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Short essay on Dizzy Gillespie
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John Birks Gillespie, who is also known as Dizzy Gillespie was a jazz composer, singer, trumpeter, and a bandleader. Gillespie was one of the developers that created the music.
“Bebop”. The instruments that Gillespie used was trumpets, piano, and his beautiful vocals. Gillespie had influence on so many musicians, like Miles Davis and Jon Faddis. One of Gillespie’s popular music was “Salt Peanuts” and “A Night in Tunisia”. Dizzy Gillespie was born on October 21, 1917. He was born in Cheraw, South Carolina. Gillespie learned some his knowledge of music from his dad at a very early age. His father taught him the “basics of many instruments” (Biography.com). Gillespie taught himself how to play most of the instruments he knows how to play. Later on in his life, Gillespie created a band that worked with many famous artists of that time like Cab Calloway and Duke Ellington. Gillespie married at the age of 23 to Lorraine Willis. He had one daughter named Jeane Bryson, she now is also a famous singer. At the age of four, Gillespie started to play the piano. Sadly when he was ten, his father passed away. By the age of twelve, Gillespie was teaching himself how to play trumpets and horns. The person who made Gillespie think about starting his career and the person who influenced him the most was Roy Eldridge after he heard him in the radio. “Gillespie's
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This was composed in 1941-1942. This piece has “become a jazz standard”. This piece was also called “interlude”. This piece was supposed to be the signature of the Bebop Big Band that Gillespie was in. something unique about this piece is that in “A Section” “complex bass line is notable for avoiding the standard walking bass pattern of straight quarter notes”. “B Section” in this piece is the V chord is stretched back to pull into the the V chord in “A Section”. Many people also took this piece for inspiration and used the beats in their own
John Birks, also known as “Dizzy Gillespie” was born October 21,1917. He grew up in Cheraw, South Carolina. Gillespie was the youngest of his nine siblings. Gillespie’s father was a bandleader as well as a bricklayer. His father died when he was only ten years of age. Several years after his father passed away Dizzy Gillespie became a self-taught trombone and trumpet player (“David”). His skills increased so much over time that he later learned how to play the cornet. Gillespie had a special talent for playing these instruments. He was enrolled into the Laurinburg Institute of North Carolina in 1932. The school told him that they wanted him to play for their band. During his time at the school, he practiced his instruments mostly by himself.
Eleanora Fagan (April 7, 1915 – July 17, 1959), professionally known as Billie Holiday, was an American jazz artist and artist musician with a vocation traversing almost thirty years. Nicknamed "Woman Day" by her companion and music accomplice Lester Young, Holiday affected jazz music and pop singing. Her vocal style, firmly propelled by jazz instrumentalists, spearheaded another method for controlling stating and rhythm. She was known for her vocal conveyance and improvisational aptitudes, which compensated for her restricted range and absence of formal music instruction. There were other jazz vocalists with equivalent ability, however Holiday had a voice that caught the consideration of her crowd.
After a while his friends started beginning to notice his politeness and his dapper style and gave him the nickname “duke.” When Ellington was seven years old he started taking piano lessons and found his love for music, although his love for baseball was more potent at the time. Ellington recalls President Roosevelt coming by on his horse at times and watching the boys play baseball. Ellington wound up getting his first job selling peanuts at baseball games. While working at the Soda Jerk in the Poodle Café in the summer of 1914, Ellington wrote his first composition and called the piece “Soda Fountain Rag”, he created it by ear because he had not yet learned how to write or read the music.
Developed in the early 1940's, Bop had established itself as vogue by 1945. It's main innovators were alto saxophonist Charlie Parker and trumpeter Dizzy Gillespie. In this stage in jazz, improvisation differed immensely. Bebop soloists engaged in harmonic improvisation, often avoiding the melody altogether after the first chorus. Usually under seven pieces, the soloist was free to explore improvised possibilities as long as they fit into the chord structure. Popular and influential jazz artists include: Louis Armstrong, Miles Davis, & Cannonball Adderley. Armstrong is most known for his involvement in hot jazz as a trumpeter, but is especially renowned for his improvisation capabilities. Louis Armstrong, born August 4, 1901 right in the beginning stages of the jazz movement, was originally from New Orleans. Armstrong was a bandleader, soloist, comedian/actor, and vocalist. Another famous, Miles Davis, is what some consider to be the best trumpeter of the era. Davis was born on May 26, 1926 in Alton, Illinois. One unique thing about Davis was that he was taught to play without vibrato, which was incredibly contrary to the popular way of
Jazz music of the 1940’s and 1950’s was defined by a history of change since its beginning at the dawn of the 20th century. Almost every decade brought a new flavor to the movement, and by the 1940’s jazz had developed into a mature, complex form of music, with many nuances and avenues for continued change. It is important to trace the early movements in jazz to better understand the innovations of the Bebop and Cool jazz eras of the 40’s and 50’s.
