Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Themes in hamlet
Relationship hamlet and ophelia
Who is ophelia in hamlet
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Themes in hamlet
In William Shakespeare’s Hamlet, many questions are raised as to whether or not Hamlet is really in love with Ophelia. Although many may say that Hamlet never loved Ophelia there is much more evidence in the play to argue otherwise. The way he acts around Ophelia when he is alone with her and the way he acts when he sees her dead are different then when he is interacting with the other characters. As a result of these moments Hamlet reveals that he does indeed loves Ophelia.
When Hamlet is alone with Ophelia in scene one of act III he shows us his true feelings. When Hamlet first sees her he says to himself, “The fair Ophelia!—Nymph, in thy orisons be all thy sins remembered”, (Shakespeare ). Here Hamlet asks Ophelia to remember him in her prayers and comments on her beauty by calling her a Nymph, showing us he loves her because he is wanting her to think of him. Then he laters say to Ophelia, after asking her if she is honest and fair, he says to her,
…show more content…
In act III, scene 2 of Hamlet Ophelia sits next to Hamlet to watch the play that Hamlet has asked the players to put on. During this time Hamlet asks is Ophelia is he should lie in her lap and Ophelia says no and Hamlet asks her, “Do you think I meant country matters?”, (Shakespeare ). Here he is toying with Ophelia and is quite rude, and talks as if all he wants is to sleep with her. However, this only because Hamlet knows that Ophelia was helping Polonius spy on him. In act III, scene 1 Hamlet asks Ophelia where he father is and tells her, “Let the doors shut him in, that he may play the fool no where but in’s own home”, (Shakespeare ), him wanting to know where Polonius is and Hamlet saying he can only play the fool at home leads us to believe that he knows what is happening. Because Hamlet knows that Ophelia is helping Polonius is breaks his heart so he has to act like he doesn’t love her and pretends to be
“Pretty Ophelia,” as Claudius calls her, is the most innocent victim of Hamlet’s revenge in Shakespeare’s play Hamlet. Hamlet has fallen in love with Ophelia after the death of his father. Ophelia “sucked the honey of his music vows” and returned Hamlet’s affection. But when her father had challenged Hamlet’s true intentions, Ophelia could only say: “I do not know, my lord, what I should think.” Ophelia was used to relying on her father’s directions and she was also brought up to be obedient. This allowed her to only accept her father’s views that Hamlet’s attention towards her was only to take advantage of her and to obey her father’s orders not to permit Hamlet to see her again.
First there is the killing of Polonius. When he kills Polonius, the father of his girlfriend, he shows no sign of regret. No guilt. He is so caught up in his own little world of revenge, he doesn't even think of the fact that he just killed an innocent old man and the father of Ophelia. In fact, there is no point in the entire text in which he even mentions Ophelia. This just goes to show that he doesn’t truly care about Ophelia, which as state is the necessary component of love. The second deciding scene is that of Ophelia’s funeral. Hamlet has gone the whole text since the play in act three scene two without a word about Ophelia. Then *bang* Ophelia is dead and he's seeing her funeral. He observes as a distraught Laertes, Ophelia’s brother, throws himself into her grave in grief. Hamlet’s response to this is not a of shared sorrow but of competition. He starts by saying to Laertes “I loved Ophelia. Forty thousand brothers could not with all their quantity of love make up my sum” (5.1.284-287). Rather than just grieve for her, he fights with her grieving brother about who loved her more. While this may seem like a loving gesture, there has been no other proof of his love for her throughout the play which make this seem a bit strange. It is as if he wants to have loved her so that he can have emotions that are more important than everyone else’s. Hamlet even accuses Laertes of just trying “to outface” him “with leaping in her grave” (5.1.295). Hamlet would actually be grieve the lose of Ophelia and not fighting over whose emotions matter more if he had truly loved
Though the reader realizes Hamlet's extreme anger and brooding throughout the entire play, he has no actual confrontation with another character until the aforementioned lines in Act III Scene I. One may notice the Prince's biting tone aimed at Claudius, Polonius or even Gertrude, but until his "Get the to a nunnery!" speech, no outbursts of pure rage in the presence of others can be found. This harshness in relation to Ophelia may be one of Hamlet's first moments of "action." The Prince seems reluctant to act upon any of his emotions toward anyone, though he often does give off an aura of discontentment and sorrow over his father's death. However, in these specific lines the audience sees Hamlet take an active stance in purging this young lady's once p...
