beginning of Janie’s marriage to Joe shows promise and adventure, something that young Janie is quickly attracted to. She longs to get out of her loveless marriage to Logan Killicks and Joe’s big dreams captivate Janie. Once again she hopes to find the true love she’s always dreamed of. Joe and Janie’s life is first blissful. He gives her whatever she wants and after he becomes the mayor of a small African American town called Eatonville, they are the most respected couple in town. Joe uses his newfound power to control Janie. When she is asked to make a speech at a town event, she can’t even get out a word before Joe denies her the privilege. He starts making her work in the store he opens and punishes her for any mistakes she makes. He enjoys the power and respect her gets when o...
The first time Janie had noticed this was when he was appointed mayor by the town’s people and she was asked to give a few words on his behalf, but she did not answer, because before she could even accept or decline he had promptly cut her off, “ ‘Thank yuh fuh yo’ compliments, but mah wife don’t know nothin’ ’bout no speech-makin’/Janie made her face laugh after a short pause, but it wasn’t too easy/…the way Joe spoke out without giving her a chance to say anything on way or another that took the bloom off things” (43). This would happen many times during the course of their marriage. He told her that a woman of her class and caliber was not to hang around the low class citizens of Eatonville. In such cases when he would usher her off the front porch of the store when the men sat around talking and laughing, or when Matt Boner’s mule had died and he told her she could not attend its dragging-out, and when he demanded that she tie up her hair in head rags while working in the store, “This business of the head-rag irked her endlessly. But Jody was set on it. Her hair was NOT to show in the store” (55). He had cast Janie off from the rest of the community and put her on a pedestal, which made Janie feel as though she was trapped in an emotional prison. Over course of their marriage, he had silenced her so much that she found it better to not talk back when got this way. His voice continuously oppresses Janie and her voice. She retreats within herself, where still dreams of her bloom time, which had ended with Joe, “This moment lead Janie to ‘grows out of her identity, but out of her division into inside and outside. Knowing not mix them is knowing that articulate language requires the co-presence of two distinct poles, not their collapse into oneness’ ” (Clarke 608). The marriage carries on like this until; Joe lies sick and dying in his death bed.
In the beginning of the story, Janie is stifled and does not truly reveal her identity. When caught kissing Johnny Taylor, a local boy, her nanny marries her off to Logan Killicks. While with Killicks, the reader never learns who the real Janie is. Janie does not make any decisions for herself and displays no personality. Janie takes a brave leap by leaving Killicks for Jody Starks. Starks is a smooth talking power hungry man who never allows Janie express her real self. The Eatonville community views Janie as the typical woman who tends to her husband and their house. Janie does not want to be accepted into the society as the average wife. Before Jody dies, Janie is able to let her suppressed anger out.
Janie’s first attempt at love does not turn out quite like she hopes. Her grandmother forces her into marrying Logan Killicks. As the year passes, Janie grows unhappy and miserable. By pure fate, Janie meets Joe Starks and immediately lusts after him. With the knowledge of being wrong and expecting to be ridiculed, she leaves Logan and runs off with Joe to start a new marriage. This is the first time that Janie does what she wants in her search of happiness: “Even if Joe was not waiting for her, the change was bound to do her good…From now on until death she was going to have flower dust and springtime sprinkled over everything” (32). Janie’s new outlook on life, although somewhat shadowed by blind love, will keep her satisfied momentarily, but soon she will return to the loneliness she is running from.
People are constantly searching for their voices. A voice gives someone independence and the ability to make her own decision. The First Amendment ensures that all United States citizens possess the freedom of speech; however, not all people are given the ability or opportunity to exercise that right. When a person has no voice they rely on others to make their decisions. Throughout Zora Neale Hurston’s Their Eyes Are Watching God, Janie constantly struggles to find her voice. Her marriage to Logan Killicks, Joe Starks, and Tea Cake help her discover and utilize her voice in different ways. During Janie’s first marriage to Logan she has no voice, Joe silences Janie’s tiniest whisper and controls her similar to a slave; in contrast to Logan and Joe, Tea Cake encourages Janie to use her voice and make her own decisions. Janie cannot express her voice until she discovers happiness and independence through her final marriage.
