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Aspects of oscar wilde in dorian gray
Aspects of oscar wilde in dorian gray
Oscar wilde the picture of dorian gray
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The three main characters of the novel The Picture of Dorian Gray have many characteristics of the author of this one, but the character that represents the author Oscar Wilde is the protagonist. Oscar Wilde was a very controversial author of the Victorian era , as critical to the British Society through time of his books and had legal problems for their sexual preferences. in his time homosexuality was frowned upon , the men could not have romantic relationships between them and that this was a crime and was punished with prison, was in jail for having homosexual relations with Lord Alfred Douglas. I think Dorian Gray is the character who represents more as this in the novel is very extravagant, always does what he wants despite what others …show more content…
It was, as the right through his works criticized the British society of the time not caring that could happen, also committed illegal acts as they were at that time homosexuality only to obtain pleasure and even knew this had serious consequences, therefore to the not he cares and he did it because for him and Dorian Gray was first pleasure. But also for Lord Henry the pleasure went first, we can see this in the next quote that Lord Henry describe the woman's as a sexual object that give him pleasure "My dear boy, no woman is a genius. Women are a decorative sex. They never have anything to say, but they say it charmingly. Women represent the triumph of matter over mind, just as men represent the triumph of mind over morals." (Wilde, chapter 4 ) but this character did not make homosexual acts that were illegal at that time as Dorian did, for this reason I think Dorian Gray is more like the author than Lord Henry. In the novel we can see that basil is the contrary of lord, he is a person that do not have the pleasure first in his live, the first thing in his live is his art and his feelings, but his feelings are towards Dorian, we
Within The Picture of Dorian Gray, Oscar Wilde depicts two characters that follow the philosophy of Walter Pater. These two characters are Dorian Gray and Henry Wotton. They both embody Pater’s ideal of placing as much enjoyment in one’s short life as possible. While Dorian learns of Pater’s philosophy from Henry, he soon exceeds his teacher and becomes invested within the philosophy of living life to the fullest. Dorian exceeds Henry in Pater’s philosophy through his active experimentation and desire for beauty, but Dorian fails to live up to all of Pater’s expectations due to his inability to separate morality for art.
“The Picture of Dorian Gray” is a novel written by Oscar Wilde. The story takes place in England, where the artist Basil Hallward paints a portrait of the young and beautiful Dorian Gray. During his stay at the artist’s studio, he gets introduced to Lord Henry who later becomes one of the most influential people in his life. Dorian Gray becomes aware of his amazing beauty and youthfulness due to the portrait and wishes that the portrait ages instead of him. His wish comes true, Dorian remains beautiful and youthful while the portrait changes. Lord Henry becomes his best friend and motivates him to live in abundance, to sin and always strive for beauty. After a while, Dorian discovers that his portrait doesn’t only age, but also changes face expression as a result of all his sins and evil deeds. Dorian gets anxious by the fact that the portrait shows his evil soul and is scared that somebody will see it, therefore he hides it. The portrait haunts Dorian although it’s hidden. As Dorian’s sins gets worse, he feels that he can’t handle the pressure anymore and decides to destroy the portrait that shows his true self.
Although Wilde halts short of stating that Basil and Lord Henry have sexual feelings for Dorian , the language he uses to describe their devotion for Dorian is unmistakably the language of deep, romantic intimacy. “Tell me more about Mr. Dorian Gray. How often do you see him?”. “Every day. I couldn’t be happy if I didn’t see him everyday. He is absolutely necessary to me”. This common motif of homoerotic bonds between men plays a large role in structuring the novel. Basils painting is born from his adoration of Dorians beauty , comparatively Lord Henry is overcome with desire to seduce Dorian. This sense of camaraderie between men fits into Wildes aesthetic values, for it returns him to his past where the philosophy of beauty was not only the basis of society but fundamental to culture. As a homosexual living in an intolerant society, Wilde asserted this philosophy in order to justify his own lifestyle.
The novel, The Picture of Dorian Gray, by Oscar Wilde shows the life of three men who are affected by art in the Victorian society. In Victorian times men were expected to provide for himself and his family, accumulate wealth, exemplify good morals and prove his masculinity. If a man did not show one of these qualities in the Victorian time his masculinity would be questioned. In the novel these men show three different sides to masculinity. Each character finds himself unhappy with the role he is forced to play in order to prove his masculinity. For them it seems in order to be successful or achieve happiness they must push past the gender roles society has placed on them. Basil Hallward represents the artist, Dorian
In the Victorian Era of mid nineteen to early twentieth century, a woman’s role in society remained to be in the household, away from the business and cares of men. The feminine side is portrayed as negative, powerless, and lacking (Kileen 49). Society discouraged women from having power in society and neglecting women represented normal in the eyes of most men and women. However, Victorian novels such as The Picture of Dorian Gray illustrate the consequences of disregarding women. In Oscar Wilde’s only novel, the lack of importance surrounding the female characters and their careless treatment from men results in the selfishness of the male characters exemplified through Dorian Gray’s acts of evil.
It is during this conversation with Dorian, that Lady Henry’s character is completely revealed. She admits to Dorian that she “always hear[s] Harry’s views from his friends.” (42) Not only does Lady Henry act as a naive wife, but also a submissive one. She tells Dorian how much she worships pianists, “sometimes two at a time, Harry tells me.” (42) Therefore, the woman has now admitted that she can not think for herself. It does not appear to disturb her, though, that she lacks knowledge of her husband’s views and does not have a mind of her own.