The performance at the sands is vocal jazz but the music in itself is swing andpop combined. Even though it is not improvisation the artists do take liberties sneaking in embellishments here and there. When you think of Frank Sinatra you think of the songs that are on his performance at the Sands. The Basie Rhythm machine establishes a stable swing beat allows Sinatra to sing freely around the music making a one of a kind performance. A lot of the credit for the success of the performance goes to Count Basie’s arranger and conductor Quincy Jones. Jones created a groove that blended Sinatra’s strong voice, use of phrasing and his free embellishing with Basie’s Orchestra so well it that has the band, Sinatra, and the crowd all feeding off each other.
The music of jazz became an important aspect of American culture in the early 20th century. The crisp syncopation of ragtime and the smooth tunes of the blues seeped into American mainstream music through dance halls and saloons and later through ballrooms. Instruments like the piano, trumpet, trombone and clarinet became important and symbolized the “swing-feel” of jazz because of their capability to syncopate and improvise precisely. With the help of the booming recording industry, musical geniuses were discovered and their talent and contributions to the emergence of jazz spread throughout the entire country. Such musicians include composer, arranger and pianist Jelly Roll Morton who heavily influenced the development of early jazz by his unique piano style, his “invention” of musical notation for jazz, and his compositions that have become the core in the jazz repertory. Because the style was new and different and so successful in drawing in large audiences, musicians around the world tried to mimic it. Furthermore, Morton’s masterpieces were the first to show notation for complicated jazz music and thus, formed the basis for standard notation in jazz compositions today.
All types of music require musicians. In the H.R (Harlem Renaissance), there were many who contributed to this new style of music known as jazz. These musicians all have their own style and form. Each of these styles has in some way influenced the evolution of jazz. Louis “Sachmo” Armstrong is recognized as the most famous trumpet player of this time. His “hot bop” style was heard in places like the Cotton Club and the Apollo Theatre. Everyone from all over the country would come to see him. Armstrong recorded such works as I’m in the Mood for Love, and You Rascal you (http://library.thinkquest.org/26656/english/music.html). Another famous person during this era was Coleman Hawkins, a saxophone player. Hawkins is recognized as the first great saxophonists of Jazz. His most famous work was a piece named Body and Soul (http://library.thinkquest.org…). Hawkins has also recorded with artists such as Thelonious Monk and Duke Ellington. Other people such as Bessie Smith, Josephine Baker, Duke Ellington, and “Dizzie” Gillespie have also made many contributions to the development of Jazz.
The Life of Billy Joel Billy Joel was born on May 9, 1949 in Bronx, New York. He moved at the age of four to a small town on Long Island. This is where at the ripe age of four he discovered the art of music. Originally a classical music fan, Billy Joel honed his skills with classical piano training. This undoubtedly has had a major influence on his life and certainly his music.
By this time a major change in jazz was afoot, and a young trumpet player named Dizzy Gillespie formed his own small prototype group at the Onyx Club in New York. This group met regularly and played original music based on popular swing tunes, with improvised melodies, and modified chordal structure. This new music was called bebop,
Miles Davis was a key player in the evolution of modern jazz. In the 1940’s he participated in the bebop craze, then initiated the cool jazz era in the 1950’s. Bebop involved a higher register and note fueled playing while Miles favored the middle register, with longer and less frequency of notes, and a
Born in Alton, Illinois, Miles Davis grew up in a middle-class family in East St. Louis. Miles Davis took up the trumpet at the age of 13 and was playing professionally two years later. Some of his first gigs included performances with his high school bandand playing with Eddie Randall and the blue Devils. Miles Davis has said that the greatest musical experience of his life was hearing the Billy Eckstine orchestra when it passed through St. Louis. In September 1944 Davis went to New York to study at Juilliard but spend much more time hanging out on 52nd Street and eventually dropped out of school. He moved from his home in East St. Louis to New York primarily to enter school but also to locate his musical idol, Charlie Parker. He played with Parker live and in recordings from the period of 1945 to 1948. Davis began leading his own group in 1948 as well as working with arranger Gil Evans. Davis’ career was briefly interrupted by a heroin addiction, although he continued to record with other popular bop musicians.
Edward Kennedy Ellington, American jazz composer, orchestrator, bandleader, and pianist, is considered to be the greatest composer in the history of jazz music and one of the greatest musicians of the 20th century. He composed over 2000 works and performed numerous concerts during his musical career. A compilation of some of his most popular music is collected on a CD called "The Popular Duke Ellington." Ellington personally created most of the music played by his orchestra. He often wrote pieces for specific players with distinctive musical styles in his band, such as "Concerto for Cootie" (1940) for fellow musician and trumpeter, Cootie Williams. With the help of American trumpeter James "Bubber" Miley, Ellington often incorporated in his music the jungle effect.
Louis Armstrong was a very successful jazz artist, trumpet, and cornet player. Although he didn't get a lot of recognition until later and after his musical career he still led the way for many other artists. He influenced many artists including Ella Fitzgerald. Throughout his career Louis Armstrong called himself an entertainer regardless of what others thought of his music and continued to do what he loved most up until his death.
Andrews, John. (1998). What bebop meant to jazz history. A review of Scott Deveux’ book “The Birth of the Bebop: A Social and musical history.”