Janie’s life with Joe fulfilled a need -- she had no financial worries and was more than set for life. She had a beautiful white home, a neat lawn and garden, a successful husband, and lots of cash. Everything was clean, almost too clean. A sense of restraint is present in this setting, and this relates to the work as a whole due to the fact that this is the epitome of unhappiness for Janie.
Hurston uses the power of language and different narrative techniques to show Janie's transition throughout the novel. It is important to notice that in Janie's journey from object to subject, the narration of the novel shifts from third person to a mixture of first and third person; thus, the shift shows the awareness of self within Janie. Language becomes an instrument of injury and salvation and of selfhood and empowerment. The use of powerful language is exemplified well in the text when Janie is asked to say a few words as the new Mrs. Mayor. Joe, her second husband, quickly cuts in and says, "Thank yuh fuh yo' compliments, but mah wife don't know nothin' 'bout no speech-makin'. Ah never married her for not...
Janie seemed to appreciate small gestures from Joe and admire his every move, was this because he saved her from Logan or because she really loved him? Maybe the two put together was enough for Janie to at least feel loved, as she knew how terrible it was to be with Logan. She has a hard time excepting Joe’s flamboyant and jealousy. Janie has to wear a head rag to cover her hair for all the town people admired it. Joe was demanding, Janie didn’t have to work any longer but she had to be obedient to Joe. She tried to speak her opinion many times, but was shot down. Joe felt that giving Janie money and status was everything, “I built a whole town for us. But that ain 't good enough for you” Janie knowing not better, just yet, had agreed with him. The transformation of Janie in this relationship comes as Joe strikes her for preparing his dinner incorrectly and as he lays on his death bed she finally voices her thoughts freely “even now, you got to die with me being obedient, instead of just letting me love you”, Janie is finally realizing that loving someone cannot change who they are, she never had to accept that just because he was a provider for them. Joe’s definition of love grew so different from Janie’s , Janie comes to a conclusion that she wants acceptance and love, not money and the title
When Janie first met her second husband, Joe, he was very caring and reassuring - an ideal husband. Joe was an ambitious young man with many goals set out for him. And like Janie, he was raised around a white background. Joe strived to be and have the best at everything. However, once Joe got Janie as his wife, he became a jealous and demanding man, just as Logan had been. Joe saw himself as a god, his sentences began with " I god..." ...
Joe is considered an average man with big dreams before arriving at the town. After taking control as mayor his whole demeanor changed. Using a banker as inspiration Joe becomes someone solely focused on image and being above the other people in the town. The life he claims as is own is nothing but a façade with Janie as an ornament. Joes view on what Janies role was going to be was clear from the beginning he believed that a “pretty baby-doll lak you is made to sit on de front porch” making it clear that Janie is a valuable thing not a person (Hurston 29). Joe’s continues the show he is giving the town until Janie tires of them and embarrasses him on the stage he has built in front of his entire audience. The destruction of the façade that has been created over the years causes him to self-destruct, literally. His image is everything to him and once it is ruined he has nothing to live for anymore. The people he believed were below him now laugh at and no longer take him seriously. His life solely depended on keeping him self above the other people in his community without that ability he no longer had anything to live for. As shown in Larsen’s novel living with this idea of classism sometimes goes hand in hand with a struggle with
According to W.E.B. DuBois, “double consciousness” is the “sense of always looking at one’s self through the eyes of others, of measuring ones soul by a tape of a world that looks on in amused contempt and pity” (DuBois 5). In other words, it is the self that a person views themselves as, compared to the self that comes from the outside perspective, where the person viewing it believes more in the outside view. This idea connects to gender stereotypes, how women cannot see themselves as equal in society because they are often portrayed as being voiceless, lonely, or dependent on men. Despite such stereotypical views that separate women from men, Audre Lorde “challenges her feminist community to deliver a collective voice ale to attend
... Janie is free-spirited and unconcerned about what others think of her. When she returns to Eatonville after Tea Cake’s death, she shows no shame for what she has done or where she has been, because she is finally able to live the life she always wanted to lead. Hurston’s own struggles in life for individuality and an outlet for her suppressed spirit clearly contribute to the development of Janie’s character. Just as Hurston struggled for recognition, equality, and purpose in the literary world during the Harlem Renaissance, Janie’s struggle for the recognition, equality, and purpose in her relationships.