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Analysis of hamlet by shakespeare
Analysis of Hamlet characters
Shakespeare language techniques
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Hamlet, a play written by William Shakespeare, is one of his most widely know plays and contains the famous “To be or not to be” quote. Hamlet’s first soliloquy, “Too, too solid flesh”, presents the audience with Hamlet’s innermost feelings. The soliloquy displays Hamlet’s disapproval and grief, over his mother’s remarriage and his father’s death, through the use of diction and tone.
The lines open up with Hamlet complaining about life and trying to justify his suicidal thoughts. Shakespeare: “O that this too solid flesh would melt thaw and resolve itself into a dew”(I.ii.129-130). He describes the disorder in his world with a querulous tone and begins to become disappointed as well as doleful. Shakespeare writes: “That grows to seed, things rank and gross in nature possess it merely”(I.ii.136). Everything good in Denmark becomes corrupt because Claudius is king. Subsequently, his tone transitions into becoming sarcastic as well as reminiscent. Shakespeare writes: “So excellent a king…so loving to my mother”(I.ii.139-140). He elaborates on his mother and father’s passionate love. Although he explains this love with pride, he also describes his mother’s love with a more sardonic tone because she didn’t even wait until “ere those shoes {worn at funeral} were old” to forget about his father (I.ii.147). With this in mind, Hamlet describes Gertrude and Claudius’ marriage: “With such dexterity to incestuous sheets. It is not nor it cannot come to any good”(I.ii.157-158). In this quote, Hamlet expounds upon their incestual marriage and his ominous thought about Gertrude and Claudius’ fates.
Juxtaposition, through the use of literary devices such as similes, metaphors and homonyms, is integral to the making of this soliloquy becaus...
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...ioned, his mother.
From what has been said, it can be concluded that through juxtaposition and tonal changes, Shakespeare was able to depict Hamlet’s innermost feelings as well as show him as a three-dimensional character. Hamlet’s own feelings are cast out to the audience. His deepest darkest secrets are shared with the audience. His hatred for his uncle, disappointment for his mother and grief for his father interchangeably change the tone of the passage, leaving Hamlet more than ever confused and not at a peace of mind. He ends with, “But break my heart, for I must hold my tongue”(I.ii.158). The soliloquy ends on a silent note and Hamlet vows not to speak of his intentions again, in fear of shaming his state and family.
Word Count: 598
Works Cited
Shakespeare, William, André Gide, and Jacques Schiffrin. Hamlet. New York: Pantheon, 1945. Print.
Elizabeth Kubler-Ross developed a theory based on what she perceived to be the stages of acceptance of death. Her theory has been taken further by psychologists and therapists to explain the stages of grief in general. Kubler-Ross identified five stages: denial and isolation, anger, bargaining, depression, and acceptance, as happening in that order. In William Shakespeare’s Hamlet, Hamlet exhibits all five stages of grief, we can assume in relation to the recent death of his father, but not necessarily in this order, and in fact the five seem to overlap in many parts of the play.
Shakespeare illustrates Hamlet’s thoughts by showing a huge difference in the communicated thoughts employed in the back to back scenes. In Scene 3, Hamlet concluded the scene with intense feelings of anger and motivation to kill, although he was reluctant to act when he had the opportunity to take down Claudius. Shifting over to Scene 4, Hamlet is much calmer while speaking to Gertrude, but maintains a sense of cruelty and judgment within the words he uses to criticize and compare himself to his mother. In both scenes, Hamlet displays an enormous amount of respect for his father by reminding himself and others of what they have done to wrong the previous
After the death of Old Hamlet and Gertrude’s remarriage to Claudius, Hamlet feels extremely angry and bitter. “How weary, stale, flat, and unprofitable / Seem to me all the uses of this world!” (1.2.133-134). Due to the death of his father, he is already in a state of despair and the lack of sympathy that his mother has towards his sorrow does not aid him in recovering from this stage of grief. “Good Hamlet, cast thy knighted colour off, / And let thine eye look like a friend on Denmark” (1.2.68-69). Hamlet is struggling to accept the fashion in which Gertrude is responding to the death of Old Hamlet; she seems quite content with her new life with Claudius, which is a difficult concept for him to accept as after the d...
According to Webster’s Desk Dictionary, grief is defined as “keen mental suffering over affection or loss” (397). Various characters in Hamlet choose to deal with grief in different ways, with many of their methods harmful in the end. Ophelia is dealt two setbacks during the course of the play, one being her father’s death and the other being Hamlet’s disrespectful treatment. Her brother Laertes must also deal with Polonius’s death, as well as Ophelia’s. From the beginning of the play, Hamlet grieves over his father’s murder. His grief is what sparks his quest for revengeand his battle to kill Claudius.
