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Oscar wilde individualism on the picture of dorian gray
Critical essays on the picture of dorian gray
The picture of dorian gray literary analysis
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Before a person is born, influence in their life begins. The baby is influenced by whatever the mother does, eats, and how she cares for herself. After the baby is born, they’re innocent, and naïve. They’re dependent on adults to care for them, to nurture them and teach them about life. Little by little, this child is slowly losing its naivety, and become more conscious of its surroundings, and the way others behave around it. This child starts to have its own opinions; opinions forged by the influence of society. In The Picture of Dorian Gray, Oscar Wilde portrays Dorian Gray as being as innocent as a new born; with the morals of a perfect gentleman, and the soul of snow by emphasizing his beauteous and young nature. Then purposely, Oscar Wilde introduces corruption into the story in the form of Lord Henry Wotton, and the story unravels from there.
Lord Henry Wotton is an aristocrat who, in the beginning, is quickly branded as a cynical, witty man. The readers perceive Lord Henry Wotton as brilliant, when in reality; all this philosophies contradict each other, and this is noted in the book when he is called “Prince Paradox” (199). His words influence everyone who is unlucky enough to hear them; and he knows this. He “likes peoples better than principles” (11) and he understands the psychology of the human brain and has become a connoisseur in distinguishing the thoughts and words of people. Although Lord Henry isn’t necessarily an evil person, he is a depraved human being who “adores simple pleasures” (30) and classifies hedonism as more important than anything else. When Dorian asked if he was as bad an influence as Basil Hallward claimed, he replied slyly “there is no such thing as a good influence Mr. Gray. All influence...
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...ercise the action for this to be done. So, he decided that the picture represented his conscience and for that, he would “destroy it” (228). Upon stabbing the painting, he stabbed himself in the process because the painting represented his soul and by destroying it, he caused his own destruction. In the end, Dorian Gray wished for repentance, but got none. He realized, too late, that we can never erase damage done upon our soul. He thought by submerging himself in drugs, he would forget everything and therefore it did not exist. Lord Henry’s jealousy and his love of investigating humans caused him to target Dorian Gray. His meddling influenced Dorian’s morals, and his personality. Although Lord Henry was the reason for Dorian’s life going astray, justice wasn’t served to him. No, in the end, Dorian’s mask of youth is lifted, and reality reveals Dorian’s true form.
I think this because as I was reading the book I could see that Lord
Lord Henry becomes a monster through his interaction with Dorian Gray. The critic Liebman provides an interesting way to look at Lord Henry in The Picture of Dorian Gray: “Henry is, first, a scientist and an intellectual, whose most outstanding trait is his curiosity” (Liebman). Similar to Victor Frankenstein, Lord Henry wishes to know about the human soul and human nature. Liebman continues: “‘a complex personality,’ like Dorian's, gives him an opportunity to examine the human species in its natural habitat” (Liebman). When The Picture of Dorian Gray is viewed in this lens, it seems that Lord Henry’s intent is poison Dorian’s belief system to see how much a pure, innocent man can change. Basil warns Lord Henry about how vulnerable Dorian is: “Don't spoil him. Don't try to influence him. Your influence would be bad” (Wilde 23). Henry knows what he is doing, which makes him accountable for Dorian’s descent into derangement. When Henry plants seeds of immorality in Dorian’s mind, Dorian almost can’t help but become a monster. Lord Henry causes Dorian Gray to shift from “a simple and beautiful nature”(Wilde 23) to having “no heart” and “no pity” (Wilde 128). Lord Henry is at fault because he intentionally created a monster, and although he didn’t intend to hurt anyone, he started a cycle of violence that ended with several dead, including
“The Picture of Dorian Gray” is a novel written by Oscar Wilde. The story takes place in England, where the artist Basil Hallward paints a portrait of the young and beautiful Dorian Gray. During his stay at the artist’s studio, he gets introduced to Lord Henry who later becomes one of the most influential people in his life. Dorian Gray becomes aware of his amazing beauty and youthfulness due to the portrait and wishes that the portrait ages instead of him. His wish comes true, Dorian remains beautiful and youthful while the portrait changes. Lord Henry becomes his best friend and motivates him to live in abundance, to sin and always strive for beauty. After a while, Dorian discovers that his portrait doesn’t only age, but also changes face expression as a result of all his sins and evil deeds. Dorian gets anxious by the fact that the portrait shows his evil soul and is scared that somebody will see it, therefore he hides it. The portrait haunts Dorian although it’s hidden. As Dorian’s sins gets worse, he feels that he can’t handle the pressure anymore and decides to destroy the portrait that shows his true self.