The Picture of Dorian Gray is a rich story which can be viewed through many literary and cultural lenses. Oscar Wilde himself purposefully filled his novel with a great many direct and indirect allusions to the literary culture of his times, so it seems appropriate to look back at his story - both the novel and the 1945 film version - in this way.
Wilde shows Lord Henry grasping onto Dorian and his moral beliefs, “There is no such thing as good influence Mr. Gray. All influence is immoral-immoral from the scientific point of view.” Dorian quickly transforms from an innocent young man, to a wicked deceitful man. Lord Henry knowingly influences Dorian, “People say sometimes that beauty is only superficial. That may be so, but at least it is not so superficial as thought is.” The craving for eternal beauty acts alongside with Lord Henry in the demise of Dorian. “As he thought of it, a sharp pang of pain st...
Basil Hallward, a painter, knows the corruptive influence that Lord Henry can impose upon his model, Dorian Gray. Basil does not want Lord Henry to even meet Dorian because he is afraid that Dorian will be influenced and ruined. Basil begs Henry by saying, "Don't spoil him. Don't try to influence him. Your influence would be bad. The world is wide, and has many marvelous people in it. Don't take away from me the one person who gives to my art whatever charm it possesses: my life as an artist depends on him" (Wilde 10). Right from the beginning Wilde begins to show what type of person Lord Henry is. Lord Henry's influences pose a threat to Dorian. Basil is well aware of this.
When Dorian Gray first meets Lord Henry at the studio of artist Basil Hallward, he is fascinated with Lord Henry’s wit and the radical social doctrines that he advocates. Dorian is easily molded and falls for the argument he hears. According to Lord Henry the goal of new hedonism, “to realize one’s nature perfectly…to give form to every feeling, expression to every thought, reality to every dream” (198-199). As far as philosophies go this seems rather innocuous until Lord Henry goes on to clarify that, “every impulse that we strive to strangle broods in the mind, and poisons us…the only way to get rid of a temptation is to yield to it. Resist it, and your soul grows sick with longing” (199). Lord Henry’s advice entices the malleable Dorian, who does not seem to realize that Lord Henry may advocate giving in to every impulse, even the destructive ones, but he does not follow this advice himself. As Basil Hallward informs Lord Henry, “you never say a moral thing, and you never do a wrong thing. Your cynicism is simply a pose” (188). Dorian, however, takes Lord Henry’s advice concerning new hedonism at face value and the results are disastrous.
In the novel The Picture of Dorian Gray written by Oscar Wilde readers are presented with a vast depiction of the art of immorality in the face of ignorant innocence portrayed by the character Dorian Gray. In the beginning it seems to be a quaint novel on artistry and the paradoxical relationship between two lifelong friends by the name of Basil Hallward and Lord Henry. The plot takes a surprising twist when introduced to the real center of attention, the character of the seemingly innocent Dorian Gray. Upon this introduction Wilde then begins to tell the tale of what a life of secrecy and deception will lead to without the consciousness of a moral threshold and the inescapable burden of Dorians horrid accumulation of sins. The deception begins with a simple shout out to the heavens for the impossible to be granted. This then flourishes into unspeakable acts caused by an Egyptian statue, bringing misfortune to Dorian Gray by giving him exactly what he so desperately desires, thus teaching the world a lesson. Not everything we so strongly desire the world to provide is good for the soul.
By being devalued by men, the woman within Oscar Wilde’s The Picture of Dorian Gray emphasize the societal norm and expectation being asked by them. Through the suicide of Sibyl, she manifested into the person which she was portrayed as being in the opinion of Lord Henry, as she killed herself due to the shame that formed out of loving Dorian. Within a society where woman have no independence, the expectation of them having to rely on their husbands is affirmed by the fact that their is no distinction between Lady Henry’s opinion and her husband’s. The role of woman begins to degrade as their only mentioned value which is their beauty begins to be dominated by the frequent mention of Dorian’s own beauty, and as a result limits their position within their respected societies. The female characters are weakened to the positions expected of them and so it is through this where we can see wild’s stance, as he demonstrates what woman were limited, so as a result Wilde suggests that woman were not only powerless, but disregarded as being individuals within the society of the novel.
In Oscar Wilde's novel, The Picture of Dorian Gray, beauty is depicted as the driving force in the lives of the three main characters, Dorian, Basil and Lord Henry. Dorian, the main character, believes in seizing the day. Basil, the artist, admires all that is beautiful in life. Lord Henry, accredited ones physical appearance to the ability of achieving accomplishments in life. Beauty ordains the fate of Dorian, Basil, and Lord Henry. The novel embodies the relationship of beauty and morality. Beauty is not based on how attractive an object is to everyone, but how attractive it is to one.
Everyone is merely a product of their surroundings and become what they have been raised to be. While some remain untempted by the vices of their peers, others completely absorb the negative influences in everyday life. Modern society values beauty over substance and The Picture of Dorian Gray serves to reveal that flaw. Oscar Wilde criticizes the superficial nature of people by satirizing the corruption of their views on morality. He says “The books that the world calls immoral are books that show the world its own shame” (Wilde 238). Dorian Gray, the main character, is representative of the direction that humanity as a whole is heading toward. He struggles with his religious identity while also trying to please society’s expectations
... Wilde split himself into three parts and gave them different personalities. Basil's and Lord Henry's fascination with Dorian represents Wilde's obsession with young men and his own unconscious fears. "Basil Hallward is what I think I am: Lord Henry what the world thinks me: Dorian what I would like to be -- in other ages, perhaps." He was quite aware of what he really is: faithful, softhearted and blinded by love (we can find him as another Basil in De Frofundis).