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Feelings about woman's role in ancient Greece
Character of Antigone
Feelings about woman's role in ancient Greece
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It is in human instinct to look for some diversity, a pervasive topic among the objectives of the characters in the play, Antigone. To my most interest, the character Creon has an underlying intention of diversity among his authoritative rule. He represents the best result for his kingdom, by ruling with an iron fist. In a political sense, he is most interesting as he is one of couple of "charismatic" pioneers. Traditionally, we can see pioneers with an authoritative lead, however with selfish implications. His diversity resides in his charisma where he believes being a leader will keep his society stable. Creating a feeling of nationalism in his endeavors to keep their adversary, Polyneices, with an unrealized burial service to withhold their kings pride. He can be quite relative to a historical Joseph Stalin, an Upper Left Wing ruler. Creon starts this interest to persuasive with his fascist/theocratic way to deal with governing can be appreciated or …show more content…
We can perceive Antigone as a character seeking diversity out of an objective of pity, or all the more usually recognizable an objective of seeking positive change for herself. I arrived at this conclusion from an unbiased examination of Antigone's possibly different method for being diverse. In the more typical conclusion of her actions she is viewed as a tragic legend. One that wishes for a change in society to a more libertarian stability. She is happy with defying established standards of ladies, much like a cutting edge feminist. Or, on the other hand, she can be viewed as one searching for a reason for her life in the midst of losing such a great amount of reason to her siblings and guardians. She looks for an underlying pity in her endeavor to become famous. She realizes this in an end turn of her suicide. As most wish to take a gander at Antigone as a legend, we can see her burial of her sibling is a method for searching for the diversity her family
Throughout the story of Antigone, particularly the end, Creon proposes the bad-boy in control personality. He acts as the ruler he is and puts his power to work. He fears nothing unless his family is involved. He has no mercy when it comes to the law. Additionally, he is greatly affected by the environment he creates around himself.
Antigone remains a static character at stage five throughout the story. Faced with people who do not agree with her decision, Antigone stands tall with what is morally right to her. Kohlberg’s Theory is not only universal but also helps readers understand a character morally. Choosing whether or not to bury her brother, Polyneices, or to follow the law given by Creon, does not derail her moral
In the play, Sophocles examines the nature of Antigone and Creon who have two different views about life, and use those views against one another. Antigone who is depicted as the hero represents the value of family. According to Richard Braun, translator of Sophocles Antigone, Antigone’s public heroism is domestically motivated: “never does [Antigone] give a political explanation of her deed; on the contrary, from the start [Antigone] assumes it is her hereditary duty to bury Polynices, and it is from inherited courage that [Antigone] expects to gain the strength required for the task” (8). Essentially, it is Antigone’s strong perception of family values that drive the instinct to disobey Creon’s orders and to willingly challenge the King’s authority to dictate her role in society.
Antigone is a young woman whose moral background leads her to go against the wishes of the king to bury her brother, Polyneices. Sophocles uses Antigone as a character who undergoes an irreversible change in judgment and as a result, ends up dying. Antigone is hero, and she stands for honor, and divinity. Because Antigone's parents were Oedipus and Iacaste, she was born into a family of power; something that she could not change. At times, Sophocles leads the reader into thinking Antigone wishes she was not who she was. Ismene, Antigone's sister, refuses to help Antigone because (as she states) "I have no strength to break laws that wer...
Antigone is a powerful character, strong-willed, determined and at times self-righteous. She is contrasted by her sister Ismene, who is weak and powerless. Though Antigone is a powerful character, she has no real political power and is dominated by one man, Creon. Creon is both the ruler of the state as well as the patriarch of her family. Antigone was raised by Creon’s house after her own father went in to exile. Antigone is betrothed to Creon’s son, Haemon, further cementing Creon’s power over her. There is one aspect of life that Antigone does have legitimate power in and that is her family, especially her blood line. In ancient-Greek culture the women’s place was in the home, she was responsible for household things and often wasn’t even allowed to leave the house. It is because of this responsibility that Antigone needed to bury her brother Polynices even though it went against the decree of Creon. Antigone also had the gods on her side. It was an unwritten rule of ancient Greek society that the dead must be buried, otherwise bad things may happen. This rule, because it was unwritten and therefore innate, was protected by the gods, specifically Hades, the god of the underworld and family.
Creon's pride is that of a tyrant. He is inflexible and unyielding, unwilling throughout the play to listen to advice or Antigone. Creon’s love for the city-state cause him to abandon all other beliefs. He tries to enforce this upon the people of Thebes. He wants them to think that his laws should be followed before any other personal, moral, or religious belief. This is where the conflict of character occurs between Antigone and Creon. Antigone knows that the sacred laws held by heaven are far more important...
Although undenialably couragous, determined, and brave. She has an achilles heel that makes her arrogant. She is unwilling to back off her quest, in burying her beloved brother. No matter if she must work alone and alienate herself in order to do so. To ensure she buries her kin with honor. “I will not press you any more. I would not want you as a partner if you asked. Go to what you please. I go to bury him. How beautiful to die in such pursuit! To rest loved by him whom I have loved, sinner of a holy sin, With longer time to charm the dead than those who live, for I shall abide forever there. So go. And please your fantasy and call it wicked what the gods call good”(Antigone 194). /she goes as far as breaking the law, presenting herself as a uncompromising person, similar to that of King Creon. Sadly her achilles heel is not from her doing. Other characters have influenced her into rushed decisions. For example Creon’s cruel punishments and brutality causes Antigone to want to bury her brother. Ismene’s refusal to help bury their beloved brother makes Antigone more determined and persistent to bury him. Eventually leading to Antigone’s suicide. She had hung herself, when Haemon (her love) saw her he stabbed himself and lied next to her in her pool of blood. Then when Eurydice(Haemon’s mother) found out she cut her throat in her bedroom. Creon was now alone. The chorus notes that if it were not
After her mother committed suicide, her father died and her brothers fought until they killed each other, Antigone projects her strong character with interesting ways of showing it. As the main character with strong values and a stubborn way, she follows the laws of god, without minding the consequences. Antigone is a strong willed woman who wins the respect of the audience by the inner strength and resistance of manipulation she has, showing the potential of human kind. She becomes a heroine with noble qualities of mind, heart and soul because she is willing to sacrifice her life, doing what she believes it is right. With a sense of family ties, she is an ideal for humanity, the issue is that she must burry her brother Polynices with an appropriate ceremony since she believes it is the last right for every human being.