Lord Henry easily influence Dorian because he is young and young people can copy everything what old people say and does. Dorian listened to Lord Henry that being gorgeous is better than to have manners. He showed this like when he just liked Sibyl because she can act but when Sibyl forget about her acting, he unliked her and just dumped her. When Sibyl killed herself, at first Dorian is kind of guilty but then Lord Henry told him that it is not his fault. That Sibyl is only a girl. Also, with the death of James and Basil, he felt really guilty. With James, he feels like because James was the brother of Sibyl so like James is threatening him. Basil also kind of influenced him because he also made Dorian realized or showed Dorian the world of beauty. And with Basil, Basil is the one who knows everything about him and the one who made his portrait that Dorian feels like it is not right because all he see on his portrait is his guilt and every bad thing he did. He blamed Basil for it. He also destroyed the painting because it is not working right and its just becoming worse and worse when his sins are increasing. When he destroyed the portrait, he used the knife that he also used when he killed Basil. At the end, when he destroyed the painting, he also killed himself. The book is
This dossier will illustrate how Greek and Roman mythology was a foundation that Oscar Wilde used in creating the protagonist Dorian Gray from the novel, ‘The Picture of Dorian Gray’. It tells of a beautiful young man who falls into the temptation of exchanging his soul for the preservation of youth. An important aspect of the novel is the encounter between Dorian and the actress Sibyl Vane. It is this relationship that can been seen to be influenced by the myths of Actaeon and Artemis, Narcissus and Echo, and Adonis and Venus.
The Picture of Dorian Gray is a rich story which can be viewed through many literary and cultural lenses. Oscar Wilde himself purposefully filled his novel with a great many direct and indirect allusions to the literary culture of his times, so it seems appropriate to look back at his story - both the novel and the 1945 film version - in this way.
In "The Picture of Dorian Gray" by Oscar Wilde, we see a beautiful young man who makes tremendous efforts to transform the actual world into the idealistic world of art, dreams and sensations. Dorian's quest, however, culminates in his ultimate tragic destruction. Given that Dorian lives a corrupt life, one is likely to focus on the negative aspects of his character. In spite of his significant character flaws, Dorian Gray may still be considered a hero. This essay will examine Dorian's degradation from the innocent world to the vicious, sensation-oriented world. The elements contributing to Dorian’s status of tragic hero will then be discussed.
He becomes an echo of someone else’s music, an actor of a part that has not been written for him. The aim of life is self-development. ”(Wilde 13). The words of an honored role model can easily persuade even the purest of hearts into the darkness of crime and evil, such as Dorian Gray. At this moment, Gray falls victim to the flourishing words of Lord Henry, who manipulates Gray from a timid and shining boy to nothing but a shallow man who commits capital crimes to conceal his secret.
Basil Hallward, a painter, knows the corruptive influence that Lord Henry can impose upon his model, Dorian Gray. Basil does not want Lord Henry to even meet Dorian because he is afraid that Dorian will be influenced and ruined. Basil begs Henry by saying, "Don't spoil him. Don't try to influence him. Your influence would be bad. The world is wide, and has many marvelous people in it. Don't take away from me the one person who gives to my art whatever charm it possesses: my life as an artist depends on him" (Wilde 10). Right from the beginning Wilde begins to show what type of person Lord Henry is. Lord Henry's influences pose a threat to Dorian. Basil is well aware of this.
In the novel The Picture of Dorian Gray written by Oscar Wilde readers are presented with a vast depiction of the art of immorality in the face of ignorant innocence portrayed by the character Dorian Gray. In the beginning it seems to be a quaint novel on artistry and the paradoxical relationship between two lifelong friends by the name of Basil Hallward and Lord Henry. The plot takes a surprising twist when introduced to the real center of attention, the character of the seemingly innocent Dorian Gray. Upon this introduction Wilde then begins to tell the tale of what a life of secrecy and deception will lead to without the consciousness of a moral threshold and the inescapable burden of Dorians horrid accumulation of sins. The deception begins with a simple shout out to the heavens for the impossible to be granted. This then flourishes into unspeakable acts caused by an Egyptian statue, bringing misfortune to Dorian Gray by giving him exactly what he so desperately desires, thus teaching the world a lesson. Not everything we so strongly desire the world to provide is good for the soul.