What do you define a tragic hero as? In Romeo and Juliet, Romeo is seen as tragic hero by Aristotle’s tragic hero characteristics. The six tragic hero characteristics are having noble greatness, being imperfect, having a downfall that is partially their own fault, their misfortune is not wholly deserved, fall is not pure loss, and some good has come from the hero’s death. In William Shakespeare’s Romeo and Juliet, Romeo is a tragic hero because he has noble stature or greatness, his downfall is partially his fault, and some good has come from his death.
Ophelia is a character in Hamlet that is chronically faithful to everyone else but herself. Ophelia is deeply in love with Hamlet, and she is certain that he loves her as well. This is clear from the assertions she makes in Hamlet’s defense: “My lord, he hath importuned me with love in honest fashion. And hath given countenance to his speech, my lord, with almost all the holy vows of heaven” (1795). Ophelia’s downfall emerges when she doubts her own feelings and beliefs about Hamlet, upon instruction and advice from her brother and father. Ophelia, a confident and intelligent woman, begins to rely on others to tell her what to think and how to act. “I do not know, my lord, what I should think” (1795). Upon Polonius request, and going against her own hearts desires, she starts to avoid Hamlet. “No, my good lord, but, as you did command, I did repel his letters and denied his access to me” (1806). By doing what her father advises and wishes Ophelia is no longer capable of making decisions for herself. The loss of Hamlet’s love and the death of her father leave her with confusion and doubts about her future. “Well, Go...
By not speaking anything, Hamlet at once strengthens his image as a madman, as well as shrouding his real intentions towards those around him. Just following this passage comes a place in the text where we can see how the character of Ophelia has been manipulated by Polonius. After his "hint" that he might be doing this out of frustrated love, Ophelia says that that is what she truly does fear. (87) Her feelings of pity and concern are shaped by her father in order to fit his case of madness against Hamlet.
Throughout Shakespeare 's play it is clear that Ophelia and Hamlet were lovers but it is not entire certainty whether Hamlet loved Ophelia at the present time. His declaration of love in the written play could have been seen as an indication of his madness. In the film version Hamlet is seen hiding in the bushes while Ophelia 's funeral begins and once he discovers it is her he is overcome with grief to the point where Horatio has to hold him back (Hamlet). The pain on Hamlet 's face is apparent as well as his sanity. Another example of their relationship is in act 3 scene 1 after Hamlet finished his soliloquy he says the line “the fair Ophelia” (Shakespeare 4.1.97) while reading the play I assumed he said this line when he addressed her, and that he was pleasant to her until his madness took over and he became rude. In Doran’s adaptation however Hamlet spoke the line “the fair Ophelia” before she even saw him, he was speaking to himself with a tone of love and affection. Additionally, Hamlet remained pleasant to her until he turned and noticed the security camera (Hamlet). It was only then that Hamlet began to act mad and unpleasant towards Ophelia. This version gave a new depth to Hamlet’s madness and strengthens the idea that he was simply
She loves hamlet, so when he treats her badly within the same scene she retreats back to the side of her family. This primarily happens when Ophelia says “At home my lord” upon Hamlets inquiry as to where her father is (3.1.132). This choice affects her, through the idea that Hamlet is bad for her, which due to her love for him she is torn between loving him and obeying her family’s guidance. Her hostility to Hamlet, “you are naught you are naught” becomes evident the next scene she is around him and he shows his poor behavior (3.2.152). Ophelia now believes that Hamlet no longer loves her, and comes to the idea that her father and brother were right in warning her of Hamlets evil intentions. This is where she begins to lean more on their guidance mentally, as she does not know how to go about behaving around
