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Nature of the monster in Frankenstein
The monster is the villain in Frankenstein
Narrative technique of Frankenstein by Mary Shelley
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Recommended: Nature of the monster in Frankenstein
Herber 1
Max Herber
Mrs. Armstrong
Intro To College Writing
7 January, 2016
The Consequences Of Playing God
“I had worked hard for nearly two years, for the sole purpose of infusing life into an inanimate body” (Shelley 58). This quote shows the time put forth and the purpose for Frankenstein’s experiment. In the novel Frankenstein by Mary Shelley, Victor Frankenstein portrays God by his attempt to bring back the dead, person v.s. person conflict and indirect characterization of the creature to ultimately resent the monster he has created.
Victor Frankenstein can be considered God because of his attempt to bring back a person from death and his belief in trying to prolong and even eliminate death. In the beginning of the book, underneath the
When Victor and his creature depart, Victor travels back to Geneva, but he can not find the courage to construct another monster. Frankenstein believes that without months of work and as Frankenstein says “laborious disquisition” (Shelley 155). A wife for his foe would be impossible to make, and travels to England only to second guess his agreement he had made with the monster. Victor reconsiders his deal and fears that his next creature could be “ten thousand times more malignant than her mate, and delight, for its own sake, in murder and wretchedness” (Shelley 170). Victor starts to consider the consequences of another monster. What if the whole thing was a lie and the monster had no intention of leaving Europe and wished to stay and terrorize the land Victor called home? “One of the first results of those sympathies for which the daemon thirsted would be children, and a race of devils would be propagated upon the earth, who might make the very existence of the species of man a condition precarious and full of terror”(Shelley 170). Victor acts as God by the fact that he is denying an entire
The entire ordeal would be his fault, since he would have been the one who created the daemons. Because of Frankenstein’s fear that another monster would wreak even more havoc than his last, Frankenstein decides not to construct another monster. A chase ensues and after many days and nights of an endless cat and mouse game, Victor follows the monster to the arctic circle but soon becomes sick and wonders upon a ship that is stuck in the ice. Victor’s health starts to decrease until he can hardly get out of bed by himself. After Victor 's passing, the monster climbs onto the ship and finds Victor but does not wish to harm his creator, because Victor is the only person he has ever known and felt compassion for. Even through the torment and suffering, the monster feels terrible because he has caused so much pain and made Victor miserable by killing his loved ones. The entire plot of the book is based off of the conflict between Victor and the monster and when Victor dies, there is no more conflict. When the monster loses victor, he also loses a part of
The monster tells Frankenstein of the wretchedness of the world and how it was not meant for a being such as himself. At the end of his insightful tale the creature demands a companion of the same hideous features but of the opposite gender to become his. Victor only has the choice to make the monster or suffer a lifetime of horror his creation would bring upon him. Which the creator ultimately agrees to make the female monster to save the lives of his family but gains a conscious that fills with guilt of all the destruction he has created and creating. When the monster comes to collect the female he tears her apart and the monster vows to destroy all Victor holds dear. The monster’s emotional sense is consumed with rage against Victor, murdering Frankenstein’s best friend. Though when the monster’s framing ways do not work to lead to Victor being executed, he then murders Frankenstein’s wife on their wedding night. This tragedy is the last for Victor’s father who becomes ill with grief and quickly passes within a few days, leaving Victor with nothing but his own regret. Shelley doesn’t give the audience the monsters side of the story but hints that the remainder of his journey consisted of being a shadow to that of his creator. It is at the graves of the Frankenstein family when the creature makes an appearance in the solemn and
I believe Frankenstein is a villain in this book. I believe he promotes the idea of evil which is symbolised through creating the creature. He is described as “a creature causing havoc”. The creature is an unwanted person. He has no belonging in this world. He was created, and because of this, he is an outcast because of Victor Frankenstein. The creature is the victim. He is lonely and rejected. Frankenstein is the cause of this. I believe it is wrong to play god. No man should try and create human beings. He has created a being that is driven to the extremes of loneliness in life. This is destroying innocent lives.
Gilbert, Sandra M. and Susan Gubar. "Mary Shelley's Monstrous Eve." Reprinted in Mary Shelley's Frankenstein. Norton Critical Edition. 1979; New York: W. W. Norton, 1996. 225-240.
If you create something should you be able to kill it? The notion of playing god like Victor did with the creatures in Frankenstein is comparative to the same issue the courts have with abortion laws. Various angles of abortion can be quite overwhelming as well as who makes the final decision. Many governments have struggled to strike what they believe to be a balance between the rights of pregnant women and the rights of fetuses. Before life is started, generally, an individual has thought about whether or not they want to create life. All life is created whether it is the creatures in Frankenstein or development of a fetus. Once life has been created choosing to end that life can cause many issues. The struggle of choosing between life and death could be avoided by an individual evaluating the results of creating a life before starting the process.
