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Character analysis of the A STREETCAR NAMED DESIRE by Tennessee Williams
Tennessee williams, a streetcar named desire essay review
Tennessee williams, a streetcar named desire essay review
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English Literature Coursework - Compare How Dishonesty Is Presented In ‘King Lear’, ‘A Streetcar Named Desire’ and ‘The Glass Menagerie’
The theme of dishonesty reoccurs in different ways in these three different texts: ‘A Streetcar Named Desire’, ‘The Glass Menagerie’ and ‘King Lear’ and reflects the relationships between the characters, emphasises their developments and also raises the traditional concerns of the importance of truth and honesty which is still relevant in modern society. The theme of dishonesty is arguably used by Shakespeare to portray the idea that sight does not guarantee perspective, an issue pertinent to the Elizabethan audience. Arguably Tennessee Williams was concerned with dishonesty because of his personal experiences and his relationship with his father, from whom he had to hide the truth of his sexuality, and in his drama, the theme allowed him to focus on his journey to honesty with himself and others around him.
The theme of dishonesty is demonstrated from the start of ‘King Lear’ during the ‘love trial’ when Cordelia dislikes her sister’s “ponderous” words which suggest how dishonest both Goneril and Regan really are. The adjective “ponderous” determines that her love for Lear cannot be measured with words. Cordelia refuses to take part in the contest and Lear comments by saying: “so young and so untender”. The word “untender” suggests that Lear hopes for something that makes him feel valued as a king and father, however this works against him as ultimately both his other daughters better themselves by flattering themselves into trying to get the Kingdom. Arguably in this instance, flattery is a form of dishonesty and although Lear asks for it, their words begin the downward spiral of the tragedy....
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...ough dishonesty that Lear finally has an epiphany and acknowledges to himself that he is “old and foolish” when he banished Cordelia but the tragedy is that the errors of his ways comes too late. In the play, Shakespeare’s message to the audience is that being dishonest is a human trait but can lead to tragic consequences. In both Williams’ plays, the playwright uses symbolism such as a Chinese lantern and the “old dress” to present the issues of dishonesty and its aftermath. However, in contrast to Shakespeare, Williams does not give his characters an opportunity to redeem themselves of their falsifications and the audience is aware of dishonesty having a negative impact on others. Therefore, the authorial intention in all three texts is relevant today as it was in their time and presents the idea that in the long run, dishonesty does not lead to any gratification.
It is always shocking when someone that was generally well loved and respected is ruined. Because such people usually have few enemies, often times, the cause of their hardship is out of control hubris. Excessive pride can ruin even the most morally upright person by motivating them to do things they would never do unless they stand to lo. In Arthur Miller’s play, The Crucible, Miller utilizes the prideful nature of John Proctor and Mary Warren to demonstrate how arrogance can lead to the downfall of any kind of person, whether they are a moral person or a social climber.
Power is a strong ability that is used to direct or influence the behavior of others or the course of events. (add reference) Almost everybody wants power or has power. Most people do not seem to be happy unless they have some sort of power. The entire world is evolved around power, from presidents, terrorists, parents, all the way to the hierarchy of the animal kingdom. The tragic play titled King Lear by William Shakespeare, the protagonist is named King Lear. He has troubles with his powers of being a king and has a tragic downfall, after many mistakes of trying to maintain it. King Lear and A Streetcar Named Desire have a large quantity of difficulties on their own, but the two plays also share a lot of the same problems. In the play A Streetcar Named Desire written by Tennessee Williams, the protagonist but not the tragic hero is Stanley Kowalski. He is married and lives with Stella Kowalski, who’s sister is Blanche Dubois, the tragic hero of the play. Stanley also has troubles with his power within, which causes a lot of mistakes. In the plays, King Lear by
Thou shall honour thy father and thy mother, is not only one of ten powerful commandments but is also the foundation for King Lear's perception of himself and his overwhelming situation in Shakespeare's masterpiece King Lear. After a recent life-altering decision, Lear's seemingly stable and comfortable world has been thrown into upheaval through the disobedience and lies told by not only his two daughters but also by his servants! Thus, after being dishonoured by his family and attendants, Lear forms an accurate perception of his situation, that he is "a man / More sinned against than sinning" (Act III scene ii lines 60 - 61). To begin, Lear's two eldest daughters dishonour him on several occasions. The first of three situations involves Goneril, the eldest.
Deception is present in Tennessee Williams’s drama ‘A Streetcar Named Desire’, William Shakespeare’s Tragedy ‘Othello’ and L. P. Hartley’s novel ‘The Go-Between’; the writers choose to use characterisation to explore the theme in depth. Often the protagonists of each text are the primary offenders of deceit, though some supporting characters mislead as well; although Iago is the antagonist of ‘Othello’, he is incomparably the most deceitful character in the entire play. Similarly, Williams uses Blanche to develop the plot by misleading the other characters and even herself at times, though arguably, unlike Iago, Blanche is presented as a character who lacks the motivation to hurt anyone. Conversely Leo, although the protagonist and narrator of the novel, is not the most deceitful character – Ted Burgess and Marian Maudsley not only coerce him into the deceit, but they themselves are presented as masters of the game they play, however, this essay will focus on Leo as he is a unique symbol of deceit; he is unaware of the consequences of his actions.
In Arthur Miller’s book “The Crucible” there is an inadequacy of honesty which is a very important trait for everyone to learn. In this essay I am writing to prove that the paucity of honesty is negative and was very prevalent in Salem, and that very few people remained truthful throughout the Salem Witch Trials. The dishonesty in The Crucible would soon lead to the deaths and imprisonment of many residents in Salem. Those accused would lie and accuse other people of staying out of trouble from the authorities, but this took the lives of many innocent victims. In Miller's book Dishonesty is expressed by almost everyone included in The Crucible such as Abigail, Mary, and Elizabeth.