King and Queen that he has "lost all mirth," in this world so "foul and
"’Tis not alone my inky cloak, good mother, / nor customary suits of solemn black / [ . . . ] but I have that within which passeth show; / these but the trappings and the suits of woe” (Shakespeare 1.2.76-73, 85-86) says Hamlet when confronted about his way of grieving over his father’s recent death. Shakespeare’s play Hamlet is a remarkable tale that is centered on the idea of death and grief. While death is a universal occurrence, meaning every person will deal with it, how we grieve after a loss is completely individual. To look at a formula of grief, most turn to the five stages of grief developed by Elizabeth Kubler-Ross, a psychiatrist, who studied the topic in her book On Death and Dying. This model consists of denial, anger, sadness, bargaining, and acceptance, although the duration and order of the stages are different for every person. In Shakespeare’s play Hamlet the stages of grief are evident in his sadness, anger, and finally acceptance.
Hamlet possesses an uncomfortable obsession with his mother’s sexuality. For this reason, Hamlet’s soliloquies provide most of the audience’s information about Gertrude’s sexual activities. In his first soliloquy, Hamlet refers to the relationship between Gertrude and Claudius when he exclaims, “Within a month…She married. O, most wicked speed, to post / With such dexterity to incestuous sheets!” (I, ii, 153-157). In saying this, Hamlet displays how hastily Gertrude has abandoned the late King Hamlet, Hamlet’s father, such that she has already married Claudius, Hamlet’s uncle. In addition, Hamlet acknowledges that Gertrude and Claudius have quickly developed a very sexual relationship. Despite the very recent death of her husband, Gertrude is unable to control her sexual desires, and she remarries less than two months after King Hamlet’s funeral.
William Shakespeare’s Hamlet is laden with tragedy from the start, and this adversity is reflected in the title character. Being informed of his father’s murder and the appalling circumstances surrounding the crime, Hamlet is given the emotionally taxing task of avenging his death. It is clear that having to complete this grim undertaking takes its toll on Hamlet emotionally. Beginning as a seemingly contemplative and sensitive character, we observe Hamlet grow increasingly depressed and deranged as the play wears on. Hamlet is so determined to make his father proud that he allows the job on hand to completely consume him. We realize that Hamlet has a tendency to mull and ponder excessively, which causes the notorious delays of action throughout the play. It is often during these periods of deep thought and reflection that we hear one of Hamlet’s famous soliloquies, which are obviously relative to Hamlet’s apprehensions and worries surrounding his current situation. The seven soliloquies throughout the play offer insight pertaining to the deteriorating mental state of Hamlet, and the circumstances which induce his decent into madness.
Claudius begins his speech with an acknowledgement of Hamlet’s death and his own marriage to Gertrude. Claudius claims that the “green” memory of his “dear brother’s death” “befitted” Denmark to contract into “one brow of woe” (1.2). Despite Claudius’ affectionate reference to Hamlet, his hypocrisy is transparent. The colour imagery reveals the freshness of Hamlet’s death. The metaphor used suggests the kingdom is expected to unite and share the grief over its loss but the diction in “befitted” hints Claudius disapproval of expected mourning rites, causing the audience to doubt his sincerity. Furthermore, Claudius adds that “discretion fought with nature” causing him to think of Hamlet together with a “remembrance of [himself]” (1.2). The metaphorical conflict between “discretion” and “nature” contrasts Claudius’ hasty marriage to the expected mourning after Hamlet’s death. Moreover, in Claudius’ statement, the dependen...
His first words in the play is an aside saying "A little more than kin and less than kind" (Shakespeare. 1.2.64-65). Hamlet is already distrustful of those around him, shown in the way Shakespeare uses an aside. This displays a lack of trust and ability to speak his mind out loud. Due to the death of his father and the quick and untimely coronation of Claudius as the new king, Hamlet becomes hostile and distrustful of the people around him as people tell him to move forward and accept his father 's death, just as they have. While he believes his sorrow and mourning is genuine, Hamlet discloses to his mother that the other 's mourning is fake and only "seems"(1.2.83) real. Hamlet believes that their loyalty is fickle and unreliable, there by isolating himself and relying on his inner circle of friends and family to deal with his loss and to loss that support, would leave Hamlet
Shakespeare’s Hamlet shows a unique mother and son relationship between Gertrude and Hamlet. Stemming from the death of King Hamlet, Hamlet’s depiction of his mother signals a heinous relationship amongst the two. Hamlets and Gertrude relationship looks complicated, but Gertrude still considers Hamlet as her son. After the marriage of Gertrude and Claudius, her affection towards Hamlet is not encountered, excluding for when she questioned his dark demeanor, “Good Hamlet, cast thy nighted colour off, And let thine eye look like a friend on Denmark” (I, II, 68-69). Initially in the plot, Hamlet realizes that his mother is completely oblivious and naïve to her relationship with King Hamlet. Her questioning Hamlet’s character indicates that she
Readers are first given insight to Hamlet’s most inward thoughts in Act I, Scene 2. At this point in the play, Hamlet’s mother and uncle, Queen Gertrude and Claudius, have just announced their marriage. For the past few months, Hamlet has been grieving incessantly at the abrupt loss of his beloved father and king. In the eyes of the Queen and new King, Hamlet has mourned sufficiently and their marriage is in attempt to end the depressing state of the kingdom. Hamlet’s uncle, now step-father, even goes as far as saying Hamlet is acting like a stubborn girl for his prolonged misery, urging him to cease his weeping. Once his mother and uncle leave the stage, Hamlet mulls over the current situation. He starts off by stating that he longs to simply cease to exist, that his flesh would disintegrate back into the earth. He knows that the Lord condemns suicide, but wishes it was allowed for his sake. These first two lines point to Hamlet’s suicidal tendencies and his lack of self-esteem and self-worth. Not only does he have a low opinion of his own life, but he compares the world in his day to an “unweeded garden” that has produced and fostered a vile and corrupt humanity. At this point, existence to him seems lifeless and insignificant, cla...
Towards the end of the play, Hamlet becomes enraged and accuses his mother for marrying his uncle in such a short time after his father’s death. The incestuous relationship suggest that his mother might have been involved in her husband’s murder, which is more reason to kill Claudius. Gertrude is a loving figure that is unable to understand Hamlet’s delicate state. Her way of solving problems is by isolating those that confront her, instead of analyzing her own mistakes and owning up to them. When Hamlet walks into his mother’s bedroom, he kills Polonius who is hiding behind the arras, and compares the murder to his mother’s guilt. “A bloody deed! Almost as bad, good mother, / As kill a king, and marry with his brother” (3.4.28-29). The queen cannot handle and truth and tells Hamlet to stop speaking. “O Hamlet, speak no more: / Thou turn’st mine eyes into my very soul, / And there I see such black and grained spots / As will not leave their tinct” (3.4.89-92). It’s a similar reaction of guilt, like Claudius who didn’t want to continue seeing the murder play because he didn’t want to accept the reality of his crime. In another instance, the queen decides to send Hamlet to England to prevent another death. Here, her solution is cowardly and says a lot about her character. She is inclined to go for the easy way out, rather than finding a solution to the huge mess she’s caused. In this scene, the reader can apply Gertrude as the antithesis to Hamlet. Unlike Hamlet who considered ethical and an innocent young man, Gertrude is described as traitor, wicked woman, and an adulterate. Her lust and external pleasures have impacted her family greatly and those she governs over. She is a shallow woman who does not see the consequences of her decisions. Even though she is at the highest level of authority, she seems to lack the most important qualities of a royal ruler: integrity and
Claudius is seen in Hamlets eyes as a horrible person because he convicted murder and incest. Claudius had killed the king of Denmark, Old Hamlet, to obtain the position of the throne. He had been jealous of Old Hamlet’s wife Gertrude and wanted to marry her for her power. Although, such an act would be called incest and considered unnatural he did not care, all he had cared about was the power that he would be stealing from Hamlet and Old Hamlet, Gertrude’s son and husband (R). When Hamlet had talked to his f...
Hamlet is one of the most often-performed and studied plays in the English language. The story might have been merely a melodramatic play about murder and revenge, butWilliam Shakespeare imbued his drama with a sensitivity and reflectivity that still fascinates audiences four hundred years after it was first performed. Hamlet is no ordinary young man, raging at the death of his father and the hasty marriage of his mother and his uncle. Hamlet is cursed with an introspective nature; he cannot decide whether to turn his anger outward or in on himself. The audience sees a young man who would be happiest back at his university, contemplating remote philosophical matters of life and death. Instead, Hamlet is forced to engage death on a visceral level, as an unwelcome and unfathomable figure in his life. He cannot ignore thoughts of death, nor can he grieve and get on with his life, as most people do. He is a melancholy man, and he can see only darkness in his future—if, indeed, he is to have a future at all. Throughout the play, and particularly in his two most famous soliloquies, Hamlet struggles with the competing compulsions to avenge his father’s death or to embrace his own. Hamlet is a man caught in a moral dilemma, and his inability to reach a resolution condemns himself and nearly everyone close to him.