Hamlet's behavior throughout the play, especially towards Ophelia is inconsistent. He jumps into Ophelia's grave, and fights with Laertes in her grave. He professes I loved Ophelia. Forty thousand brothers/Could not, with all their quantity of love,/ Make up my sum [Act V, scene I, lines 250-253], during the fight with Laertes in Ophelia's grave, but he tells her that he never loved her, when she returns his letters and gifts, while she was still alive. Hamlet subtly hints his awareness of his dissolving sanity as he tells Laertes that he killed Polonius in a fit of madness [Act V, scene II, lines 236-250]
The first major action of the third act is the arranged meeting between Hamlet and Ophelia. During this meeting, Hamlet seems to turn on Ophelia, denying that he ever loved her. This apparent reversal of feelings towards Ophelia may appear as a peripeteia at first, but under closer examination will prove to be a continuation of Hamlet's pretense of madness. Hamlet is aware that Ophelia is being used to draw out information from him about the source of his insanity. This becomes evident when Hamlet inquires where Ophelia's father is. At the end of his soliloquy, Hamlet comments on Ophelia's beauty as he sees her approach. This illustrates that he still has affection for her, but in his current state o...
Hamlet's relationship and actions towards Ophelia are not exempt from his dual personalities. In private, he is deeply devoted to her; but in public, he humiliates and belittles her...
Two of Ophelia’s difficulties arise from her father and brother. They believe that Hamlet is using her to take her virginity and throw it away because Ophelia will never be his wife. Her heart believes that Hamlet loves her although he promises he never has (“Hamlet” 1). Hamlet: “Ay, truly, for the power of beauty will sooner transform honesty from what it is to a bawd than the force of honesty can translate beauty into his likeness. This was sometime a paradox, but not the time gives it proof. I did love you once.” Ophelia: “Indeed, my lord, you made me believe so.” Hamlet: “You should not have believed me, for virtue cannot so inoculate our old stock ...
Hamlet put pressure on Ophelia by expecting her to surpass his mother's shortcomings and be an epitome of womankind. He searched her innocent face for some sign of loving truth that might restore his faith in her. He took her mute terror for a sign of her guilt and found her to be a false person, like his mother. In his letter to her, he addressed the letter to "the most beautified Ophelia" and he terminated the letter with "I love thee best, O most best, believe it" (II, ii). He used the word "beautified" to display a sincere tribute, and it is apparent he still loves her. His attempts to win her affection are not triumphant. Ophelia is still too much under the influence of her father to question his wisdom or authority, and she has no mind of her own to understand how much she has made her lover suffer. No matter how much it pained her to not see Hamlet, all she could see in his present behavior is the madness that terrified her.
At the beginning of the play, Ophelia herself believes that Hamlet loves her. First of all, Laertes and Polonius had both heard about Hamlet professing his love for Ophelia. Being the typical protective brother and father, they cautioned Ophelia and told her to be very wary of
Another significant female character is Ophelia, Hamlet's love. Hamlet's quest for revenge interferes with his relationship with Ophelia. There is much evidence to show that Hamlet loved her a great deal, but his pretense of madness drove her to her death. Ophelia drowned not knowing what was happening to her. This can be deduced by the fact that she flowed down the river singing and happy when in truth she was heartbroken. Ophelia was very much afraid when she saw Hamlet "with his doublet all unbraced; No hat upon his head; his stockings foul'd, Ungarter'd, and down-gyved to his ancle" (Act #. Scene #. Line #). She described him as being "loosed out of hell" (Act #. Scene #. Line #). In addition to that he scared her when he left the room with his eyes still fixed on her. She is especially hurt when Hamlet tells her that he no longer loves her and that he is opposed to marriage. He advises her to go to a nunnery and avoid marriage if she can.