In Frankenstein, Victor’s monster suffers much loneliness and pain at the hands of every human he meets, as he tries to be human like them. First, he is abandoned by his creator, the one person that should have accepted, helped, and guided him through the confusing world he found himself in. Next, he is shunned wherever he goes, often attacked and injured. Still, throughout these trials, the creature remains hopeful that he can eventually be accepted, and entertains virtuous and moral thoughts. However, when the creature takes another crushing blow, as a family he had thought to be very noble and honorable abandons him as well, his hopes are dashed. The monster then takes revenge on Victor, killing many of his loved ones, and on the humans who have hurt him. While exacting his revenge, the monster often feels guilty for his actions and tries to be better, but is then angered and provoked into committing more wrongdoings, feeling self-pity all the while. Finally, after Victor’s death, the monster returns to mourn the death of his creator, a death he directly caused, and speaks about his misery and shame. During his soliloquy, the monster shows that he has become a human being because he suffers from an inner conflict, in his case, between guilt and a need for sympathy and pity, as all humans do.
Mary Shelly wrote Frankenstein in a time of wonder. A main wonder was whether you could put life back into the dead. Close to the topic of bringing life back into the dead was whether you could create your own being, like selective breeding but a bit more powerful.
Shelley, Mary. Frankenstein or the Modern Prometheus. Edited with an Introduction and notes by Maurice Hindle. Penguin books, 1992
Shelley, Mary. Frankenstein. Ed. J. Paul Hunter. New York: W. W. Norton & Co, 1996.
He toils endlessly in alchemy, spending years alone, tinkering. However, once the Creature is brought to life, Frankenstein is no longer proud of his creation. In fact, he’s appalled by what he’s made and as a result, Frankenstein lives in a perpetual state of unease as the Creature kills those that he loves and terrorizes him. Victor has realized the consequences of playing god. There is irony in Frankenstein’s development, as realized in Victor’s desire to destroy his creation. Frankenstein had spent so much effort to be above human, but his efforts caused him immediate regret and a lifetime of suffering. Victor, if he had known the consequences of what he’s done, would have likely not been driven by his desire to become better than
Frankenstein is actually about the friendship of the soul. Without this basic need the body either withers away and dies or turns to another source, like murder or drink, to fill the hole. Both fatalities can be seen in the story, with Victor's friendship and the monster's anger. Neither one fills the gap in their soul, but eventually consumes them until they die.
Over two centuries ago, Mary Shelley created a gruesome tale of the horrific ramifications that result when man over steps his bounds and manipulates nature. In her classic tale, Frankenstein, Shelley weaves together the terrifying implications of a young scientist playing God and creating life, only to be haunted for the duration of his life by the monster of his own sordid creation. Reading Shelley in the context of present technologically advanced times, her tale of monstrous creation provides a very gruesome caution. For today, it is not merely a human being the sciences are lusting blindly to bring to life, as was the deranged quest of Victor Frankenstein, but rather to generate something potentially even more dangerous and horrifying with implications that could endanger the entire world and human population.
As creators of another creature, God and Victor Frankenstein are very similar, in that they both lose part of their "family," and they let the war between them and their creations go on too long. Victor says, " I collected bones from charnel houses; and disturbed, with profane fingers, the tremendous secrets of the human frame." This shows that he creates the monster out of corpses, just as God creates Satan. Furthermore, Victor is disgusted with his own creation, "the beauty of the dream vanished, and breathless horror and disgust filled my heart." Victor rejects the monster, similar to God's disgust with Satan's pride. The monster wreaks havoc on the Victor's life, "; I called myself the murderer of William, of Justine, and of Clerval," leaving him with a burden of guilt, just as God loses his angels to Satan, Victor loses his family and friends to the monster. Victor at some point feels even more guilt because he didn't destroy the monster earlier. If God could so easily order the fallen angels to be pushed out of Heaven, why did he let the war go on for three days? This truly is remarkable, two novels of different time periods, with characters of startling resemblance.
The monster of the novel is often misattributed with the name, “Frankenstein.” However, Victor Frankenstein can ultimately be considered the true monster of this tale. His obsession would lead to the corruption of his soul and the creation of two monsters—one himself, and the other, the creature. In attempting to take on the role of God, nature would become a monster to Victor and destroy his life. These elements of monstrosity in Frankenstein drive the meaning of its story.
At first glance, the monster in Frankenstein is a symbol of evil, whose only desire is to ruin lives. He has been called "A creature that wreaks havoc by destroying innocent lives often without remorse. He can be viewed as the antagonist, the element Victor must overcome to restore balance and tranquility to the world." But after the novel is looked at on different levels, one becomes aware that the creature wasn't responsible for his actions, and was just a victim of circumstance. The real villain of Frankenstein isn't the creature, but rather his creator, Victor.
Throughout the novel, Victor Frankenstein strives for a chance to further science by creating a life on his own. Frankenstein 's ambition causes him to passionately work to create the life that brings him power. In the novel, science exists as a powerful entity which shows Frankenstein the dangers it could have if uncontrolled. Using his scientific mind to construct life, Frankenstein immediately gains dominance over the society. By creating life, Frankenstein places the work of God into his own hands and he uses