Two classical themes in literature are concealed guilt and confessed guilt and in many instances the reader sees the affects of these on individuals. In the examination and exploration of The Scarlet Letter and Macbeth the necessary comparison for both is provided. The guilt in The Scarlet Letter is seen in the minds and outward appearance of each main character, Hester Prynne and Arthur Dimmesdale. In Macbeth the readers sees an obvious guilt in the main character, Macbeth.
In today’s society, people act more out of vanity rather than honesty. While there are some people who try to be honest with themselves while going through the motions of everyday life, vanity takes over, perhaps even unconventionally. While reading Act IV of James Miller's’ ‘The Crucible’, Hale mentions his perception of honesty versus vanity and it motivated me to further discuss the matter.
King Lear is the figurehead of his kingdom with his power and command drawn from his crown. His crown is also a symbol for his kingdom which is essential to his ego and can be supported with the scene where he asks his daughters to tell him how much they love him. “Which of you shall we say doth love us most, /That we our largest bounty may extend /Where nature doth with merit challenge.” (I, i, 53-55) King Lear demands a public display of affection from his daughters because it demonstrates his dominance. The betrayal of Goneril and Regan destroys King Lear’s ability to command, as competition between the two sisters’ shatters his kingdom like an egg. Lear’s relationship to his crown can be compared to a hen and her egg; both mean the world to their owners, and bot...
Reputation in this play is what drives people to act in certain ways. Miller uses this theme in such a way that is seems to control certain characters like Danforth, Parris and Abigail thus portraying them in a negative and insincere light. They go to lengths to never have no contradict themselves or appear to be mendacious and deceitful whereas other characters such as John Proctor, Sarah Good and Giles, are driven by the will to protect their integrity. The protection of either integrity or reputation is what differ...
"Unhappy that I am I cannot heave My heart into my mouth. I love your Majesty According to my bond; nor more nor less. " I.i.87-89 Cordelia's refusal to flatter her father during the love test may suggest to the audience that she is not only disobeying her father, but also committing political sui... ... middle of paper ... ..., is one of great pain and sorrow. It eventually leads Lear to madness and it is only then that he sees the true reasons behind his treatment.
William Shakespeare attained literary immortality through his exposition of the many qualities of human nature in his works. One such work, The Merchant of Venice, revolves around the very human trait of deception. Fakes and frauds have been persistent throughout history, even to this day. Evidence of deception is all around us, whether it is in the products we purchase or the sales clerks' false smile as one debates the purchase of the illusory merchandise. We are engulfed by phonies, pretenders, and cheaters. Although most often associated with a heart of malice, imposture varies in its motives as much as it's practitioners, demonstrated in The Merchant of Venice by the obdurate characters of Shylock and Portia.
Two powerful characters in the play, aging King Lear and the gullible Earl of Gloucester, both betrayed their children unintentionally. Firstly, characters are betrayed due to family assumption. Lear banished his youngest daughter Cordelia because he over estimated how much she loved him. When questioned by her father, she responds with, "I love your Majesty / According to my bond, no more nor less." (I,i, 94-95) Lear assumed that since Cordelia was his daughter, she had to love him in a certain way, but he took this new knowledge and banished her without further thought. Secondly, characters were betrayed because of class. Edmund, the first-born son in the Gloucester family, should have been his father's next of kin. He would have been able to take over the position of Earl upon his father's death if he did not hold the title of a legitimate bastard. In his first soliloquy he says, "Why Bastard? Wherefore base? / When my dimensions are as well compact/ my mind as generous, and my shape as true " (I,ii, 6-8) Edmund believes he is at least equal, if not more, to his father in body and in mind, but the title that his father regrettably gave to him still lingers. Lastly, characters were betrayed because of family trust. Gloucester trusted his son Edmund when he was told that his other son was trying to kill him. Upon reading the forged letter written by Edmund, he responded with, "O villain, villain! His very opinion in the letter! Go, sirrah, seek him." (I,ii,75-77) Gloucester inadvertently betrayed Edgar because he held so much trust in his one son that he was easily persuaded to lose all trust in his other one. These blind characters were unfortunately betrayed there children, but they did it unintentionally and will eventually see there wrong doings.
In Shakespeare’s Macbeth, the theme of guilt and conscience is one of many explored throughout the play. Macbeth, is a well respected Scottish noble who in the beginning of the play is a man everyone looks up to; however as the play progresses he makes a number of bad decisions. Eventually, as a result of his actions he suffers guilt and this plays heavily upon his character until his personality is completely destroyed. Shakespeare uses a range of techniques in order to develop this theme such as, characters, imagery.
In Shakespeare's “King Lear”, the tragic hero is brought down, like all tragic heroes, by one fatal flaw; in this case it is pride, as well as foolishness. It is the King's arrogant demand for absolute love and, what's more, protestations of such from the daughter who truly loves him the most, that sets the stage for his downfall. Cordelia, can be seen as Lear’s one true love, and her love and loyalty go not only beyond that of her sisters but beyond words, thus enraging the proud King Lear whose response is: "Let pride, which she calls plainness, marry her". Here, Lear's pride is emphasized as he indulges in the common trend of despising in others what one is most embarrassed of oneself.
Appearance and reality have never been portrayed with such immense differences as they are seen in Hamlet. Deceit runs about freely the entire play and affects every character, creating torment and confusion for all. Three complex characters use treachery to their advantage as they create façade in order to carry out plans, yet their shrouded minds impede them from carrying them through. All Shakespearian tragedies are filled with delusive, spurious characters, but none are as deceitful as those in Hamlet. Claudius, Polonius, and Hamlet have distorted realities and unfortunately, each has a clouded conscious that leads them to make life-changing decisions.