Dorian Gray's life is dictated by his physical appeal. His beauty lies within his youth. Dorian's perception of beauty allows him to love. He is convinced that his beauty allows him to accomplish anything he desires regardless of the consequences and still be loved by his friends. He uses his beauty to mitigate his evil actions. Dorian says, “I don't wish to know anything about them. I love scandals about other people, but scandals about myself don't interest me. They have not got the charm of novelty.” Youth and beauty are the most precious things to Dorian. In his life, beauty is of utmost importance. Then he sees the picture of himself, painted by Basil, absorb his sins and this changed his view. “I hope it is not about myself. I am tired of myself tonight. I should like to be somebody else,” Dorian said. He aspired to have had a good life rather than one filled with artificial meaning and beauty. The moral beauty of Doran lies within the portrait of himself. The portrait imitated his life. He finally realized that beauty cannot help him escape his evil actions. He deeply lamemted his wish that the portrait bore the burden of his age an...
The Picture of Dorian Gray is an excellent novel that talks about morality and many intrapersonal situations. The events and the exposition begins while Basil Hollward paints an amazing picture of Dorian Gray. Later in the story, at the climax of the novel, Dorian Gray, the main protagonist of the story, kills Basil due to Gray’s uncontrollable anger. This is the climax of the novel because it shows how corrupt Dorian Gray has truly become and how he has changed from being a beautiful, kind, lovely man to an angry monster that nobody recognizes anymore. The events that lead up to the climax are as followed, Dorian leaving Sibyl just because he thinks she is not attractive anymore because she can not act, Dorian following the book of the frenchman
Basil wants Dorian to go back to his old ways. It is at this point that the reader can see that Dorian is actually being affected by his conscience, something that has not been seen in him since the beginning of the book. It is at this point that Dorian begins to go back to how he was before and feels the need to reform. However, Dorian is unable to accept how drastically he himself has changed, and attempts to excuse it. This can be seen when Dorian cries, “Each of us has heaven and hell in him, Basil.” Dorian is showing despair, proving that he realizes that he understands that he has committed many sins and thrown away his life, but still wants to explain it away. Despite this, Dorian attempts to shock Basil by showing how drastically his painting has changed to reflect what Dorian has done. However, Basil instead prays for Dorian and shows him love, which Dorian cannot accept. Dorian kills Basil, but realizes that he has made a mistake. He starts trying to reform in order to get rid of the ugliness of the picture and return it to how it was
The Picture of Dorian Gray was a remarkably well-written book due to the reaction of its themes by society. In the preface of the novel, Wilde introduces the opinion that "...there is no moral or immoral book. Books are well written or badly written. That is all." Numerous views can be taken upon this fastidious comment. Many would agree that Wilde is justifiably correct because the preface was written with the intention that his readers understand the deeper meaning of the themes than worrying about whether it is considered morally acceptable; or perhaps, the view that it could be considered moral or immoral by the impact it has on the readers' lives. Even though there are several positions held on what The Picture of Dorian Gray's most important meaning is about, the most prominent is the novel as a moral book. Lord Henry Wotton immediately begins to corrupt Dorian's mind after they first meet by forcing his immoral thoughts of "yielding to temptation" which allows Lord Henry to hold his attention. After listening for quite a while to Lord Henry's views, Dorian begins to change his own to match them, and therefore begins to live a life of immorality. The yellow book is a device that Lord Henry uses to further corrupt and drive Dorian deeper into the pits of sin. Through Lord Henry's influence, the changes in Dorian Gray, and the impact of the yellow book, Oscar Wilde efficiently reveals The Picture of Dorian Gray as a moral book.
Lord Henry continues to bruise Dorian’s perfection on page 21 when he lectures Dorian about the key to a rewarding life through means of the senses. In response to these dangerous regarding influence, sensation, temptation, and beauty, Dorian commands Lord Henry to stop speaking as he absorbs the new light shed upon him: