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Sandra cisneros writing style
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Responsibility In Sandra Cisneros' short story, “Salvador Late or Early”, the main character, Salvador, is established as a responsible young boy through Cisneros use of metaphors. In the sentence, “Arturito has dropped the cigar box of crayons, has let go the hundred little fingers..”, Cisneros uses the metaphor to compare how Salvador is like an adult. This is due to the fact that crayons relate to kids, which is what Salvador still is, while the cigar box relates to an adult. Adults tend to have more responsibilities than children do, which may be Cisneros way of showing that Salvador looks like a child on the outside, but has the burden of an adult on the inside, because of the responsibilities he has when it comes to his brothers. Another
way that Cisneros percieves Salvador as a responsible young boy is when she says, “Salvador, late or early, sooner or later arrives with the string of younger brothers ready.” This brings up the idea that no matter what, Salvador will always be there to take care of his brothers. Usually children that are around Salvador’s assumed age would be learning how to take care of themselves; however, in Salvador’s case, he must learn how to take care of not only himself, but also his brothers. Through Cisneros use of metaphors, we can gather that Salvador is a responsible child everyday, due to the fact that he has to take care of his younger brothers.
Although there are people that have harder lives than him, Salvador has a harder life than most, due to where he lives and the lack of time he has to spend with others, he has no friends. Sandra Cisneros, the writer of “Salvador Late or Early,” is a single sister with five brothers. She keys up strong feelings in her short stories about loneliness and distance. I believe Salvador, “Is a boy who is no one’s friend,”. He helps his mother with just about everything “Helps his mama, who is busy with the business of the baby,” for he is the older child in his family “Shakes the sleeping brothers awake.” A father is never mentioned in the story and Salvador takes the role of the man of the family. He is always working for his family by helping
Old’s metaphor of “the pressure of Mother’s muscles on her brain,” (5) compares the literal pressure of the mother’s muscles during childbirth to the mental strain that a child can endure from their parent’s expectations for their children. This is an effective metaphor in that both meanings can cause some form of strain, either physical of mental, on the daughter. Also, in both cases, this pain is caused by the speaker’s mother and inflicted on the eldest daughter. The third similarity between the two is that both are in some way lessening the effect on the younger sister. In the case of childbirth, the first birth is usually more difficult than each successive birth. In the sense of the Mother’s expectations for her daughters, the eldest child often receives the brunt of the parent’s vicarious aspirations, thus making it easier for the younger children to please them. Because these linked meanings share these characteristics, Olds’ metaphor is effective.
Junot Diaz's short story “Fiesta, 1980” gives an insight into the everyday life of a lower class family, a family with a troubled young boy, Yunior and a strong, abusive father, Papi. The conflict, man vs. man is one of the central themes of this story. This theme is portrayed through the conflicts between Papi and his son. Papi asserts his dominance in what can be considered unfashionable ways. Unconsciously, every action Papi makes yields negative reactions for his family. Yunior simply yearns for a tighter bond with his father, but knows-just like many other members of his family-Papi’s outlandish ways hurts him. As the story unfolds it becomes obvious that the conflicts between Papi and himself-along with conflicts between Yunior and himself-affect not only them as individuals, but their family as a whole.
Writing in the 20th century was great deal harder for a Chicano then it was for a typical American at this time. Although that did not stop this author, Sandra Cisneros. One of her famous novels, Woman Hollering Creek was a prime example of how a combined culture: Mexican-Americans, could show their pride and identity in this century. In conjunction, gave the opportunity for women to speak their voice and forever change the culture of Latino/a markets. Not only did it express identity/gender roles of women and relationships, but using these relationships to combine the cultures of Mexican and American into a hybrid breed. This novel, should have been a view-point for the future to show that there is more to life than just gender and race. Concluding this, the articles that helps define this is “The Latino/a Canon and the Emergence of Post-Sixties Literature” and “What is called Heaven”.
Oftentimes, children who don’t take accountability for their actions become spoiled and despotic. Many of these children are unsupervised by their parents, giving them total freedom. Author Ray Bradbury acknowledges this sentiment and incorporates it into his work in literature. Bradbury expresses the notion that spoiled children are largely influenced through technology and neglect from his use of foreshadowing, allusions and symbolism in “The Veldt.”
In normal society, people expect adults to know what is right and wrong, but the can trick the mind. According to Sigmund Freud’s psychoanalytic principles, one’s conscious is the ego that “experiences the external world through the sense, plays referee between the id and superego” (Tyson 25). The id pertains to one’s deep desires that society forbids and the idea of lacking fear of consequences, whereas the superego is the moral rules taught by society and family. In Joaquim Maria Machado de Assis’s short story, “The Fortune-Teller”, Camillo is the ego that is conflicted between his id and ego when he encounters himself in an immoral act that includes his best friend, Villela, and Villa’s wife, Rita. Through Camillo’s struggle with his id and superego, Machado emphasizes that one must make logical decisions or else there will be consequences.
An author often uses symbolic and allegorical meanings through the actions and physical description of a character to show something more than suggested on the surface. The symbols are shown in the characters appearance, name, and actions these characteristics give the story a second meaning beneath the surface. “A Very Old Man with Enormous Wings” by Gabriel García Márquez is an allegory for immigration because the “old man” and “spider-woman” are symbols of immigrants. The old man symbolizes the hard working and lower class immigrant while spider-woman symbolizes the medium class immigrant. The old man is the lower class immigrant because he gets mistreated and abused, while spider-woman symbolizes the medium class because she can amuse people and is more popular than the old man. “A Very Old Man with Enormous Wings” Centers on an old man with huge wings that is found hurt on the floor. The people argue where he may come from but later get annoyed of him and they start to mistreat him. There is also a spider-woman that is a circus freak but is liked by the people. Finally when the old man flies away the people that abused him start to miss him. The story exposes an allegory for immigration by the actions and physical description of the characters. This story is an allegory for the low class immigrants that often get abused because they are defenseless and weak, also for the medium class immigrants that are treated like freaks but manage to be popular and liked by people because she can talk and answer questions about her condition.
Views on childhood have and still continue to change (Waller, 2009). The contemporary view that children are empty vessels (Skinner, 1974) is being disregarded as children are no longer perceived as passive recipients in an adult world (O’Kane, 2008...
Artists, and more precisely poets, are often inspired by the various stages of the human life. For instance, Christina Rossetti’s “Goblin Market,” Countee Cullen’s “Incident” and Marge Piercy’s “Barbie Doll” are all poems dealing with the transition from childhood to adulthood. Numerous poets in history have done the exact same thing, often discussing the influence of humans on their own fall from innocence to experience.
Even in the artist’s works that don’t belong to the Children’s Game series, we can find this idea of an inventive and playful approach to the world, often, accidentally or not, poetic. In Paradox of Praxis I (Something doing something leads to nothing) (Mexico City, 1997), the artist itself ends up taking the place of a child. What was at the beginning a tedious work, pushing a big block of ice in the city’s streets, becomes a play when nine hours after the ice has melt enough to be pushed with the feet like a ball and picked up. His apparently insignificant game serves as a pretext for a social satire. Besides, and perhaps it feels quite natural, the very end of Paradox of Praxis I features Mexico City children – maybe an early hint of Children’s Games –, focused on inspecting the water puddle formed by the melted ice, and conversing with the camera, as to remi...
679). When reading this line, I picture times when I too cried out in vein, a cleansing relief from everyday strain and hardship. Suarez’s use of this particular event in the boy’s memory, I feel, connects the reader more deeply to the young boy. The third crucial example of imagery, I believe is when the mother storms in the boys room after he lashes out, throwing his pillows in anger. This verse causes us, the readers, to reconnect to the young boy’s age and
Todays generations of kids and adults all come from a widely diverse community. Generations may evolve over times, but the same problems that people experience in the past continue on through everyone living today. Much like Mama in "A Raisin in the Sun", she was raised in an era where respect meant using manners, treating elders and authority with respect was second hand and growing up and becoming a man or women was a crucial part of life. Walter doesn’t have a grasp on what "growing up" and becoming an adult is. Two contradicting people create a soulful story through the growth and development of Mama and Walters’s relationship.
...here the child plays. She said that “their play is their work and they are still enjoying it”. The adult’s role then is to construct the environment in which they will learn. The development of the child is therefore dependent on the environment she or he is in, and this environment also includes the parents.
In the short story “A Very Old Man with Enormous Wings” by Gabriel García Márquez, the most prominent theme is compassion and how it relates with a secondary theme of cruelty. The author expresses this theme through the use of allegory, symbolism, and juxtaposition. An allegory is used where the meaning of a greater concept is conveyed with the aid of a more everyday object. Symbolism is literary device that contains several meanings, often concealed at first sight. Juxtaposition is wherein the author two related entities close together in literature to highlight the contrast between the two and compare them.
From these images we can see how they affect socio-cultural beliefs about adults. An example is the innocent child needing protection and shelter from the harsh realities of the real world. A parent is supposed to take care of them and provide them shelter, food, etc. The child in need shapes our idea that adults are the providers and saviors. Parents have to find a way to provide for their children no matter the circumstances. Organizations like Mothers against Drunk Driving (MADD) strive to be the protector of children and advocate for people not to drink and drive. They find it their duty as mothers to look after the well-being off all children, not just their own. As time progressed, new organizations would arise to help care for all