Creon is an antagonist in Antigone he is the bad guy and he opposes certain things like the right to burial. An example of his actions is can be seen here: “Polynices, who returned from exile with hopes of burning his native land and ancestral gods from top to bottom, wishing to feast on kindred blood and lead the rest into slavery, it has been decreed that in this city he shall be neither buried nor mourned by anyone, but everyone must leave him unburied, a feast for birds and dogs, an outrage to see” (Sophocles 200-209). Even though he is known for doing bad things he is still considered superior to everyone of Thebes. Antigone was known as the niece of Creon but she did not express herself as a famous and important person. Creon is proud of his position as king and he takes pride in his city and his decisions. “Do you realize you speak these lies to your king?” (Sophocles 1065). Creon shows his dominance in this quote. Antigone, however, is only recognized for being the niece of the former king and committing a crime against her own family member.
Antigone was a selfless person with pride as a strong characteristic of her personality. She possibly had feelings of loneliness and anger from the way society has looked upon her family from their past. It took a strong willed person who has no fear of the repercussions to stand up to a king as she did. To make everything all the worst she stood up to a king who was her Uncle and she being a female back in those time, standing up and speaking out for herself was not heard of.
The Antigone is widely thought of as the tragic heroine of the play bearing her name. She would seem to fit the part in light of the fact that she dies doing what is right. Antigone buries her brother Polynices, but Creon does not like her doing that one bit. Creon says to Antigone, "Why did you try to bury your brother? I had forbidden it. You heard my edict. It was proclaimed throughout Thebes. You read my edict. It was posted up on the city walls." (Pg. 44) Antigone buries her brother without worrying about what might happen to her. By doing this, she takes into consideration death and other consequences for burying her brother. Antigone follows what she thinks is right according to the gods. She is the supporter of her actions in the burial of Polynices.
Elizabeth Bobrick’s Sophocles’ Antigone and the Self-Isolation of the Tragic Hero declares “the heroic code may be summarized as follows: I protect my philoi—a term that includes family, kin, loved ones, and loyal community members—and they honor me. To hate my friend is to hate me. To help my enemy is to harm me. Being dishonored by my philoi is the equivalent of death. I will either kill them, or myself, or both.” This can explain Antigone’s excessive desire to bury her brother and even further be supported in lines 25-28 when Antigone challenges her sister’s loyalty. Aristotle himself said that a tragic hero should be neither better nor worse normally than a normal person. With that being said Antigone’s sister, Ismene, was in the same position as her. Originally invoking a sense of naturalism this changes with Ismene’s refusal to help bury their brother. The lack of support for Antigone’s plan leaves her no choice, but distances herself from her sister who obviously doesn’t share the same family loyalty beliefs as her (Lines 77-81). Ismene later in the play tries to claim some guilt in order to help Antigone’s cause. Yet again, Antigone refused to allow her sister to assume any punishment for her crime. Sophocles, Peter Meineck, Paul Woodruff’s Theban plays acknowledges Antigone would rather be dead with her brother than alive with a husband (Line 55-58). This is
Creon is portrayed as a strict leader who believes in adherence to his laws over those of the gods. He is not a fan of extenuating circumstances, either. His actions can only follow from those of Antigone, so he cannot be the traditional protagonist like
In the play Antigone, by Sophocles, it is greatly apparent just within the first few exchanges between Ismene and Antigone that there are various social issues surrounding the women in ancient Greece. The play raises many gender and socially related issues especially when looking at the contextual background of the playwright and the representation of the women within the play. When the characters of the first scene begin their analog, it is important to note what they are actually saying about each other and what their knowledge of their own social status is. The audience is first introduced to Antigone who we later learn is the antagonist of the play as she rebels against the protagonist, Creon. Her sister, Ismene, is the second character the audience is introduced to, hears of Antigone's plan to bury their brother's body in the first scene. Ismene’s actions and words give the reader the hint that her sister’s behavior is not usual, "so fiery" and "so desperate" are the words used to describe Antigone's frame of mind. At this very early point in the play the reader discovers that Antigone is determined to carry out her mission to bury her beloved brother. However, she is in no position that gives her the rights as a woman, sister, or even future queen to make her own decisions and rebel. Instead, her decision to bury her brother demonstrates her loyalty to her family, the gods, and to all women. Her motivation for those decisions will end up driving her far more than that of what the laws set by Creon have implemented. She shows no fear over disobeying the king and later says about the punishment of death "I will lie with the one I love and loved by him"(Sophocles, 2). Throughout the play the reader can see the viewpoint of an obedient woman, a rebellious woman, and the social norms required for both of them.
Antigone’s own excessive pride drives her to her defeat. Her arrogance and strive for self-importance blinds her to the consequences of her actions. Ismene, Antigone’s sister, rejects to take part in the crime leaving Antigone all on her own. Ismeme declares “why rush to extremes? Its madness, madness” (Sophocles 80). Ismene fails to comprehend the logic behind her siste...